In this final teaching conference of the Organs and Origins series co-sponsored by the College of Science and the McGrath Institute for Church Life, scientists, philosophers and theologians will come together to consider the question of purpose and meaning in the universe. Is it merely a projection of human striving onto the cosmos? Or is there something more about it which can contribute to our understanding and to the dialogue between the sciences, philosophy and theology? Through generous funding from the John Templeton Foundation, 29 stipended fellowships are available for faculty and graduate students from across the disciplines who seek to enrich their teaching and research through this learning experience. Click here for more information and to register   Originally published at mcgrath.nd.edu.

Hackathon Overview The Hesburgh Libraries Hackathon challenges teams of 2-4 Notre Dame undergraduate students to design, create, and present a solution to everyday problems. The 2025 theme is "We Rise Together: Coding for a Better Collective Future." Teams will develop solutions that leverage technology to discover, visualize, or create connections among people, ideas, data, and more. When & Where April 4 – 6Hesburgh Library April 4, 6pm – 7pmOrientation and PizzaCompetition Begins April 5, noon – 6pmTeam Roster and Project Description Form DueSupper Available April 6, noon – 3pmLunchLightning Talks, Judging, Raffles, Awards See the full schedule. Prizes Teams showcase their projects in lightning talks, with the top entries garnering awards. 1st Place – $3,0002nd Place – $2,0003rd Place – $1,000Honorable Mention(s) – $500 See previous Hackathons. Click here to download the event poster.

Students, explore campus and build connection with another student during a shared walk! Each week you may sign up to join a shared walk by 9:00 p.m. Wednesday. The next day, Thursday, you will receive an email pairing you with your walking partner. You with both decide on a location and time to meet up on Friday. Discussion guides are provided. Sign up at bit.ly/nd-sharedwalk. Originally published at mcwell.nd.edu.

Scholars have been thinking about the Roman empire for a long time, offering a variety of theories and explanations for Roman imperialism. Too often, however, they have taken the writings of the ancient historians simply at face value. The object of this conference is to examine the attitudes toward Roman imperialism on the part of Greek historians writing under the Roman empire, and to compare these views and their evolution over time with those found in Latin historical writing. The conference offers an innovative approach by integrating historiography with the study of Roman imperialism. Organizers: Christopher Baron (University of Notre Dame)Anders Holm Rasmussen (University of Copenhagen) List of speakers: Sulochana Asirvatham (Montclair State University)Christopher Burden-Strevens (University of Kent)Jessica Clark (Florida State University)Cynthia Damon (University of Pennsylvania)Jon Davies (University of Copenhagen)Jennifer Gerrish (College of Charleston)Caitlin Gillespie (Brandeis University)Kyle Khellaf (UC Riverside)Mads Ortving Lindholmer (Danish Institute in Rome)Regina Loehr (Washington University in St. Louis)Jesper Majbom Madsen (University of Southern Denmark)Kit Morrell (University of Queensland)Josiah Osgood (Georgetown University)Antonio Pistellato (Università Ca’Foscari Venezia)Anders Holm Rasmussen (University of Copenhagen)Andrew Scott (Villanova University)Kathryn Welch (University of Sydney)Liv Mariah Yarrow (Brooklyn College) Sponsors: Institute for Scholarship in the Liberal Arts, Notre Dame Independent Research Fund Denmark (DFF) Department of Classics, Notre Dame Department of History, Notre Dame Originally published at classics.nd.edu.

The University of Notre Dame’s Department of Art, Art History & Design is proud to present its annual MFA thesis exhibition, highlighting the culminating work of four graduate students set to earn their Master of Fine Arts degrees in May 2025. This highly anticipated exhibition will be displayed in two groups, each offering a distinct and engaging artistic experience. The first exhibition will run from February 28 to March 20 at the AAHD Galleries (214/216 Riley Hall), featuring the thought-provoking works of Thomas Callahan and Emma Ryan. An opening reception will be held on Friday, February 28, from 5 to 7 pm, providing an opportunity to meet the artists and experience their work firsthand. The second exhibition will showcase the exceptional pieces of Norah Amstutz and Griffin Liu, on display from April 3 to April 16 at the AAHD Galleries. The opening reception for this group will take place on Friday, April 4, from 5 to 7 pm. This annual exhibition is a celebration of creativity, dedication, and artistic vision, offering visitors a glimpse into the future of contemporary art. We invite you to join us in supporting these talented emerging artists and experiencing their extraordinary work. Originally published at artdept.nd.edu.

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

Join us for James Bennett's senior recital.  Works by Scriabin, Beethoven, and Chopin. This concert is free and open to the public.  Watch a livefeed. Originally published at music.nd.edu.

As part of the Keough-Naughton Institute's spring 2025 speaker series, Professor John Morrison will deliver a lecture titled "Presbyterian Martyr John Brown of Priesthill and the Disruption." Lecture Abstract  In 1843 the presbyterian Church of Scotland split along ideological lines. The dispute centered on the question of 'patronage,' or who had the power to appoint any given individual minister: the congregation of the church he was being appointed to, or the principal local landowner. Around forty percent of all incumbent ministers walked out of the Church of Scotland over the issue and established the Free Church. This arcane piece of exclusively Scottish history was a major event in Scotland but not hugely significant (or, apparently, terribly interesting) However, it is more thought provoking than it initially appears. At the time, the 'Disruption' of the Kirk occasioned much literature and painting on and around the event, and the 1844 painting in the Raclin Murphy collection, Thomas Duncan’s sketch for The Death of John Brown of Priesthill relates directly, if metaphorically. Duncan’s subject is historical: depicting an event in the late 17th century, it is about sometimes extremist presbyterian belief, political power and revolution. In this lecture, Professor John Morrison will consider the painting, its 17th century subject, its relevance to its 19th century context, and its relationship to Ireland, Scotland and Notre Dame. Speaker Biography John Morrison took a Ph.D. in Art History at the University of St Andrews in Scotland. Following a period at the Yale Center for British Art in Connecticut working on the success of the ‘Glasgow Boys’ in the USA in the late nineteenth century, Professor Morrison joined the Art History Department at the University of Aberdeen in 1992. He went on to be Head of the School of Divinity, History and Philosophy and Director of teaching and learning for Arts and Social Sciences. From July 2019 he became Head of the School of History and Heritage at the University of Lincoln. He has appeared regularly on radio and television and published several monographs on Scottish art and cultural history, including Painting the Nation (EUP), Painting Labour in Scotland and Europe 1850-1900 (Ashgate) and Land and Landscape (Sansom). He is currently working on a volume of historical sources for nineteenth-century Scottish painting for Routledge. This event is co-sponsored by the Raclin Murphy Museum of Art. Originally published at irishstudies.nd.edu.

Classics in the BrowningDirected by Alfred HitchcockWith James Stewart, John Dall, Farley GrangerRated PG, 80 minutes, Blu-raySolomon Gottfried (Bass), Jacob Sacks (Piano), and Connor Parks (Drums) are New York-based jazz musicians who explore original works, create spontaneous improvisations, and investigate the unexpected. The trio will be live-scoring Alfred Hitchcock's Rope, one of his limited setting films that zone in on a single location (e.g., an apartment or lifeboat) to heighten the tension. Lifting that high concept even higher, Hitchcock shot the film to appear to be in real time, a feat in the pre-digital era. The plot itself has Leopold and Loeb's fingerprints on it as two smart young men (John Dall and Farley Granger) try to commit the perfect murder; however, their former prep school headmaster (James Stewart) is on the case and gives the men plenty of rope to hang themselves. GET TICKETS

Notre Dame’s flagship vocal ensemble presents a wide mix of choral masterpieces from the Renaissance to the 20th century.This concert will celebrate the 50th anniversary of the Chorale and the 32 years Alexander Blachly, who is retiring in June, has been the Chorale's director. The program will feature great works by Handel, Bach, Schubert, Schumann, Debussy, and Stravinsky. The first half of the program will feature Paivi Ekroth as piano accompanist. The second half will feature the Festival Baroque Orchestra in choral masterpieces by Handel and Bach. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.