Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Drop in to meet and speak informally with curator Inha Park, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Get a one-hour sampling of the power of a Notre Dame liberal arts education with the College of Arts & Letters' Crash Course series on home football Fridays! Each event features an A&L professor leading a class session pulled directly from some of the most popular and riveting courses on campus."A History of Art in 25 Objects" with Rachel Patt, assistant professor of art historyArt History  "A History of Art in 25 Objects" takes a radically different approach to introducing art history, as survey courses typically move methodically from cave paintings to cathedrals, then from Renaissance frescoes to contemporary phenomena. Instead, this class probes from Day One the questions of “What is a work of art? And how can we use art to illuminate themes vital to the complex, messy, and profoundly joyful experience of being human?” In this session attendees will see how the class examines 25 key artworks spanning the breadth of the globe’s cultures as prisms to explore the fullness of the human experience in worlds past and present. Students learn to apply art in exploring themes like power and social justice, cross-cultural encounters and exchanges, and the nature of identity.  Alumni, friends, prospective students and their parents, and anyone else on campus are welcome.   Visit Crash Course for a complete listing of courses this season.Originally published at al.nd.edu.

Classics in the BrowningDirected by Quentin TarantinoWith Kurt Russell, Zoë Bell, Rosario DawsonRated R, 114 minutes, DCPWhen talking about grindhouse cinema, it refers to both a style of low-budget, exploitation films and the often-blighted urban theatres that showed those films. When Quentin Tarantino (Death Proof) and Robert Rodriguez (Planet Terror) pulled together their double-feature Grindhouse in 2007, it extracted the grindhouse style and served it in theatres that would have previously clutched their pearls at such an idea. We cut the legs off of the Grindhouse double-feature and will be showing Death Proof, a film about a bad guy with a bad car. Following the screening will be a double feature of sorts as a presentation of 1970s grindhouse trailers will be live scored. GET TICKETS

Classics in the BrowningRated R, 80 minutes, DCPLive Score Event with Ethan Marosz!Unleashed from the dungeon of the American Genre Film Archive (AGFA), The AGFA Horror Trailer Show is a senses-shattering compilation of the most spine-ripping, slime-slinging, soul-shredding, and zeroest-budget horror trailers that you've never seen. Meticulously constructed by the mad scientists at AGFA to resemble an otherworldly night at the drive-in, this mixtape features rare trailers, commercials, and ephemera from the vaults, most of which has never been seen since its original release. The trailers get taken up considerable notches by being live scored by Ethan Marosz in this chilling, thrilling, and spilling Browning Cinema first. GET TICKETS