Classics in the BrowningDirected by Juan Bastillo OroNot Rated, 79 minutes, DCPWith Víctor Urruchúa, Carlos Villatoro, Magda HallerIn Spanish with English subtitlesThis vividly stylized, broodingly intense early Mexican sound melodrama by Juan Bustillo Oro hinges on an audacious flashback structure. When an ailing monk recognizes a new brother at his cloister, he becomes deranged and attacks him. Dos Monjes recounts the men's tragic shared past once from the point of view of each, heightening the contrasts between the two accounts with visual flourishes drawn from the language of German expressionism, including camera work by avant-garde photographer Agustín Jiménez. GET TICKETS *This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby.

Walter Frederick Osborne (Irish, 1859–1903), Tea in the Garden, 1903, oil on canvas, 54 3/8 x 68 ¼ inches (canvas). Lane Gift, 1912, Hugh Lane Gallery, HL.24. Collection & Image © Hugh Lane GalleryWhen Dublin’s innovative Municipal Gallery of Modern Art opened in 1908, three paintings by Walter Osborne hung on its walls. All were donated by the gallery’s founder, Hugh Lane, who was a great admirer of the artist. After Osborne’s death in 1903, Lane was keen to secure Osborne’s legacy though the acquisition of works by public collections. Come along on a journey through Dublin’s art scene at the turn of the century as Curator Logan Sisley considers the role of art in building Ireland’s national identity and the place of Osborne’s art in that effort.Presenter: Logan Sisley hails from New Zealand and studied art history at the University of Aukland. In 2007 he joined the staff of the Hugh Lane Gallery in Dublin where he was recently appointed head of collections. He has published extensively on modern art in Ireland, including histories of the Hugh Lane Gallery and studies of John Lavery and Sarah Purser. In 2021 he was the co-curator for the exhibition Studio & State: The Laverys and the Anglo-Irish Treaty. Before the lecture in the atrium, we encourage you to explore Walter Osborne’s work on view in the Temporary Exhibition Galleries on Level 2. The exhibition will remain open until the lecture begins. Originally published at raclinmurphymuseum.nd.edu.

In 1941, sisters Thom (Emma Appleton) and Mars (Stefanie Martini) build a machine, LOLA, that can intercept radio and TV broadcasts from the future. This allows them to listen to iconic music before it has been made, place bets knowing what the outcome will be, and embrace their inner punk well before the movement came into existence. But with the Second World War escalating, the sisters decide to use the machine for good to intercept information from the future that could help with military intelligence. The machine initially proves to be a huge success, rapidly twisting the fortunes of the war against the Nazis. While Thom becomes intoxicated by LOLA, Mars begins to realize the terrible consequences of its power.   Get TicketsThis is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

Join in for an evening of sketching, community, and inspiration centered around themes found in the exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. This month’s session will focus on still lifes and will be led by local artist Rebecca Walton. Come ready to share a sketch (sketches should be no larger than 9” x 12”) of your own, created in response to this prompt: Choose an object from your home that you use regularly and that adds beauty, comfort, or meaning to your daily life—an everyday heirloom. Find a quiet moment to spend time with the object. Observe it closely, paying special attention to signs of wear or use, unique textures or marks, and subtle details in shape, color, or material. Using any drawing medium you like, sketch the object by itself. Your drawing can be precise or expressive—let the object's story guide your hand. During the program, we’ll share sketches, discuss artistic choices and techniques, find inspiration in each other’s and Osborne’s work, and take on a new sketching challenge inspired by this month’s theme. Local Lines is open to artists aged 15 and up. This program is part of The Big Draw, the world's largest celebration of drawing that takes place across the globe every year during October. It is for anyone who loves to draw, as well as those who think they can't. The festival promotes drawing as a universal language that has the power to change lives and unite people of any age, background, race, or religion from around the globe. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop.   Originally published at raclinmurphymuseum.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Park Chan-wook With Kim Min-hee, Kim Tae-ri, Ha Jung-woo Rated R, 145 minutesIn Korean and Japanese with English subtitles A celebrated director with a multifaceted body of work (e.g., Oldboy, Stoker, and Decision to Leave), Park Chan-wook took a big swing a decade ago when adapting Sarah Waters' Fingersmith and moving its original Victorian-era Britain setting to 1930s Korea when under Japanese rule. The bones, though, remain in place: A young woman is hired as a handmaiden to a reclusive Japanese heiress living on a vast estate in the countryside. Proving good help is hard to find, the handmaiden has an ulterior motive as she is working with a con artist, himself posing as a Japanese aristocrat, to seduce the heiress and empty her bank account. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Last season, violinist Randall Goosby carried a sold-out audience to the highest heights of emotion as the last-minute soloist replacement for the London Philharmonic Orchestra's triumphant concert. A flood of rapturous audience testimonials meant it became a must to welcome him back quickly. Renaissance Quartet, founded in 2021 by Goosby, violinist Jeremiah Blacklow, violist Jameel Martin, and cellist Daniel Hass, is making waves with a welcoming approach to the string quartet format.Communicative engagement and technical finesse allow the four Juilliard School graduates to launch from their classical base into the 21st-century stratosphere with a dynamic blend of soul, R&B, hip-hop, and jazz. Their boundary-pushing performances are virtuosic and engaging, creating a new space for chamber music to thrive.Making a cultural statement in sound with high-energy artistry and gorgeously programmed to whisk you away early into a fall weekend, the Renaissance Quartet is a must-see for encountering classical music's centuries-long story with new chapters written right now. GET TICKETS (the performance is in the O'Neill Hall of Music)

MFA Students Pick Some Films for Us to WatchDirected by Atom EgoyanWith Ian Holm, Maury Chaykin, Peter DonaldsonRated R, 112 minutes, DCPWith a scheduled introduction by Adalyne Perryman!Winner of the Grand Prix at Cannes, Atom Egoyan's masterful adaptation of a novel by Russell Banks traces the aftermath of a school bus accident in a small Canadian town that leaves fourteen children dead. When Mitchell Stephens (Ian Holm), a big-city lawyer, arrives to organize a class-action lawsuit, his presence stirs up tensions within the town. Garnering Academy Award nominations for Egoyan for both best director and adapted screenplay, The Sweet Hereafter is a powerful, deeply empathetic exploration of what it means to go on living in the face of tragedy. GET TICKETS *Free for ND, SMC, HC, IUSB, and high school students.

Join us for a noontime concert in the O'Neill Hall of Music featuring Department of Music students. This is free and open to the public.  Originally published at music.nd.edu.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

The Met Opera Live in HD 210 minutes (Two intermissions) encore performance. With its enchanting setting and spellbinding score, the world's most popular opera is as timeless as it is heartbreaking. Franco Zeffirelli's picture-perfect production brings 19th-century Paris to the Met stage as Puccini's young friends and lovers navigate the joy and struggle of bohemian life. Soprano Juliana Grigoryan is the feeble seamstress Mimì, opposite tenor Freddie De Tommaso as the ardent poet Rodolfo. Keri-Lynn Wilson conducts the performance. GET TICKETS *Sponsored by the Jill A. Fischer Endowment for Excellence in Live Opera Broadcasts.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Magnificat: Lifting Up the Lowly is a concert program weaving together the sacred and secular in response to human suffering and oppression. Framed by the canticle, the Song of Mary, it speaks of God who has scattered the proud, brought down the powerful, lifted up the lowly, and filled the hungry with good things. The concert features the glorious Magnificat by J.S. Bach, performed by students and faculty from the Program in Sacred Music at Notre Dame.From the secular realm, Dmitri Shostakovich's intensely personal Chamber Symphony (from his Eighth String Quartet) bears witness to 20th-century suffering. Dedicated to victims of war and fascism everywhere, the work is said to be autobiographical even as it references pogroms against Jews and a patriotic song set as a lament.The program also includes Joaquin Rodrigos exquisite Fantasía para un gentilhombre (Fantasia for a Gentleman), performed by the acclaimed Italian guitarist Nicolò Spera. Rodrigo, who was blind, crafted this lovely work on 17th-century Spanish Baroque dances, creating a beautiful musical connection to Bach's era. ArtistsConcordia Vocal EnsembleSoloists to be announcedNicolò Spera, guitaristSouth Bend Symphony OrchestraCynthia Katsarelis, conductor GET TICKETS

So much art, so little time! Join in for this 15-minute lunchtime program, where a member of the museum's education staff will lead a brief, interactive exploration of a single work of art in the permanent collection. Not all works on view take center stage, so join us for this opportunity to take a deep dive into a piece that you might not have noticed on a previous stroll through the galleries. Gain new perspectives on an old favorite, or engage with something completely new! After our time in the galleries, participants can explore other works in the Museum or enjoy a 10 percent discount at Ivan’s Cafe. Originally published at raclinmurphymuseum.nd.edu.

In this moving comedic drama set in postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life. An Italian box office phenomenon and winner of six Italian Academy Awards.   Get TicketsThis is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

John Proctor Is the Villain Presented by the DeBartolo Performing Art Center's Presenting Series & Notre Dame Film, Television, and Theatre by Kimberly BelflowerDirected by Sarah Gitenstein Fresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards. Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power. Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. Performance Schedule November 19-21 & 23, 2025Wednesday - Friday at 7:30 PMSunday at 2:30 PM & 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets are on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.   Originally published at ftt.nd.edu.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

Please join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program  for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature.  About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame.   Originally published at irishstudies.nd.edu.

Join us for thematic tours inspired by our temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the Museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work.    Walter Frederick Osborne (Irish, 1859–1903), Violet with a Rabbit, ca. 1900, Oil on canvas, 18 3/4 × 14 7/8 in. (48 × 38 cm) unframed, Úna Ó Callanáin CollectionOriginally published at raclinmurphymuseum.nd.edu.

National Theatre LiveDirected by Max WebsterWith Hiran Abeysekera, Alex Chang, Deeivya MeirNot Rated, 146 minutes (One intermission), Captured Live BroadcastPuppetry, magic, and storytelling combine in a unique, Olivier Award-winning stage adaptation of the best-selling novel. After a cargo ship sinks in the middle of the vast Pacific Ocean, a 16-year-old boy named Pi is stranded on a lifeboat with four other survivors: a hyena, a zebra, an orangutan, and a Royal Bengal tiger. Time is against them, nature is harsh, who will survive? Filmed live in London's West End and featuring state-of-the-art visuals, the epic journey of endurance and hope is brought to life in a breathtaking new way. GET TICKETS

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS