Learn more and register here 2025 Catholic Social Tradition Conference Signs of the Times: Interdisciplinary Responses to Religious Nationalism March 20-22, 2025 This 2025 CST conference will remember the 60th anniversary of two significant Vatican II texts, Gaudium et spes (Pastoral Constitution on the Church in the Modern World) and Dignitatis humanae (Declaration on Religious Freedom). Released on the final day of Vatican II, these texts together invited serious consideration of the role of the church and other religious communities in relation to the state. This year’s CST conference takes up Vatican II’s invitation to discern “the signs of the times” and to attend to the roles of church and state within civil society with a view toward the common good. These central CST themes warrant further exploration as Christian and other forms of religious nationalism represent a significant sign of the current time in particular national and international contexts. This interdisciplinary conference invites historical, constructive, and comparative approaches as we consider the ecumenical, interfaith, and transdisciplinary challenges of religious nationalism. For example, what is the history of Christian nationalism in the United States and how is it related to similar movements in other parts of the world? What are the scriptural and theological resources available to analyze these expressions of Christian and national identity? To what degree and under what forms are the academy and the Christian churches complicit with the history and recent expressions of white Christian nationalism? What are the possible connections between the reemergence of various forms of religious nationalism with economic changes, poverty, inequality, and environmental degradation? How has the rise of these political ideologies been facilitated by changes in laws and institutional structures? What are the implications of Christian and other forms of religious nationalism for the relationship of religious bodies and the state in civil society? What are the pedagogical challenges across the disciplines in addressing the significance of Christian and religious nationalism? Normatively, what options for constructive engagement and responses emerge from our shared consideration of these questions?

Join the Notre Dame Children's Choirs as we observe this Lenten season in eight liturgies over 25 hours, beginning and ending with Vespers at 6 p.m. with liturgies every three hours (except 6 a.m.). The Liturgy of the Hours, also known as the Divine Office or the Work of God, is the daily prayer of the Church, marking the hours of the day and sanctifying the day with prayer (United States Conference of Catholic Bishops). The Divine Office is also considered the public service of praise and worship consisting of Psalms, prayers, hymns and readings.St. Joseph Chapel at Holy Cross CollegeOriginally published at sma.nd.edu.

The greatest actor in the world is interrupted when a delivery person arrives with a mysterious package—but the show must go on, and the wolf's gotta eat. Two actors take on all the roles in this furiously fast, funny, and surprising adaptation that asks what it means to bravely write your own story. Like an unexpected package, when you open up a fairytale, you never know what you're going to find! GET TICKETS  

The greatest actor in the world is interrupted when a delivery person arrives with a mysterious package—but the show must go on, and the wolf's gotta eat. Two actors take on all the roles in this furiously fast, funny, and surprising adaptation that asks what it means to bravely write your own story. Like an unexpected package, when you open up a fairytale, you never know what you're going to find! GET TICKETS  

Nathalie Joachim's Ki Moun ou Ye is a hypnotic, sonic journey into self-discovery. Joachim, born in Brooklyn to Haitian parents, seamlessly intertwines her familial musical heritage with contemporary and experimental sounds. She uses her potent voice and lyrics, intricate electronically sampled textures, beats, laughter, soothing melodies of an acoustic instrumental ensemble, and even her grandmother's voice. GET TICKETS