This event welcomes back Kroc Institute alumna Rosette Muzigo-Morrison (M.A. '93), legal officer at the United Nations International Criminal Tribunal for Rwanda, located at the Hague, Netherlands. Muzigo-Morrison will highlight several notable world events that coincided with her arrival at Notre Dame in the early 1990s— the collapse of the Berlin Wall to the release of Nelson Mandela and an end to apartheid in South Africa to the disintegration of the former Yugoslavia. Despite these developments, a united resolve to work for human dignity has been stifled. Muzigo-Morrison will also address the concerns surrounding forgotten wars in Cameron, South Sudan and Sudan, Ethiopia and Syria, the rise of white supremacist governments in Europe, and implications for the future. Anne E. Hayner, associate director for alumni relations, will provide an introduction. Originally published at kroc.nd.edu.

The Medieval Institute is pleased to present the eighteenth lecture in the Graduate Student Invitation Series with Hanna Gentili (University of Hamburg, Institut für Jüdische Philosophie und Religion), who will be speaking on "Natural Philosophy in the Arabic-Hebrew-Latin Landscape: Deconstructing and Reconstructing the Corpus." About the Talk Averroes’ works received their authoritative form in Latin in the Renaissance printed projects, culminating in the mid-sixteenth century Giunta editions. From this moment, up to modern editions, Averroes’ text remained “frozen in place.” But in reality, it was never like that. Dynamic and fluid, Averroes’ works were constantly evolving, circulating in various forms already in the Arabic world. This complication escalated as they reached the Latin world, often via the mediation of Hebrew, as further hands became involved. Finally, there was the hidden space that occupied the transitions from manuscript to print. Through a series of examples on the macro and micro levels, my talk will breathe life into this process, with focus on Averroes’ natural philosophy. I will argue that examining the texts across languages and media has philosophical and historiographical implications, and that we should adopt new methods to better understand philosophy and its study in premodern circles.  About the Speaker Hanna Gentili (Ph.D, Warburg Institute) is a historian of Medieval and Renaissance Philosophy. Her research focuses on the consolidation and circulation of the Hebrew philosophical corpus in manuscript and early print. She is currently a Research Associate at the University of Hamburg where she is working on Averroes’ natural philosophy in Hebrew and Latin within the ERC Project HEPMASITE (Hebrew Philosophical Manuscripts as Sites of Engagement). Before joining the University of Hamburg, she worked at the crossroads of philosophy and kabbalah in the Digital Humanities project Ilanot and in 2023 she was the curator of the Hebrew collections at the British Library. Her first monograph—about the philosophical notebook of the fifteenth-century Jewish intellectual Yoḥanan Alemanno in the context of the Italian Renaissance and Jewish philosophical training—is currently in preparation. Originally published at medieval.nd.edu.

The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is inaugural director of the Georgetown Humanities Initiative and professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

True crime and the TV movie were familiar companions, and the rise of sensationalized trials (and access to their footage) made for a string of ripped-from-the-headlines adaptations during the early 1990s. While attending Saint Mary's in the mid-1960s, Betty Bisceglia (Meredith Baxter) met her future husband, Dan Broderick (Stephen Collins), who was studying to become a medical doctor at Notre Dame. Eventually the two married and relocated to San Diego, where Dan became a high-profile attorney. As their marriage deteriorated, a bitter divorce and escalating threats of violence led to a murder that fascinated the nation. GET TICKETS!  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Join the McGrath Institute for Church Life for a special book launch and lecture on "The Concept of Woman: A Synthesis in One Volume" by Sr. Prudence Allen, RSM. Topics of discussion will include the development of a philosophically coherent concept of woman from the pre-Socratics to the 20th-century personalists. Brief presentations will be led by Sr. Ann Astell, Ph.D., John Cavadini, Ph.D., and Abigail Favale, Ph.D., with a response by the author, Sr. Prudence Allen, RSM. Originally published at mcgrath.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Sacred Music Notre Dame, the Singing Irish of Sacred Music at Notre Dame, members from the Notre Dame Children's Liturgical Choir, and the Sacred Music Festival Orchestra perform Haydn's The Creation (1798). Drawing from the books of Genesis, Psalms, and John Milton's epic Paradise Lost to represent the six days of creation, Haydn was inspired to compose his first oratorio, now an iconic Western masterwork, after a Handel festival including Messiah. His colorful, imaginative, and tremendously satisfying choruses are favorites among choral singers and music lovers. GET TICKETS  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Many ways exist to give shape to the phenomenon that was Frozen, from the $1,250,000,000 it grossed at the box office to its fast adaptation to a theme park ride and Broadway musical. Perhaps most telling is the sheer volume of folks who can sing the soundtrack with little baiting. As such, our screening will be the sing-along version of Frozen so warm up those pipes for a group karaoke experience. Nothing else is added to the story known well other than the lyrics as subtitles; it's still sisters Anna (Kristen Bell) and Elsa (Idina Menzel) trapped in an unending winter with Anna venturing with Kristoff (Jonathan Groff) and friends to break the spell keeping them below zero. GET TICKETS!  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.

Christopher Holman presents eight centuries of organ music from the Roman Catholic tradition, performed on the tremendous Murdy Family Organ in the Basilica of the Sacred Heart in broadly chronological order. From the earliest written keyboard music (Robertsbridge Codex, c. 1360) through British composer Caitlin Harrison's 2022 chorale prelude on the Dominican Order's Salve Regina, the program will feature music by J.S. Bach, Charles-Marie Widor, Dieterich Buxtehude, Sor María Clara de Oaxaca, Elisabeth Lutyens, works from the time of the American Revolution, and more, demonstrating how the organ, as Widor famously said, can truly bring about a "vision of eternity." This event is free to attend and not ticketed.  

Despite Sikkink's previous claims that we have entered an age of accountability with a “justice cascade” of human rights prosecutions, her most recent data show that there has been a marked decline in domestic, foreign, and international prosecutions worldwide after peaking in 2010. In the talk, she will discuss how changes in both the conditions for the demand and the supply of accountability have contributed to this new trend of declining prosecutions, especially because of the retrocession of liberal democracies.     This lecture is part of a larger series organized by Faculty Fellows Scott Mainwaring and Karrie Koesel entitled “Perspectives on World Politics.” Since its inception in 2016, this series aims to spotlight the Kellogg Institute’s strength in comparative politics by featuring distinguished scholars who speak on a topic related to each year’s theme.   More information here 

The Notre Dame Children's Choir is excited to perform holiday favorites as featured guests with The Bergamot in this holiday tradition at the Morris Performing Arts Center!The BergamotTickets available at: https://morriscenter.org/event/the-bergamot-south-shore-christmas/ Originally published at sma.nd.edu.

Notre Dame Children's Choir performs with the South Bend Symphony Orchestra.Tickets for $13 - $25 are available. Originally published at sma.nd.edu.

Democratic erosion can be stopped. There are good theoretical reasons and first empirical evidence for that. However, stopping democratic erosion is not equivalent to democratic recovery. What possible trajectories are there for the post-erosion phase? How can democratic recovery—as one of them—be captured? These questions have not been found sufficient attention but are highly relevant for developing strategies of post-erosion democratic reconstruction. This lecture presents a framework covering these questions and thus offering an approach for addressing post-erosion developments.Kellogg Lecture by Marianne Kneuer.   More information here

Join us for an insightful fireside chat featuring Volodymyr Turchynovskyy, dean of the social sciences faculty at the Ukrainian Catholic University, in conversation with Nitesh Chawla, founding director of the Lucy Family Institute for Data & Society. The conversation will explore the unique challenges and triumphs of leading a university during wartime while simultaneously advocating for freedom and preparing for postwar recovery and a secure future. It will also serve as a continuation of the ongoing UCU-ND dialogue—a partnership that began 20 years ago and has proven invaluable, particularly during challenging times. Additionally, it builds on Professor Nitesh Chawla’s recent visit to UCU to further deepen our understanding of resilience and leadership in higher education. This event is co-sponsored by the Lucy Family Institute for Data & Society and the Nanovic Institute for European Studies.About the SpeakerVolodymyr Turchynovskyy is the dean of the faculty of social sciences at the Ukrainian Catholic University and a returning visiting scholar at Notre Dame’s Nanovic Institute for European Studies. Recently (September 2024), he contributed to and edited Resilient Universities, a newly published book in the Integral Human Development series—a collaborative project between UCU and Notre Dame.Professor Turchynovskyy holds a Ph.D. in Philosophy from the International Academy of Philosophy in Liechtenstein. His academic focus includes moral philosophy, the impact of wartime disruptions, and the role of integral human development in advancing postwar recovery. Throughout his career, he has demonstrated thoughtful leadership, promoted ethical discourse and strengthened the resilience of Ukrainian higher education institutions, even in the face of crisis.

Known as a master of homage and genre, director Peter Strickland has focused on Jess Franco with his The Duke of Burgundy and James Bidgood with his Black Narcissus. What seems to be Strickland's fastball, though, is channeling his love for and appropriating Italian giallo films. As he would later do in In Fabric, which is essentially Suspiria set at a Macy's, Strickland quotes giallos while adding his own notes of camp and extremes. Here, an English foley artist (Toby Jones) is brought to Rome to complete the sound for an Italian horror film in 1970s Rome. Completing the jobs, however, may cost him both his sanity and his life. GET TICKETS!  

In 2024, over 70 countries held elections, with more than half of the world's population participating. This panel will explore global election results from a comparative perspective and reflect on what they reveal about the state of democracy. Featuring expert insights on key regions, Victoria Hui (Asia), Scott Mainwaring (Latin America), Dianne Pinderhughes (USA), Marc Jacob (Europe), and Bernard Forjwuor (Africa), the discussion will cover elections in nations like India, South Africa, Poland, France, the UK, Venezuela, and the U.S. Moderated by Dean Mary Gallagher of the Keough School of Global Affairs, the event will draw broad themes and collective takeaways about the health of global democracy in 2024. Dave Campbell, Director of the Notre Dame Democracy Initiative, will offer introductory remarks. A welcome reception with light refreshments will begin at 5:30 pm, and the panel will begin at 6:00 pm. The event is free and open to the public. This event is sponsored by the Notre Dame Democracy Initiative, and co-sponsored by the Kellogg Institute for International Studies and the Rooney Center for the Study of American Democracy. Originally published at rooneycenter.nd.edu.

This event brings together a diverse array of Notre Dame voices with personal and professional relationships to the current conflict. From their distinct vantage points as scholars, practitioners, and individuals with deep ties to the region, panelists will describe their experiences, how they are processing what is happening, and what they hope and expect for the future. The evening fireside chat intends to create a safe space for the Notre Dame community to engage in this challenging, but necessary, conversation. Featuring:Daniel Bannoura, Palestinian Theologian; Ph.D. Candidate, Department of Theology Ramzi Bualuan, Teaching Professor and Director of Undergraduate Studies, Department of Computer Science and Engineering Gabriel Mitchell, Director of Undergraduate Studies, Notre Dame Jerusalem Ray Offenheiser, Senior Advisor to the Dean, Keough School of Global Affairs; Director, McKenna Center for Human Development and Global Business Atalia Omer, Professor of Religion, Conflict, and Peacebuilding, Keough School of Global AffairsModerator:  Michael Desch, Packey J. Dee Professor of International Relations and Brian and Jeannelle Brady Family Director of the Notre Dame International Security CenterA reception will follow the panel discussion. Originally published at forum2024.nd.edu.