Guest lecture Nancy Rao, Head of Music Theory, Professor, Rutgers University The defining tunes of the Chinese diaspora in the nineteenth century and the early twentieth America were those of the Chinese opera. This history has been invisible due to the scarcity of Chinese materials in archives.  Its sonic imageries were also imprisoned by the mounting derision in historical English newspapers and travelogues. What were the patterns of networks and migrations that made Chinese opera a part of North American cultures?  How did border crossing, listening practices, and visual emblems constitute their sounding identity?  This talk offers readings against the grain to consider the ways that archives structure and frame not only our understanding of the past but how we enter into the present and future. Nancy Yunhwa Rao has produced award-winning research on a range of topics, including gender and music, sketch studies, music modernism, cultural fusion in music, racial representations, and the music history of early Chinese Americans. Her publications have provided innovative analytical approaches to cross-cultural music, and enhanced public discussions about cultural encounter in music. Through her scholarship, as well as teaching, she has promoted diversity and advanced knowledge and dialogue about the complexity of diversity issues in music scholarship. Rao’s book, Chinatown Opera Theater in North America (Illinois University Press, 2017), tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. She unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. It received Music in American Culture Award, American Musicological Society; Lowens Book Award, Society for American Music; and Book Award in Performance and Media, Associations for Asian American Studies. As a music theorist, Rao has explored intersections between China and the West, particularly global perspectives in contemporary Chinese music. She has published on the use of music gestures, vocal style, and percussion patterns of Beijing opera in contemporary music. Her study on Ruth Crawford won the award of best article in American music published in 2007 from the Society for American Music. She has continued in the direction of sketch studies, for which her publication can be found in Music Theory Spectrum, as well as Carter Studies Online. At Rutgers, Rao helps students work their way through issues related to various forms of aesthetic concerns, exploitation and collaboration in musical cultural fusion. She encourages her students to explore different theoretical/methodological tools to study the complex phenomenon of cultural fusion, including transcultural theory, cosmopolitanism, and transnational studies. This lecture is free and open to the public.  Originally published at music.nd.edu.

Italian Coffee Hour, a new and fun experience every month where you are welcome to meet and practice your Italian with members of the Italian Program, Italophones, Italophiles, and people with an appreciation for all things Italian. This week, learn some Italian while playing some fun games! For more information, contact cslcstaf@nd.edu.   Originally published at cslc.nd.edu.

BUY TICKETS The passion of youthful love is never more vivid than in Romeo and Juliet, arguably Shakespeare’s most beloved and well-known work. Alternating between laugh-out-loud comedy, exuberant romance, and wrenching tragedy, Romeo and Juliet features Shakespeare’s greatest romantic pairing: a star-crossed duo whose passion careens into disaster. Populated with immortal characters, high drama, and Shakespeare’s most famed passages, Romeo and Juliet is as powerful as ever.     The feud between two dynastic families is put to the ultimate test when Romeo, of the Montague family, and Juliet, of the Capulets, fall deeply into love. Prevented from marrying by their warring families yet unable to turn away from each other, the lovers embark on a dangerous plan to secretly wed, leading to unexpected yet devastating consequences.     Actors From The London Stage, the globally celebrated 5-actor touring company, returns with a fresh new staging of Shakespeare’s immortal tale. With each actor portraying multiple roles, Romeo and Juliet is a stirring, engaging, and moving night of theatre.CAST:Grace Andrews: Juliet / Benvolio / ApothecaryKaffe Keating: Mercutio / Capulet / Balthasar / AbrahamHilary Maclean: Nurse / Prince / Paris / Friar John / Old Capulet / SampsonJonathan Oldfield: Friar Lawrence / Lady Capulet / Tybalt / Peter / MontagueThomas Wingfield: Romeo / Lady Montague / GregorySPECIAL THANKS: Philip d'Orléans, Fight ChoreographerHazel Monaghan, Musical ArrangementsMORE INFORMATION: Tour BlogPRESS & MEDIA:"International Shakespeare troupe returning to Rice Feb 2-4," Rice University News & Media Relations, 1/9/23SPRING 2023 TOUR SCHEDULE:Jan. 23-29: Brigham Young University, Provo, UT Jan. 30-Feb. 5: Rice University, Houston, TX Feb. 6-12: Kansas State University, Manhattan, KS Feb. 13-19: John Carroll University, University Heights, OH Feb. 20-26: University of North Alabama, Florence, AL Feb. 27-Mar. 5: University of Notre Dame, Notre Dame, INOriginally published at shakespeare.nd.edu.