The Center for Italian Studies is proud to announce that the 2nd Annual Dante Society of America Graduate Student Conference will be hosted by the University of Notre Dame. "Dante’s Other Worlds: Art, Language, and Imagination," is the second in a series of conferences organized by graduate students working in the field of Dante Studies in America. This opportunity allows younger dantisti in the Americas to present their work and research among other scholars. The conference will take place on Saturday, September 27, 2025 following a two-day symposium dedicated to the conference "Global Dante Translation and Reception," hosted by the University of Notre Dame. The symposium will be open to speakers and participants of the DSA conference. In those days, participants are encouraged to visit the exhibit “Commedia: Mapping Global Dante in Translation.” The collection includes every major translation from more than 24 languages, including rare ones such as Japanese (the first edition of the first translation), Korean, and Bangla, along with approximately 120 of the 137 existing English translations. Organizers:Beatrice Maria Rosso (University of Notre Dame)Stefano Scandella (New York University)Evan Underbrink (The Graduate Theological Union, Berkeley, CA) The full program schedule is available here. Originally published at italianstudies.nd.edu.

Designed to help children develop their visual and verbal literacy skills, Artful Storytime is a partnership with the St. Joseph County Public Library. Each Artful Storytime includes stories, songs, artwork explorations, art-making, and more! We’ll be celebrating all our furry, feathered, and scaly pets this month. This program is best for families with children ages 4 to 6. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop.   Originally published at raclinmurphymuseum.nd.edu.

One artistic form can inspire another, creating profound connections, often in eye-opening and fortuitous ways. In this writing workshop led by Brenda Cárdenas, Poet Laureate of Wisconsin, you will learn about various approaches poets take to the mode of ekphrasis—poems that converse or correspond with, interpret, or “riff off” of visual art. Then, with the Raclin Murphy Museum of Art’s permanent collection at your disposal and using prompts to guide you, you will write poems in response to works of visual art that inspire, intrigue, puzzle, or move you. We will work toward creating a third space where the poem and art together are something more or different than their parts—something, perhaps, unexpected! This workshop is free and open to writers of all experience levels. Registration is required, and the workshop is limited to 15 participants. Register here. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop. About the instructor:Brenda Cárdenas has published ekphrastic poems in her two books, Trace (Red Hen Press, 2023) and Boomerang (Bilingual Press, 2009), as well as in literary magazines and anthologies, most recently in Latino Poetry: The Library of America Anthology. Cárdenas is also co-editor of two anthologies, including Resist Much/Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil Press, 2017). She co-designed and co-taught the inaugural master workshop for PINTURA: PALABRA, a multi-year Letras Latinas initiative in partnership with the Smithsonian American Art Museum. She is Professor Emerita of English at the University of Wisconsin–Milwaukee, where she taught undergraduate and graduate classes and seminars on poetry and the visual arts. Cárdenas’s campus visit launches “Poets & Art: Ekphrasis at the Raclin Murphy Museum of Art,” a multi-year partnership between the Museum and Letras Latinas, the literary initiative of the University’s Institute for Latino Studies (ILS). This workshop will be preceded by a reading and talk on ekphrastic writing in the Museum on Wednesday, September 24th. Between the reading and workshop, Cárdenas will spend two days at the Museum observing, reflecting, and writing a new ekphrastic poem inspired by an artwork on display.   Originally published at raclinmurphymuseum.nd.edu.

Classics in the Browning Directed by Akira KurosawaWith Toshiro Mifune, Tatsuya Nakadai, Kyoko Kagawa Not Rated, 143 minutesIn Japanese with English subtitles Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low, the highly influential domestic drama and police procedural from director Akira Kurosawa recently revamped by Spike Lee in Highest 2 Lowest. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society. GET TICKETS *Co-presented by the Meg and John P. Brogan Endowment for Classic Cinema.

New at the Browning Directed by Spike LeeWith Denzel Washington, Jeffrey Wright, A$AP Rocky Rated R, 133 minutes When a titan music mogul (Denzel Washington), widely known as having the best ears in the business is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma. Frequent collaborators Denzel Washington and Spike Lee reunite for the fifth in their long working relationship for a reinterpretation of the great filmmaker Akira Kurosawa's crime thriller High and Low, now played out on the mean streets of modern day New York City. GET TICKETS

Join an extraordinary opportunity to learn firsthand about ancient Chinese ceramics through the world-famous Imperial Kiln Museum in Jingdezhen, China. This two-part experience will allow participants to hear from the museum’s renowned curator and then restore a replica of one of its most significant pieces. The event is free and open to the public, but registration is required. Register by September 25, 2025 LECTURE & LUNCH: 11:45 a.m.—12:45 p.m. Sunday, September 281030 Jenkins Nanovic Halls Curator Yanjun Weng, the director of the Imperial Kiln Museum, will discuss Chinese ceramics culture—their meaning in history, archaeology, and human life—for this virtual lecture. Weng will draw upon the history of Jingdezhen, known as China’s “Porcelain Capital,” which has been regarded for its porcelain production for 1,700 years. Registration is required. Lunch will be available with registration. CERAMICS REASSEMBLY WORKSHOP 1:00—3:00 p.m. Sunday, September 28, Art StudiosNew location: 1050 Jenkins Nanovic Halls In this workshop, participants will use ancient techniques to reassemble a replica of an artifact from the Imperial Kiln Museum. The “DucKtor Sui” (岁岁鸭) is a royal incense burner with rich historical significance. Participants will experience the excitement of an archaeological dig by unearthing ceramic fragments and then piecing them back together in a restoration process. At the end, participants will take home their restored “DucKtor Sui.” The workshop will be guided by Coleton Lunt, a professor of ceramics and 3D design at the University of Texas Rio Grande Valley. Participation is limited to 45 people, and registration is required. You must attend the lecture to participate in the workshop.  The lecture and workshop are sponsored by the Imperial Kiln Museum, Liu Institute for Asia and Asian Studies, Department of East Asian Languages and Cultures,  and Notre Dame Beijing. It is organized by Notre Dame students Nikki Shao ’26 and Yingxin Cindy Liu ’26.   Originally published at asia.nd.edu.

Professor Pfinklepfunder's $1 Sunday FilmsDirected by Dean Fleischer CampWith Jenny Slate, Isabella Rossellini, Rosa SalazarRated PG, 90 minutes, Blu-rayMarcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. But when a documentary filmmaker discovers them amongst the clutter of his Airbnb, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family. A beloved character gets his big-screen debut in this hilarious and heartwarming story about finding connection in the smallest corners. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Organist Jonathan Moyer, last on the 2016 Presenting Series, returns for an awe-inspiring performance that blends virtuosity with profound musical insight. His program, The Life and Works of Jan Pieterszoon Sweelinck (1562–1621), is composed entirely of compositions by the great Dutch master. The program will offer Sweelinck's vast and diverse keyboard compositions as a biographical window into the fascinating world of sixteenth-century Amsterdam.Moyer's recital is a sonic experience that fills the hall with everything from fanfare to full swell, all the Fritts Organ's voices sounding with grandeur and emotion. Our longtime organ enthusiasts demand these recitals, and growing numbers want to explore one of music's most commanding forms. This hour-long concert in the DeBartolo Performing Arts Center provides respite and inspiration in an afternoon interlude. GET TICKETS

Disappearance Studies Conference The Journal of Disappearance Studies, in collaboration with the Keough-Naughton Institute for Irish Studies and the Kroc Institute for International Peace Studies, invites you to attend its inaugural conference, scheduled to take place from September 29–30, 2025, at the University of Notre Dame. This landmark event marks the official launch of the Journal of Disappearance Studies, edited by scholars affiliated with the University of Bristol, Durham University, and the University of Tampere, which offers an interdisciplinary platform to examine the phenomenon of disappearance worldwide. The conference will convene scholars, practitioners, policymakers, artists, families of the disappeared, and advocacy organizations to explore the socio-political, cultural, and economic dimensions of disappearance. Conference Schedule MONDAY, SEPTEMBER 299:45 AM – 10:15 AM: Opening remarks – Room 1050, Jenkins Nanovic Halls10:30 AM – 12:00 PM: Panel 1, Memory, Art, and Embodied Testimony – Room 1050, Jenkins Nanovic HallsAlison Ribeiro de Menezes – From Disappearance to Disappearability: Natalia Beristáin’s Ruido (Noise, 2023)Cheryl Lawther – The Political Lives of Ireland’s Missing: Ownership, Agency and the Demands of the DeadTeri Murphy – From Indignity to Dignity: Search as HealingPortia Chigbu – For Those Washed Away: State Obligations in Addressing Involuntary Disappearances During Natural Disasters 12:00 PM – 1:15 PM: Break1:30 PM – 3:00 PM: Panel 2, Power, Politics, and Mobilization – Room 1050, Jenkins Nanovic HallsBahar Baser, Shivan Fazil and Élise Féron (online) – Missing in the Shadows: Forced Disappearances of Yezidis and the Search for TruthCarlos Martin Beristain – Criterion of psychosocial work in the investigation of forced disappearances in Guatemala, Mexico, and ColombiaCarmen Hassoun Abou Jaoude – The National Commission for the Missing and Forcibly Disappeared in Lebanon: challenges and opportunitiesGerasimos Tsourapas – Colonial Legacies and Authoritarian Circulations in Libya’s Disappearance Regime 3:00 PM – 3:30 PM: Break3:30 PM – 4:30 PM: Evening Keynote, Luz Janet Forero Martinez, Director General of the Search Unit for Missing Persons in Colombia  – Hesburgh Center Auditorium 4:30 PM – 6:00 PM: Reception – Jenkins Nanovic Halls ForumTUESDAY, SEPTEMBER 30 9:00 AM – 10:30 AM: Panel 3, Legal and Forensic Responses to Disappearance – Room 1030, Jenkins Nanovic HallsLauren Dempster (online) – Forensic Scientists in Transitional Justice: Challenges and Possibilities in the Search for the DisappearedGunes Dasli and Nisan Alici (online) – Understanding Political Responses to Enforced Disappearances in Divided SocietiesMónica E. Nuño Nuño – Jalisco and enforced disappearances: a forensic crisis and mass graves 10:30 AM – 11:00 AM: Break 11:00 AM – 12:30 PM: Panel 4, Irish Perspectives on Disappearance – Room 1030, Jenkins Nanovic HallsSandra Peake – Orchestrated loss and the Disappeared of Northern Ireland’s ConflictDympna Kerr – My brother ColumbaOrla Lynch – Victims of political violence – a very public traumaPhil Scraton (online)– Disappearance, Loss and Searching: the Cruel Legacy of Mother and Baby InstitutionsJennifer O Mahoney – Disappearing girls and women: Gendered state violence and the ethics of institutional memory in postcolonial Ireland 12:30 PM – 1:30 PM: Book Launch, The Disappeared: The Hidden Victims of Northern Ireland's Conflict by Sandra Peake and Orla Lynch - Room 1030, Jenkins Nanovic Halls 1:30 PM – 3:00 PM: Panel 5, Feminist & Gendered Approaches to Disappearance – Room 1050, Jenkins Nanovic HallsÉlise Féron (online) – Feminist Approaches to Disappearances - Epistemologies of Activism and ResistanceAnush Petrosyan (online) – War that Lingers: The Embodied Legacies of the Armenian - Azerbaijani ConflictTinotenda Chisambiro (online) – The Stories of the Forgotten: Gendered Narratives of Disappearances in the Second ChimurengaSalina Kafle – Gendered Dimensions of Enforced Disappearances in Nepal: Addressing the Challenges of Women Survivors in Transitional Justice 3:00 PM – 3:30 PM: Break3:30 PM – 5:00 PM: Panel 6, Unresolved Absence and the Search for Meaning – Room 1050, Jenkins Nanovic HallsCath Collins – "Seeking 'Destino Final': The Limits of Resolution in Enforced Disappearances across Latin America"Julie Bernath – Syrian women’s everyday practices of ‘accounting for’ the disappearedRahaf Aldoughli (online) – Loss, Loyalty, and the Emotional Aftermath of Disappearance: Syrian Fighters and the Mobilizing Power of AbsenceVilho Shigwedha – Missing people, amnesty, and reconciliation politics: The case of disappearance and unmarked war graves in northern Namibia5:30 PM – 6:30 PM: Evening Keynote, Simon Robins – Hesburgh Center Auditorium  Registration for the conference is free but required. Please contact Elizabet Campos Duarte at eduarted@nd.edu to register.   Originally published at irishstudies.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

As technology continues to grow at a rapid rate, companies need liberal arts majors who understand that, when it comes to AI, the inputs matter, and how you apply the technology has a critical impact on people.  Join the Technology & Digital Studies Program and Beyond the Dome as we invite industry experts to discuss how they're leveraging AI in their business and what students need to know to have successful careers in these industries. September 29: Melissa Summers October 15: Kevin O'Brien November 19: Jason Fournier Register Melissa Summers' Biography Melissa Summers is responsible for running the business of internal IT at Accenture. She manages the financial, people, and work management of the Global IT organization. Summers recently took on additional responsibility to industrialize how to share Accenture's best credential stories with client teams. She has three decades of transformational IT experience across numerous industries. Summers is also a passionate Inclusion & Diversity advocate and sits on the National Board of ic Stars.Originally published at altech.nd.edu.

Disappearance Studies Conference The Journal of Disappearance Studies, in collaboration with the Keough-Naughton Institute for Irish Studies and the Kroc Institute for International Peace Studies, invites you to attend its inaugural conference, scheduled to take place from September 29–30, 2025, at the University of Notre Dame. This landmark event marks the official launch of the Journal of Disappearance Studies, edited by scholars affiliated with the University of Bristol, Durham University, and the University of Tampere, which offers an interdisciplinary platform to examine the phenomenon of disappearance worldwide. The conference will convene scholars, practitioners, policymakers, artists, families of the disappeared, and advocacy organizations to explore the socio-political, cultural, and economic dimensions of disappearance. Conference Schedule MONDAY, SEPTEMBER 299:45 AM – 10:15 AM: Opening remarks – Room 1050, Jenkins Nanovic Halls10:30 AM – 12:00 PM: Panel 1, Memory, Art, and Embodied Testimony – Room 1050, Jenkins Nanovic HallsAlison Ribeiro de Menezes – From Disappearance to Disappearability: Natalia Beristáin’s Ruido (Noise, 2023)Cheryl Lawther – The Political Lives of Ireland’s Missing: Ownership, Agency and the Demands of the DeadTeri Murphy – From Indignity to Dignity: Search as HealingPortia Chigbu – For Those Washed Away: State Obligations in Addressing Involuntary Disappearances During Natural Disasters 12:00 PM – 1:15 PM: Break1:30 PM – 3:00 PM: Panel 2, Power, Politics, and Mobilization – Room 1050, Jenkins Nanovic HallsBahar Baser, Shivan Fazil and Élise Féron (online) – Missing in the Shadows: Forced Disappearances of Yezidis and the Search for TruthCarlos Martin Beristain – Criterion of psychosocial work in the investigation of forced disappearances in Guatemala, Mexico, and ColombiaCarmen Hassoun Abou Jaoude – The National Commission for the Missing and Forcibly Disappeared in Lebanon: challenges and opportunitiesGerasimos Tsourapas – Colonial Legacies and Authoritarian Circulations in Libya’s Disappearance Regime 3:00 PM – 3:30 PM: Break3:30 PM – 4:30 PM: Evening Keynote, Luz Janet Forero Martinez, Director General of the Search Unit for Missing Persons in Colombia  – Hesburgh Center Auditorium 4:30 PM – 6:00 PM: Reception – Jenkins Nanovic Halls ForumTUESDAY, SEPTEMBER 30 9:00 AM – 10:30 AM: Panel 3, Legal and Forensic Responses to Disappearance – Room 1030, Jenkins Nanovic HallsLauren Dempster (online) – Forensic Scientists in Transitional Justice: Challenges and Possibilities in the Search for the DisappearedGunes Dasli and Nisan Alici (online) – Understanding Political Responses to Enforced Disappearances in Divided SocietiesMónica E. Nuño Nuño – Jalisco and enforced disappearances: a forensic crisis and mass graves 10:30 AM – 11:00 AM: Break 11:00 AM – 12:30 PM: Panel 4, Irish Perspectives on Disappearance – Room 1030, Jenkins Nanovic HallsSandra Peake – Orchestrated loss and the Disappeared of Northern Ireland’s ConflictDympna Kerr – My brother ColumbaOrla Lynch – Victims of political violence – a very public traumaPhil Scraton (online)– Disappearance, Loss and Searching: the Cruel Legacy of Mother and Baby InstitutionsJennifer O Mahoney – Disappearing girls and women: Gendered state violence and the ethics of institutional memory in postcolonial Ireland 12:30 PM – 1:30 PM: Book Launch, The Disappeared: The Hidden Victims of Northern Ireland's Conflict by Sandra Peake and Orla Lynch - Room 1030, Jenkins Nanovic Halls 1:30 PM – 3:00 PM: Panel 5, Feminist & Gendered Approaches to Disappearance – Room 1050, Jenkins Nanovic HallsÉlise Féron (online) – Feminist Approaches to Disappearances - Epistemologies of Activism and ResistanceAnush Petrosyan (online) – War that Lingers: The Embodied Legacies of the Armenian - Azerbaijani ConflictTinotenda Chisambiro (online) – The Stories of the Forgotten: Gendered Narratives of Disappearances in the Second ChimurengaSalina Kafle – Gendered Dimensions of Enforced Disappearances in Nepal: Addressing the Challenges of Women Survivors in Transitional Justice 3:00 PM – 3:30 PM: Break3:30 PM – 5:00 PM: Panel 6, Unresolved Absence and the Search for Meaning – Room 1050, Jenkins Nanovic HallsCath Collins – "Seeking 'Destino Final': The Limits of Resolution in Enforced Disappearances across Latin America"Julie Bernath – Syrian women’s everyday practices of ‘accounting for’ the disappearedRahaf Aldoughli (online) – Loss, Loyalty, and the Emotional Aftermath of Disappearance: Syrian Fighters and the Mobilizing Power of AbsenceVilho Shigwedha – Missing people, amnesty, and reconciliation politics: The case of disappearance and unmarked war graves in northern Namibia5:30 PM – 6:30 PM: Evening Keynote, Simon Robins – Hesburgh Center Auditorium  Registration for the conference is free but required. Please contact Elizabet Campos Duarte at eduarted@nd.edu to register.   Originally published at irishstudies.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

New at the BrowningDirected by Alan GilsenanNot Rated, 75 minutes, DCPAndrew Fitzsimons scheduled to appear live!The Journey of Weather-Exposed Bones is a non-narrative, experimental film-poem inspired by a new and complete translation of Basho, the seminal Japanese poet and father of the Haiku. The film is a collaboration between acclaimed film-artist Alan Gilsenan and Irish poet, translator and Japanese scholar Professor Andrew Fitzsimons of Tokyo's Gakushuin University. It is—in equal parts—a cinematic act of psycho-geography, a meditation on the devastating impact of climate change and a quasi "road-movie" through contemporary Japan following the remarkable journeys of Basho in the decade leading up to his death in 1694. GET TICKETS *This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby.

Philbin & Phriendz  Presented by Notre Dame Film, Television, and Theatre Produced by Matt Hawkins For one night o…wait…uh huh…oh right yeah *ahem* for THREE nights only, experience the PHENOMENON, the SENSATION, the SPECTACLE that is the first ever Philbin & Phriendz variety/talent/showcase/EXTRAVAGANZA! Come see your friends, fellow FTT students, and fellow ND students share original songs, documentaries, performances, and SO MUCH MORE! Performance Schedule October 1-3, 2025Wednesday through Friday at 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Philbin & Phriendz are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a 10-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

Join the Raclin Murphy Museum of Art for thematic tours inspired by its temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work.Walter Frederick Osborne (Irish, 1859–1903), Mary Guinness and Her Daughter Margaret, 1898, Oil on canvas, 54 × 60 inches (137.2 × 152.4 cm) unframed,Heritage Gift, 2023, National Gallery of Ireland Collection, NGI.2023.16. Photo, National Gallery of IrelandOriginally published at raclinmurphymuseum.nd.edu.

Engage with the museum as a space for well-being and inspiration. Join yoga instructor Steve Krojniewski in the galleries to relax and recharge while surrounded by works from the collection. Mats are provided or you can bring your own. 
 Artful Yoga is free and open to all but is limited to 30 participants. Originally published at raclinmurphymuseum.nd.edu.