This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Walter Frederick Osborne (Irish, 1859–1903), Tea in the Garden, 1903, oil on canvas, 54 3/8 x 68 ¼ inches (canvas). Lane Gift, 1912, Hugh Lane Gallery, HL.24. Collection & Image © Hugh Lane GalleryWhen Dublin’s innovative Municipal Gallery of Modern Art opened in 1908, three paintings by Walter Osborne hung on its walls. All were donated by the gallery’s founder, Hugh Lane, who was a great admirer of the artist. After Osborne’s death in 1903, Lane was keen to secure Osborne’s legacy though the acquisition of works by public collections. Come along on a journey through Dublin’s art scene at the turn of the century as Curator Logan Sisley considers the role of art in building Ireland’s national identity and the place of Osborne’s art in that effort.Presenter: Logan Sisley hails from New Zealand and studied art history at the University of Aukland. In 2007 he joined the staff of the Hugh Lane Gallery in Dublin where he was recently appointed head of collections. He has published extensively on modern art in Ireland, including histories of the Hugh Lane Gallery and studies of John Lavery and Sarah Purser. In 2021 he was the co-curator for the exhibition Studio & State: The Laverys and the Anglo-Irish Treaty. Before the lecture in the atrium, we encourage you to explore Walter Osborne’s work on view in the Temporary Exhibition Galleries on Level 2. The exhibition will remain open until the lecture begins. Originally published at raclinmurphymuseum.nd.edu.

Join in for an evening of sketching, community, and inspiration centered around themes found in the exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. This month’s session will focus on still lifes and will be led by local artist Rebecca Walton. Come ready to share a sketch (sketches should be no larger than 9” x 12”) of your own, created in response to this prompt: Choose an object from your home that you use regularly and that adds beauty, comfort, or meaning to your daily life—an everyday heirloom. Find a quiet moment to spend time with the object. Observe it closely, paying special attention to signs of wear or use, unique textures or marks, and subtle details in shape, color, or material. Using any drawing medium you like, sketch the object by itself. Your drawing can be precise or expressive—let the object's story guide your hand. During the program, we’ll share sketches, discuss artistic choices and techniques, find inspiration in each other’s and Osborne’s work, and take on a new sketching challenge inspired by this month’s theme. Local Lines is open to artists aged 15 and up. This program is part of The Big Draw, the world's largest celebration of drawing that takes place across the globe every year during October. It is for anyone who loves to draw, as well as those who think they can't. The festival promotes drawing as a universal language that has the power to change lives and unite people of any age, background, race, or religion from around the globe. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop.   Originally published at raclinmurphymuseum.nd.edu.

Last season, violinist Randall Goosby carried a sold-out audience to the highest heights of emotion as the last-minute soloist replacement for the London Philharmonic Orchestra's triumphant concert. A flood of rapturous audience testimonials meant it became a must to welcome him back quickly. Renaissance Quartet, founded in 2021 by Goosby, violinist Jeremiah Blacklow, violist Jameel Martin, and cellist Daniel Hass, is making waves with a welcoming approach to the string quartet format.Communicative engagement and technical finesse allow the four Juilliard School graduates to launch from their classical base into the 21st-century stratosphere with a dynamic blend of soul, R&B, hip-hop, and jazz. Their boundary-pushing performances are virtuosic and engaging, creating a new space for chamber music to thrive.Making a cultural statement in sound with high-energy artistry and gorgeously programmed to whisk you away early into a fall weekend, the Renaissance Quartet is a must-see for encountering classical music's centuries-long story with new chapters written right now. GET TICKETS (the performance is in the O'Neill Hall of Music)