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Thursday, November 9, 2023
- 12:00 AM23h 59mSand Mandala by Tashi Kyil MonksContinuing the ecumenical monastic tradition begun between Trappist monk Thomas Merton and the Dalai Lama, the Hillebrand Center for Compassionate Care in Medicine has invited the Tashi Kyil monks to create the Medicine Buddha Sand Mandala to recognize the common goal of compassion among all spiritual traditions and philosophies in the response to suffering. The Medicine Buddha Sand Mandala will be created in particular to honor the compassion of people working in healthcare and anyone who dedicates their life to making the world a better place. Upon completion, the Sand Mandala is dismantled to symbolize the impermanence of all that exists. All are welcome to observe this intricate process and spend time with the monks. These events will also be livestreamed, so you can check in on the intricate process of creating the sand mandala from any location. Opening Ceremony Monday, November 6 at 10 am followed by the mandala creation until 5 pm Monks create the Medicine Buddha Sand Mandala Tuesday – Thursday 9 am – 5 pm Presentation about the Tashi Kyil Monastery and the Dalai Lama Tuesday, 7 pm in Room 105, Jordan Hall Closing Ceremony Friday, November 10 mandala creation 9 am until the closing ceremony at 4 pm followed by procession to World Peace Plaza near Saint Mary's Lake. Watch the livestream. Sponsored by the Hillebrand Center for Compassionate Care in Medicine and the Ansari Institute for Global Engagement with Religion. Originally published at compassionatecare.nd.edu.
- 12:00 AM23h 59mSand Mandala by Tashi Kyil MonksContinuing the ecumenical monastic tradition begun between Trappist monk Thomas Merton and the Dalai Lama, the Hillebrand Center for Compassionate Care in Medicine has invited the Tashi Kyil monks to create the Medicine Buddha Sand Mandala to recognize the common goal of compassion among all spiritual traditions and philosophies in the response to suffering. The Medicine Buddha Sand Mandala will be created in particular to honor the compassion of people working in healthcare and anyone who dedicates their life to making the world a better place. Upon completion, the Sand Mandala is dismantled to symbolize the impermanence of all that exists. All are welcome to observe this intricate process and spend time with the monks. These events will also be livestreamed, so you can check in on the intricate process of creating the sand mandala from any location. Opening Ceremony Monday, November 6 at 10 am followed by the mandala creation until 5 pm Monks create the Medicine Buddha Sand Mandala Tuesday – Thursday 9 am – 5 pm Presentation about the Tashi Kyil Monastery and the Dalai Lama Tuesday, 7 pm in Room 105, Jordan Hall Closing Ceremony Friday, November 10 mandala creation 9 am until the closing ceremony at 4 pm followed by procession to World Peace Plaza near Saint Mary's Lake. Watch the livestream. Sponsored by the Hillebrand Center for Compassionate Care in Medicine and the Ansari Institute for Global Engagement with Religion. Originally published at compassionatecare.nd.edu.
- 12:00 AM23h 59mSand Mandala by Tashi Kyil MonksContinuing the ecumenical monastic tradition begun between Trappist monk Thomas Merton and the Dalai Lama, the Hillebrand Center for Compassionate Care in Medicine has invited the Tashi Kyil monks to create the Medicine Buddha Sand Mandala to recognize the common goal of compassion among all spiritual traditions and philosophies in the response to suffering. The Medicine Buddha Sand Mandala will be created in particular to honor the compassion of people working in healthcare and anyone who dedicates their life to making the world a better place. Upon completion, the Sand Mandala is dismantled to symbolize the impermanence of all that exists. All are welcome to observe this intricate process and spend time with the monks. These events will also be livestreamed, so you can check in on the intricate process of creating the sand mandala from any location. Opening Ceremony Monday, November 6 at 10 am followed by the mandala creation until 5 pm Monks create the Medicine Buddha Sand Mandala Tuesday – Thursday 9 am – 5 pm Presentation about the Tashi Kyil Monastery and the Dalai Lama Tuesday, 7 pm in Room 105, Jordan Hall Closing Ceremony Friday, November 10 mandala creation 9 am until the closing ceremony at 4 pm followed by procession to World Peace Plaza near Saint Mary's Lake. Watch the livestream. Sponsored by the Hillebrand Center for Compassionate Care in Medicine and the Ansari Institute for Global Engagement with Religion. Originally published at compassionatecare.nd.edu.
- 12:00 AM23h 59mSand Mandala by Tashi Kyil MonksContinuing the ecumenical monastic tradition begun between Trappist monk Thomas Merton and the Dalai Lama, the Hillebrand Center for Compassionate Care in Medicine has invited the Tashi Kyil monks to create the Medicine Buddha Sand Mandala to recognize the common goal of compassion among all spiritual traditions and philosophies in the response to suffering. The Medicine Buddha Sand Mandala will be created in particular to honor the compassion of people working in healthcare and anyone who dedicates their life to making the world a better place. Upon completion, the Sand Mandala is dismantled to symbolize the impermanence of all that exists. All are welcome to observe this intricate process and spend time with the monks. These events will also be livestreamed, so you can check in on the intricate process of creating the sand mandala from any location. Opening Ceremony Monday, November 6 at 10 am followed by the mandala creation until 5 pm Monks create the Medicine Buddha Sand Mandala Tuesday – Thursday 9 am – 5 pm Presentation about the Tashi Kyil Monastery and the Dalai Lama Tuesday, 7 pm in Room 105, Jordan Hall Closing Ceremony Friday, November 10 mandala creation 9 am until the closing ceremony at 4 pm followed by procession to World Peace Plaza near Saint Mary's Lake. Watch the livestream. Sponsored by the Hillebrand Center for Compassionate Care in Medicine and the Ansari Institute for Global Engagement with Religion. Originally published at compassionatecare.nd.edu.
- 12:00 AM23h 59mSand Mandala by Tashi Kyil MonksContinuing the ecumenical monastic tradition begun between Trappist monk Thomas Merton and the Dalai Lama, the Hillebrand Center for Compassionate Care in Medicine has invited the Tashi Kyil monks to create the Medicine Buddha Sand Mandala to recognize the common goal of compassion among all spiritual traditions and philosophies in the response to suffering. The Medicine Buddha Sand Mandala will be created in particular to honor the compassion of people working in healthcare and anyone who dedicates their life to making the world a better place. Upon completion, the Sand Mandala is dismantled to symbolize the impermanence of all that exists. All are welcome to observe this intricate process and spend time with the monks. These events will also be livestreamed, so you can check in on the intricate process of creating the sand mandala from any location. Opening Ceremony Monday, November 6 at 10 am followed by the mandala creation until 5 pm Monks create the Medicine Buddha Sand Mandala Tuesday – Thursday 9 am – 5 pm Presentation about the Tashi Kyil Monastery and the Dalai Lama Tuesday, 7 pm in Room 105, Jordan Hall Closing Ceremony Friday, November 10 mandala creation 9 am until the closing ceremony at 4 pm followed by procession to World Peace Plaza near Saint Mary's Lake. Watch the livestream. Sponsored by the Hillebrand Center for Compassionate Care in Medicine and the Ansari Institute for Global Engagement with Religion. Originally published at compassionatecare.nd.edu.
- 8:00 AM9hAAHD Gallery Exhibition: "When You're Done Dying" by Cody ArnallPlease join us for the opening reception from 5 to 7 p.m. Wednesday, Oct. 4. Arnall's captivating artwork will be showcased from Oct. 4, to Nov. 10. -- Cody Arnall is an associate professor of sculpture at Texas Tech University. Arnall’s research interests include traditional and nontraditional sculpture approaches, installation, and interdisciplinary approaches in visual art. Through material selection and manipulation, his work addresses human intervention in environments and impending doom. Some recent exhibitions are those at Axis Gallery, Sacramento, CA; K Space Contemporary, Corpus Christi, TX; CICA Museum, Gimpo, SKR; Site:Brooklyn, Brooklyn, NY; Barrister’s Gallery, New Orleans, LA; Durango Arts Center, Durango, CO; Pump Project, Austin, TX; Terminal 136, San Antonio, TX; Herron School of Art and Design, Indianapolis, IN; Brigham Young University, Provo, UT; DEMO Project, Springfield, IL; Living Arts, Tulsa, OK; the American University Museum, Washington, DC; and The Shed, Galway, IE. He has also participated in residencies at Sculpture Space in Utica, NY and at Vermont Studio Center in Johnson VT. Arnall was born and raised in Tulsa, OK; he received a B.F.A. degree in Studio Art fromOklahoma State University, Stillwater; and an M.F.A. in Studio Art from Louisiana StateUniversity, Baton Rouge. Prior to his appointment at TTU, Arnall spent two years as a full-time instructor at the Paducah School of Art & Design in Paducah, KY. He is also a member of the international artists' collective, Expanded Draught, and a founding member of the artist run gallery and studio space, CO-OPt in Lubbock, TX. Originally published at artdept.nd.edu.
- 8:00 AM9hAAHD Gallery Exhibition: "When You're Done Dying" by Cody ArnallPlease join us for the opening reception from 5 to 7 p.m. Wednesday, Oct. 4. Arnall's captivating artwork will be showcased from Oct. 4, to Nov. 10. -- Cody Arnall is an associate professor of sculpture at Texas Tech University. Arnall’s research interests include traditional and nontraditional sculpture approaches, installation, and interdisciplinary approaches in visual art. Through material selection and manipulation, his work addresses human intervention in environments and impending doom. Some recent exhibitions are those at Axis Gallery, Sacramento, CA; K Space Contemporary, Corpus Christi, TX; CICA Museum, Gimpo, SKR; Site:Brooklyn, Brooklyn, NY; Barrister’s Gallery, New Orleans, LA; Durango Arts Center, Durango, CO; Pump Project, Austin, TX; Terminal 136, San Antonio, TX; Herron School of Art and Design, Indianapolis, IN; Brigham Young University, Provo, UT; DEMO Project, Springfield, IL; Living Arts, Tulsa, OK; the American University Museum, Washington, DC; and The Shed, Galway, IE. He has also participated in residencies at Sculpture Space in Utica, NY and at Vermont Studio Center in Johnson VT. Arnall was born and raised in Tulsa, OK; he received a B.F.A. degree in Studio Art fromOklahoma State University, Stillwater; and an M.F.A. in Studio Art from Louisiana StateUniversity, Baton Rouge. Prior to his appointment at TTU, Arnall spent two years as a full-time instructor at the Paducah School of Art & Design in Paducah, KY. He is also a member of the international artists' collective, Expanded Draught, and a founding member of the artist run gallery and studio space, CO-OPt in Lubbock, TX. Originally published at artdept.nd.edu.
- 8:00 AM9hAAHD Gallery Exhibition: "When You're Done Dying" by Cody ArnallPlease join us for the opening reception from 5 to 7 p.m. Wednesday, Oct. 4. Arnall's captivating artwork will be showcased from Oct. 4, to Nov. 10. -- Cody Arnall is an associate professor of sculpture at Texas Tech University. Arnall’s research interests include traditional and nontraditional sculpture approaches, installation, and interdisciplinary approaches in visual art. Through material selection and manipulation, his work addresses human intervention in environments and impending doom. Some recent exhibitions are those at Axis Gallery, Sacramento, CA; K Space Contemporary, Corpus Christi, TX; CICA Museum, Gimpo, SKR; Site:Brooklyn, Brooklyn, NY; Barrister’s Gallery, New Orleans, LA; Durango Arts Center, Durango, CO; Pump Project, Austin, TX; Terminal 136, San Antonio, TX; Herron School of Art and Design, Indianapolis, IN; Brigham Young University, Provo, UT; DEMO Project, Springfield, IL; Living Arts, Tulsa, OK; the American University Museum, Washington, DC; and The Shed, Galway, IE. He has also participated in residencies at Sculpture Space in Utica, NY and at Vermont Studio Center in Johnson VT. Arnall was born and raised in Tulsa, OK; he received a B.F.A. degree in Studio Art fromOklahoma State University, Stillwater; and an M.F.A. in Studio Art from Louisiana StateUniversity, Baton Rouge. Prior to his appointment at TTU, Arnall spent two years as a full-time instructor at the Paducah School of Art & Design in Paducah, KY. He is also a member of the international artists' collective, Expanded Draught, and a founding member of the artist run gallery and studio space, CO-OPt in Lubbock, TX. Originally published at artdept.nd.edu.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Path to Sainthood: Brother Columba O’Neill"The Congregation of Holy Cross, Midwest Province Archives, holds a large collection relating to Brother Columba O’Neill, C.S.C. (1848-1923), dating from 1895 to 1997. This includes thousands of letters written to Brother Columba, who was known as the Miracle Man of Notre Dame and the Divine Healer. John O’Neill was born in Mackeysburg, Pennsylvania in 1848 and entered the Congregation of Holy Cross in 1874. For the next 42 years, he labored in the humble capacity of a cobbler, repairing shoes and fabricating special shoes for people with foot and ankle problems. Brother Columba had a remarkable devotion to the Immaculate Heart of Mary and a greater love of the Sacred Heart of Jesus. Around 1900, he began making Sacred Heart badges (30,000 of them). Many were given to students when they came to pick up their shoes. He told them to pray a novena, say five times a day, for nine days (or more, if not cured), “Sacred Heart of Jesus cure me!” As early as 1907, reports of many “miracles” wrought through the prayers of Br. Columba began arriving at Notre Dame. For years after his death in 1923, letters from South Bend and all over the world continued to arrive at Notre Dame. Of more than 10,000 letters in the collection, hundreds thank Brother Columba for cures, from chronic headaches to blindness. For 30 years after his death, people came daily to visit his grave on the Notre Dame campus. Brother Columba died on November 20, 1923, in the Community House — now Columba Hall — from complications related to the Spanish flu. Br. Isidore Alderton wrote, “News of his death soon spread to the people of South Bend, and dozens of members of the community, sisters and strangers were lining up to pass before his casket. For the past two days and nights the parlor in the Community House has become a veritable shrine.” Items on display in the spotlight exhibit are on loan from the Archives of the Congregation of the Holy Cross. This exhibit is co-curated by Brother Philip Smith, C.S.C., Archivist, Midwest Province, Congregation of Holy Cross, and Aedín Clements, Irish Studies Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, faculty, staff, postdocs, public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Path to Sainthood: Brother Columba O’Neill"The Congregation of Holy Cross, Midwest Province Archives, holds a large collection relating to Brother Columba O’Neill, C.S.C. (1848-1923), dating from 1895 to 1997. This includes thousands of letters written to Brother Columba, who was known as the Miracle Man of Notre Dame and the Divine Healer. John O’Neill was born in Mackeysburg, Pennsylvania in 1848 and entered the Congregation of Holy Cross in 1874. For the next 42 years, he labored in the humble capacity of a cobbler, repairing shoes and fabricating special shoes for people with foot and ankle problems. Brother Columba had a remarkable devotion to the Immaculate Heart of Mary and a greater love of the Sacred Heart of Jesus. Around 1900, he began making Sacred Heart badges (30,000 of them). Many were given to students when they came to pick up their shoes. He told them to pray a novena, say five times a day, for nine days (or more, if not cured), “Sacred Heart of Jesus cure me!” As early as 1907, reports of many “miracles” wrought through the prayers of Br. Columba began arriving at Notre Dame. For years after his death in 1923, letters from South Bend and all over the world continued to arrive at Notre Dame. Of more than 10,000 letters in the collection, hundreds thank Brother Columba for cures, from chronic headaches to blindness. For 30 years after his death, people came daily to visit his grave on the Notre Dame campus. Brother Columba died on November 20, 1923, in the Community House — now Columba Hall — from complications related to the Spanish flu. Br. Isidore Alderton wrote, “News of his death soon spread to the people of South Bend, and dozens of members of the community, sisters and strangers were lining up to pass before his casket. For the past two days and nights the parlor in the Community House has become a veritable shrine.” Items on display in the spotlight exhibit are on loan from the Archives of the Congregation of the Holy Cross. This exhibit is co-curated by Brother Philip Smith, C.S.C., Archivist, Midwest Province, Congregation of Holy Cross, and Aedín Clements, Irish Studies Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, faculty, staff, postdocs, public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Path to Sainthood: Brother Columba O’Neill"The Congregation of Holy Cross, Midwest Province Archives, holds a large collection relating to Brother Columba O’Neill, C.S.C. (1848-1923), dating from 1895 to 1997. This includes thousands of letters written to Brother Columba, who was known as the Miracle Man of Notre Dame and the Divine Healer. John O’Neill was born in Mackeysburg, Pennsylvania in 1848 and entered the Congregation of Holy Cross in 1874. For the next 42 years, he labored in the humble capacity of a cobbler, repairing shoes and fabricating special shoes for people with foot and ankle problems. Brother Columba had a remarkable devotion to the Immaculate Heart of Mary and a greater love of the Sacred Heart of Jesus. Around 1900, he began making Sacred Heart badges (30,000 of them). Many were given to students when they came to pick up their shoes. He told them to pray a novena, say five times a day, for nine days (or more, if not cured), “Sacred Heart of Jesus cure me!” As early as 1907, reports of many “miracles” wrought through the prayers of Br. Columba began arriving at Notre Dame. For years after his death in 1923, letters from South Bend and all over the world continued to arrive at Notre Dame. Of more than 10,000 letters in the collection, hundreds thank Brother Columba for cures, from chronic headaches to blindness. For 30 years after his death, people came daily to visit his grave on the Notre Dame campus. Brother Columba died on November 20, 1923, in the Community House — now Columba Hall — from complications related to the Spanish flu. Br. Isidore Alderton wrote, “News of his death soon spread to the people of South Bend, and dozens of members of the community, sisters and strangers were lining up to pass before his casket. For the past two days and nights the parlor in the Community House has become a veritable shrine.” Items on display in the spotlight exhibit are on loan from the Archives of the Congregation of the Holy Cross. This exhibit is co-curated by Brother Philip Smith, C.S.C., Archivist, Midwest Province, Congregation of Holy Cross, and Aedín Clements, Irish Studies Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, faculty, staff, postdocs, public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Path to Sainthood: Brother Columba O’Neill"The Congregation of Holy Cross, Midwest Province Archives, holds a large collection relating to Brother Columba O’Neill, C.S.C. (1848-1923), dating from 1895 to 1997. This includes thousands of letters written to Brother Columba, who was known as the Miracle Man of Notre Dame and the Divine Healer. John O’Neill was born in Mackeysburg, Pennsylvania in 1848 and entered the Congregation of Holy Cross in 1874. For the next 42 years, he labored in the humble capacity of a cobbler, repairing shoes and fabricating special shoes for people with foot and ankle problems. Brother Columba had a remarkable devotion to the Immaculate Heart of Mary and a greater love of the Sacred Heart of Jesus. Around 1900, he began making Sacred Heart badges (30,000 of them). Many were given to students when they came to pick up their shoes. He told them to pray a novena, say five times a day, for nine days (or more, if not cured), “Sacred Heart of Jesus cure me!” As early as 1907, reports of many “miracles” wrought through the prayers of Br. Columba began arriving at Notre Dame. For years after his death in 1923, letters from South Bend and all over the world continued to arrive at Notre Dame. Of more than 10,000 letters in the collection, hundreds thank Brother Columba for cures, from chronic headaches to blindness. For 30 years after his death, people came daily to visit his grave on the Notre Dame campus. Brother Columba died on November 20, 1923, in the Community House — now Columba Hall — from complications related to the Spanish flu. Br. Isidore Alderton wrote, “News of his death soon spread to the people of South Bend, and dozens of members of the community, sisters and strangers were lining up to pass before his casket. For the past two days and nights the parlor in the Community House has become a veritable shrine.” Items on display in the spotlight exhibit are on loan from the Archives of the Congregation of the Holy Cross. This exhibit is co-curated by Brother Philip Smith, C.S.C., Archivist, Midwest Province, Congregation of Holy Cross, and Aedín Clements, Irish Studies Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, faculty, staff, postdocs, public, alumni and friends.
- 11:00 AM1hLecture — "Lessons from the Battlefield: Empowering Everyone to Take Safety Personally"Presented by Patrick Nelson, a leadership and safety expert, decorated former U.S. Army paratrooper, and first NFL Pat Tillman military scholar. Free Chick-fil-A lunch provided following each session. Offered for ND faculty and staff by Notre Dame Risk Management and Safety as part of the Division of Campus Safety and University Operations.
- 11:00 AM1hLecture — "Lessons from the Battlefield: Empowering Everyone to Take Safety Personally"Presented by Patrick Nelson, a leadership and safety expert, decorated former U.S. Army paratrooper, and first NFL Pat Tillman military scholar. Free Chick-fil-A lunch provided following each session. Offered for ND faculty and staff by Notre Dame Risk Management and Safety as part of the Division of Campus Safety and University Operations.
- 11:00 AM1hLecture — "Lessons from the Battlefield: Empowering Everyone to Take Safety Personally"Presented by Patrick Nelson, a leadership and safety expert, decorated former U.S. Army paratrooper, and first NFL Pat Tillman military scholar. Free Chick-fil-A lunch provided following each session. Offered for ND faculty and staff by Notre Dame Risk Management and Safety as part of the Division of Campus Safety and University Operations.
- 2:00 PM1hLecture — "Lessons from the Battlefield: Empowering Everyone to Take Safety Personally"Presented by Patrick Nelson, a leadership and safety expert, decorated former U.S. Army paratrooper, and first NFL Pat Tillman military scholar. Free Chick-fil-A lunch provided following each session. Offered for ND faculty and staff by Notre Dame Risk Management and Safety as part of the Division of Campus Safety and University Operations.
- 2:00 PM1hLecture — "Lessons from the Battlefield: Empowering Everyone to Take Safety Personally"Presented by Patrick Nelson, a leadership and safety expert, decorated former U.S. Army paratrooper, and first NFL Pat Tillman military scholar. Free Chick-fil-A lunch provided following each session. Offered for ND faculty and staff by Notre Dame Risk Management and Safety as part of the Division of Campus Safety and University Operations.
- 2:00 PM1hLecture — "Lessons from the Battlefield: Empowering Everyone to Take Safety Personally"Presented by Patrick Nelson, a leadership and safety expert, decorated former U.S. Army paratrooper, and first NFL Pat Tillman military scholar. Free Chick-fil-A lunch provided following each session. Offered for ND faculty and staff by Notre Dame Risk Management and Safety as part of the Division of Campus Safety and University Operations.
- 3:15 PM1hStrategic Framework Undergraduate Town HallThe University has organized two town hall sessions this fall for undergraduate students to learn more about the recently launched Strategic Framework that will guide the University for the next decade. At each session, Provost John McGreevy will give an overview of the Framework and invite student questions. The undergraduate sessions will be held on the following dates:Thursday, Nov. 9, 3:15–4:15 p.m. at Carey Auditorium in Hesburgh LibraryMonday, Nov. 13, 4–5 p.m. at Carey Auditorium in Hesburgh LibraryStudents who would like to submit a question may do so using this form. While there might not be time to address every question at the event, undergraduate questions and comments will provide valuable insight as University administrators, faculty, staff, and students work together to enact the Framework. Originally published at strategicframework.nd.edu.
- 3:15 PM1hStrategic Framework Undergraduate Town HallThe University has organized two town hall sessions this fall for undergraduate students to learn more about the recently launched Strategic Framework that will guide the University for the next decade. At each session, Provost John McGreevy will give an overview of the Framework and invite student questions. The undergraduate sessions will be held on the following dates:Thursday, Nov. 9, 3:15–4:15 p.m. at Carey Auditorium in Hesburgh LibraryMonday, Nov. 13, 4–5 p.m. at Carey Auditorium in Hesburgh LibraryStudents who would like to submit a question may do so using this form. While there might not be time to address every question at the event, undergraduate questions and comments will provide valuable insight as University administrators, faculty, staff, and students work together to enact the Framework. Originally published at strategicframework.nd.edu.
- 4:00 PM1hVeterans Day CeremonyWe gather today to pay tribute to those who have served and continue to serve in the armed forces of our great nation — in wartime or peacetime. The sacrifice and service that the members of our military have made has protected the freedom that is the foundationof our nation; and we will continue to honor these men and women for all that they have sacrificed to make the freedom that we havetoday possible.The speaker is retired U.S. Air Force Col. Peter Geurtz, a 1975 Notre Dame alumnus and Air Force ROTC Detachment 225 graduate. He served 26 years on active duty with the United States Air Force. He retired in May 2001 after his most recent assignment as Pacific Air Forces Air Mobility Operations Control Center Commander at Hickam Air Force Base, Hawaii. Colonel Geurtz amassed over 6,000 flying hours in a variety of transport, tanker, and training aircraft. If there is inclement weather, the ceremony will move indoors to Room 101, DeBartolo Hall.Hosted by Notre Dame's Tri-Military ROTC and the Office of Military and Veterans Affairs.
- 4:30 PM1h 30mRecycling Listening & Learning SessionDo you have comments or questions about the recycling program on campus? We want to hear from you! The Office of Sustainability and Building Services are collaborating to offer a listening & learning session to discuss the current landscape of recycling and waste management efforts on campus. Please RSVP via this link.
- 5:00 PM1hBook Presentation: "La vita dell'altro. Svevo, Joyce: Un'amicizia geniale"Please join us in celebrating the publication of La vita dell'altro. Svevo, Joyce: Un'amicizia geniale (Bompiani 2023) by Enrico Terrinoni, affiliate of the Center for Italian Studies. Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book.La vita dell’altro. Joyce e Svevo: un’amicizia geniale is the untold story of a very special friendship between two of the great writers of the 20th century. When James Joyce arrived in Trieste he was a rather rebellious Irishman who loved Italian language and culture. He left his country, Ireland, which he thought was under the double yoke of the British Empire and the Catholic Church. Svevo was a middle-aged gentleman of Jewish descent who had worked for a long time in a bank and now worked in his wife's family firm. He became one of the main models for Leopold Bloom.Joyce came to teach English, and immediately stood out in Trieste for his unorthodox behavior. Svevo, a good-natured family man, noticed him and employed him as a teacher. Soon they started exchanging their writings. They admired each other's works. They used to stroll and discuss a thousand topics, so we are told. Svevo often helped Joyce by lending him money, and Joyce in time reciprocated his generosity by helping Svevo become an internationally renowned writer. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Enrico Terrinoni is professor in residence at the Centro Interdiciplinare 'B. Segre', Accademia Nazionale dei Lincei and professor of English literature at the University for Foreigners in Perugia. He has translated works by Joyce, Wilde, Orwell, Shaw, Hawthorne and many others, winning numerous prizes. He is the translator of many works by Michael D. Higgins, president of Ireland. His works include Occult Joyce. The Hidden in Ulysses (2008), James Joyce e la fine del romanzo (2015), Oltre abita il silenzio. Tradurre la letteratura (2019) e Su tutti i vivi e i morti. Joyce a Roma (Jury Prize - Francesco De Sanctis Prize; Jury Prize - Viareggio-Rèpaci Prize). His bilingual annotated Ulysses (Bompiani 2021) won the Capalbio International Prize for Translation in 2022. The event is co-sponsored by the Keough-Naughton Institute for Irish Studies. Originally published at italianstudies.nd.edu.
- 5:00 PM1hBook Presentation: "La vita dell'altro. Svevo, Joyce: Un'amicizia geniale"Please join us in celebrating the publication of La vita dell'altro. Svevo, Joyce: Un'amicizia geniale (Bompiani 2023) by Enrico Terrinoni, affiliate of the Center for Italian Studies. Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book.La vita dell’altro. Joyce e Svevo: un’amicizia geniale is the untold story of a very special friendship between two of the great writers of the 20th century. When James Joyce arrived in Trieste he was a rather rebellious Irishman who loved Italian language and culture. He left his country, Ireland, which he thought was under the double yoke of the British Empire and the Catholic Church. Svevo was a middle-aged gentleman of Jewish descent who had worked for a long time in a bank and now worked in his wife's family firm. He became one of the main models for Leopold Bloom.Joyce came to teach English, and immediately stood out in Trieste for his unorthodox behavior. Svevo, a good-natured family man, noticed him and employed him as a teacher. Soon they started exchanging their writings. They admired each other's works. They used to stroll and discuss a thousand topics, so we are told. Svevo often helped Joyce by lending him money, and Joyce in time reciprocated his generosity by helping Svevo become an internationally renowned writer. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Enrico Terrinoni is professor in residence at the Centro Interdiciplinare 'B. Segre', Accademia Nazionale dei Lincei and professor of English literature at the University for Foreigners in Perugia. He has translated works by Joyce, Wilde, Orwell, Shaw, Hawthorne and many others, winning numerous prizes. He is the translator of many works by Michael D. Higgins, president of Ireland. His works include Occult Joyce. The Hidden in Ulysses (2008), James Joyce e la fine del romanzo (2015), Oltre abita il silenzio. Tradurre la letteratura (2019) e Su tutti i vivi e i morti. Joyce a Roma (Jury Prize - Francesco De Sanctis Prize; Jury Prize - Viareggio-Rèpaci Prize). His bilingual annotated Ulysses (Bompiani 2021) won the Capalbio International Prize for Translation in 2022. The event is co-sponsored by the Keough-Naughton Institute for Irish Studies. Originally published at italianstudies.nd.edu.
- 5:00 PM1hBook Presentation: "La vita dell'altro. Svevo, Joyce: Un'amicizia geniale"Please join us in celebrating the publication of La vita dell'altro. Svevo, Joyce: Un'amicizia geniale (Bompiani 2023) by Enrico Terrinoni, affiliate of the Center for Italian Studies. Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book.La vita dell’altro. Joyce e Svevo: un’amicizia geniale is the untold story of a very special friendship between two of the great writers of the 20th century. When James Joyce arrived in Trieste he was a rather rebellious Irishman who loved Italian language and culture. He left his country, Ireland, which he thought was under the double yoke of the British Empire and the Catholic Church. Svevo was a middle-aged gentleman of Jewish descent who had worked for a long time in a bank and now worked in his wife's family firm. He became one of the main models for Leopold Bloom.Joyce came to teach English, and immediately stood out in Trieste for his unorthodox behavior. Svevo, a good-natured family man, noticed him and employed him as a teacher. Soon they started exchanging their writings. They admired each other's works. They used to stroll and discuss a thousand topics, so we are told. Svevo often helped Joyce by lending him money, and Joyce in time reciprocated his generosity by helping Svevo become an internationally renowned writer. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Enrico Terrinoni is professor in residence at the Centro Interdiciplinare 'B. Segre', Accademia Nazionale dei Lincei and professor of English literature at the University for Foreigners in Perugia. He has translated works by Joyce, Wilde, Orwell, Shaw, Hawthorne and many others, winning numerous prizes. He is the translator of many works by Michael D. Higgins, president of Ireland. His works include Occult Joyce. The Hidden in Ulysses (2008), James Joyce e la fine del romanzo (2015), Oltre abita il silenzio. Tradurre la letteratura (2019) e Su tutti i vivi e i morti. Joyce a Roma (Jury Prize - Francesco De Sanctis Prize; Jury Prize - Viareggio-Rèpaci Prize). His bilingual annotated Ulysses (Bompiani 2021) won the Capalbio International Prize for Translation in 2022. The event is co-sponsored by the Keough-Naughton Institute for Irish Studies. Originally published at italianstudies.nd.edu.
- 5:00 PM1hBook Presentation: "La vita dell'altro. Svevo, Joyce: Un'amicizia geniale"Please join us in celebrating the publication of La vita dell'altro. Svevo, Joyce: Un'amicizia geniale (Bompiani 2023) by Enrico Terrinoni, affiliate of the Center for Italian Studies. Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book.La vita dell’altro. Joyce e Svevo: un’amicizia geniale is the untold story of a very special friendship between two of the great writers of the 20th century. When James Joyce arrived in Trieste he was a rather rebellious Irishman who loved Italian language and culture. He left his country, Ireland, which he thought was under the double yoke of the British Empire and the Catholic Church. Svevo was a middle-aged gentleman of Jewish descent who had worked for a long time in a bank and now worked in his wife's family firm. He became one of the main models for Leopold Bloom.Joyce came to teach English, and immediately stood out in Trieste for his unorthodox behavior. Svevo, a good-natured family man, noticed him and employed him as a teacher. Soon they started exchanging their writings. They admired each other's works. They used to stroll and discuss a thousand topics, so we are told. Svevo often helped Joyce by lending him money, and Joyce in time reciprocated his generosity by helping Svevo become an internationally renowned writer. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Enrico Terrinoni is professor in residence at the Centro Interdiciplinare 'B. Segre', Accademia Nazionale dei Lincei and professor of English literature at the University for Foreigners in Perugia. He has translated works by Joyce, Wilde, Orwell, Shaw, Hawthorne and many others, winning numerous prizes. He is the translator of many works by Michael D. Higgins, president of Ireland. His works include Occult Joyce. The Hidden in Ulysses (2008), James Joyce e la fine del romanzo (2015), Oltre abita il silenzio. Tradurre la letteratura (2019) e Su tutti i vivi e i morti. Joyce a Roma (Jury Prize - Francesco De Sanctis Prize; Jury Prize - Viareggio-Rèpaci Prize). His bilingual annotated Ulysses (Bompiani 2021) won the Capalbio International Prize for Translation in 2022. The event is co-sponsored by the Keough-Naughton Institute for Irish Studies. Originally published at italianstudies.nd.edu.
- 5:00 PM1hBook Presentation: "La vita dell'altro. Svevo, Joyce: Un'amicizia geniale"Please join us in celebrating the publication of La vita dell'altro. Svevo, Joyce: Un'amicizia geniale (Bompiani 2023) by Enrico Terrinoni, affiliate of the Center for Italian Studies. Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book.La vita dell’altro. Joyce e Svevo: un’amicizia geniale is the untold story of a very special friendship between two of the great writers of the 20th century. When James Joyce arrived in Trieste he was a rather rebellious Irishman who loved Italian language and culture. He left his country, Ireland, which he thought was under the double yoke of the British Empire and the Catholic Church. Svevo was a middle-aged gentleman of Jewish descent who had worked for a long time in a bank and now worked in his wife's family firm. He became one of the main models for Leopold Bloom.Joyce came to teach English, and immediately stood out in Trieste for his unorthodox behavior. Svevo, a good-natured family man, noticed him and employed him as a teacher. Soon they started exchanging their writings. They admired each other's works. They used to stroll and discuss a thousand topics, so we are told. Svevo often helped Joyce by lending him money, and Joyce in time reciprocated his generosity by helping Svevo become an internationally renowned writer. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Their stories intersect just as their works. They intertwine as in a curious quantum entanglement. Enrico Terrinoni is professor in residence at the Centro Interdiciplinare 'B. Segre', Accademia Nazionale dei Lincei and professor of English literature at the University for Foreigners in Perugia. He has translated works by Joyce, Wilde, Orwell, Shaw, Hawthorne and many others, winning numerous prizes. He is the translator of many works by Michael D. Higgins, president of Ireland. His works include Occult Joyce. The Hidden in Ulysses (2008), James Joyce e la fine del romanzo (2015), Oltre abita il silenzio. Tradurre la letteratura (2019) e Su tutti i vivi e i morti. Joyce a Roma (Jury Prize - Francesco De Sanctis Prize; Jury Prize - Viareggio-Rèpaci Prize). His bilingual annotated Ulysses (Bompiani 2021) won the Capalbio International Prize for Translation in 2022. The event is co-sponsored by the Keough-Naughton Institute for Irish Studies. Originally published at italianstudies.nd.edu.
- 6:00 PM1h 30mLecture — "All We Have Is The Truth: Burdened Individuality, Abstract Equality, and Economic Interference"Any discussion of race in the United States will include a long list of the economic and social disparities between Black and White people. This lecture asks the following question: "Are we interpreting these disparies appropriately?" Presented by Trevon Logan, the Hazel C. Youngberg Distinguished Professor of Economics, Ohio State University.Phi Beta Kappa (PBK) Visiting Scholar Program.Contact Eva Dziadula for information. Originally published at economics.nd.edu.
- 6:00 PM1h 30mLecture — "All We Have Is The Truth: Burdened Individuality, Abstract Equality, and Economic Interference"Any discussion of race in the United States will include a long list of the economic and social disparities between Black and White people. This lecture asks the following question: "Are we interpreting these disparies appropriately?" Presented by Trevon Logan, the Hazel C. Youngberg Distinguished Professor of Economics, Ohio State University.Phi Beta Kappa (PBK) Visiting Scholar Program.Contact Eva Dziadula for information. Originally published at economics.nd.edu.
- 6:00 PM1h 30mLecture — "All We Have Is The Truth: Burdened Individuality, Abstract Equality, and Economic Interference"Any discussion of race in the United States will include a long list of the economic and social disparities between Black and White people. This lecture asks the following question: "Are we interpreting these disparies appropriately?" Presented by Trevon Logan, the Hazel C. Youngberg Distinguished Professor of Economics, Ohio State University.Phi Beta Kappa (PBK) Visiting Scholar Program.Contact Eva Dziadula for information. Originally published at economics.nd.edu.
- 6:00 PM1h 30mLecture — "All We Have Is The Truth: Burdened Individuality, Abstract Equality, and Economic Interference"Any discussion of race in the United States will include a long list of the economic and social disparities between Black and White people. This lecture asks the following question: "Are we interpreting these disparies appropriately?" Presented by Trevon Logan, the Hazel C. Youngberg Distinguished Professor of Economics, Ohio State University.Phi Beta Kappa (PBK) Visiting Scholar Program.Contact Eva Dziadula for information. Originally published at economics.nd.edu.
- 6:00 PM1h 30mRecital: Eunmi Ko, pianoVirtuoso pianist, chamber musician, entrepreneur, and international recitalist Eunmi Ko has been praised for her "kaleidoscopic" interpretations of classical and contemporary music (San Francisco Classical Voice). A well-known champion for contemporary and under-programmed classical music, Ko will present a solo recital of both new and old music, including a cycle of pieces by Notre Dame faculty composer John Liberatore. This concert is free and open to the public. Originally published at music.nd.edu.
- 6:00 PM1h 30mRecital: Eunmi Ko, pianoVirtuoso pianist, chamber musician, entrepreneur, and international recitalist Eunmi Ko has been praised for her "kaleidoscopic" interpretations of classical and contemporary music (San Francisco Classical Voice). A well-known champion for contemporary and under-programmed classical music, Ko will present a solo recital of both new and old music, including a cycle of pieces by Notre Dame faculty composer John Liberatore. This concert is free and open to the public. Originally published at music.nd.edu.
- 6:00 PM1h 30mRecital: Eunmi Ko, pianoVirtuoso pianist, chamber musician, entrepreneur, and international recitalist Eunmi Ko has been praised for her "kaleidoscopic" interpretations of classical and contemporary music (San Francisco Classical Voice). A well-known champion for contemporary and under-programmed classical music, Ko will present a solo recital of both new and old music, including a cycle of pieces by Notre Dame faculty composer John Liberatore. This concert is free and open to the public. Originally published at music.nd.edu.
- 6:00 PM1h 30mRecital: Eunmi Ko, pianoVirtuoso pianist, chamber musician, entrepreneur, and international recitalist Eunmi Ko has been praised for her "kaleidoscopic" interpretations of classical and contemporary music (San Francisco Classical Voice). A well-known champion for contemporary and under-programmed classical music, Ko will present a solo recital of both new and old music, including a cycle of pieces by Notre Dame faculty composer John Liberatore. This concert is free and open to the public. Originally published at music.nd.edu.
- 7:30 PM2hTheater: "A Doll's House 1954"Notre Dame Film, Television, and Theatre Presents A Doll’s House 1954 Adapted and Directed by Carys Kresny Based on the original play by Henrik Ibsen Long before the brewskis and galloping steeds of patriarchy invaded Ken and Barbie's pink and perky world, Henrik Ibsen shattered expectations and shocked Europe with a sold-out premiere of his revolutionary classic, A Doll's House. Audiences were blown away by how real the characters and setting felt, as well as by the play's challenge to the world they took for granted. A Doll's House 1954 moves the action to the post-war USA, where Nora and her husband rejoice in his promotion and, finally, their shot at the American Suburban Dream. It's Christmas, they're in love, and life is beautiful — until a long-held secret is forced to the surface and everything they've believed about themselves, their friends, and their world explodes. In the play, as in life, relationships are messy, no matter that social scripts pretend they're not — and it's hard to be honest, even with the people you love. The play features 20th century idiomatic speech and American 1950's culture as it confronts desire, gender and social roles, and the struggle to live truthfully in a prescriptive society. Performance Schedule November 9-12 Thursday - Saturday at 7:30 pm | Sunday at 2:30 pm Patricia George Decio Theatre | DeBartolo Performing Arts Center Tickets Originally published at ftt.nd.edu.
- 7:30 PM2hTheater: "A Doll's House 1954"Notre Dame Film, Television, and Theatre Presents A Doll’s House 1954 Adapted and Directed by Carys Kresny Based on the original play by Henrik Ibsen Long before the brewskis and galloping steeds of patriarchy invaded Ken and Barbie's pink and perky world, Henrik Ibsen shattered expectations and shocked Europe with a sold-out premiere of his revolutionary classic, A Doll's House. Audiences were blown away by how real the characters and setting felt, as well as by the play's challenge to the world they took for granted. A Doll's House 1954 moves the action to the post-war USA, where Nora and her husband rejoice in his promotion and, finally, their shot at the American Suburban Dream. It's Christmas, they're in love, and life is beautiful — until a long-held secret is forced to the surface and everything they've believed about themselves, their friends, and their world explodes. In the play, as in life, relationships are messy, no matter that social scripts pretend they're not — and it's hard to be honest, even with the people you love. The play features 20th century idiomatic speech and American 1950's culture as it confronts desire, gender and social roles, and the struggle to live truthfully in a prescriptive society. Performance Schedule November 9-12 Thursday - Saturday at 7:30 pm | Sunday at 2:30 pm Patricia George Decio Theatre | DeBartolo Performing Arts Center Tickets Originally published at ftt.nd.edu.
- 7:30 PM2hTheater: "A Doll's House 1954"Notre Dame Film, Television, and Theatre Presents A Doll’s House 1954 Adapted and Directed by Carys Kresny Based on the original play by Henrik Ibsen Long before the brewskis and galloping steeds of patriarchy invaded Ken and Barbie's pink and perky world, Henrik Ibsen shattered expectations and shocked Europe with a sold-out premiere of his revolutionary classic, A Doll's House. Audiences were blown away by how real the characters and setting felt, as well as by the play's challenge to the world they took for granted. A Doll's House 1954 moves the action to the post-war USA, where Nora and her husband rejoice in his promotion and, finally, their shot at the American Suburban Dream. It's Christmas, they're in love, and life is beautiful — until a long-held secret is forced to the surface and everything they've believed about themselves, their friends, and their world explodes. In the play, as in life, relationships are messy, no matter that social scripts pretend they're not — and it's hard to be honest, even with the people you love. The play features 20th century idiomatic speech and American 1950's culture as it confronts desire, gender and social roles, and the struggle to live truthfully in a prescriptive society. Performance Schedule November 9-12 Thursday - Saturday at 7:30 pm | Sunday at 2:30 pm Patricia George Decio Theatre | DeBartolo Performing Arts Center Tickets Originally published at ftt.nd.edu.
- 7:30 PM2hTheater: "A Doll's House 1954"Notre Dame Film, Television, and Theatre Presents A Doll’s House 1954 Adapted and Directed by Carys Kresny Based on the original play by Henrik Ibsen Long before the brewskis and galloping steeds of patriarchy invaded Ken and Barbie's pink and perky world, Henrik Ibsen shattered expectations and shocked Europe with a sold-out premiere of his revolutionary classic, A Doll's House. Audiences were blown away by how real the characters and setting felt, as well as by the play's challenge to the world they took for granted. A Doll's House 1954 moves the action to the post-war USA, where Nora and her husband rejoice in his promotion and, finally, their shot at the American Suburban Dream. It's Christmas, they're in love, and life is beautiful — until a long-held secret is forced to the surface and everything they've believed about themselves, their friends, and their world explodes. In the play, as in life, relationships are messy, no matter that social scripts pretend they're not — and it's hard to be honest, even with the people you love. The play features 20th century idiomatic speech and American 1950's culture as it confronts desire, gender and social roles, and the struggle to live truthfully in a prescriptive society. Performance Schedule November 9-12 Thursday - Saturday at 7:30 pm | Sunday at 2:30 pm Patricia George Decio Theatre | DeBartolo Performing Arts Center Tickets Originally published at ftt.nd.edu.
- 7:30 PM2hTheater: "A Doll's House 1954"Notre Dame Film, Television, and Theatre Presents A Doll’s House 1954 Adapted and Directed by Carys Kresny Based on the original play by Henrik Ibsen Long before the brewskis and galloping steeds of patriarchy invaded Ken and Barbie's pink and perky world, Henrik Ibsen shattered expectations and shocked Europe with a sold-out premiere of his revolutionary classic, A Doll's House. Audiences were blown away by how real the characters and setting felt, as well as by the play's challenge to the world they took for granted. A Doll's House 1954 moves the action to the post-war USA, where Nora and her husband rejoice in his promotion and, finally, their shot at the American Suburban Dream. It's Christmas, they're in love, and life is beautiful — until a long-held secret is forced to the surface and everything they've believed about themselves, their friends, and their world explodes. In the play, as in life, relationships are messy, no matter that social scripts pretend they're not — and it's hard to be honest, even with the people you love. The play features 20th century idiomatic speech and American 1950's culture as it confronts desire, gender and social roles, and the struggle to live truthfully in a prescriptive society. Performance Schedule November 9-12 Thursday - Saturday at 7:30 pm | Sunday at 2:30 pm Patricia George Decio Theatre | DeBartolo Performing Arts Center Tickets Originally published at ftt.nd.edu.