Review the 2024-25 academic calendar.

The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at diversity.nd.edu.

Review the 2024-25 academic calendar.Please review the Commencement web pages (https://commencement.nd.edu/) for important information, including the Schedule of Events page. As information for the May Commencement Weekend unfolds, pages will be updated. This typically happens in February and March.

Review the 2024-25 academic calendar.Please review the Commencement web pages (https://commencement.nd.edu/) for important information, including the Schedule of Events page. As information for the May Commencement Weekend unfolds, pages will be updated. This typically happens in February and March.

Review the 2024-25 academic calendar.Please review the Commencement web pages (https://commencement.nd.edu/) for important information, including the Schedule of Events page. As information for the May Commencement Weekend unfolds, pages will be updated. This typically happens in February and March.

Music Director Yannick Nézet-Séguin conducts his first Met performances of Strauss's white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe's leading opera directors, gives the biblical story — already filtered through the beautiful and strange imagination of Oscar Wilde's play — a psychologically perceptive, Victorian-era setting rich in symbolism and subtle shades of darkness and light. Headlining the new staging is soprano Elza van den Heever as the abused and unhinged antiheroine, who demands the head of Jochanaan, sung by celebrated baritone Peter Mattei. Tenor Gerhard Siegel is Salome's lecherous stepfather, King Herod, with mezzo-soprano Michelle DeYoung as his wife, Herodias, and tenor Piotr Buszewski as Narraboth. GET TICKETS