Film: "Luzzu" (2021) (Part of the Nanovic Film Series)
Wednesday, April 9, 2025 7:30–10:00 PM
- Location
- DescriptionA hardworking Maltese fisherman, Jesmark is faced with an agonizing choice. He can repair his leaky luzzu — a traditional, multicolored wooden fishing boat — in the hopes of eking out a meager living at sea for his wife and newborn son, just as his father and grandfather did before him. Or he can decommission it in exchange for an EU payout and cast his lot with a sinister black-market operation that is decimating the Mediterranean fish population and the livelihoods of the local families who depend on it. Luzzu won a Sundance Jury Prize for its nonprofessional lead actor Jesmark Scicluna, a real-life Maltese fisherman, and heralds the arrival of writer-director-editor Alex Camilleri. His gripping film operates in the neorealist tradition of Luchino Visconti, Roberto Rosselini, and the Dardenne brothers and calls to mind the socially engaged cinema of Ken Loach and the film’s producer Ramin Bahrani (Man Push Cart).
Get Tickets
This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby.
Originally published at nanovic.nd.edu. - Websitehttps://events.nd.edu/events/2025/04/09/luzzu-2021-nanovic-film-series/
More from Upcoming Events (Next 7 Days)
- Apr 109:30 AMExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- Apr 109:30 AMSpotlight Exhibit —"Building a Campus Boycott to Support Midwestern Farmworkers"In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends
- Apr 1012:30 PMFlash Panel — "Peace in Peril: The Dismantling of the United States Institute of Peace (USIP) and the Consequences for International Peacebuilding"Register to attend via Zoom here The recent drastic restructuring of the United States Institute of Peace (USIP) and the overtaking of the offices by DOGE, have brought to the forefront the way the current administration actions have undercut peacebuilding efforts locally and globally. This flash panel, including George A. Lopez, the Rev. Theodore M. Hesburgh, C.S.C., Professor Emeritus of Peace Studies, Lisa Schirch, the Richard G. Starmann, Sr. Professor of the Practice of Peace Studies, Elizabeth (Liz) Hume, executive director, Alliance for Peacebuilding, and Kroc Institute Advisory Board member, Angela Lederach (Ph.D. '19), assistant professor of peace studies at Chapman University, and others will discuss the history and significance of USIP for peacebuilding around the world, including the work of the Kroc Institute. The panel will also consider the consequences these actions have on the broader policies of peacebuilding globally. Background: The USIP is an independent, nonprofit, national institution tasked with promoting conflict resolution and prevention worldwide. It provides research, analysis, and training to individuals in diplomacy, mediation, and other peace-building measures. Following years of proposals for a national peace academy, the USIP was established in 1984 by congressional legislation signed into law by President Ronald Reagan. Rev. Theodore M. Hesburgh, C.S.C., president emeritus of the University of Notre Dame and a national voice for civil and human rights, served as a member of the board of directors of USIP from 1991-2000 and as co-chairman of the USIP Building Campaign. At the groundbreaking ceremony, Hesburgh said, “Amidst all these reliquaries of wars, we are going to commit a temple of peace.” A hall was named in honor of Father Hesburgh to house the Institute's Religion and Peacemaking Center. The USIP is officially nonpartisan and independent, receiving funding only through a congressional appropriation to prevent outside influence. The Institute is governed by a bipartisan board of directors with 15 members, which must include the secretary of defense, the secretary of state, and the president of the National Defense University. The remaining 12 members are appointed by the president and confirmed by the Senate. Register to attend via Zoom here Photo: The U.S. Institute of Peace's headquarters. Credit: (Kayla Bartkowski/Getty Images) Originally published at kroc.nd.edu.
- Apr 103:30 PMExhibit Tour – "Tragedies of War: Images of WWII in Print Visual Culture"Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." About the Exhibit This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-1945) using primarily European visual sources recently acquired by Rare Books and Special Collections. It showcases over forty works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections, Jean McManus, Catholic Studies Librarian, University Archives, and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.
- Apr 104:30 PMLecture—"The Fascist Lair: The Battle of Berlin"Robert M. Citino, the retired Samuel Zemurray Stone Senior Historian at the National WWII Museum, presents "The Fascist Lair: the Battle of Berlin." This lecture, cosponsored by the Department of History, is being held in conjunction with the spring Rare Books and Special Collection exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." About the Exhibit This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-1945) using primarily European visual sources recently acquired by Rare Books and Special Collections. It showcases over forty works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections, Jean McManus, Catholic Studies Librarian, University Archives, and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends.
- Apr 105:15 PMLecture—"Victory in the Making: Triumphal Arches on Roman State Reliefs"The School of Architecture is excited to welcome Francesco de Angelis from Columbia University to campus for a lecture titled, "Victory in the Making: Triumphal Arches on Roman State Reliefs." This talk will focus on ancient depictions of triumphal arches in the medium of sculptural relief. Several of these images represent the monuments in an abridged fashion, for example by diminishing or omitting key components of their figural decoration, including sculpted scenes. Therefore, especially if we try to understand the reliefs as evidence for ancient viewing habits, they appear paradoxically to downplay their own relevance as carriers of meaningful and semantically rich imagery. The talk will examine this seeming act of self-effacement and argue that, rather than a simple celebration of past deeds, Roman arches—and their decoration—were parts of a project that was perpetually in the making. Join us for this insightful discussion and learn how Roman relief sculptures represented monumental arches and their profound significance in ancient art and architecture. This event is open to all—don’t miss the opportunity to learn from an expert in the field! This lecture is co-sponsored by the School of Architecture, Department of Classics, Center for Italian Studies, and the Department of Art, Art History and Design. Originally published at artdept.nd.edu.