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Thursday, April 17, 2025
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mSpotlight Exhibit —"Building a Campus Boycott to Support Midwestern Farmworkers"In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends
- 9:30 AM7h 30mSpotlight Exhibit —"Building a Campus Boycott to Support Midwestern Farmworkers"In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends
- 9:30 AM7h 30mSpotlight Exhibit —"Building a Campus Boycott to Support Midwestern Farmworkers"In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends
- 9:30 AM7h 30mSpotlight Exhibit —"Building a Campus Boycott to Support Midwestern Farmworkers"In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends
- 12:30 PM1h 30mLecture: "Fire, Amnesty, Erasure, and Memory: The Battle over the Narrative of the Palace of Justice Siege in Colombia"The assault on Colombia’s Palace of Justice, the judicial branch’s headquarters, took place on Nov. 6, 1985, when 35 commandos of the M-19 guerrilla movement violently entered the building in downtown Bogotá. Their alleged purpose was to demand that the Supreme Court invoke a public trial of then-president Belisario Betancur. In their words, Betancur “betray[ed] a national desire to end the war through negotiations and public participation,” which was agreed upon with the signing of a ceasefire and the establishment of a national dialogue on Aug. 24, 1984. Within minutes Armed Forces reacted with a deployment of about 5,000 army and police members with heavy weaponry. According to the Truth Commission's report a massacre took place resulting in the estimated loss of at least 100 lives, the disappearance of 11 people, and the torture of several more at the hands of these security forces. In this lecture, Helena Urán Bidegain will focus on the question, “Why have the wounds caused by the attack on the Palace of Justice in Colombia not yet healed?” Her research contributes to the debate over how official and alternative narratives influence the recognition of victims and transitional justice in Colombia. Panelists: Helena Urán Bidegain, serves as an advisor for the Comprehensive System of Peace on measures for non-repetition. Her professional background includes working as a ministerial advisor at the Colombian Ministry of Foreign Affairs, a researcher at the Rockefeller Brothers Fund on peace-related issues, and a parliamentary advisor on foreign policy (Latin America) in the German Bundestag, among others. She is the author of the book, "Mi Vida y el Palacio" (2020), a political-autobiographical account and investigation into the worst institutional tragedy of political violence in Colombia’s history. She has also contributed as a columnist for Revista Cambio, El Espectador, and ElDiario.es.Salina Kafle, Notre Dame human rights L.L.M. studentMonica Nuño Nuño, Notre Dame human rights L.L.M. student Josefina Echavarría Álvarez, professor of the practice and director of the Peace Accords Matrix Photo: The Palace of Justice during the 1985 siege. Credit: El Tiempo archive Originally published at kroc.nd.edu.
- 12:30 PM1h 30mLecture: "Fire, Amnesty, Erasure, and Memory: The Battle over the Narrative of the Palace of Justice Siege in Colombia"The assault on Colombia’s Palace of Justice, the judicial branch’s headquarters, took place on Nov. 6, 1985, when 35 commandos of the M-19 guerrilla movement violently entered the building in downtown Bogotá. Their alleged purpose was to demand that the Supreme Court invoke a public trial of then-president Belisario Betancur. In their words, Betancur “betray[ed] a national desire to end the war through negotiations and public participation,” which was agreed upon with the signing of a ceasefire and the establishment of a national dialogue on Aug. 24, 1984. Within minutes Armed Forces reacted with a deployment of about 5,000 army and police members with heavy weaponry. According to the Truth Commission's report a massacre took place resulting in the estimated loss of at least 100 lives, the disappearance of 11 people, and the torture of several more at the hands of these security forces. In this lecture, Helena Urán Bidegain will focus on the question, “Why have the wounds caused by the attack on the Palace of Justice in Colombia not yet healed?” Her research contributes to the debate over how official and alternative narratives influence the recognition of victims and transitional justice in Colombia. Panelists: Helena Urán Bidegain, serves as an advisor for the Comprehensive System of Peace on measures for non-repetition. Her professional background includes working as a ministerial advisor at the Colombian Ministry of Foreign Affairs, a researcher at the Rockefeller Brothers Fund on peace-related issues, and a parliamentary advisor on foreign policy (Latin America) in the German Bundestag, among others. She is the author of the book, "Mi Vida y el Palacio" (2020), a political-autobiographical account and investigation into the worst institutional tragedy of political violence in Colombia’s history. She has also contributed as a columnist for Revista Cambio, El Espectador, and ElDiario.es.Salina Kafle, Notre Dame human rights L.L.M. studentMonica Nuño Nuño, Notre Dame human rights L.L.M. student Josefina Echavarría Álvarez, professor of the practice and director of the Peace Accords Matrix Photo: The Palace of Justice during the 1985 siege. Credit: El Tiempo archive Originally published at kroc.nd.edu.
- 12:30 PM1h 30mLecture: "Fire, Amnesty, Erasure, and Memory: The Battle over the Narrative of the Palace of Justice Siege in Colombia"The assault on Colombia’s Palace of Justice, the judicial branch’s headquarters, took place on Nov. 6, 1985, when 35 commandos of the M-19 guerrilla movement violently entered the building in downtown Bogotá. Their alleged purpose was to demand that the Supreme Court invoke a public trial of then-president Belisario Betancur. In their words, Betancur “betray[ed] a national desire to end the war through negotiations and public participation,” which was agreed upon with the signing of a ceasefire and the establishment of a national dialogue on Aug. 24, 1984. Within minutes Armed Forces reacted with a deployment of about 5,000 army and police members with heavy weaponry. According to the Truth Commission's report a massacre took place resulting in the estimated loss of at least 100 lives, the disappearance of 11 people, and the torture of several more at the hands of these security forces. In this lecture, Helena Urán Bidegain will focus on the question, “Why have the wounds caused by the attack on the Palace of Justice in Colombia not yet healed?” Her research contributes to the debate over how official and alternative narratives influence the recognition of victims and transitional justice in Colombia. Panelists: Helena Urán Bidegain, serves as an advisor for the Comprehensive System of Peace on measures for non-repetition. Her professional background includes working as a ministerial advisor at the Colombian Ministry of Foreign Affairs, a researcher at the Rockefeller Brothers Fund on peace-related issues, and a parliamentary advisor on foreign policy (Latin America) in the German Bundestag, among others. She is the author of the book, "Mi Vida y el Palacio" (2020), a political-autobiographical account and investigation into the worst institutional tragedy of political violence in Colombia’s history. She has also contributed as a columnist for Revista Cambio, El Espectador, and ElDiario.es.Salina Kafle, Notre Dame human rights L.L.M. studentMonica Nuño Nuño, Notre Dame human rights L.L.M. student Josefina Echavarría Álvarez, professor of the practice and director of the Peace Accords Matrix Photo: The Palace of Justice during the 1985 siege. Credit: El Tiempo archive Originally published at kroc.nd.edu.
- 12:30 PM1h 30mLecture: "Fire, Amnesty, Erasure, and Memory: The Battle over the Narrative of the Palace of Justice Siege in Colombia"The assault on Colombia’s Palace of Justice, the judicial branch’s headquarters, took place on Nov. 6, 1985, when 35 commandos of the M-19 guerrilla movement violently entered the building in downtown Bogotá. Their alleged purpose was to demand that the Supreme Court invoke a public trial of then-president Belisario Betancur. In their words, Betancur “betray[ed] a national desire to end the war through negotiations and public participation,” which was agreed upon with the signing of a ceasefire and the establishment of a national dialogue on Aug. 24, 1984. Within minutes Armed Forces reacted with a deployment of about 5,000 army and police members with heavy weaponry. According to the Truth Commission's report a massacre took place resulting in the estimated loss of at least 100 lives, the disappearance of 11 people, and the torture of several more at the hands of these security forces. In this lecture, Helena Urán Bidegain will focus on the question, “Why have the wounds caused by the attack on the Palace of Justice in Colombia not yet healed?” Her research contributes to the debate over how official and alternative narratives influence the recognition of victims and transitional justice in Colombia. Panelists: Helena Urán Bidegain, serves as an advisor for the Comprehensive System of Peace on measures for non-repetition. Her professional background includes working as a ministerial advisor at the Colombian Ministry of Foreign Affairs, a researcher at the Rockefeller Brothers Fund on peace-related issues, and a parliamentary advisor on foreign policy (Latin America) in the German Bundestag, among others. She is the author of the book, "Mi Vida y el Palacio" (2020), a political-autobiographical account and investigation into the worst institutional tragedy of political violence in Colombia’s history. She has also contributed as a columnist for Revista Cambio, El Espectador, and ElDiario.es.Salina Kafle, Notre Dame human rights L.L.M. studentMonica Nuño Nuño, Notre Dame human rights L.L.M. student Josefina Echavarría Álvarez, professor of the practice and director of the Peace Accords Matrix Photo: The Palace of Justice during the 1985 siege. Credit: El Tiempo archive Originally published at kroc.nd.edu.
- 1:30 PM1hMindful YogaEvery sustainability champion needs time to care for their mental and physical well-being! Join yoga instructor Steve "Krojo" Krojniewski for a yoga session to unwind in the outdoors of our beautiful campus, and spend some time being mindful of this wonderful place we call home. Limited availability of mats and blocks will be available. Participants are encouraged to bring their own. Registration is limited to 30 participants. Register today
- 2:00 PM1hGuest Lecture/Performance by Cleek SchreyCleek Schrey is a fiddler, improviser, and composer who specializes in the traditional musics of Appalachia and Ireland. During this public talk/ performance, Schrey will discuss how to use printed tune collections like the recently publsihed Mulvihill collection or Notre Dame's own O'Neill collection to bring traditional repertoires to life. Originally published at music.nd.edu.
- 2:00 PM1hGuest Lecture/Performance by Cleek SchreyCleek Schrey is a fiddler, improviser, and composer who specializes in the traditional musics of Appalachia and Ireland. During this public talk/ performance, Schrey will discuss how to use printed tune collections like the recently publsihed Mulvihill collection or Notre Dame's own O'Neill collection to bring traditional repertoires to life. Originally published at music.nd.edu.
- 2:00 PM1hGuest Lecture/Performance by Cleek SchreyCleek Schrey is a fiddler, improviser, and composer who specializes in the traditional musics of Appalachia and Ireland. During this public talk/ performance, Schrey will discuss how to use printed tune collections like the recently publsihed Mulvihill collection or Notre Dame's own O'Neill collection to bring traditional repertoires to life. Originally published at music.nd.edu.
- 2:00 PM1hGuest Lecture/Performance by Cleek SchreyCleek Schrey is a fiddler, improviser, and composer who specializes in the traditional musics of Appalachia and Ireland. During this public talk/ performance, Schrey will discuss how to use printed tune collections like the recently publsihed Mulvihill collection or Notre Dame's own O'Neill collection to bring traditional repertoires to life. Originally published at music.nd.edu.
- 4:00 PM1h 30mWork-in-Progress: "What Happens After Democratic Erosion Stopped? Analyzing Post-Erosion Trajectories"Work-in-Progress Seminars are designed to generate in-depth discussion of new scholarly work. For the pre-circulated paper and to attend, please register with the link below. Room location information will be shared with preparation materials following your registration. Marianne KneuerKellogg Visiting FellowProfessor of Comparative Politics, Dresden University of TechnologyDirector, Institute of Political Science, Dresden University of Technology More information here
- 4:00 PM1h 30mWork-in-Progress: "What Happens After Democratic Erosion Stopped? Analyzing Post-Erosion Trajectories"Work-in-Progress Seminars are designed to generate in-depth discussion of new scholarly work. For the pre-circulated paper and to attend, please register with the link below. Room location information will be shared with preparation materials following your registration. Marianne KneuerKellogg Visiting FellowProfessor of Comparative Politics, Dresden University of TechnologyDirector, Institute of Political Science, Dresden University of Technology More information here
- 4:00 PM1h 30mWork-in-Progress: "What Happens After Democratic Erosion Stopped? Analyzing Post-Erosion Trajectories"Work-in-Progress Seminars are designed to generate in-depth discussion of new scholarly work. For the pre-circulated paper and to attend, please register with the link below. Room location information will be shared with preparation materials following your registration. Marianne KneuerKellogg Visiting FellowProfessor of Comparative Politics, Dresden University of TechnologyDirector, Institute of Political Science, Dresden University of Technology More information here
- 4:00 PM3hMultimedia event—"In Rez-idence: Indigenous|Body|Horror Through Art, Writing, and 'Sugarcane'"Join artist, writer, and Kroc Institute Visiting Fellow Jessica Doe (Aniyunwiya/Cherokee Nation) for an examination of the enduring legacy of “Indian”—also known as “residential”—boarding schools through Indigenous creative expression. This multimedia event features immersive images from her exhibitions and performance/poetry series, a reading of Doe’s short stories, and a screening of the Academy Award-nominated documentary, “Sugarcane.” A stunning tribute to the resilience of Native people and their way of life, “Sugarcane,” the debut feature documentary from directors Julian Brave NoiseCat and Emily Kassie, is an epic cinematic portrait of a community during a moment of international reckoning. In 2021, evidence of unmarked graves was discovered on the grounds of a Native American residential school run by the Catholic Church in Canada. After years of silence, the forced separation, assimilation and abuse many children experienced at these segregated boarding schools was brought to light, sparking a national outcry against a system designed to destroy Indigenous communities. Set amidst a groundbreaking investigation, “Sugarcane” illuminates the beauty of a community breaking cycles of intergenerational trauma and finding the strength to persevere. Originally published at kroc.nd.edu.
- 4:00 PM3hMultimedia event—"In Rez-idence: Indigenous|Body|Horror Through Art, Writing, and 'Sugarcane'"Join artist, writer, and Kroc Institute Visiting Fellow Jessica Doe (Aniyunwiya/Cherokee Nation) for an examination of the enduring legacy of “Indian”—also known as “residential”—boarding schools through Indigenous creative expression. This multimedia event features immersive images from her exhibitions and performance/poetry series, a reading of Doe’s short stories, and a screening of the Academy Award-nominated documentary, “Sugarcane.” A stunning tribute to the resilience of Native people and their way of life, “Sugarcane,” the debut feature documentary from directors Julian Brave NoiseCat and Emily Kassie, is an epic cinematic portrait of a community during a moment of international reckoning. In 2021, evidence of unmarked graves was discovered on the grounds of a Native American residential school run by the Catholic Church in Canada. After years of silence, the forced separation, assimilation and abuse many children experienced at these segregated boarding schools was brought to light, sparking a national outcry against a system designed to destroy Indigenous communities. Set amidst a groundbreaking investigation, “Sugarcane” illuminates the beauty of a community breaking cycles of intergenerational trauma and finding the strength to persevere. Originally published at kroc.nd.edu.
- 4:00 PM3hMultimedia event—"In Rez-idence: Indigenous|Body|Horror Through Art, Writing, and 'Sugarcane'"Join artist, writer, and Kroc Institute Visiting Fellow Jessica Doe (Aniyunwiya/Cherokee Nation) for an examination of the enduring legacy of “Indian”—also known as “residential”—boarding schools through Indigenous creative expression. This multimedia event features immersive images from her exhibitions and performance/poetry series, a reading of Doe’s short stories, and a screening of the Academy Award-nominated documentary, “Sugarcane.” A stunning tribute to the resilience of Native people and their way of life, “Sugarcane,” the debut feature documentary from directors Julian Brave NoiseCat and Emily Kassie, is an epic cinematic portrait of a community during a moment of international reckoning. In 2021, evidence of unmarked graves was discovered on the grounds of a Native American residential school run by the Catholic Church in Canada. After years of silence, the forced separation, assimilation and abuse many children experienced at these segregated boarding schools was brought to light, sparking a national outcry against a system designed to destroy Indigenous communities. Set amidst a groundbreaking investigation, “Sugarcane” illuminates the beauty of a community breaking cycles of intergenerational trauma and finding the strength to persevere. Originally published at kroc.nd.edu.
- 4:00 PM3hMultimedia event—"In Rez-idence: Indigenous|Body|Horror Through Art, Writing, and 'Sugarcane'"Join artist, writer, and Kroc Institute Visiting Fellow Jessica Doe (Aniyunwiya/Cherokee Nation) for an examination of the enduring legacy of “Indian”—also known as “residential”—boarding schools through Indigenous creative expression. This multimedia event features immersive images from her exhibitions and performance/poetry series, a reading of Doe’s short stories, and a screening of the Academy Award-nominated documentary, “Sugarcane.” A stunning tribute to the resilience of Native people and their way of life, “Sugarcane,” the debut feature documentary from directors Julian Brave NoiseCat and Emily Kassie, is an epic cinematic portrait of a community during a moment of international reckoning. In 2021, evidence of unmarked graves was discovered on the grounds of a Native American residential school run by the Catholic Church in Canada. After years of silence, the forced separation, assimilation and abuse many children experienced at these segregated boarding schools was brought to light, sparking a national outcry against a system designed to destroy Indigenous communities. Set amidst a groundbreaking investigation, “Sugarcane” illuminates the beauty of a community breaking cycles of intergenerational trauma and finding the strength to persevere. Originally published at kroc.nd.edu.
- 4:00 PM3hMultimedia event—"In Rez-idence: Indigenous|Body|Horror Through Art, Writing, and 'Sugarcane'"Join artist, writer, and Kroc Institute Visiting Fellow Jessica Doe (Aniyunwiya/Cherokee Nation) for an examination of the enduring legacy of “Indian”—also known as “residential”—boarding schools through Indigenous creative expression. This multimedia event features immersive images from her exhibitions and performance/poetry series, a reading of Doe’s short stories, and a screening of the Academy Award-nominated documentary, “Sugarcane.” A stunning tribute to the resilience of Native people and their way of life, “Sugarcane,” the debut feature documentary from directors Julian Brave NoiseCat and Emily Kassie, is an epic cinematic portrait of a community during a moment of international reckoning. In 2021, evidence of unmarked graves was discovered on the grounds of a Native American residential school run by the Catholic Church in Canada. After years of silence, the forced separation, assimilation and abuse many children experienced at these segregated boarding schools was brought to light, sparking a national outcry against a system designed to destroy Indigenous communities. Set amidst a groundbreaking investigation, “Sugarcane” illuminates the beauty of a community breaking cycles of intergenerational trauma and finding the strength to persevere. Originally published at kroc.nd.edu.
- 6:00 PM2hKnit & StitchND students, drop by to crochet, knit, or embroider and enjoy conversation and community at the McDonald Center. B.Y.O. yarn and supplies or choose from available supplies. All experience levels are welcome. Originally published at mcwell.nd.edu.
- 6:00 PM2hKnit & StitchND students, drop by to crochet, knit, or embroider and enjoy conversation and community at the McDonald Center. B.Y.O. yarn and supplies or choose from available supplies. All experience levels are welcome. Originally published at mcwell.nd.edu.
- 7:00 PM1h 50mFilm: 7th Annual "Jesus Christ Superstar" Sing-along (1973)Classics at the BrowningDirected by Norman JewisonWith Ted Neeley, Carl Anderson, Yvonne EllimanRated G, 108 minutes, Blu-rayThe Browning Cinema's Holy Thursday sing-along tradition returns for another Lenten season. Andrew Lloyd Webber and Tim Rice wanted to write a rock opera about Jesus Christ from Judas Iscariot's point of view. Just in their twenties at the time, the two recorded the Jesus Christ Superstar cast album. With proof of principle in place, they launched a Broadway musical, which was later adapted by Norman Jewison (fresh off Fiddler on the Roof) for film. The film version is told through a popup musical that springs from a hippie school bus traveling in the desert and, like the musical, recounts the last days of Jesus Christ (Ted Neeley) with an emphasis on the role Judas Iscariot (Carl Anderson), his betrayer, played in his death and the emotions behind it. GET TICKETS
- 7:00 PM1h 50mFilm: 7th Annual "Jesus Christ Superstar" Sing-along (1973)Classics at the BrowningDirected by Norman JewisonWith Ted Neeley, Carl Anderson, Yvonne EllimanRated G, 108 minutes, Blu-rayThe Browning Cinema's Holy Thursday sing-along tradition returns for another Lenten season. Andrew Lloyd Webber and Tim Rice wanted to write a rock opera about Jesus Christ from Judas Iscariot's point of view. Just in their twenties at the time, the two recorded the Jesus Christ Superstar cast album. With proof of principle in place, they launched a Broadway musical, which was later adapted by Norman Jewison (fresh off Fiddler on the Roof) for film. The film version is told through a popup musical that springs from a hippie school bus traveling in the desert and, like the musical, recounts the last days of Jesus Christ (Ted Neeley) with an emphasis on the role Judas Iscariot (Carl Anderson), his betrayer, played in his death and the emotions behind it. GET TICKETS
- 7:00 PM1h 50mFilm: 7th Annual "Jesus Christ Superstar" Sing-along (1973)Classics at the BrowningDirected by Norman JewisonWith Ted Neeley, Carl Anderson, Yvonne EllimanRated G, 108 minutes, Blu-rayThe Browning Cinema's Holy Thursday sing-along tradition returns for another Lenten season. Andrew Lloyd Webber and Tim Rice wanted to write a rock opera about Jesus Christ from Judas Iscariot's point of view. Just in their twenties at the time, the two recorded the Jesus Christ Superstar cast album. With proof of principle in place, they launched a Broadway musical, which was later adapted by Norman Jewison (fresh off Fiddler on the Roof) for film. The film version is told through a popup musical that springs from a hippie school bus traveling in the desert and, like the musical, recounts the last days of Jesus Christ (Ted Neeley) with an emphasis on the role Judas Iscariot (Carl Anderson), his betrayer, played in his death and the emotions behind it. GET TICKETS