"Alba: Beyond Borders" — Album release event   Join us for a special evening celebrating the release of Alba: Beyond Borders, a deeply personal and groundbreaking album by acclaimed Venezuelan-American soprano María Brea and Israeli-American pianist Dror Baitel. This event will feature an intimate recital of works from the album, offering a unique opportunity to experience their cross-cultural musical journey live. Following the performance, you are invited to a special reception to celebrate the album's release. Don't miss this opportunity to mingle with María Brea and Dror Baitel, purchase your copy of Alba: Beyond Borders, and have it personally signed.Alba: Beyond Borders is more than just an album; it's a testament to the power of music to unite diverse cultures and histories. The title itself is a play on words: "Alba" means "dawn" in Spanish, symbolizing renewal and new beginnings, while the phrase "Beyond Borders" speaks to the project's core mission. The album traverses cultural, geographic, and emotional frontiers by bringing together the rich musical traditions of Latin America and the Jewish diaspora. It is a tribute to the historical connection between these two vibrant cultures, a relationship that dates back over 500 years.   Free and open to the public. Originally published at music.nd.edu.

The Liu Institute for Asia and Asian Studies presents the 2019 Korean film Mal-Mo-E (The Secret Mission), celebrating the 579th Hangul Day (Korean Alphabet Day), as part of Korea Week and the film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema. Hayun Cho, assistant professor of East Asian Languages and Cultures, will moderate the Q&A session after the film. About the Film Imprisoned several times during the 1940s, when Korea was under Japanese occupation, Kim Pan-Soo does not know how to read or write Korean Hangul or any other language. The Imperial Japanese government bans the teaching of Korean in the schools. He meets a representative of the Korean Language Society and joins forces to publish a dictionary of the Korean language. The story is a fictional treatment of both the work of the Korean Language Society and the 1942 Korean Language Society Incident, when Japanese authorities arrested members for allegedly supporting the independence movement. 135 minutes | PG-13 RatingDirected by Yuna EomKorean and Japanese with English subtitles Hayun Cho, assistant professor of East Asian Languages and Cultures, will lead the discussion and Q&A after Mal Mo E. Tickets Tickets are $4-7 for the general public and are free for ND, SMC, HC, and IUSB students. Contact the box office at 574-631-2800 or visit performingarts.nd.edu. Sponsors Korea Week, sponsored by the Liu Institute for Asia and Asian Studies and the Department of East Asian Languages and Cultures, and part of the film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema. Sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Franco Family Institute for Liberal Arts and the Public Good. Originally published at asia.nd.edu.

RED CUP.  Presented by Notre Dame Film, Television, and Theatre Directed by by Matt Hakwins Returning to the stage for a second year, "RED CUP" is an one-act documentary theatre performance inspired by written essays from Notre Dame students on the drinking culture in college, a culture often associated with "rest" or "leisure."The play is inspired by the final papers written for the course "Drunk on Film: The Psychology of Storytelling with Alcohol and Its Effects on Alcohol Consumption at Notre Dame." With a visual motif of the ubiquitous red Solo party cup, and accompanied by a host of media references from films, ads, and social media posts, "RED CUP" tells the intimate stories of a small group of Notre Dame students, and the profound effect alcohol has had in their lives, from childhood through their senior year in college. Performance Schedule October 8-9Wednesday & Thursday at 6:30 PM & 8:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for RED CUP. are FREE for everyone. Tickets may be reserved in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. RESERVE TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.

Prepare for another sold-out performance by the outstanding vocal ensemble Chanticleer. Their mastery of a cappella classical music brought down the house in 2011. More popular than ever, expect its trademark blend of impeccable technique, innovative arrangements, and lush harmony to grab those in even the farthest seat from the stage. Known as "an orchestra of voices," this Grammy-winning group effortlessly navigates a repertoire that spans centuries and styles from Renaissance motets to jazz standards and new commissions.Chanticleer has set the standard for choral singing at its highest level, performed with warmth, precision, and breathtaking beauty. A Chanticleer concert leaves audiences uplifted and inspired. You will want to hear one of the world's premier vocal ensembles live! GET TICKETS

Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Drop in to meet and speak informally with curator Inha Park, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Get a one-hour sampling of the power of a Notre Dame liberal arts education with the College of Arts & Letters' Crash Course series on home football Fridays! Each event features an A&L professor leading a class session pulled directly from some of the most popular and riveting courses on campus."A History of Art in 25 Objects" with Rachel Patt, assistant professor of art historyArt History  "A History of Art in 25 Objects" takes a radically different approach to introducing art history, as survey courses typically move methodically from cave paintings to cathedrals, then from Renaissance frescoes to contemporary phenomena. Instead, this class probes from Day One the questions of “What is a work of art? And how can we use art to illuminate themes vital to the complex, messy, and profoundly joyful experience of being human?” In this session attendees will see how the class examines 25 key artworks spanning the breadth of the globe’s cultures as prisms to explore the fullness of the human experience in worlds past and present. Students learn to apply art in exploring themes like power and social justice, cross-cultural encounters and exchanges, and the nature of identity.  Alumni, friends, prospective students and their parents, and anyone else on campus are welcome.   Visit Crash Course for a complete listing of courses this season.Originally published at al.nd.edu.

Please join the Keough-Naughton Institute for a poetry reading by Luke Morgan, recipient of the 2025 Lawrence O'Shaughnessy Award for Poetry. Luke Morgan will be reading from his new collection Blood Atlas (Arlen House, 2025). Copies of his books will be available for sale after the reading. About Blood Atlas Familial connection is at the heart of Luke Morgan’s eagerly-awaited third collection, Blood Atlas. More structured than his previous works, he navigates his lineage in the form of the villanelle, sonnet, ghazal and pantoum, seeking to make sense of his personal history. These stories are mapped with a cartographer’s eye, finding connections with ancestors such as Field Marshal Montgomery and the English physicist, James Prescott Joule. Full of striking images and timeless truths, each finely-wrought poem is ‘... an open wound’. The collection culminates in a sequence of ten sonnets which explore the lesser-known senses, whether detecting the passing of time in ‘Chronoception’ or the awareness of the body in space in ‘Proprioception’. Blood Atlas demonstrates the mature reach of a poet whose skill and memory work synergistically, creating a body of work that, like his family legacy, will endure. About Luke Morgan Luke Morgan is the recipient of the O'Shaughnessy Award 2025. Blood Atlas, his eagerly awaited third collection, from Arlen House, was completed with the assistance of a bursary from The Arts Council | An Chomhairle Ealaíon. Morgan is also the author of the poetry collections Beast (Arlen House, 2022) and Honest Walls (Arlen House, 2016). In addition to his work as a poet, Luke is also part of an award-winning filmmaker duo Morgan Brothers with the composer Jake Morgan. He lives and works in Galway, Ireland.  Originally published at irishstudies.nd.edu.

Classics in the BrowningDirected by Quentin TarantinoWith Kurt Russell, Zoë Bell, Rosario DawsonRated R, 114 minutes, DCPWhen talking about grindhouse cinema, it refers to both a style of low-budget, exploitation films and the often-blighted urban theatres that showed those films. When Quentin Tarantino (Death Proof) and Robert Rodriguez (Planet Terror) pulled together their double-feature Grindhouse in 2007, it extracted the grindhouse style and served it in theatres that would have previously clutched their pearls at such an idea. We cut the legs off of the Grindhouse double-feature and will be showing Death Proof, a film about a bad guy with a bad car. Following the screening will be a double feature of sorts as a presentation of 1970s grindhouse trailers will be live scored. GET TICKETS

Classics in the BrowningRated R, 80 minutes, DCPLive Score Event with Ethan Marosz!Unleashed from the dungeon of the American Genre Film Archive (AGFA), The AGFA Horror Trailer Show is a senses-shattering compilation of the most spine-ripping, slime-slinging, soul-shredding, and zeroest-budget horror trailers that you've never seen. Meticulously constructed by the mad scientists at AGFA to resemble an otherworldly night at the drive-in, this mixtape features rare trailers, commercials, and ephemera from the vaults, most of which has never been seen since its original release. The trailers get taken up considerable notches by being live scored by Ethan Marosz in this chilling, thrilling, and spilling Browning Cinema first. GET TICKETS

Join in at the St. Joseph County Public Library (Main Street Branch) Story House for a family-friendly Korean bookmark-making activity to celebrate Korea Week 2025. Celebrate Korean Alphabet Day by creating a beautiful bookmark with Korean characters. Ages 5 to 11 are welcome.Join professors from the University of Notre Dame's Liu Institute for Asia and Asian Studies to learn about the unique Korean alphabet, called Hangul, and create a beautiful bookmark with Korean letters. The Korean alphabet was created by King Sejong the Great and his scholars in 1443. King Sejong wanted Hangul to be easily understood in order to increase literacy, and Hangul is considered revolutionary because it is so easy to learn. The development of Hangul was such an important tool for democracy that Hangul Day is celebrated on October 9 each year.About the Series Korea Week 2025 is co-hosted with Liu Institute for Asia and Asian Studies and Korean Cultural Center, Washington, D.C. This week is sponsored by the Department of East Asian Languages and Cultures, the Browning Cinema at the DeBartolo Performing Arts Center, and the St. Joseph County Public Library. Originally published at asia.nd.edu.

Celebrate the beauty of fall at the ND Children's Choir annual first public performance at the South Bend Farmers Market. All of our choirs sing sacred songs of grace, joy and God's love! Bring your own chairs or blankets to sit. (Rain location: Christ the King Lutheran Church, 17195 Cleveland Rd.)Farmers Market concert 2024Originally published at childrenschoir.nd.edu.

Professor Pfinklepfunder's $1 Sunday FilmsDirected by Kelly Asbury, Lorna CookWith Matt Damon, James Cromwell, Daniel StudiRated G, 83 minutes, Blu-rayIn the late 19th century, a feisty stallion named Spirit is held captive by a cruel colonel. But Spirit manages to escape, and he befriends a child and a mare named Rain, and they set out to return to their rightful places in the West. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Classics in the BrowningDirected by Lucrecia MartelWith Daniel Giménez Cacho, Lola Dueñas, Matheus NachtergaeleNot Rated, 115 minutes, DCPIn Spanish with English subtitlesArgentine writer Antonio di Benedetto wrote the novel Zama in 1956, and nearly sixty years later director Lucrecia Martel pumps the story set in the 1790s full of gasoline and hands us the matches. Zama (Daniel Giménez Cacho) is colonial middle management, working for the Spanish Crown in South America. He waits and plots and then waits and plots more for a letter from the king that will grant him a transfer from his remote town, in which he is stagnating, to a better place. He is forced to submissively accept every task entrusted to him by successive governors, who come and go as he stays behind, and unsurprisingly displaces that frustration on indigenous people. GET TICKETS *Free for ND, SMC, HC, and IUSB students.

The Katarina String Quartet has quickly emerged as one of North America's leading young string quartets. Currently serving as the Graduate Resident String Quartet at The Juilliard School, the tightly knit and community-focused ensemble explores all chamber music, from canonized works to contemporary pieces and arrangements of folk tunes.Whether interpreting Beethoven or a modern composer, the 2025 Fischoff Competition Grand Prize Winner creates an intimate, compelling listening experience. Come to start the week with an afternoon interlude of artistry, where tradition meets innovation to tell stories in new and genuine ways.In the O'Neill Hall of Music GET TICKETS

So much art, so little time! Join in for this 15-minute lunchtime program, where a member of the museum's education staff will lead a brief, interactive exploration of a single work of art in the permanent collection. Not all works on view take center stage, so join us for this opportunity to take a deep dive into a piece that you might not have noticed on a previous stroll through the galleries. Gain new perspectives on an old favorite, or engage with something completely new! After our time in the galleries, participants can explore other works in the Museum or enjoy a 10 percent discount at Ivan’s Cafe. Originally published at raclinmurphymuseum.nd.edu.

Please join the Keough-Naughton Institute for Irish Studies and the Raclin Murphy Museum of Art for a public conversation with Caroline Campbell, director of the National Gallery of Ireland. Campbell will be joined in conversation by Judith Stapleton, postdoctoral research associate at the Keough-Naughton Institute.  Copies of Caroline Campbell's Power of Art (Pegasus Books, 2024) will be available for purchase after the event. About Caroline Campbell Born and educated in Belfast, Caroline Campbell became director of the National Gallery of Ireland in November 2022. Caroline studied modern history at University College Oxford, and has an M.A. and Ph.D. from the Courtauld Institute of Art, University of London. She is a former Fellow of the Center for Curatorial Leadership, New York. Before joining the National Gallery of Ireland, Caroline was Director of Collections and Research at the National Gallery, London. Earlier in her career she held curatorial positions at the Ashmolean Museum, Oxford, the Courtauld Gallery, London, and the National Gallery. Caroline has published widely on European art from the Middle Ages to the twentieth century, particularly on the Italian Renaissance. She has curated and co-curated many exhibitions, including Bellini and the East (2005-06), Love and Marriage in Renaissance Florence (2009); Building the Picture: Architecture in Italian Renaissance Painting (2014), Duccio/Caro: In Dialogue (2015) and Mantegna and Bellini (2018-19). Caroline is a strong advocate of widening participation and digital engagement in museums. Her interest in art history developed after a visit to the National Gallery of Ireland as a teenager, and she wants all young people to be able to see and enjoy great art.   Originally published at irishstudies.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Hirokazu Kore-edaWith Lily Franky, Sakura Ando, Mayu Matsuoka Rated R, 121 minutesIn Japanese with English subtitles Winner of the Palme d'Or at the 2018 Cannes Film Festival and nominated for the Best Foreign Language Oscar, Hirokazu Kore-eda's film full of contemplation and compassion furthers his career's comparisons to Yasujiro Ozu. On the margins of Tokyo, a dysfunctional band of outsiders are united by fierce loyalty, a penchant for petty theft and playful grifting. When the young son is arrested, secrets are exposed that upend their tenuous, below-the-radar existence and test their quietly radical belief that it is love—not blood—that defines a family. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.