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Wednesday, March 29, 2023
- 9:30 AM7hExhibit — "Printing the Nation: A Century of Irish Book Arts"The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hExhibit — "Printing the Nation: A Century of Irish Book Arts"The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hExhibit — "Printing the Nation: A Century of Irish Book Arts"The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hExhibit — "Printing the Nation: A Century of Irish Book Arts"The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hSpotlight Exhibit — “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist MagazinesTo celebrate Black History Month (February) and Women’s History Month (March) Rare Books and Special Collections highlights several 1970s feminist magazines that introduced a wider audience to African American women in sports, politics, and contemporary culture. This exhibit is curated by Rachel Bohlmann, curator of American history, and Greg Bond, curator of the Joyce Sports Research Collection. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hSpotlight Exhibit — “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist MagazinesTo celebrate Black History Month (February) and Women’s History Month (March) Rare Books and Special Collections highlights several 1970s feminist magazines that introduced a wider audience to African American women in sports, politics, and contemporary culture. This exhibit is curated by Rachel Bohlmann, curator of American history, and Greg Bond, curator of the Joyce Sports Research Collection. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hSpotlight Exhibit — “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist MagazinesTo celebrate Black History Month (February) and Women’s History Month (March) Rare Books and Special Collections highlights several 1970s feminist magazines that introduced a wider audience to African American women in sports, politics, and contemporary culture. This exhibit is curated by Rachel Bohlmann, curator of American history, and Greg Bond, curator of the Joyce Sports Research Collection. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 9:30 AM7hSpotlight Exhibit — “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist MagazinesTo celebrate Black History Month (February) and Women’s History Month (March) Rare Books and Special Collections highlights several 1970s feminist magazines that introduced a wider audience to African American women in sports, politics, and contemporary culture. This exhibit is curated by Rachel Bohlmann, curator of American history, and Greg Bond, curator of the Joyce Sports Research Collection. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- 12:30 PM1hLunch Lecture: "Peripheries of the Periphery? Post-war Trieste and the Dilemma of 'Difficult-to-Settle' Refugees"Pamela Ballinger's publication The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press) was a finalist for the 2023 Laura Shannon Prize in Contemporary European Studies hosted by the Nanovic Institute for European Studies. The lecture is free and open to the public. Lunch will be available for participants starting at noon while supplies last. Pamela Ballinger is professor of history and the Fred Cuny Chair in the History of Human Rights in the Department of History at the University of Michigan. She holds degrees in anthropology (B.A. Stanford University, M. Phil Cambridge University, M.A. Johns Hopkins University) and a joint Ph.D. in anthropology and history (Johns Hopkins). She is the author of History in Exile: Memory and Identity at the Borders of the Balkans (Princeton University Press, 2003), La Memoria dell’Esilio (Veltro Editrice, 2010), and The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press, 2020). She has published in a wide range of journals, including Austrian History Yearbook, Comparative Studies in Society and History, Contemporary European History, Current Anthropology, Journal of Contemporary History, Journal of Modern Italian Studies, Journal of Refugee Studies, Journal of Tourism History, and Past and Present. Her research has been funded by fellowships from the American Academy in Rome (Rome Prize), American Council of Learned Societies, the Center for Advanced Studies in Behavioral Sciences (Stanford University), Fulbright Foundation, National Endowment for the Humanities, and the Social Science Research Council, among others. Her areas of expertise include human rights, forced migration, refugees, fascism, seaspace, and modern Mediterranean and Balkan history. Sponsored by the Nanovic Institute for European Studies, Keough School of Global Affairs and the Center for Italian Studies, College of Arts and Letters. Originally published at nanovic.nd.edu.
- 12:30 PM1hLunch Lecture: "Peripheries of the Periphery? Post-war Trieste and the Dilemma of 'Difficult-to-Settle' Refugees"Pamela Ballinger's publication The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press) was a finalist for the 2023 Laura Shannon Prize in Contemporary European Studies hosted by the Nanovic Institute for European Studies. The lecture is free and open to the public. Lunch will be available for participants starting at noon while supplies last. Pamela Ballinger is professor of history and the Fred Cuny Chair in the History of Human Rights in the Department of History at the University of Michigan. She holds degrees in anthropology (B.A. Stanford University, M. Phil Cambridge University, M.A. Johns Hopkins University) and a joint Ph.D. in anthropology and history (Johns Hopkins). She is the author of History in Exile: Memory and Identity at the Borders of the Balkans (Princeton University Press, 2003), La Memoria dell’Esilio (Veltro Editrice, 2010), and The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press, 2020). She has published in a wide range of journals, including Austrian History Yearbook, Comparative Studies in Society and History, Contemporary European History, Current Anthropology, Journal of Contemporary History, Journal of Modern Italian Studies, Journal of Refugee Studies, Journal of Tourism History, and Past and Present. Her research has been funded by fellowships from the American Academy in Rome (Rome Prize), American Council of Learned Societies, the Center for Advanced Studies in Behavioral Sciences (Stanford University), Fulbright Foundation, National Endowment for the Humanities, and the Social Science Research Council, among others. Her areas of expertise include human rights, forced migration, refugees, fascism, seaspace, and modern Mediterranean and Balkan history. Sponsored by the Nanovic Institute for European Studies, Keough School of Global Affairs and the Center for Italian Studies, College of Arts and Letters. Originally published at nanovic.nd.edu.
- 12:30 PM1hLunch Lecture: "Peripheries of the Periphery? Post-war Trieste and the Dilemma of 'Difficult-to-Settle' Refugees"Pamela Ballinger's publication The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press) was a finalist for the 2023 Laura Shannon Prize in Contemporary European Studies hosted by the Nanovic Institute for European Studies. The lecture is free and open to the public. Lunch will be available for participants starting at noon while supplies last. Pamela Ballinger is professor of history and the Fred Cuny Chair in the History of Human Rights in the Department of History at the University of Michigan. She holds degrees in anthropology (B.A. Stanford University, M. Phil Cambridge University, M.A. Johns Hopkins University) and a joint Ph.D. in anthropology and history (Johns Hopkins). She is the author of History in Exile: Memory and Identity at the Borders of the Balkans (Princeton University Press, 2003), La Memoria dell’Esilio (Veltro Editrice, 2010), and The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press, 2020). She has published in a wide range of journals, including Austrian History Yearbook, Comparative Studies in Society and History, Contemporary European History, Current Anthropology, Journal of Contemporary History, Journal of Modern Italian Studies, Journal of Refugee Studies, Journal of Tourism History, and Past and Present. Her research has been funded by fellowships from the American Academy in Rome (Rome Prize), American Council of Learned Societies, the Center for Advanced Studies in Behavioral Sciences (Stanford University), Fulbright Foundation, National Endowment for the Humanities, and the Social Science Research Council, among others. Her areas of expertise include human rights, forced migration, refugees, fascism, seaspace, and modern Mediterranean and Balkan history. Sponsored by the Nanovic Institute for European Studies, Keough School of Global Affairs and the Center for Italian Studies, College of Arts and Letters. Originally published at nanovic.nd.edu.
- 12:30 PM1hLunch Lecture: "Peripheries of the Periphery? Post-war Trieste and the Dilemma of 'Difficult-to-Settle' Refugees"Pamela Ballinger's publication The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press) was a finalist for the 2023 Laura Shannon Prize in Contemporary European Studies hosted by the Nanovic Institute for European Studies. The lecture is free and open to the public. Lunch will be available for participants starting at noon while supplies last. Pamela Ballinger is professor of history and the Fred Cuny Chair in the History of Human Rights in the Department of History at the University of Michigan. She holds degrees in anthropology (B.A. Stanford University, M. Phil Cambridge University, M.A. Johns Hopkins University) and a joint Ph.D. in anthropology and history (Johns Hopkins). She is the author of History in Exile: Memory and Identity at the Borders of the Balkans (Princeton University Press, 2003), La Memoria dell’Esilio (Veltro Editrice, 2010), and The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press, 2020). She has published in a wide range of journals, including Austrian History Yearbook, Comparative Studies in Society and History, Contemporary European History, Current Anthropology, Journal of Contemporary History, Journal of Modern Italian Studies, Journal of Refugee Studies, Journal of Tourism History, and Past and Present. Her research has been funded by fellowships from the American Academy in Rome (Rome Prize), American Council of Learned Societies, the Center for Advanced Studies in Behavioral Sciences (Stanford University), Fulbright Foundation, National Endowment for the Humanities, and the Social Science Research Council, among others. Her areas of expertise include human rights, forced migration, refugees, fascism, seaspace, and modern Mediterranean and Balkan history. Sponsored by the Nanovic Institute for European Studies, Keough School of Global Affairs and the Center for Italian Studies, College of Arts and Letters. Originally published at nanovic.nd.edu.
- 12:30 PM1hLunch Lecture: "Peripheries of the Periphery? Post-war Trieste and the Dilemma of 'Difficult-to-Settle' Refugees"Pamela Ballinger's publication The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press) was a finalist for the 2023 Laura Shannon Prize in Contemporary European Studies hosted by the Nanovic Institute for European Studies. The lecture is free and open to the public. Lunch will be available for participants starting at noon while supplies last. Pamela Ballinger is professor of history and the Fred Cuny Chair in the History of Human Rights in the Department of History at the University of Michigan. She holds degrees in anthropology (B.A. Stanford University, M. Phil Cambridge University, M.A. Johns Hopkins University) and a joint Ph.D. in anthropology and history (Johns Hopkins). She is the author of History in Exile: Memory and Identity at the Borders of the Balkans (Princeton University Press, 2003), La Memoria dell’Esilio (Veltro Editrice, 2010), and The World Refugees Made: Decolonization and the Foundation of Postwar Italy (Cornell University Press, 2020). She has published in a wide range of journals, including Austrian History Yearbook, Comparative Studies in Society and History, Contemporary European History, Current Anthropology, Journal of Contemporary History, Journal of Modern Italian Studies, Journal of Refugee Studies, Journal of Tourism History, and Past and Present. Her research has been funded by fellowships from the American Academy in Rome (Rome Prize), American Council of Learned Societies, the Center for Advanced Studies in Behavioral Sciences (Stanford University), Fulbright Foundation, National Endowment for the Humanities, and the Social Science Research Council, among others. Her areas of expertise include human rights, forced migration, refugees, fascism, seaspace, and modern Mediterranean and Balkan history. Sponsored by the Nanovic Institute for European Studies, Keough School of Global Affairs and the Center for Italian Studies, College of Arts and Letters. Originally published at nanovic.nd.edu.
- 1:00 PM1hPublic Domain Workshop: "Music Modernization Act"Learn what sound recordings have entered the public domain and what that means for you as a music creator. The presentation will also include a look into a digital project that samples public domain sound recordings and supports the transformation of them into hip-hop elements. The presentation closes with a brief workshop introduction to Audacity — a free and expansive sound editing software that can be used to manipulate and sample these public domain sound recordings. Participants will learn:Information about the Music Modernization Act, especially the Title II CLASSICS Act Information about early sound recordings (how they were created and enjoyed) How to use CitizenDJ Introduction to AudacityThis workshop is open to all undergraduates, graduate students, postdocs, faculty, and staff. Click here to register. View all events in the Public Domain Day Series.
- 1:00 PM1hPublic Domain Workshop: "Music Modernization Act"Learn what sound recordings have entered the public domain and what that means for you as a music creator. The presentation will also include a look into a digital project that samples public domain sound recordings and supports the transformation of them into hip-hop elements. The presentation closes with a brief workshop introduction to Audacity — a free and expansive sound editing software that can be used to manipulate and sample these public domain sound recordings. Participants will learn:Information about the Music Modernization Act, especially the Title II CLASSICS Act Information about early sound recordings (how they were created and enjoyed) How to use CitizenDJ Introduction to AudacityThis workshop is open to all undergraduates, graduate students, postdocs, faculty, and staff. Click here to register. View all events in the Public Domain Day Series.
- 1:00 PM1hPublic Domain Workshop: "Music Modernization Act"Learn what sound recordings have entered the public domain and what that means for you as a music creator. The presentation will also include a look into a digital project that samples public domain sound recordings and supports the transformation of them into hip-hop elements. The presentation closes with a brief workshop introduction to Audacity — a free and expansive sound editing software that can be used to manipulate and sample these public domain sound recordings. Participants will learn:Information about the Music Modernization Act, especially the Title II CLASSICS Act Information about early sound recordings (how they were created and enjoyed) How to use CitizenDJ Introduction to AudacityThis workshop is open to all undergraduates, graduate students, postdocs, faculty, and staff. Click here to register. View all events in the Public Domain Day Series.
- 1:00 PM1hPublic Domain Workshop: "Music Modernization Act"Learn what sound recordings have entered the public domain and what that means for you as a music creator. The presentation will also include a look into a digital project that samples public domain sound recordings and supports the transformation of them into hip-hop elements. The presentation closes with a brief workshop introduction to Audacity — a free and expansive sound editing software that can be used to manipulate and sample these public domain sound recordings. Participants will learn:Information about the Music Modernization Act, especially the Title II CLASSICS Act Information about early sound recordings (how they were created and enjoyed) How to use CitizenDJ Introduction to AudacityThis workshop is open to all undergraduates, graduate students, postdocs, faculty, and staff. Click here to register. View all events in the Public Domain Day Series.
- 4:30 PM1h[POSTPONED] Lecture: "What is the Catholic Intellectual Tradition?"***PLEASE NOTE- THIS EVENT HAS BEEN POSTPONED AND WILL BE RESCHEDULED FOR A LATER DATE. IF YOU HAVE ANY QUESTIONS, PLEASE CONTACT MCGRATH@ND.EDU***Explore the centuries-old tradition at the heart of a Catholic university. John C. Cavadini will discuss, "What is the Catholic Intellectual Tradition?" This event is free and open to the public. Reception to follow. Parking will be available in the Basilica parking lot after 4:00 p.m. Originally published at mcgrath.nd.edu.
- 4:30 PM1h[POSTPONED] Lecture: "What is the Catholic Intellectual Tradition?"***PLEASE NOTE- THIS EVENT HAS BEEN POSTPONED AND WILL BE RESCHEDULED FOR A LATER DATE. IF YOU HAVE ANY QUESTIONS, PLEASE CONTACT MCGRATH@ND.EDU***Explore the centuries-old tradition at the heart of a Catholic university. John C. Cavadini will discuss, "What is the Catholic Intellectual Tradition?" This event is free and open to the public. Reception to follow. Parking will be available in the Basilica parking lot after 4:00 p.m. Originally published at mcgrath.nd.edu.
- 4:30 PM1h[POSTPONED] Lecture: "What is the Catholic Intellectual Tradition?"***PLEASE NOTE- THIS EVENT HAS BEEN POSTPONED AND WILL BE RESCHEDULED FOR A LATER DATE. IF YOU HAVE ANY QUESTIONS, PLEASE CONTACT MCGRATH@ND.EDU***Explore the centuries-old tradition at the heart of a Catholic university. John C. Cavadini will discuss, "What is the Catholic Intellectual Tradition?" This event is free and open to the public. Reception to follow. Parking will be available in the Basilica parking lot after 4:00 p.m. Originally published at mcgrath.nd.edu.
- 5:00 PM1hInfo Session: "Study in the UK — Graduate School"Study in the UK During this session, you will learn about graduate study opportunities in the UK, British higher education, hints on exploring courses and universities in the UK, and funding options. Click here to register. About our presenter: Mary Denyer joined the Notre Dame Law School London as the program manager in December 2021. She was the assistant secretary and head of scholarship administration of the Marshall Aid Commemoration Commission for 20 years. She has worked on all four of the largest British government sponsored scholarships: Marshall, Chevening, Commonwealth and Fulbright. This event is open to all students. Questions may be directed to Emily Hunt at ehunt5@nd.edu. Originally published at cuse.nd.edu.
- 5:00 PM1hInfo Session: "Study in the UK — Graduate School"Study in the UK During this session, you will learn about graduate study opportunities in the UK, British higher education, hints on exploring courses and universities in the UK, and funding options. Click here to register. About our presenter: Mary Denyer joined the Notre Dame Law School London as the program manager in December 2021. She was the assistant secretary and head of scholarship administration of the Marshall Aid Commemoration Commission for 20 years. She has worked on all four of the largest British government sponsored scholarships: Marshall, Chevening, Commonwealth and Fulbright. This event is open to all students. Questions may be directed to Emily Hunt at ehunt5@nd.edu. Originally published at cuse.nd.edu.
- 7:30 PM2h 30mCinema in the Shadow of Empire: "Stop-Zemlia" (2021)About the Film Directed by Kateryna Gornostai Not Rated 122 minutes An introverted high-school girl Masha sees herself as an outsider unless she hangs around with Yana and Senia who share her non-conformist status. While she is trying to navigate through an intense time of the pre-graduation year, Masha falls in love that forces her to leave her comfort zone. From a debutant Ukrainian director Kateryna Gornostai, a deeply personal story about self-discovery and the patience it requires. About the Director Kateryna Gornostai is a director, writer and film editor. She was born in Lutsk, Ukraine on March 15, 1989, and is now living in Kyiv. She has studied filmmaking at Marina Razbezhkina and Mikhail Ugarov's School of Documentary Film and Theatre, and started her career as a documentary filmmaker in 2012. Subsequently, she shifted to fiction films and hybrid forms. Film critics notice her style and ability to portray life without artificiality. Now, she also teaches documentary filmmaking at Kyiv-Mohyla Academy's School of Journalism. Tickets Film screenings are free, but tickets are required. Contact the DeBartolo Performing Arts ticket office at 574-631-2800 or order tickets online. RESERVE TICKETSSpring 2023: Cinema in the Shadow of EmpireMarch 29: Stop-Zemlia, directed by Kateryna Gornostai (2021)From a debutant Ukrainian director Kateryna Gornostai, a deeply personal coming-of-age story about self-discovery and the patience it requires. April 5: Reflection, directed by Valentyn Vasyanovych (2021)Ukrainian surgeon tries to find purpose in life after his capture and release by the Russian military forces in Eastern Ukraine. April 12: Volcano, directed by Roman Bondarchuk (2018)Lukas, an interpreter for a military mission, gets lost near a remote Ukrainian village and stumbles from simple misadventure into the weirdest road trip of his life. April 19: Bad Roads, directed by Natalia Vorozhbit (2020)Four stories of love, hate, trust, betrayal and violation of personal borders projected against the background of the violation of national borders. April 28: Klondike, written and directed by Maryna Er Gorbach (2022)A Ukrainian family living on the border of Russia and Ukraine during the start of the 2014 Donbas war find themselves at the center of an international catastrophe of flight MH17. Originally published at nanovic.nd.edu.
- 7:30 PM2h 30mCinema in the Shadow of Empire: "Stop-Zemlia" (2021)About the Film Directed by Kateryna Gornostai Not Rated 122 minutes An introverted high-school girl Masha sees herself as an outsider unless she hangs around with Yana and Senia who share her non-conformist status. While she is trying to navigate through an intense time of the pre-graduation year, Masha falls in love that forces her to leave her comfort zone. From a debutant Ukrainian director Kateryna Gornostai, a deeply personal story about self-discovery and the patience it requires. About the Director Kateryna Gornostai is a director, writer and film editor. She was born in Lutsk, Ukraine on March 15, 1989, and is now living in Kyiv. She has studied filmmaking at Marina Razbezhkina and Mikhail Ugarov's School of Documentary Film and Theatre, and started her career as a documentary filmmaker in 2012. Subsequently, she shifted to fiction films and hybrid forms. Film critics notice her style and ability to portray life without artificiality. Now, she also teaches documentary filmmaking at Kyiv-Mohyla Academy's School of Journalism. Tickets Film screenings are free, but tickets are required. Contact the DeBartolo Performing Arts ticket office at 574-631-2800 or order tickets online. RESERVE TICKETSSpring 2023: Cinema in the Shadow of EmpireMarch 29: Stop-Zemlia, directed by Kateryna Gornostai (2021)From a debutant Ukrainian director Kateryna Gornostai, a deeply personal coming-of-age story about self-discovery and the patience it requires. April 5: Reflection, directed by Valentyn Vasyanovych (2021)Ukrainian surgeon tries to find purpose in life after his capture and release by the Russian military forces in Eastern Ukraine. April 12: Volcano, directed by Roman Bondarchuk (2018)Lukas, an interpreter for a military mission, gets lost near a remote Ukrainian village and stumbles from simple misadventure into the weirdest road trip of his life. April 19: Bad Roads, directed by Natalia Vorozhbit (2020)Four stories of love, hate, trust, betrayal and violation of personal borders projected against the background of the violation of national borders. April 28: Klondike, written and directed by Maryna Er Gorbach (2022)A Ukrainian family living on the border of Russia and Ukraine during the start of the 2014 Donbas war find themselves at the center of an international catastrophe of flight MH17. Originally published at nanovic.nd.edu.
- 7:30 PM2h 30mCinema in the Shadow of Empire: "Stop-Zemlia" (2021)About the Film Directed by Kateryna Gornostai Not Rated 122 minutes An introverted high-school girl Masha sees herself as an outsider unless she hangs around with Yana and Senia who share her non-conformist status. While she is trying to navigate through an intense time of the pre-graduation year, Masha falls in love that forces her to leave her comfort zone. From a debutant Ukrainian director Kateryna Gornostai, a deeply personal story about self-discovery and the patience it requires. About the Director Kateryna Gornostai is a director, writer and film editor. She was born in Lutsk, Ukraine on March 15, 1989, and is now living in Kyiv. She has studied filmmaking at Marina Razbezhkina and Mikhail Ugarov's School of Documentary Film and Theatre, and started her career as a documentary filmmaker in 2012. Subsequently, she shifted to fiction films and hybrid forms. Film critics notice her style and ability to portray life without artificiality. Now, she also teaches documentary filmmaking at Kyiv-Mohyla Academy's School of Journalism. Tickets Film screenings are free, but tickets are required. Contact the DeBartolo Performing Arts ticket office at 574-631-2800 or order tickets online. RESERVE TICKETSSpring 2023: Cinema in the Shadow of EmpireMarch 29: Stop-Zemlia, directed by Kateryna Gornostai (2021)From a debutant Ukrainian director Kateryna Gornostai, a deeply personal coming-of-age story about self-discovery and the patience it requires. April 5: Reflection, directed by Valentyn Vasyanovych (2021)Ukrainian surgeon tries to find purpose in life after his capture and release by the Russian military forces in Eastern Ukraine. April 12: Volcano, directed by Roman Bondarchuk (2018)Lukas, an interpreter for a military mission, gets lost near a remote Ukrainian village and stumbles from simple misadventure into the weirdest road trip of his life. April 19: Bad Roads, directed by Natalia Vorozhbit (2020)Four stories of love, hate, trust, betrayal and violation of personal borders projected against the background of the violation of national borders. April 28: Klondike, written and directed by Maryna Er Gorbach (2022)A Ukrainian family living on the border of Russia and Ukraine during the start of the 2014 Donbas war find themselves at the center of an international catastrophe of flight MH17. Originally published at nanovic.nd.edu.
- 7:30 PM2h 30mCinema in the Shadow of Empire: "Stop-Zemlia" (2021)About the Film Directed by Kateryna Gornostai Not Rated 122 minutes An introverted high-school girl Masha sees herself as an outsider unless she hangs around with Yana and Senia who share her non-conformist status. While she is trying to navigate through an intense time of the pre-graduation year, Masha falls in love that forces her to leave her comfort zone. From a debutant Ukrainian director Kateryna Gornostai, a deeply personal story about self-discovery and the patience it requires. About the Director Kateryna Gornostai is a director, writer and film editor. She was born in Lutsk, Ukraine on March 15, 1989, and is now living in Kyiv. She has studied filmmaking at Marina Razbezhkina and Mikhail Ugarov's School of Documentary Film and Theatre, and started her career as a documentary filmmaker in 2012. Subsequently, she shifted to fiction films and hybrid forms. Film critics notice her style and ability to portray life without artificiality. Now, she also teaches documentary filmmaking at Kyiv-Mohyla Academy's School of Journalism. Tickets Film screenings are free, but tickets are required. Contact the DeBartolo Performing Arts ticket office at 574-631-2800 or order tickets online. RESERVE TICKETSSpring 2023: Cinema in the Shadow of EmpireMarch 29: Stop-Zemlia, directed by Kateryna Gornostai (2021)From a debutant Ukrainian director Kateryna Gornostai, a deeply personal coming-of-age story about self-discovery and the patience it requires. April 5: Reflection, directed by Valentyn Vasyanovych (2021)Ukrainian surgeon tries to find purpose in life after his capture and release by the Russian military forces in Eastern Ukraine. April 12: Volcano, directed by Roman Bondarchuk (2018)Lukas, an interpreter for a military mission, gets lost near a remote Ukrainian village and stumbles from simple misadventure into the weirdest road trip of his life. April 19: Bad Roads, directed by Natalia Vorozhbit (2020)Four stories of love, hate, trust, betrayal and violation of personal borders projected against the background of the violation of national borders. April 28: Klondike, written and directed by Maryna Er Gorbach (2022)A Ukrainian family living on the border of Russia and Ukraine during the start of the 2014 Donbas war find themselves at the center of an international catastrophe of flight MH17. Originally published at nanovic.nd.edu.
- 8:00 PM1hCST on Tap: "The Clash of Ideals and Reality in Global Development"CST on Tap is a space for informal conversation on seemingly intractable issues in the work of justice and the common good through the lens of the Catholic social tradition. On March 29, Joe Weber from Catholic Relief Services will stop by for a conversation on the clash of ideals and reality in global development. He'll talk specifically about challenges for solidarity and mutuality. All are welcome. Food and drink will be served. Learn more
- 8:00 PM1hCST on Tap: "The Clash of Ideals and Reality in Global Development"CST on Tap is a space for informal conversation on seemingly intractable issues in the work of justice and the common good through the lens of the Catholic social tradition. On March 29, Joe Weber from Catholic Relief Services will stop by for a conversation on the clash of ideals and reality in global development. He'll talk specifically about challenges for solidarity and mutuality. All are welcome. Food and drink will be served. Learn more
- 8:00 PM1hCST on Tap: "The Clash of Ideals and Reality in Global Development"CST on Tap is a space for informal conversation on seemingly intractable issues in the work of justice and the common good through the lens of the Catholic social tradition. On March 29, Joe Weber from Catholic Relief Services will stop by for a conversation on the clash of ideals and reality in global development. He'll talk specifically about challenges for solidarity and mutuality. All are welcome. Food and drink will be served. Learn more
- 8:00 PM1hCST on Tap: "The Clash of Ideals and Reality in Global Development"CST on Tap is a space for informal conversation on seemingly intractable issues in the work of justice and the common good through the lens of the Catholic social tradition. On March 29, Joe Weber from Catholic Relief Services will stop by for a conversation on the clash of ideals and reality in global development. He'll talk specifically about challenges for solidarity and mutuality. All are welcome. Food and drink will be served. Learn more