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November 2025
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Thursday, November 20, 2025
- 9:00 AM8hDiscussion: Voices on Dante's Paradiso 2025-26This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX. Find out more here. Originally published at italianstudies.nd.edu.
- 9:00 AM8hDiscussion: Voices on Dante's Paradiso 2025-26This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX. Find out more here. Originally published at italianstudies.nd.edu.
- 9:00 AM8hDiscussion: Voices on Dante's Paradiso 2025-26This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX. Find out more here. Originally published at italianstudies.nd.edu.
- 9:00 AM8hDiscussion: Voices on Dante's Paradiso 2025-26This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX. Find out more here. Originally published at italianstudies.nd.edu.
- 5:00 PM1hThematic Tour: Painting GenerationsJoin us for thematic tours inspired by our temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the Museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work. Walter Frederick Osborne (Irish, 1859–1903), Violet with a Rabbit, ca. 1900, Oil on canvas, 18 3/4 × 14 7/8 in. (48 × 38 cm) unframed, Úna Ó Callanáin CollectionOriginally published at raclinmurphymuseum.nd.edu.
- 5:00 PM1hThematic Tour: Painting GenerationsJoin us for thematic tours inspired by our temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the Museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work. Walter Frederick Osborne (Irish, 1859–1903), Violet with a Rabbit, ca. 1900, Oil on canvas, 18 3/4 × 14 7/8 in. (48 × 38 cm) unframed, Úna Ó Callanáin CollectionOriginally published at raclinmurphymuseum.nd.edu.
- 5:00 PM1hThematic Tour: Painting GenerationsJoin us for thematic tours inspired by our temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the Museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work. Walter Frederick Osborne (Irish, 1859–1903), Violet with a Rabbit, ca. 1900, Oil on canvas, 18 3/4 × 14 7/8 in. (48 × 38 cm) unframed, Úna Ó Callanáin CollectionOriginally published at raclinmurphymuseum.nd.edu.
- 5:00 PM1hThematic Tour: Painting GenerationsJoin us for thematic tours inspired by our temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the Museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work. Walter Frederick Osborne (Irish, 1859–1903), Violet with a Rabbit, ca. 1900, Oil on canvas, 18 3/4 × 14 7/8 in. (48 × 38 cm) unframed, Úna Ó Callanáin CollectionOriginally published at raclinmurphymuseum.nd.edu.
- 5:00 PM1h 30m"Algeria, French Empire, and Postwar Europe’s Integration": 2025 Laura Shannon Prize Lecture with Megan BrownMere months after Algeria won its independence from France in 1962, a French official argued that it was “juridically possible not to consider Algeria” a third-party state in relation to integrated European institutions. This talk examines how and why Algeria, both before and after its independence, could be understood as a part of Europe, or at the least, not not a part of Europe. The surprising history of integrated Europe’s long reach into Algeria, which begins with French demands at a negotiating table in Brussels and echoes in EU migration policies today, invites a rethinking of Europe’s postwar borders and a challenge to received wisdom about who may freely cross them. Join the Nanovic Institute for European Studies and hear from the winner of the 2025 Laura Shannon Prize in Contemporary European Studies, Megan Brown. Megan Brown is associate professor of history at Swarthmore College and author of the prize-winning book The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022). During this evening event, Professor Brown will deliver a public lecture and receive the Laura Shannon Prize. One of the preeminent prizes in European studies, and carrying an award of $10,000, the Laura Shannon Prize is awarded annually to the author of the best book in European studies that transcends a focus on any one country, state, or people to stimulate new ways of thinking about contemporary Europe as a whole. About the SpeakerMegan Brown is a historian of modern Europe with a focus on twentieth-century France, European integration, empire, and scandal. Her teaching and research interests include post-World War II politics, decolonization, and questions of citizenship. Her book, The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022), interrogates the role of empire in the formation of integrated post-1945 European institutions (European Coal and Steel Community; European Economic Community; and more). It examines how and why current notions of “Europe” and European identity emerged and what other possible forms of integration were debated and planned following World War II, particularly as France’s empire began to shrink. She is currently researching the Ballets Roses affair, a scandal that gripped late-1950s Paris. Those implicated in the scandal included a high-ranking politician, a suspected collaborator, and multiple police officers. As part of this project, Professor Brown is examining the wider landscape of postwar France, including shifting understandings of morals, unresolved conflicts from the war years, and political intrigue that marked the transition from the Fourth to the Fifth Republics. Professor Brown received her Ph.D. in history from the Graduate Center, CUNY. At Swarthmore, she teaches surveys of Europe in the nineteenth and twentieth centuries and a variety of courses on topics including postwar Western Europe, French-Algerian relations, nationalism, and internationalism. Professor Brown is a former Fulbright Scholar to France and her writing has been published in Modern & Contemporary France and French Politics, Culture & Society. Originally published at nanovic.nd.edu.
- 5:00 PM1h 30m"Algeria, French Empire, and Postwar Europe’s Integration": 2025 Laura Shannon Prize Lecture with Megan BrownMere months after Algeria won its independence from France in 1962, a French official argued that it was “juridically possible not to consider Algeria” a third-party state in relation to integrated European institutions. This talk examines how and why Algeria, both before and after its independence, could be understood as a part of Europe, or at the least, not not a part of Europe. The surprising history of integrated Europe’s long reach into Algeria, which begins with French demands at a negotiating table in Brussels and echoes in EU migration policies today, invites a rethinking of Europe’s postwar borders and a challenge to received wisdom about who may freely cross them. Join the Nanovic Institute for European Studies and hear from the winner of the 2025 Laura Shannon Prize in Contemporary European Studies, Megan Brown. Megan Brown is associate professor of history at Swarthmore College and author of the prize-winning book The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022). During this evening event, Professor Brown will deliver a public lecture and receive the Laura Shannon Prize. One of the preeminent prizes in European studies, and carrying an award of $10,000, the Laura Shannon Prize is awarded annually to the author of the best book in European studies that transcends a focus on any one country, state, or people to stimulate new ways of thinking about contemporary Europe as a whole. About the SpeakerMegan Brown is a historian of modern Europe with a focus on twentieth-century France, European integration, empire, and scandal. Her teaching and research interests include post-World War II politics, decolonization, and questions of citizenship. Her book, The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022), interrogates the role of empire in the formation of integrated post-1945 European institutions (European Coal and Steel Community; European Economic Community; and more). It examines how and why current notions of “Europe” and European identity emerged and what other possible forms of integration were debated and planned following World War II, particularly as France’s empire began to shrink. She is currently researching the Ballets Roses affair, a scandal that gripped late-1950s Paris. Those implicated in the scandal included a high-ranking politician, a suspected collaborator, and multiple police officers. As part of this project, Professor Brown is examining the wider landscape of postwar France, including shifting understandings of morals, unresolved conflicts from the war years, and political intrigue that marked the transition from the Fourth to the Fifth Republics. Professor Brown received her Ph.D. in history from the Graduate Center, CUNY. At Swarthmore, she teaches surveys of Europe in the nineteenth and twentieth centuries and a variety of courses on topics including postwar Western Europe, French-Algerian relations, nationalism, and internationalism. Professor Brown is a former Fulbright Scholar to France and her writing has been published in Modern & Contemporary France and French Politics, Culture & Society. Originally published at nanovic.nd.edu.
- 5:00 PM1h 30m"Algeria, French Empire, and Postwar Europe’s Integration": 2025 Laura Shannon Prize Lecture with Megan BrownMere months after Algeria won its independence from France in 1962, a French official argued that it was “juridically possible not to consider Algeria” a third-party state in relation to integrated European institutions. This talk examines how and why Algeria, both before and after its independence, could be understood as a part of Europe, or at the least, not not a part of Europe. The surprising history of integrated Europe’s long reach into Algeria, which begins with French demands at a negotiating table in Brussels and echoes in EU migration policies today, invites a rethinking of Europe’s postwar borders and a challenge to received wisdom about who may freely cross them. Join the Nanovic Institute for European Studies and hear from the winner of the 2025 Laura Shannon Prize in Contemporary European Studies, Megan Brown. Megan Brown is associate professor of history at Swarthmore College and author of the prize-winning book The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022). During this evening event, Professor Brown will deliver a public lecture and receive the Laura Shannon Prize. One of the preeminent prizes in European studies, and carrying an award of $10,000, the Laura Shannon Prize is awarded annually to the author of the best book in European studies that transcends a focus on any one country, state, or people to stimulate new ways of thinking about contemporary Europe as a whole. About the SpeakerMegan Brown is a historian of modern Europe with a focus on twentieth-century France, European integration, empire, and scandal. Her teaching and research interests include post-World War II politics, decolonization, and questions of citizenship. Her book, The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022), interrogates the role of empire in the formation of integrated post-1945 European institutions (European Coal and Steel Community; European Economic Community; and more). It examines how and why current notions of “Europe” and European identity emerged and what other possible forms of integration were debated and planned following World War II, particularly as France’s empire began to shrink. She is currently researching the Ballets Roses affair, a scandal that gripped late-1950s Paris. Those implicated in the scandal included a high-ranking politician, a suspected collaborator, and multiple police officers. As part of this project, Professor Brown is examining the wider landscape of postwar France, including shifting understandings of morals, unresolved conflicts from the war years, and political intrigue that marked the transition from the Fourth to the Fifth Republics. Professor Brown received her Ph.D. in history from the Graduate Center, CUNY. At Swarthmore, she teaches surveys of Europe in the nineteenth and twentieth centuries and a variety of courses on topics including postwar Western Europe, French-Algerian relations, nationalism, and internationalism. Professor Brown is a former Fulbright Scholar to France and her writing has been published in Modern & Contemporary France and French Politics, Culture & Society. Originally published at nanovic.nd.edu.
- 5:00 PM1h 30m"Algeria, French Empire, and Postwar Europe’s Integration": 2025 Laura Shannon Prize Lecture with Megan BrownMere months after Algeria won its independence from France in 1962, a French official argued that it was “juridically possible not to consider Algeria” a third-party state in relation to integrated European institutions. This talk examines how and why Algeria, both before and after its independence, could be understood as a part of Europe, or at the least, not not a part of Europe. The surprising history of integrated Europe’s long reach into Algeria, which begins with French demands at a negotiating table in Brussels and echoes in EU migration policies today, invites a rethinking of Europe’s postwar borders and a challenge to received wisdom about who may freely cross them. Join the Nanovic Institute for European Studies and hear from the winner of the 2025 Laura Shannon Prize in Contemporary European Studies, Megan Brown. Megan Brown is associate professor of history at Swarthmore College and author of the prize-winning book The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022). During this evening event, Professor Brown will deliver a public lecture and receive the Laura Shannon Prize. One of the preeminent prizes in European studies, and carrying an award of $10,000, the Laura Shannon Prize is awarded annually to the author of the best book in European studies that transcends a focus on any one country, state, or people to stimulate new ways of thinking about contemporary Europe as a whole. About the SpeakerMegan Brown is a historian of modern Europe with a focus on twentieth-century France, European integration, empire, and scandal. Her teaching and research interests include post-World War II politics, decolonization, and questions of citizenship. Her book, The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022), interrogates the role of empire in the formation of integrated post-1945 European institutions (European Coal and Steel Community; European Economic Community; and more). It examines how and why current notions of “Europe” and European identity emerged and what other possible forms of integration were debated and planned following World War II, particularly as France’s empire began to shrink. She is currently researching the Ballets Roses affair, a scandal that gripped late-1950s Paris. Those implicated in the scandal included a high-ranking politician, a suspected collaborator, and multiple police officers. As part of this project, Professor Brown is examining the wider landscape of postwar France, including shifting understandings of morals, unresolved conflicts from the war years, and political intrigue that marked the transition from the Fourth to the Fifth Republics. Professor Brown received her Ph.D. in history from the Graduate Center, CUNY. At Swarthmore, she teaches surveys of Europe in the nineteenth and twentieth centuries and a variety of courses on topics including postwar Western Europe, French-Algerian relations, nationalism, and internationalism. Professor Brown is a former Fulbright Scholar to France and her writing has been published in Modern & Contemporary France and French Politics, Culture & Society. Originally published at nanovic.nd.edu.
- 5:00 PM1h 30mConversation with Writer-in-Residence Michael MageePlease join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature. About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame. Originally published at irishstudies.nd.edu.
- 5:00 PM1h 30mConversation with Writer-in-Residence Michael MageePlease join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature. About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame. Originally published at irishstudies.nd.edu.
- 5:00 PM1h 30mConversation with Writer-in-Residence Michael MageePlease join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature. About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame. Originally published at irishstudies.nd.edu.
- 5:00 PM1h 30mConversation with Writer-in-Residence Michael MageePlease join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature. About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame. Originally published at irishstudies.nd.edu.
- 5:00 PM1h 30mConversation with Writer-in-Residence Michael MageePlease join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature. About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame. Originally published at irishstudies.nd.edu.
- 5:00 PM1h 30mConversation with Writer-in-Residence Michael MageePlease join the Keough-Naughton Institute for Irish Studies, the Department of English, and the Creative Writing Program for a public conversation with 2025–26 Writer-in-Residence Michael Magee. Magee will be joined in conversation by Prof. Clíona Ní Riordáin, the Thomas J. and Kathleen M. O’Donnell Chair in Irish Language and Literature. About Michael Magee Michael Magee is from Belfast. His debut novel, Close to Home, was published by Hamish Hamilton (UK) and FSG (US). It won the Rooney Prize for Irish Literature, the John McGahern Prize, and the Nero Award for Debut Fiction. It was also named Waterstones Irish Book of the Year and has been translated into eight languages, including French, German, and Spanish. Magee was also shortlisted for the Irish Book Awards Newcomer of the Year 2023, and The Sunday Times Young Writer of the Year. Close to Home was shortlisted for the Waterstones Debut Fiction Prize 2023, the Ewart-Biggs Memorial Prize, and the Authors’ Club Best First Novel Award. It was also longlisted for the Dylan Thomas Prize and the Diverse Book Awards. He is the inaugural Irish Writer-in-Residence at the University of Notre Dame. Originally published at irishstudies.nd.edu.
- 6:00 PM1hPizza, Pop and Politics: "Voting Rights, Election Law and Judicial Power"Notre Dame Law Professor Derek Muller — a nationally recognized scholar in the field of election law — will speak at Pizza, Pop and Politics on the topics of voting rights, election administration, and judicial power in the domain of elections.Pizza, Pop and Politics is hosted by the Klau Institute for Civil and Human Rights and ND Votes, a nonpartisan initiative that aims to foster conscientious engagement in political and civic life among students. The student-led initiative’s activities include promoting voter education, registration, and mobilization. Dinner will be provided. All are welcome. Originally published at klau.nd.edu.
- 6:00 PM1hPizza, Pop and Politics: "Voting Rights, Election Law and Judicial Power"Notre Dame Law Professor Derek Muller — a nationally recognized scholar in the field of election law — will speak at Pizza, Pop and Politics on the topics of voting rights, election administration, and judicial power in the domain of elections.Pizza, Pop and Politics is hosted by the Klau Institute for Civil and Human Rights and ND Votes, a nonpartisan initiative that aims to foster conscientious engagement in political and civic life among students. The student-led initiative’s activities include promoting voter education, registration, and mobilization. Dinner will be provided. All are welcome. Originally published at klau.nd.edu.
- 6:00 PM1hPizza, Pop and Politics: "Voting Rights, Election Law and Judicial Power"Notre Dame Law Professor Derek Muller — a nationally recognized scholar in the field of election law — will speak at Pizza, Pop and Politics on the topics of voting rights, election administration, and judicial power in the domain of elections.Pizza, Pop and Politics is hosted by the Klau Institute for Civil and Human Rights and ND Votes, a nonpartisan initiative that aims to foster conscientious engagement in political and civic life among students. The student-led initiative’s activities include promoting voter education, registration, and mobilization. Dinner will be provided. All are welcome. Originally published at klau.nd.edu.
- 6:00 PM1hPizza, Pop and Politics: "Voting Rights, Election Law and Judicial Power"Notre Dame Law Professor Derek Muller — a nationally recognized scholar in the field of election law — will speak at Pizza, Pop and Politics on the topics of voting rights, election administration, and judicial power in the domain of elections.Pizza, Pop and Politics is hosted by the Klau Institute for Civil and Human Rights and ND Votes, a nonpartisan initiative that aims to foster conscientious engagement in political and civic life among students. The student-led initiative’s activities include promoting voter education, registration, and mobilization. Dinner will be provided. All are welcome. Originally published at klau.nd.edu.
- 6:30 PM3h 25mNational Theatre Live: "Life of Pi" (2023)National Theatre LiveDirected by Max WebsterWith Hiran Abeysekera, Alex Chang, Deeivya MeirNot Rated, 146 minutes (One intermission), Captured Live BroadcastPuppetry, magic, and storytelling combine in a unique, Olivier Award-winning stage adaptation of the best-selling novel. After a cargo ship sinks in the middle of the vast Pacific Ocean, a 16-year-old boy named Pi is stranded on a lifeboat with four other survivors: a hyena, a zebra, an orangutan, and a Royal Bengal tiger. Time is against them, nature is harsh, who will survive? Filmed live in London's West End and featuring state-of-the-art visuals, the epic journey of endurance and hope is brought to life in a breathtaking new way. GET TICKETS
- 6:30 PM3h 25mNational Theatre Live: "Life of Pi" (2023)National Theatre LiveDirected by Max WebsterWith Hiran Abeysekera, Alex Chang, Deeivya MeirNot Rated, 146 minutes (One intermission), Captured Live BroadcastPuppetry, magic, and storytelling combine in a unique, Olivier Award-winning stage adaptation of the best-selling novel. After a cargo ship sinks in the middle of the vast Pacific Ocean, a 16-year-old boy named Pi is stranded on a lifeboat with four other survivors: a hyena, a zebra, an orangutan, and a Royal Bengal tiger. Time is against them, nature is harsh, who will survive? Filmed live in London's West End and featuring state-of-the-art visuals, the epic journey of endurance and hope is brought to life in a breathtaking new way. GET TICKETS
- 6:30 PM3h 25mNational Theatre Live: "Life of Pi" (2023)National Theatre LiveDirected by Max WebsterWith Hiran Abeysekera, Alex Chang, Deeivya MeirNot Rated, 146 minutes (One intermission), Captured Live BroadcastPuppetry, magic, and storytelling combine in a unique, Olivier Award-winning stage adaptation of the best-selling novel. After a cargo ship sinks in the middle of the vast Pacific Ocean, a 16-year-old boy named Pi is stranded on a lifeboat with four other survivors: a hyena, a zebra, an orangutan, and a Royal Bengal tiger. Time is against them, nature is harsh, who will survive? Filmed live in London's West End and featuring state-of-the-art visuals, the epic journey of endurance and hope is brought to life in a breathtaking new way. GET TICKETS
- 7:00 PM1hStudent Support Forum—STEER: Steer Your JourneyIn collaboration with the University Counseling Center (UCC) and the McDonald Center for Student Well-being (MDC), this support forum offers an open space for students experiencing concerns related to substance use and recovery, offering a practical, skills-based approach to maintenance and well-being. We will cover topics such as finding and maintaining your motivation ("why"), navigating urges and cravings, cultivating self-awareness, and integrating holistic well-being. Originally published at mcwell.nd.edu.
- 7:00 PM1hStudent Support Forum—STEER: Steer Your JourneyIn collaboration with the University Counseling Center (UCC) and the McDonald Center for Student Well-being (MDC), this support forum offers an open space for students experiencing concerns related to substance use and recovery, offering a practical, skills-based approach to maintenance and well-being. We will cover topics such as finding and maintaining your motivation ("why"), navigating urges and cravings, cultivating self-awareness, and integrating holistic well-being. Originally published at mcwell.nd.edu.
- 7:30 PM1h 30mPlay: "John Proctor Is the Villain"John Proctor Is the Villain Presented by the DeBartolo Performing Art Center's Presenting Series & Notre Dame Film, Television, and Theatre by Kimberly BelflowerDirected by Sarah Gitenstein Fresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards. Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power. Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. Performance Schedule November 19-21 & 23, 2025Wednesday - Friday at 7:30 PMSunday at 2:30 PM & 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets are on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.
- 7:30 PM1h 30mPlay: "John Proctor Is the Villain"John Proctor Is the Villain Presented by the DeBartolo Performing Art Center's Presenting Series & Notre Dame Film, Television, and Theatre by Kimberly BelflowerDirected by Sarah Gitenstein Fresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards. Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power. Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. Performance Schedule November 19-21 & 23, 2025Wednesday - Friday at 7:30 PMSunday at 2:30 PM & 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets are on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.
- 7:30 PM1h 30mPlay: "John Proctor Is the Villain"John Proctor Is the Villain Presented by the DeBartolo Performing Art Center's Presenting Series & Notre Dame Film, Television, and Theatre by Kimberly BelflowerDirected by Sarah Gitenstein Fresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards. Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power. Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. Performance Schedule November 19-21 & 23, 2025Wednesday - Friday at 7:30 PMSunday at 2:30 PM & 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets are on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.
- 7:30 PM1h 30mPlay: "John Proctor Is the Villain"John Proctor Is the Villain Presented by the DeBartolo Performing Art Center's Presenting Series & Notre Dame Film, Television, and Theatre by Kimberly BelflowerDirected by Sarah Gitenstein Fresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards. Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power. Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. Performance Schedule November 19-21 & 23, 2025Wednesday - Friday at 7:30 PMSunday at 2:30 PM & 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets are on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.
- 7:30 PM1h 30mPlay: "John Proctor Is the Villain"John Proctor Is the Villain Presented by the DeBartolo Performing Art Center's Presenting Series & Notre Dame Film, Television, and Theatre by Kimberly BelflowerDirected by Sarah Gitenstein Fresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards. Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power. Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. Performance Schedule November 19-21 & 23, 2025Wednesday - Friday at 7:30 PMSunday at 2:30 PM & 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets are on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.
- 7:30 PM2hPlay: "John Proctor Is the Villain"By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS
- 7:30 PM2hPlay: "John Proctor Is the Villain"By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS
- 7:30 PM2hPlay: "John Proctor Is the Villain"By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS
- 7:30 PM2hPlay: "John Proctor Is the Villain"By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS
- 7:30 PM2hPlay: "John Proctor Is the Villain"By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS
- 9:30 PM1h 20mFilm: "The Match Factory Girl" (1990)MFA Students Pick Some Films for Us to WatchDirected by Aki KaurismäkiWith Kati Outinen, Elina Salo, Esko NikkariNot Rated, 79 minutes, Blu-rayIn Finnish with English subtitlesWith a scheduled introduction by Kite Elsin!Kaurismäki took his penchant for despairing character studies to unspeakably grim depths in the shockingly entertaining The Match Factory Girl. Kati Outinen is memorably impenetrable as Iris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. Yet despite her transgressions, Kaurismäki makes Iris a compelling, even sympathetic figure. Bleak yet suffused with comic irony, The Match Factory Girl closes out the "Proletariat Trilogy" with a bang—and a whimper. GET TICKETS *Free for ND, SMC, HC, IUSB, and high school students.
- 9:30 PM1h 20mFilm: "The Match Factory Girl" (1990)MFA Students Pick Some Films for Us to WatchDirected by Aki KaurismäkiWith Kati Outinen, Elina Salo, Esko NikkariNot Rated, 79 minutes, Blu-rayIn Finnish with English subtitlesWith a scheduled introduction by Kite Elsin!Kaurismäki took his penchant for despairing character studies to unspeakably grim depths in the shockingly entertaining The Match Factory Girl. Kati Outinen is memorably impenetrable as Iris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. Yet despite her transgressions, Kaurismäki makes Iris a compelling, even sympathetic figure. Bleak yet suffused with comic irony, The Match Factory Girl closes out the "Proletariat Trilogy" with a bang—and a whimper. GET TICKETS *Free for ND, SMC, HC, IUSB, and high school students.
- 9:30 PM1h 20mFilm: "The Match Factory Girl" (1990)MFA Students Pick Some Films for Us to WatchDirected by Aki KaurismäkiWith Kati Outinen, Elina Salo, Esko NikkariNot Rated, 79 minutes, Blu-rayIn Finnish with English subtitlesWith a scheduled introduction by Kite Elsin!Kaurismäki took his penchant for despairing character studies to unspeakably grim depths in the shockingly entertaining The Match Factory Girl. Kati Outinen is memorably impenetrable as Iris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. Yet despite her transgressions, Kaurismäki makes Iris a compelling, even sympathetic figure. Bleak yet suffused with comic irony, The Match Factory Girl closes out the "Proletariat Trilogy" with a bang—and a whimper. GET TICKETS *Free for ND, SMC, HC, IUSB, and high school students.