Join the Liturgical Choir of the Notre Dame Children's Choir the second and third Mondays of the month in-person or online for a prayerful Vespers service.  https://youtube.com/live/AL5eIKYB9lI?feature=shareNotre Dame Children's Liturgical ChoirOriginally published at sma.nd.edu.

Michael Haneke's most notorious provocation, Funny Games spares no detail in its depiction of the agony of a bourgeois family held captive at their vacation home by a pair of white-gloved young men. In a series of escalating "games," the sadistic duo subject their victims to physical and psychological torture over the course of a night. A home-invasion thriller in which the genre's threat of bloodshed is made stomach-churningly real, the film ratchets up shocks even as its executioners interrupt the action to address the audience, drawing queasy attention to the way that cinema milks pleasure from pain and stokes our appetite for atrocity. With this controversial treatise on violence and entertainment, Haneke issued a summation of his cinematic philosophy, implicating his audience in a spectacle of unbearable cruelty. GET TICKETS!  

Join us in celebrating the launch of Charles W. Powell's book Southern Baptists and Muslims: A Path to Dialogue through Narrative Empathy with a brief reading from Charles himself as well as opening remarks from Ansari Faculty Fellow, Daniel Philpott. About the BookSince the 9/11 terrorist attacks, the largest Protestant religious group in the United States—the Southern Baptist denomination—has been criticized for using and fostering anti-Islamic rhetoric. The use of anti-Islamic speech, specifically by Southern Baptist leaders, has become an alarming trend within the denomination. The effects of Southern Baptists' antipathy towards Muslims are indeed dire. Charles W. Powell has observed that the Southern Baptist denomination is underprepared and at times reluctant to engage with Muslims in the United States. His formal interviews with Southern Baptist pastors reveal that most pastors as well as their congregants have had no personal encounter with Muslims. As a result, this lack of encounter has created a deficiency of narrative empathy. Southern Baptists and Muslims empirically investigates the dynamics of these patterns. Powell proposes that this lack of narrative empathy is the primary reason why leaders within the Southern Baptist denomination have negative perceptions of Islam and Muslims. Moreover, it is primarily the lack of narrative empathy that allows for anti-Islamic rhetoric to flourish. The purpose of this book is to shape an improved, if not new, perception of Islam and Muslims--a perception that can foster neighborliness via narrative empathy. About Charles W. Powell. Charles W. Powell, serves as the associate director for Mission Engagement and Church Affairs (OMECA) at the University of Notre Dame. Powell joined OMECA in the fall of 2024. Prior to joining the team, he worked with the Ansari Institute where he headed multifaith engagement initiatives and taught the course “Evangelicals and Global Affairs.” Simultaneously, he was adjunct teaching faculty at Holy Cross College at Notre Dame; he taught courses in Christian-Muslim relations. Additionally, through Notre Dame Global he co-led the course “International Law and the Holocaust” in Poland for five years. He has traveled extensively into the Levant and Gulf States with a focus on building understanding, trust, and collaboration between Christians and Muslims. Powell is an academic visiting fellow alumnus of the Oxford Centre for Islamic Studies, Oxford, UK. He earned his Doctor of Ministry degree from Catholic Theological Union in Chicago; his concentration was spirituality. He is married to Emilia Justyna Powell, professor of Political Science at Notre Dame. He and his wife have two daughters and a Brussels Griffon.Charles Powell will be introduced by Daniel Phillpott, an Ansari Institute faculty fellow who is a professor of poltical science at Notre Dame who specializes in religion and global politics. Food and refreshments will be available following the formal portion of the event program. This is a free event and advanced registration is not required. Originally published at ansari.nd.edu.

After a botched money delivery, Lola has 20 minutes to come up with 100,000 Deutschmarks. Get Tickets This screening is co-hosted with Tobias Boes, chair of the Department of German and Russian Languages and Literatures and a Nanovic Institute faculty fellow.This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Soares, António, Artist. Humorous Map of Europe. Lisboa, Portugal: A Editora, 1914. Map. https://www.loc.gov/item/2021668737/.The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is Inaugural Director of the Georgetown Humanities Initiative and Professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.