The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

Nick Seaver is an assistant professor in the Department of Anthropology and director of the Program in Science, Technology, and Society at Tufts University in Medford, MA. His ethnographic research on the developers of algorithmic music recommendation has appeared in Cultural Anthropology, Cultural Studies, and Big Data & Society. He is co-editor of Towards an Anthropology of Data (2021) and author of Computing Taste: Algorithms and the Makers of Music Recommendation (2022). His current research explores the rise of attention as a value and virtue in machine learning worlds. Bernard Dionysius Geoghegan is Reader in the history and theory of digital media at King’s College London. An overarching theme of his research is how “cultural” sciences shape—and are shaped by—digital technologies. This concern spans his writing on the mutual constitution of cybernetics and the human sciences, ethnicity and AI, and the role of mid-twentieth century military vigilance in the development of interactive, multimedia computing. His attention to cultural factors in technical systems also figured in his work as a curator, notably for the Anthropocene and Technosphere projects at the Haus der Kulturen der Welt.    Life in Pixels hosts an ongoing series of transdisciplinary conversations thinking about how we can make sense of, and live with, our computational social condition today. Considering sociocultural, aesthetic, politicoeconomic, environmental, racial, and historical registers of technology together, the series will bring together people who think and do technology beyond disciplinary boundaries. The events are all designed as an ongoing series of conversations between scholars and practitioners in Media Studies, Science and Technology Studies, History and Philosophy of Science and Technology, Critical Digital Studies, and Literary Cultural Studies. Life in Pixels is generously sponsored by the Ruth and Paul Idzik College Chair in Digital Scholarship, the Program in History and Philosophy of Science, the Lucy Family Institute for Data and Society, the Navari Family Center for Digital Scholarship, the Department of English, the Minor in Data Science, and the Department of Film, Television, and Theatre at the University of Notre Dame. Originally published at lucyinstitute.nd.edu.