19th-Century Women’s Culture Through the Life and Work of Esmeralda Cervantes Discussion and Panel Join Rare Books & Special Collections from 3:30 to 4:30 p.m. for a panel and discussion on the fascinating life of Catalan harpist Esmeralda Cervantes (born Clotilde Cerdá, 1861–1926), moderated by Latin American and Iberian Studies Librarian and Curator Payton Phillips Quintanilla. A child prodigy who toured the Americas in the 1870s, Cervantes meticulously documented her vast network of friends and acquaintances across Europe and the Americas in two personal friendship albums: scrapbooks filled with photographs, autographs, drawings, letters, poetry, and other keepsakes. One album resides at the Biblioteca de Catalunya, and the other is held by the University of Notre Dame. Our guest speakers, Lorena Fuster, University of Barcelona, Philosophy; Merli Marlowe, Barcelona-based film director; Vanesa Miseres, University of Notre Dame, Romance Languages & Literatures; and Erika Hosselkus, University of Notre Dame, Hesburgh Libraries, will use Cervantes’ unique case to explore broader themes of library archives, 19th-century women's sociability, the public and private conversations shaping women's lives, and the nascent stages of transnational feminisms. The panelists will also share how these remarkable albums brought them together for their ongoing academic and creative projects centered on Cervantes. Hands-On Workshop and Reception After the panel, attendees are invited to attend a reception from 4:30 to 5:30 p.m. in the Hesburgh Library Scholars Lounge to continue the conversation over light refreshments and engage in a hands-on activity to create their own album pages. Presenters:Lorena Fuster, University of Barcelona, Philosophy — Lorena Fuster is a professor of Philosophy and Feminist Theory at the University of Barcelona. Her research and publications focus on topics that link contemporary philosophy with cultural history. She currently directs the project "The Forgotten Legacy of Clotilde Cerdà/Esmeralda Cervantes: An International Avant-Garde Presence."Merli Marlowe, film director, Barcelona — Merli Marlowe is a singer and filmmaker, and has also written and directed television series and podcasts. She is currently working on a documentary about the harpist Esmeralda Cervantes in collaboration with Lorena Fuster. As a musician, she is the lead singer of the band Les Rencards, with whom she recently released the album Angles morts.Vanesa Miseres, University of Notre Dame, Romance Languages & Literatures — Vanesa Miseres specializes in the cultural and literary landscapes of 19th- and early 20th-century Latin America, with her research and teaching exploring diverse topics such as travel writing, war literature, women writers, and gender, cultural, and food studies. She is the author of Mujeres en tránsito: viaje, identidad y escritura en Sudamérica (1830–1910) (2017) and Gender Battles. Latin American Women, War, and Feminism (2025). She is also the co-editor of Food Studies in Latin American Literature. Perspectives on the Gastronarrative (2021).Erika Hosselkus, University of Notre Dame, Hesburgh Libraries — Erika Hosselkus is Associate University Librarian for the Distinctive and Academic Collections at Hesburgh Libraries. Her portfolio includes research collections, special collections and archives, metadata, and preservation. Prior to this appointment, Hosselkus served as the curator in Rare Books & Special Collections for Latin American and Iberian Studies, and developed a significant collection for this fast-growing area of study.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.  Sponsored byHesburgh LibrariesFranco Family Institute for Liberal Arts and the Public GoodKellogg Institute for International StudiesOffice of Undergraduate Studies (Teaching Beyond the Classroom Grant)

Join Wisconsin Poet Laureate Brenda Cárdenas for a talk and reading from her art-inspired work. Cárdenas’s remarks will center on “ekphrastic” writing—creative writings that respond to or are inspired by works of art. Her presentation will include projections of artworks that inspired some of her poems and her performance of them. Cárdenas’s campus visit launches “Poets & Art: Ekphrasis at the Raclin Murphy Museum of Art,” a multi-year partnership between the museum and Letras Latinas, the literary initiative of the University’s Institute for Latino Studies (ILS). In addition to her poetry reading, Cárdenas will spend two days at the museum observing, reflecting, and writing a new ekphrastic poem inspired by an artwork on display. On Saturday, September 27, Cárdenas will lead a community-focused ekphrastic writing workshop. Brenda Cárdenas has published ekphrastic poems in her two books Trace (Red Hen Press, 2023) and Boomerang (Bilingual Press, 2009), as well as in literary magazines, and anthologies, most recently in Latino Poetry: The Library of America Anthology. Cárdenas is also co-editor of two anthologies, including Resist Much/Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil Press, 2017). She co-designed and co-taught the inaugural master workshop for PINTURA: PALABRA, a multi-year Letras Latinas initiative in partnership with the Smithsonian American Art Museum. She is professor emerita of English at the University of Wisconsin–Milwaukee where she taught undergraduate and graduate classes and seminars on poetry and the visual arts. Originally published at raclinmurphymuseum.nd.edu.

You are invited to the first conference of the Building Inclusive Growth (BIG) Lab, focused on addressing structural barriers to equitable economic growth in low- and middle-income countries. Thursday, September 25 4:30 p.m. Welcome 4:45 Fireside Chat Introduction by Mary Gallagher, Dean of the Keough School of Global Affairs Dean Karlan, Northwestern University, former chief economist, USAID in conversation with Lakshmi Iyer, BIG Lab Director and Professor of Economics and Global Affairs 6:00 Opening Reception Friday, September 26 8:30 a.m.  Gender, Norms and Work Alejandro Estefan, University of Notre Dame & BIG Lab “Outsourcing Policy and Worker Outcomes: Causal Evidence from a Mexican Ban” Paul Novosad, Dartmouth College “Cultural Capital and Economic Opportunity in Rural India” Danila Serra, Texas A&M University “From Jobs to Careers: Understanding Aspirations, Opportunities, and Barriers Among Working Women in South Asia” Moderated by Brenda Samaniego de la Parra, University of Notre Dame & BIG Lab 10:00 Coffee 10:30 Keynote Address Introduction by James Sullivan, Professor of Economics & Director of the Notre Dame Poverty Initiative Ted Miguel, University of California, Berkeley 11:30 Human Capital Jere Behrman, University of Pennsylvania “Starting Strong: Medium- and Longer-run Benefits of Mexico's Universal Preschool Mandate” Taryn Dinkelman, University of Notre Dame & BIG Lab “Economic and Political Effects of Free Primary Education in Africa” Manisha Shah, University of California, Berkeley “Reducing bias among health care providers: Experimental evidence from Tanzania, Burkina Faso, and Pakistan” Moderated by Rebecca Thornton, University of Notre Dame & BIG Lab 1:00 Keynote Address & Lunch Introduction by Eric Sims, Notre Dame Economics Department Chair Pete Klenow, Stanford University 2:30 Trade & Structural Transformation Rodrigo Adao, University of Chicago Booth School "From Heterogeneous Firms to Heterogeneous Trade Elasticities: The Aggregate Implications of Firm Export Decisions" Heitor Pellegrina, University of Notre Dame & BIG Lab "Directed Innovation meets Economic Development: Embrapa and Brazil's Agricultural Revolution" Jing Zhang, Federal Reserve Bank of Chicago “Deindustrialization and Industry Polarization” Moderated by Jeremy Majerovitz, University of Notre Dame & BIG Lab 4:00 Coffee 4:30 Political Economy Lakshmi Iyer, University of Notre Dame & BIG Lab “Electoral Redistricting in the World’s Largest Democracy” Nancy Qian, Northwestern University “Chinese growth and support for reunification in Taiwan” Enrico Spolaore, Tufts University “Cultural Remittances and Modern Fertility” Moderated by Enrique Seira Bejarano, University of Notre Dame & BIG Lab For more information, visit the event page. Sponsored by the Kellogg Institute at the Keough School of Global Affairs and the Franco Family Institute

In 2002, the Medieval Institute inaugurated a lecture series in honor of Robert M. and Ricki Conway. Robert Conway was a 1966 graduate of Notre Dame and trustee of the University, He was (and his wife Ricki continues to be) a long-time friend and supporter of the Medieval Institute. The annual Conway Lectures bring senior scholars of international distinction to Notre Dame each fall to speak on topics across a variety of disciplines.   The first talk in the 2025 series will be given by Petra Sijpesteijn, professor of Arabic at Leiden University, on "Running the early Islamic Empire: the papyrological evidence."About the Talk In the dry Egyptian desert sands, tens of thousands of Arabic, Coptic and Greek papyri from the first three centuries of Muslim rule in the province (7th-9th century CE) were preserved. Containing tax demand notes, fiscal receipts, lists of agricultural properties, tax payers, converts, alms payments, prisoners with the crimes they committed, the fines assigned to them or the petitions they wrote requesting to be released, decrees issued by the authorities or petitions directed to them, the papyri form the written residue of the daily running of the early Islamic Empire. They show that Arab rule was characterized by a marked continuity of daily administrative routines but also by the introduction of striking new practices. In this presentation I will discuss what the papyri tell us about the Arab administrative practices in early Islamic Egypt, what changed and what remained the same after the Arab conquest and why this was. About the Speaker Petra Sijpesteijn holds the chair of Arabic at Leiden University. She uses documentary sources such as papyri, seals, coins, inscriptions and manuscripts to reconstruct the daily life of Muslims and non-Muslims living under Muslim rule. Currently she runs a five-year research project entitled 'Land, space, power: Landscapes of the early caliphate' financed by the Netherlands National Science Foundation.Originally published at medieval.nd.edu.

In 2002, the Medieval Institute inaugurated a lecture series in honor of Robert M. and Ricki Conway. Robert Conway was a 1966 graduate of Notre Dame and trustee of the University, He was (and his wife Ricki continues to be) a long-time friend and supporter of the Medieval Institute. The annual Conway Lectures bring senior scholars of international distinction to Notre Dame each fall to speak on topics across a variety of disciplines.   The second talk in the 2025 series will be given by Graham Loud, Professor Emeritus of Medieval History at the University of Leeds, on "The Sicilian Chancery, from the Normans to Frederick II." About the Talk The paper traces the evolution of the chancery of the Norman rulers of Sicily, from the writing office of Count Roger I (d. 1101), which operated primarily in Greek, through to the trilingual documentation of the Sicilian monarchy after 1130. It looks at the emergence of a Latin chancery, at first as a subordinate section, but then as the increasingly dominant element within the royal administration. This led to the eventual abandonment of writing documents in Greek and Arabic. The paper concludes with an analysis of the greatly enhanced scale of the operations of the (by now monolingual) chancery of Emperor Frederick II as ruler of Sicily in the first half of the thirteenth century. About the Speaker Graham Loud is professor emeritus of medieval history at the University of Leeds, where he taught from 1978 to 2019. He is a leading authority on the history of southern Italy from the tenth to the thirteenth centuries, and has also written about Staufen Germany and the Crusades. His most recent books are The Social World of the Abbey of Cava, c. 1020-1300 (2021) and Frederick Barbarossa (2025). His translation of the Montecassino Chronicle of Leo Marsicanus, c. 529-1075, will be published in February 2026, and his chapter on 'Frederick II and the Crusades' will appear in The Cambridge History of the Crusades during the summer of 2026. Originally published at medieval.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Soon-rye YimWith Kim Tae-ri, Jin Ki-joo, Ryu Jun-yeol Rated PG-13, 103 minutesIn Korean with English subtitles Director Soon-rye Yim scheduled to appear live! From work to relationships to school, nothing is going smoothly in young Hye-won's life in the big city. Putting unresolved matters behind her, she dips and impulsively returns to her hometown. There, she reunites with her childhood friends Jae-ha and Eun-sook, who go about rural living in their own unusual ways. Finding herself at a crossroads, Hye-won looks to reconnect with her past simple life while forging meaningful connections to the geographies and people around her. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

You are invited to the first conference of the Building Inclusive Growth (BIG) Lab, focused on addressing structural barriers to equitable economic growth in low- and middle-income countries. Thursday, September 25 4:30 p.m. Welcome 4:45 Fireside Chat Introduction by Mary Gallagher, Dean of the Keough School of Global Affairs Dean Karlan, Northwestern University, former chief economist, USAID in conversation with Lakshmi Iyer, BIG Lab Director and Professor of Economics and Global Affairs 6:00 Opening Reception Friday, September 26 8:30 a.m.  Gender, Norms and Work Alejandro Estefan, University of Notre Dame & BIG Lab “Outsourcing Policy and Worker Outcomes: Causal Evidence from a Mexican Ban” Paul Novosad, Dartmouth College “Cultural Capital and Economic Opportunity in Rural India” Danila Serra, Texas A&M University “From Jobs to Careers: Understanding Aspirations, Opportunities, and Barriers Among Working Women in South Asia” Moderated by Brenda Samaniego de la Parra, University of Notre Dame & BIG Lab 10:00 Coffee 10:30 Keynote Address Introduction by James Sullivan, Professor of Economics & Director of the Notre Dame Poverty Initiative Ted Miguel, University of California, Berkeley 11:30 Human Capital Jere Behrman, University of Pennsylvania “Starting Strong: Medium- and Longer-run Benefits of Mexico's Universal Preschool Mandate” Taryn Dinkelman, University of Notre Dame & BIG Lab “Economic and Political Effects of Free Primary Education in Africa” Manisha Shah, University of California, Berkeley “Reducing bias among health care providers: Experimental evidence from Tanzania, Burkina Faso, and Pakistan” Moderated by Rebecca Thornton, University of Notre Dame & BIG Lab 1:00 Keynote Address & Lunch Introduction by Eric Sims, Notre Dame Economics Department Chair Pete Klenow, Stanford University 2:30 Trade & Structural Transformation Rodrigo Adao, University of Chicago Booth School "From Heterogeneous Firms to Heterogeneous Trade Elasticities: The Aggregate Implications of Firm Export Decisions" Heitor Pellegrina, University of Notre Dame & BIG Lab "Directed Innovation meets Economic Development: Embrapa and Brazil's Agricultural Revolution" Jing Zhang, Federal Reserve Bank of Chicago “Deindustrialization and Industry Polarization” Moderated by Jeremy Majerovitz, University of Notre Dame & BIG Lab 4:00 Coffee 4:30 Political Economy Lakshmi Iyer, University of Notre Dame & BIG Lab “Electoral Redistricting in the World’s Largest Democracy” Nancy Qian, Northwestern University “Chinese growth and support for reunification in Taiwan” Enrico Spolaore, Tufts University “Cultural Remittances and Modern Fertility” Moderated by Enrique Seira Bejarano, University of Notre Dame & BIG Lab For more information, visit the event page. Sponsored by the Kellogg Institute at the Keough School of Global Affairs and the Franco Family Institute

In 2002, the Medieval Institute inaugurated a lecture series in honor of Robert M. and Ricki Conway. Robert Conway was a 1966 graduate of Notre Dame and trustee of the University, He was (and his wife Ricki continues to be) a long-time friend and supporter of the Medieval Institute. The annual Conway Lectures bring senior scholars of international distinction to Notre Dame each fall to speak on topics across a variety of disciplines.  The third and final talk in the 2025 series will be given bey Adam Benkato, the Bita Daryabari Presidential Chair of Iranian Studies, on "Reconstructing Sasanian and post-Sasanian Chanceries: Where do the Middle Persian documents fit in?" About the Talk This talk will consider the existing traces of official document production in the Sasanian Empire and in post-Sasanian/early Islamic Iran based on groups of seals, sealings, and documents that have been discovered over the 20th century at a variety of sites, and in comparison with observations from Islamic sources. It will attempt to discuss the notions of 'chancery', 'archive', and 'diwan' as they pertain to the material evidence of Sasanian and post-Sasanian administrative practices and will examine the existing groups of evidence with regards to their internal coherence. About the Speaker Adam Benkato is an associate professor in the Department of Middle Eastern Languages and Cultures, and holder of the Bita Daryabari Presidential Chair in Iranian Studies, at the University of California, Berkeley. His research investigates a wide variety of textual and audio sources through the lenses of material philology, sociolinguistics, and archive studies. His two main fields are (ancient) Iranian studies (particularly philology of Middle Iranian languages) and Arabic linguistics (particularly dialectology). He is the leader of two digital projects pertaining to sources in Iranian languages of late antiquity and the medieval period: the Open Archive of Middle Persian Documents, and Chorasmian Online.Originally published at medieval.nd.edu.

The final event in the 2025 Conway Lectures is our speaker roundtable on this year's theme, "Medieval Political Thought and its Legacy," featuring our three speakers. About the Conway Lectures In 2002, the Medieval Institute inaugurated a lecture series in honor of Robert M. and Ricki Conway. Robert Conway is a 1966 graduate of Notre Dame and trustee of the University, and he and his wife are long-time friends and supporters of the Medieval Institute. The annual Conway Lectures bring senior scholars of international distinction to Notre Dame each fall to speak on topics across a variety of disciplines.Originally published at medieval.nd.edu.

Across the Continent: Westward the Course of Empire Takes Its Way (1868) by Frances Flora Bond Palmer. Lithograph published in New York by Currier and Ives. Library of Congress, Prints & Photographs Division, LC-DIG-ppmsca-03213.Thomas A. Tweed (University of Notre Dame) will discuss themes of his new book, Religion in the Lands That Became America: A New History (Yale University Press, 2025). Those interested in continuing the discussion are encouraged also to join the Dolan Seminar in American Religion the following morning. Both events are free and open to all. From the Publisher A sweeping retelling of American religious history, showing how religion has enhanced and hindered human flourishing from the Ice Age to the Information Age Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, he highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America’s religious past. Originally published at cushwa.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Isao TakahataWith Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara Not Rated, 89 minutesIn Japanese with English subtitles When an American air raid kills their mother in the final days of World War II, 14-year-old Seita and his 4-year-old sister Setsuko are left to fend for themselves in the devastated Japanese countryside. After falling out with their only living relative, Seita does his best to provide for himself and his sister by stealing food and making a home in an abandoned bomb shelter. But with food running short, the siblings can only cling to fleeting moments of happiness in their harsh reality. Based on the personal accounts of survivor Nosaka Akiyuki, Grave of the Fireflies is hailed as one of the most stunning contributions to animation and cinematic history. Deftly depicting the beauty of the human spirit as well as its devastating cruelty, Grave of the Fireflies is a singular work of art from Academy Award-nominated director and Studio Ghibli co-founder Isao Takahata. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Join the Institute for Social Concerns on Friday afternoons on select home football weekends for MVP Fridays: lectures by national leaders, journalists, and writers on questions of meaning, values, and purpose. Reception and book signing to follow! For the weekend of the Boise State game, we welcome Timothy Egan, a Pulitzer Prize-winning journalist and award-winning author. Introduction by Darren Dochuk, the Andrew V. Tackes College Professor of History; William W. and Anna Jean Cushwa Co-director, Cushwa Center for the Study of American Catholicism. Co-sponsored by the Department of American Studies, the Department of History, the Department of Sociology, and the Initiative on Race and Resilience. Timothy Egan is a Pulitzer Prize-winning journalist and award-winning author. His most recent book, A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America, and the Woman Who Stopped Them, is a historical thriller that was an immediate New York Times bestseller. Publishers Weekly, in a starred review, called it “a harrowing look at forgotten chapter in American history.” The Immortal Irishman was a New York Times bestseller. His book on Edward Curtis, Short Nights of the Shadow Catcher, was awarded the Carnegie Award for best nonfiction. His account of the Dust Bowl,The Worst Hard Time, won the 2006 National Book Award and he was featured prominently in the 2012 Ken Burns film on the Dust Bowl. A lifelong journalist, Mr. Egan worked as a national correspondent and opinion columnist for the New York Times, roaming the West. As a Times correspondent, he shared a Pulitzer Prize in 2001 with a team of reporters for its series, “How Race is Lived in America.” He is a member of the American Academy of Arts and Sciences.

Saturdays with the Saints has established itself as a popular Notre Dame football pregame ritual that combines the University’s rich traditions of Catholic faith and spirited game days. In this lecture, Sr. Ann Astell, Ph.D., will present on "St. Francis de Sales, Doctor of Divine Love." The lectures take place in the Andrews Auditorium, located on the lower level of Geddes Hall, adjacent to the Hesburgh Library. The talks are free and open to the public. Attendees are encouraged to arrive early as the events tend to fill to capacity.Originally published at mcgrath.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.