The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

“Mass Migration: Where Interests and Values Collide” is presented by David Robinson, former Assistant Secretary of State, U.S. Ambassador to Guyana. Ambassador Robinson retired from the United States Senior Foreign Service in 2017. He served as an American diplomat for more than three decades, principally in conflict zones and developing countries, including Afghanistan, Bosnia and El Salvador. This is the last of eight lectures in the Ten Years Hence speaker series that will discuss Is Globalism Dead? Visit the Ten Years Hence website for a list of all lecture dates. Ten Years Hence is sponsored by the Eugene Clark Distinguished Lecture Series endowment. Free and open to students, faculty, staff and the Notre Dame community. No registration is required.

MacArthur “Genius” Nicole R. Fleetwood is a celebrated writer, cultural theorist, curator, and art critic. Growing up in Hamilton, Ohio, she witnessed the vulnerability of her community to excessive policing, punitive surveillance, and mass incarceration, and the direct impact these had on her family, especially her male cousins. The concept for her groundbreaking book Marking Time: Art in the Age of Mass Incarceration started in 2010, when she hung photographs of her cousins in Ohio prisons on the walls of her Harlem apartment. Marking Time explores the impact of U.S. incarceration on contemporary visual art, highlighting artists who have been incarcerated alongside artists whose art examines U.S. institutions and systems of confinement. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art.  Reception to follow. This event is a part of the Unlocked: Understanding Mass Incarceration in the U.S. series at the Center for Social Concerns.