The University of Notre Dame’s Department of Art, Art History & Design is proud to present its annual MFA thesis exhibition, highlighting the culminating work of four graduate students set to earn their Master of Fine Arts degrees in May 2025. This highly anticipated exhibition will be displayed in two groups, each offering a distinct and engaging artistic experience. The first exhibition will run from February 28 to March 20 at the AAHD Galleries (214/216 Riley Hall), featuring the thought-provoking works of Thomas Callahan and Emma Ryan. An opening reception will be held on Friday, February 28, from 5 to 7 pm, providing an opportunity to meet the artists and experience their work firsthand. The second exhibition will showcase the exceptional pieces of Norah Amstutz and Griffin Liu, on display from April 3 to April 16 at the AAHD Galleries. The opening reception for this group will take place on Friday, April 4, from 5 to 7 pm. This annual exhibition is a celebration of creativity, dedication, and artistic vision, offering visitors a glimpse into the future of contemporary art. We invite you to join us in supporting these talented emerging artists and experiencing their extraordinary work. Originally published at artdept.nd.edu.

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

A professor of music theory at Florida State University and recent past president of the Society for Music Theory, Michael Buchler will discuss the 1959 musical Gypsy (Styne and Sondheim) though an examination of Momma Rose’s music and how it reflects her increasing obsessiveness and decreasing relationship with reality. Originally published at music.nd.edu.