From the Medieval Research Blog: "Poetry as a Quadrivial Art?"

“That ‘Poetry is the cradle of philosophy’ is axiomatic”
(John of Salisbury, Metalogicon I.22).
It is a truth generally acknowledged that in the Middle Ages a liberal arts education consisted of the trivium (grammar, logic, and rhetoric) and the quadrivium (arithmetic, music, geometry, astronomy). Poetry –what we might call “literature”– was primarily taught by grammarians and rhetoricians in the Middle Ages. Literary scholars, like Rita Copeland and Marjorie Woods, have therefore been very motivated to study exactly what the language disciplines of Grammar and Rhetoric entailed and precisely how they were taught in order to have a better sense of what the study of literature must have looked like in this period. Their works are indispensable for the study of medieval literature and truly are the bulk of where instruction in poetics lay in the Middle Ages. And yet, once cannot stop there.

Knowing exactly where to put poetry was something that clearly bothered many medieval philosophers. While today we might assume that poetry would clearly be associated with the Trivium, or the arts dedicated to words, specifically grammar and rhetoric, certain medieval thinkers located it within logic and also the Quadrivium, or the arts of number. Understanding why can help us to understand the multi-faceted way in which the medieval mind approached poetry in particular and the literary arts more generally.
In the twelfth century when there were major curricular changes afoot in schools and universities, John of Salisbury maintained that poetry belonged to the art of grammar although it was closely allied with rhetoric. “Art,” writes John of Salisbury, “is a system that reason has devised in order to expedite, by its own short cut, our ability to do things within our natural capacities. Reason neither provides nor professes to provide the accomplishment of the impossible;” Instead, reason pursues the possible by means of an efficient plan, what the Greeks would call a methodon (Metalogicon I.11, p.33).
This is an excerpt from "Poetry as a Quadrivial Art?" by Dr. Lesley-Anne Dyer Williams. Read the full story.
Originally published by medieval.nd.edu on September 11, 2024.
atLatest Research
- Studying Survivor : How two Notre Dame courses apply reality TV to philosophy, psychology, and mathStudents…
- Junior Alex Young named 2025 Truman ScholarUniversity of Notre Dame junior Alex Young has been named a 2025 Truman Scholar. He is the University’s 13th Truman Scholar since 2010, a group that includes three Rhodes Scholars: Alex Coccia (’14), Christa Grace Watkins (’17) and Prathm Juneja (’20).
- Notre Dame listed as World Leader in Nuclear AstrophysicsNuclear astrophysics…
- “Contagious capitalism”: Keough School Dean Mary Gallagher shares research insights on law, labor and justice in ChinaMary Gallagher, the Marilyn Keough Dean of the Keough School of Global Affairs, delivered the fifth annual Justice and Asia Distinguished Lecture at the school’s Liu Institute for Asia and Asia Studies on April 8, drawing on her research expertise to share insights on law, labor and justice in China.
- Thirteenth Annual Harper Cancer Research DayRohit Bhargava The 13th annual…
- Two Notre Dame historians win Guggenheim fellowshipsTwo faculty members in the University of Notre Dame’s College of Arts & Letters have been awarded fellowships from the John Simon Guggenheim Memorial Foundation as part of its 100th class of honorees.