Saturdays with the Saints has established itself as a popular Notre Dame football pregame ritual that combines the university's rich traditions of Catholic faith and spirited game days. In this lecture, Therese Cory, associate professor of Thomistic studies, will present. The lectures take place in the Andrews Auditorium on the lower level of Geddes Hall adjacent to Hesburgh Library. The talks are free and open to the public. Attendees are encouraged to arrive early as the events tend to fill to capacity. Come and grab a free T-shirt! Originally published at mcgrath.nd.edu.

A familiar name to any grade school library, E.B. White tried his hand at children's literature and came out of the gate with two bangers: Stuart Little and Charlotte's Web. The latter is often cited as the best children's book of the century — if not of all time — perhaps because its adaptations, including a curious 2006 video game, have never overshadowed the book itself. Possibly best known of those adaptations is this 1973 cartoon that followed the spectacular Wilbur (Henry Gibson) as he finds his way through barnyard politics and tricky spots with the assistance of Charlotte (Debbie Reynolds), a caring and literate spider. GET TICKETS!  

Mass will be celebrated in French in the Sacred Heart Crypt (lower level of the Basilica). Anyone is welcome to sing in the choir. Rehearsals are held one hour prior to the start of Mass. For more information, please email Br. Jacob Eifrid, C.S.C. (jeifrid@nd.edu). Additional French choir rehearsals are on Thursdays from 7:00 to 8:15 pm in Room 324, O'Neill Hall of Sacred Music. No choral experience required. For more information, please contact Arnaud Zimmern (azimmern@nd.edu). Originally published at internationalerg.nd.edu.

The Symphonic Winds and Symphonic Band present their fall concert, featuring overtures, marches, and traditional concert band works. The grand finale features nearly 150 band musicians performing traditional Notre Dame school songs, including the famed “Notre Dame Victory March.” For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

American political life is characterized by hyper-partisanship and polarization. Each election cycle seems to sharpen divisions and deepen political idolatry, while leaving most of us exasperated and exhausted. Yet, the Catholic Church encourages us to participate in politics. Pope Francis expresses the Church’s conviction that politics is “a lofty vocation and one of the highest forms of charity, inasmuch as it seeks the common good” (EV, 205). This series explores the Church’s call to participate in political life and the complexities, challenges, and possibilities therein: What is politics? How do Catholics balance the call to participation without making an idol of politics? Is our call to participate exhausted by our duty to vote? What is the mission of Catholics in the public square? What constitutes the public square? How can the Eucharist transform our understanding of politics? Can we envision a world where charity, not political ideology, guides all our actions and decisions? Featured panelists will include: Frederick Christian Bauerschmidt, professor of theology at Loyola University Maryland and a deacon of the Archdiocese of Baltimore; Kathleen Buckley Domingo, executive director of the California Catholic Conference; and Theresa MacArt, assistant professor of politics and public service at Holy Cross College.  Click here to register. Originally published at mcgrath.nd.edu.

Join the Liturgical Choir of the Notre Dame Children's Choir the second and third Mondays of the month in-person or online for a prayerful Vespers service.  https://youtube.com/live/AL5eIKYB9lI?feature=shareNotre Dame Children's Liturgical ChoirOriginally published at sma.nd.edu.

Michael Haneke's most notorious provocation, Funny Games spares no detail in its depiction of the agony of a bourgeois family held captive at their vacation home by a pair of white-gloved young men. In a series of escalating "games," the sadistic duo subject their victims to physical and psychological torture over the course of a night. A home-invasion thriller in which the genre's threat of bloodshed is made stomach-churningly real, the film ratchets up shocks even as its executioners interrupt the action to address the audience, drawing queasy attention to the way that cinema milks pleasure from pain and stokes our appetite for atrocity. With this controversial treatise on violence and entertainment, Haneke issued a summation of his cinematic philosophy, implicating his audience in a spectacle of unbearable cruelty. GET TICKETS!  

How did an event once considered the greatest of all political dangers come to be seen as a solution to all social problems?Join the Transnational France Research Cluster, supported by the Nanovic Institute for European Studies, to welcome Dan Edelstein, William H. Bonsall Professor of French at Stanford University. He will be delivering a fascinating talk and leading a discussion on "Revolution: The History of an Idea." About the speakerDan Edelstein is a scholar specializing in eighteenth-century France, with a focus on literature, history, political thought, and digital humanities. He earned a Ph.D. in French from the University of Pennsylvania in 2004, following a Licence ès lettres in French, English, and Latin from the Université de Genève in 1999, and a Maturité scientifique from Collège Calvin in Geneva in 1993. Edelstein’s most recent book, On the Spirit of Rights (University of Chicago Press), traces the evolution of natural and human rights from the wars of religion to the revolutionary period. An earlier iteration of this research appeared in the Journal of Modern History, while a more theoretical exploration can be found in Humanity. A synopsis of the initial arguments was published in Critical Analysis of Law.At Stanford University, Edelstein teaches courses covering the literature, philosophy, history, culture, and politics of the Enlightenment; nineteenth-century novels; the French Revolution; early-modern political thought; and French intellectual culture, including a popular course titled “Coffee & Cigarettes.” Edelstein is a regular instructor in Education as Self-Fashioning, a first-year program focused on liberal education, and directs the Stanford Summer Humanities Institute, a program for high school juniors and seniors. Additionally, Edelstein teaches and co-directs, with Debra Satz, Stanford's Humanities Core program. A highly regarded educator, Edelstein has received Stanford’s highest teaching honor, the Walter J. Gores Award for Excellence in Teaching (2006), as well as the Dean's Distinguished Teaching Award (2011).Originally published at nanovic.nd.edu.

Join us in celebrating the launch of Charles W. Powell's book Southern Baptists and Muslims: A Path to Dialogue through Narrative Empathy with a brief reading from Charles himself as well as opening remarks from Ansari Faculty Fellow, Daniel Philpott. About the BookSince the 9/11 terrorist attacks, the largest Protestant religious group in the United States—the Southern Baptist denomination—has been criticized for using and fostering anti-Islamic rhetoric. The use of anti-Islamic speech, specifically by Southern Baptist leaders, has become an alarming trend within the denomination. The effects of Southern Baptists' antipathy towards Muslims are indeed dire. Charles W. Powell has observed that the Southern Baptist denomination is underprepared and at times reluctant to engage with Muslims in the United States. His formal interviews with Southern Baptist pastors reveal that most pastors as well as their congregants have had no personal encounter with Muslims. As a result, this lack of encounter has created a deficiency of narrative empathy. Southern Baptists and Muslims empirically investigates the dynamics of these patterns. Powell proposes that this lack of narrative empathy is the primary reason why leaders within the Southern Baptist denomination have negative perceptions of Islam and Muslims. Moreover, it is primarily the lack of narrative empathy that allows for anti-Islamic rhetoric to flourish. The purpose of this book is to shape an improved, if not new, perception of Islam and Muslims--a perception that can foster neighborliness via personal encounter. About Charles W. Powell. Charles W. Powell, serves as the associate director for Mission Engagement and Church Affairs (OMECA) at the University of Notre Dame. Powell joined OMECA in the fall of 2024. Prior to joining the team, he worked with the Ansari Institute where he headed multifaith engagement initiatives and taught the course “Evangelicals and Global Affairs.” Simultaneously, he was adjunct teaching faculty at Holy Cross College at Notre Dame; he taught courses in Christian-Muslim relations. Additionally, through Notre Dame Global he co-led the course “International Law and the Holocaust” in Poland for five years. He has traveled extensively into the Levant and Gulf States with a focus on building understanding, trust, and collaboration between Christians and Muslims. Powell is an academic visiting fellow alumnus of the Oxford Centre for Islamic Studies, Oxford, UK. He earned his Doctor of Ministry degree from Catholic Theological Union in Chicago; his concentration was spirituality. He is married to Emilia Justyna Powell, professor of Political Science at Notre Dame. He and his wife have two daughters and a Brussels Griffon.Charles Powell will be introduced by Daniel Phillpott, an Ansari Institute faculty fellow who is a professor of poltical science at Notre Dame who specializes in religion and global politics. Food and refreshments will be available following the formal portion of the event program. This is a free event and advanced registration is not required. Originally published at ansari.nd.edu.

After a botched money delivery, Lola has 20 minutes to come up with 100,000 Deutschmarks. Get Tickets This screening is co-hosted with Tobias Boes, chair of the Department of German and Russian Languages and Literatures and a Nanovic Institute faculty fellow.This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

This event welcomes back Kroc Institute alumna Rosette Muzigo-Morrison (M.A. '93), legal officer at the United Nations International Criminal Tribunal for Rwanda, located at the Hague, Netherlands. Muzigo-Morrison will highlight several notable world events that coincided with her arrival at Notre Dame in the early 1990s— the collapse of the Berlin Wall to the release of Nelson Mandela and an end to apartheid in South Africa to the disintegration of the former Yugoslavia. Despite these developments, a united resolve to work for human dignity has been stifled. Muzigo-Morrison will also address the concerns surrounding forgotten wars in Cameron, South Sudan and Sudan, Ethiopia and Syria, the rise of white supremacist governments in Europe, and implications for the future. Anne E. Hayner, associate director for alumni relations, will provide an introduction. Originally published at kroc.nd.edu.

The Medieval Institute is pleased to present the eighteenth lecture in the Graduate Student Invitation Series with Hanna Gentili (University of Hamburg, Institut für Jüdische Philosophie und Religion), who will be speaking on "Natural Philosophy in the Arabic-Hebrew-Latin Landscape: Deconstructing and Reconstructing the Corpus." About the Talk Averroes’ works received their authoritative form in Latin in the Renaissance printed projects, culminating in the mid-sixteenth century Giunta editions. From this moment, up to modern editions, Averroes’ text remained “frozen in place.” But in reality, it was never like that. Dynamic and fluid, Averroes’ works were constantly evolving, circulating in various forms already in the Arabic world. This complication escalated as they reached the Latin world, often via the mediation of Hebrew, as further hands became involved. Finally, there was the hidden space that occupied the transitions from manuscript to print. Through a series of examples on the macro and micro levels, my talk will breathe life into this process, with focus on Averroes’ natural philosophy. I will argue that examining the texts across languages and media has philosophical and historiographical implications, and that we should adopt new methods to better understand philosophy and its study in premodern circles.  About the Speaker Hanna Gentili (Ph.D, Warburg Institute) is a historian of Medieval and Renaissance Philosophy. Her research focuses on the consolidation and circulation of the Hebrew philosophical corpus in manuscript and early print. She is currently a Research Associate at the University of Hamburg where she is working on Averroes’ natural philosophy in Hebrew and Latin within the ERC Project HEPMASITE (Hebrew Philosophical Manuscripts as Sites of Engagement). Before joining the University of Hamburg, she worked at the crossroads of philosophy and kabbalah in the Digital Humanities project Ilanot and in 2023 she was the curator of the Hebrew collections at the British Library. Her first monograph—about the philosophical notebook of the fifteenth-century Jewish intellectual Yoḥanan Alemanno in the context of the Italian Renaissance and Jewish philosophical training—is currently in preparation. Originally published at medieval.nd.edu.

Soares, António, Artist. Humorous Map of Europe. Lisboa, Portugal: A Editora, 1914. Map. https://www.loc.gov/item/2021668737/.The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is Inaugural Director of the Georgetown Humanities Initiative and Professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

True crime and the TV movie were familiar companions, and the rise of sensationalized trials (and access to their footage) made for a string of ripped-from-the-headlines adaptations during the early 1990s. While attending Saint Mary's in the mid-1960s, Betty Bisceglia (Meredith Baxter) met her future husband, Dan Broderick (Stephen Collins), who was studying to become a medical doctor at Notre Dame. Eventually the two married and relocated to San Diego, where Dan became a high-profile attorney. As their marriage deteriorated, a bitter divorce and escalating threats of violence led to a murder that fascinated the nation. GET TICKETS!  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Join the McGrath Institute for Church Life for a special book launch and lecture on "The Concept of Woman: A Synthesis in One Volume" by Sr. Prudence Allen, RSM. Topics of discussion will include the development of a philosophically coherent concept of woman from the pre-Socratics to the 20th-century personalists. Brief presentations will be led by Sr. Ann Astell, Ph.D., John Cavadini, Ph.D., and Abigail Favale, Ph.D., with a response by the author, Sr. Prudence Allen, RSM. Originally published at mcgrath.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Sacred Music Notre Dame, the Singing Irish of Sacred Music at Notre Dame, members from the Notre Dame Children's Liturgical Choir, and the Sacred Music Festival Orchestra perform Haydn's The Creation (1798). Drawing from the books of Genesis, Psalms, and John Milton's epic Paradise Lost to represent the six days of creation, Haydn was inspired to compose his first oratorio, now an iconic Western masterwork, after a Handel festival including Messiah. His colorful, imaginative, and tremendously satisfying choruses are favorites among choral singers and music lovers. GET TICKETS  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.