In presenting this vision, our approach will be twofold: to reflect upon the past and to revitalize the present, to celebrate the feminine genealogy of the faith and to amplify the prophetic mission of women in our current moment. By illuminating the riches of the faith and reading the signs of the times, we hope to equip faithful Catholics and formators with a robust foundation for understanding and articulating the Church’s vision for women in our time. Register Here Originally published at mcgrath.nd.edu.

This Notre Dame Forum event is co-sponsored by the Office of the President and the Kroc Institute for International Peace Studies, part of the University’s Keough School of Global Affairs. Featuring Danielle Allen, the James Bryant Conant University Professor, Harvard University; Director, Allen Lab for Democracy Renovation, Harvard Kennedy School Ash Center for Democratic Governance and Innovation Professor Allen is a renowned professor of political philosophy, ethics, and public policy. She is also a seasoned nonprofit leader, democracy advocate, tech ethicist, distinguished author, and mom. Allen's work to make the world better for young people has taken her from teaching college and leading a $60 million university division to driving change at the helm of a $6 billion foundation, writing as a national opinion columnist, and advocating for strong public health policy, democracy renovation, civic education, and sound governance of and with new technology. During the height of the COVID-19 pandemic in 2020, her leadership in rallying coalitions and building solutions resulted in the country’s first-ever Roadmap to Pandemic Resilience; her policies were adopted in federal legislation and a presidential executive order. She was the 2020 winner of the Library of Congress' Kluge Prize, which recognizes scholarly achievement in the disciplines not covered by the Nobel Prize. She received the Prize "for her internationally recognized scholarship in political theory and her commitment to improving democratic practice and civics education." She was a lead author on the Roadmap to Educating for American Democracy, a framework for securing excellence in history and civic education for all learners, K-12, released in 2021. The annual Hesburgh Lecture in Ethics and Public Policy, established by the Kroc Institute for International Peace Studies in 1995, honors the Rev. Theodore M. Hesburgh, C.S.C., president emeritus of Notre Dame, a global champion of peace and justice, and the founder of the Kroc Institute. Each year a distinguished scholar, policymaker, and/or peace advocate is invited by the Kroc Institute director to deliver a major lecture on an issue related to ethics and public policy in the context of peace and justice. Originally published at forum2024.nd.edu.

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

In presenting this vision, our approach will be twofold: to reflect upon the past and to revitalize the present, to celebrate the feminine genealogy of the faith and to amplify the prophetic mission of women in our current moment. By illuminating the riches of the faith and reading the signs of the times, we hope to equip faithful Catholics and formators with a robust foundation for understanding and articulating the Church’s vision for women in our time. Register Here Originally published at mcgrath.nd.edu.

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation  at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan, in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of Music.This concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters.

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of MusicThis concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame.

The theme of this year’s one-day symposium is “Using Innovative Approaches to Improve Health Equity.” To sign up click the link here!*** You do not have to have research directly related to the Symposium title to apply.   Oral presentations will be awarded. Please submit your abstract in adherence to the following guidelines by February 21. Four abstracts will be chosen for 15-minute presentations and presenters will be awarded $75. There will also be a poster session for those not selected for oral presentations or those who prefer posters. There will be awards for best poster presentations.Abstract must include: Title, Authors, Affiliations Maximum 2,000 characters not including the Title, Authors, and Affiliations. No graphics/images will be accepted. The abstract should include: Background, Methods, and Results/Conclusions.Presentations will be evaluated on the following attributes: rationale, methods, results/conclusions, clarity, and significance to BIPH themes. For questions please email ckerr3@nd.edu. Please submit a response even if you just plan on attending so that we can ensure that we have enough food. You do not need to submit an abstract if you are just attending but you do have to submit one for a poster and/or oral presentation.    Originally published at precisionhealth.nd.edu.

Register here Deondra Rose is associate professor of public policy, political science, and history at Duke University. We will discuss Rose’s recent book The Power of Black Excellence: HBCUs and the Fight for American Democracy, and lessons we can learn from HBCUs about cultivating character for the common good. There will be time for audience questions. Virtues & Vocations is a national forum for scholars and practitioners across disciplines to consider how best to cultivate character in pre-professional and professional education. Virtues & Vocations hosts faculty workshops, an annual conference, and monthly webinars, and engages issues of character, professional identity, and moral purpose through our publications. virtuesvocations.org

As part of the Keough-Naughton Institute's fall 2024 speaker series, Professor Peter Shirlow will deliver a lecture titled “The Failings of Irish Republicans and the National Question in Ireland.” Lecture Abstract This lecture will explore how, despite post-Brexit Referendum predictions of a united Ireland by as early as 2021, there has been, at best, limited growth in recorded support for ending partition between Northern Ireland and the Republic of Ireland. Growth of Northern Ireland’s Catholic population has been less dramatic than predicted and the region now has the fastest growing economy in the UK. Peter Shirlow asserts that in this context, pro-united Ireland campaigns and republican activism, especially via civic fora and social media, have failed to significantly close the gap between Irish unity and pro-union proponents. In this lecture, Shirlow will consider how Irish Republican arguments for unity contain internal contractions: underscoring the economic successes of the South while also indicating its structural deficiencies, or pointing to socio-economic deficiencies of Northern Ireland even while Republicans are co-authors of its new found economic growth. Ultimately, Shirlow argues, the shortcomings of Irish republicanism lie in its inability to read and understand the new sociology of Northern Ireland– particularly temporal and social shifts that potentially render the inevitability thesis of Irish unification inconsistent, if not ineffective, in the short to medium term. Speaker Biography Professor Peter Shirlow (FaCSS) is the director at the University of Liverpool’s Institute of Irish Studies. He was formerly the deputy director of the Institute for Conflict Transformation and Social Justice, QUB. He is the independent chair of the Executive Office's Employers' Guidance on Recruiting People with Conflict-Related Convictions Working Group and a board member of the mental health charity Threshold. He is a visiting research professor at the Senator George J. Mitchell Institute for Global Peace, Security and Justice. He sits on the editorial boards of Irish Political Studies and International Planning Studies. Professor Shirlow has undertaken conflict transformation work in Northern Ireland and has used that knowledge in exchanges with governments, former combatants and NGOs in the former Yugoslavia, Moldova, Bahrain and Iraq. He has also presented talks to members of the US Senate and House of Representatives and is a regular media contributor. Originally published at irishstudies.nd.edu.

Register here Join us for an engaging discussion on the groundbreaking Abraham Accords and their implications for national security, regional order, and popular representation in the Middle East. Signed on September 15, 2020, the accords normalized diplomatic relations between Israel and the United Arab Emirates (UAE), Bahrain, and later Morocco, marking a major shift in regional dynamics. In this event, co-authors of The Abraham Accords: National Security, Regional Order, and Popular Representation (Lexington Books, 2025) will explore the motivations and impacts of this historic agreement. They will analyze how political consolidation, pluralism, and regional alliances have shaped normalization trends with Israel and could influence future developments, especially amid the ongoing Gaza conflict. Moderated by Asher Kaufman, John M. Regan, Jr. Director of the Kroc Institute for International Studies, the panel will provide key insights into Israel's relationships with the six Gulf Cooperation Council states—Saudi Arabia, Qatar, Bahrain, Oman, Kuwait, and the UAE—as well as Iran. Don’t miss this opportunity to dive into the evolving dynamics of Middle Eastern politics and diplomacy. Panelists: Banafsheh Keynoush, scholar in residence, Kroc Institute for International Peace Studies, University of Notre DameGuy Burton, visiting fellow, Sectarianism, Proxies and De-Sectarianisation Project, Lancaster University  Register here Originally published at kroc.nd.edu.

A professor of music theory at Florida State University and recent past president of the Society for Music Theory, Michael Buchler will discuss the 1959 musical Gypsy (Styne and Sondheim) though an examination of Momma Rose’s music and how it reflects her increasing obsessiveness and decreasing relationship with reality. Originally published at music.nd.edu.

As part of the Keough-Naughton Institute's spring 2025 speaker series, Professor John Morrison will deliver a lecture titled "Presbyterian Martyr John Brown of Priesthill and the Disruption." Lecture Abstract  In 1843 the presbyterian Church of Scotland split along ideological lines. The dispute centered on the question of 'patronage,' or who had the power to appoint any given individual minister: the congregation of the church he was being appointed to, or the principal local landowner. Around forty percent of all incumbent ministers walked out of the Church of Scotland over the issue and established the Free Church. This arcane piece of exclusively Scottish history was a major event in Scotland but not hugely significant (or, apparently, terribly interesting) However, it is more thought provoking than it initially appears. At the time, the 'Disruption' of the Kirk occasioned much literature and painting on and around the event, and the 1844 painting in the Raclin Murphy collection, Thomas Duncan’s sketch for The Death of John Brown of Priesthill relates directly, if metaphorically. Duncan’s subject is historical: depicting an event in the late 17th century, it is about sometimes extremist presbyterian belief, political power and revolution. In this lecture, Professor John Morrison will consider the painting, its 17th century subject, its relevance to its 19th century context, and its relationship to Ireland, Scotland and Notre Dame. Speaker Biography John Morrison took a Ph.D. in Art History at the University of St Andrews in Scotland. Following a period at the Yale Center for British Art in Connecticut working on the success of the ‘Glasgow Boys’ in the USA in the late nineteenth century, Professor Morrison joined the Art History Department at the University of Aberdeen in 1992. He went on to be Head of the School of Divinity, History and Philosophy and Director of teaching and learning for Arts and Social Sciences. From July 2019 he became Head of the School of History and Heritage at the University of Lincoln. He has appeared regularly on radio and television and published several monographs on Scottish art and cultural history, including Painting the Nation (EUP), Painting Labour in Scotland and Europe 1850-1900 (Ashgate) and Land and Landscape (Sansom). He is currently working on a volume of historical sources for nineteenth-century Scottish painting for Routledge. This event is co-sponsored by the Raclin Murphy Museum of Art. Originally published at irishstudies.nd.edu.

Notre Dame’s flagship vocal ensemble presents a wide mix of choral masterpieces from the Renaissance to the 20th century.This concert will celebrate the 50th anniversary of the Chorale and the 32 years Alexander Blachly, who is retiring in June, has been the Chorale's director. The program will feature great works by Handel, Bach, Schubert, Schumann, Debussy, and Stravinsky. The first half of the program will feature Paivi Ekroth as piano accompanist. The second half will feature the Festival Baroque Orchestra in choral masterpieces by Handel and Bach. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Grammy Award-winning singer/songwriter Abigail Washburn is a banjo virtuoso who became fluent in both the language and culture of China while prepping for a career in law focused on U.S.-China relations. Wu Fei, a Chinese musical prodigy and master of the 2,000-year-old 21-string guzheng, was destined for a professional career performing state-sanctioned works in her homeland. GET TICKETS  

This event is part of the Kroc Institute’s series on intersectionality and justice as a beneficial framework and methodology paired with peace studies. The series is led by Ashley Bohrer, assistant professor of gender and peace studies, and features a variety of guest presenters who address the potential of intersectional analysis to transform timely global conversations and issues. Since the new millennium, Rwanda has been celebrated as a prosperous country with the highest number of women (61% in 2018) in its Parliament. Yet, President Paul Kagame has been winning Rwandan elections since 2003, and in 2024 was elected to a fourth term with 99.15% vote. Led by the Rwandan Patriotic Front (RPF), the government has been criticized as an authoritarian state for its repression of political dissidents. Dr. Xianan Jin, lecturer in politics at the University of Exeter, will discuss her book project, "Selective Capital in Women’s Political Participation: Neoliberal Authoritarianism in Rwanda," which investigates the paradox between liberal political inclusion of women and oppressive state control. Originally published at kroc.nd.edu.

Eurydice  Presented by Notre Dame Film, Television, and Theatre by Sarah RuhlDirected by Sarah Gitenstein In a humorous and poetic reimagining of the classic myth, Eurydice must travel to the Underworld after dying on her wedding day. Once there, she must choose between returning to Earth with her love, Orpheus, or staying in the Underworld with her father. Performance Schedule  April 9-13, 2025Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Eurydice are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Eurydice” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com EURYDICE was originally produced by Madison Repertory Theatre, Madison, Wisconsin, August 29, 2003. Richard Corley, Artistic Director, Tony Forman, Managing Director. And subsequently produced by Berkeley Repertory Theatre in 2004. Tony Taccone, Artistic Director, Susan Medak, Managing Director. And Yale Repertory Theatre, James Bundy, Artistic Director, Victoria Nolan, Managing Director. Produced by Second Stage Theatre, New York, 2007 Carole Rothman: Artistic Director. EURYDICE is produced by special arrangement with Bruce Ostler, BRET ADAMS, LTD., 448 West 44th Street, NY 10036.   Originally published at ftt.nd.edu.

The Notre Dame Student Peace Conference is an annual conference organized by undergraduate peace studies students at the University of Notre Dame. During this free conference, undergraduate and graduate students from across the U.S. and abroad present original research, showcase innovative practices, and network with peers who share their passion for peace. More information about this year’s conference will be provided in the coming months. Students and faculty who wish to learn more about participating in the upcoming conference can visit the conference program page. Originally published at kroc.nd.edu.