In this final teaching conference of the Organs and Origins series co-sponsored by the College of Science and the McGrath Institute for Church Life, scientists, philosophers and theologians will come together to consider the question of purpose and meaning in the universe. Is it merely a projection of human striving onto the cosmos? Or is there something more about it which can contribute to our understanding and to the dialogue between the sciences, philosophy and theology? Through generous funding from the John Templeton Foundation, 29 stipended fellowships are available for faculty and graduate students from across the disciplines who seek to enrich their teaching and research through this learning experience. Click here for more information and to register   Originally published at mcgrath.nd.edu.

Scholars have been thinking about the Roman empire for a long time, offering a variety of theories and explanations for Roman imperialism. Too often, however, they have taken the writings of the ancient historians simply at face value. The object of this conference is to examine the attitudes toward Roman imperialism on the part of Greek historians writing under the Roman empire, and to compare these views and their evolution over time with those found in Latin historical writing. The conference offers an innovative approach by integrating historiography with the study of Roman imperialism. Organizers: Christopher Baron (University of Notre Dame)Anders Holm Rasmussen (University of Copenhagen) List of speakers: Sulochana Asirvatham (Montclair State University)Christopher Burden-Strevens (University of Kent)Jessica Clark (Florida State University)Cynthia Damon (University of Pennsylvania)Jon Davies (University of Copenhagen)Jennifer Gerrish (College of Charleston)Caitlin Gillespie (Brandeis University)Kyle Khellaf (UC Riverside)Mads Ortving Lindholmer (Danish Institute in Rome)Regina Loehr (Washington University in St. Louis)Jesper Majbom Madsen (University of Southern Denmark)Kit Morrell (University of Queensland)Josiah Osgood (Georgetown University)Antonio Pistellato (Università Ca’Foscari Venezia)Anders Holm Rasmussen (University of Copenhagen)Andrew Scott (Villanova University)Kathryn Welch (University of Sydney)Liv Mariah Yarrow (Brooklyn College) Sponsors: Institute for Scholarship in the Liberal Arts, Notre Dame Independent Research Fund Denmark (DFF) Department of Classics, Notre Dame Department of History, Notre Dame Originally published at classics.nd.edu.

As part of the Keough-Naughton Institute's spring 2025 speaker series, Professor John Morrison will deliver a lecture titled "Presbyterian Martyr John Brown of Priesthill and the Disruption." Lecture Abstract  In 1843 the presbyterian Church of Scotland split along ideological lines. The dispute centered on the question of 'patronage,' or who had the power to appoint any given individual minister: the congregation of the church he was being appointed to, or the principal local landowner. Around forty percent of all incumbent ministers walked out of the Church of Scotland over the issue and established the Free Church. This arcane piece of exclusively Scottish history was a major event in Scotland but not hugely significant (or, apparently, terribly interesting) However, it is more thought provoking than it initially appears. At the time, the 'Disruption' of the Kirk occasioned much literature and painting on and around the event, and the 1844 painting in the Raclin Murphy collection, Thomas Duncan’s sketch for The Death of John Brown of Priesthill relates directly, if metaphorically. Duncan’s subject is historical: depicting an event in the late 17th century, it is about sometimes extremist presbyterian belief, political power and revolution. In this lecture, Professor John Morrison will consider the painting, its 17th century subject, its relevance to its 19th century context, and its relationship to Ireland, Scotland and Notre Dame. Speaker Biography John Morrison took a Ph.D. in Art History at the University of St Andrews in Scotland. Following a period at the Yale Center for British Art in Connecticut working on the success of the ‘Glasgow Boys’ in the USA in the late nineteenth century, Professor Morrison joined the Art History Department at the University of Aberdeen in 1992. He went on to be Head of the School of Divinity, History and Philosophy and Director of teaching and learning for Arts and Social Sciences. From July 2019 he became Head of the School of History and Heritage at the University of Lincoln. He has appeared regularly on radio and television and published several monographs on Scottish art and cultural history, including Painting the Nation (EUP), Painting Labour in Scotland and Europe 1850-1900 (Ashgate) and Land and Landscape (Sansom). He is currently working on a volume of historical sources for nineteenth-century Scottish painting for Routledge. This event is co-sponsored by the Raclin Murphy Museum of Art. Originally published at irishstudies.nd.edu.

In this final teaching conference of the Organs and Origins series co-sponsored by the College of Science and the McGrath Institute for Church Life, scientists, philosophers and theologians will come together to consider the question of purpose and meaning in the universe. Is it merely a projection of human striving onto the cosmos? Or is there something more about it which can contribute to our understanding and to the dialogue between the sciences, philosophy and theology? Through generous funding from the John Templeton Foundation, 29 stipended fellowships are available for faculty and graduate students from across the disciplines who seek to enrich their teaching and research through this learning experience. Click here for more information and to register   Originally published at mcgrath.nd.edu.

Classics in the BrowningDirected by Terrence MalickWith Brad Pitt, Jessica Chastain, Sean PennRated PG-13, 139 minutes, DCPPanel discussion to follow!Terrence Malick took home the Palme d'Or at the 2011 Cannes Film Festival for this impressionistic story of a Midwestern family in the 1950's. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (Brad Pitt). Jack (played as an adult by Sean Penn) finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Through Malick's signature imagery, we see how both brute nature and spiritual grace shape not only our lives as individuals and families, but all life. GET TICKETS

This event is part of the Kroc Institute’s series on intersectionality and justice as a beneficial framework and methodology paired with peace studies. The series is led by Ashley Bohrer, assistant professor of gender and peace studies, and features a variety of guest presenters who address the potential of intersectional analysis to transform timely global conversations and issues. Since the new millennium, Rwanda has been celebrated as a prosperous country with the highest number of women (61% in 2018) in its Parliament. Yet, President Paul Kagame has been winning Rwandan elections since 2003, and in 2024 was elected to a fourth term with 99.15% vote. Led by the Rwandan Patriotic Front (RPF), the government has been criticized as an authoritarian state for its repression of political dissidents. Dr. Xianan Jin, lecturer in politics at the University of Exeter, will discuss her book project, "Selective Capital in Women’s Political Participation: Neoliberal Authoritarianism in Rwanda," which investigates the paradox between liberal political inclusion of women and oppressive state control. Originally published at kroc.nd.edu.