We are thrilled to announce the upcoming exhibition, The Sound of Found Objects by the talented Neill Prewitt, at A|AH|D Gallery (room 214) in Riley Hall. You're invited to join us at the opening reception from 5 to 7 p.m. Thursday, Aug. 31, where you'll have the chance to experience a captivating performance at 5:30 p.m. Get ready to be inspired and moved by Prewitt's remarkable work, on display from August 31 until September 28, 2023. --- Artist Statement In The Sound of Found Objects, an installation by Neill Prewitt, a group of everyday objects come alive, moving and singing in video projections synchronized across the four walls of the gallery. Rhythm, both visual and musical, animates what were once an unremarkable lot of found objects, and frees them from the semantic dead-end of their ordinary use. Both immersive and non-narrative, the installation encourages playfulness to reanimate our relationship to ordinary things. During his visit to campus Prewitt will also lead the participatory performance Found Object Choir, in which he facilitates the audience improvising movement and sound with found objects.  Biography Neill Prewitt works in video, sound, performance, and installation. Neill has produced videos and installations that have been shown nationally at 621 Gallery in Tallahassee, FL; Lump in Raleigh, NC; and Freedman Gallery at Albright College in Reading, PA. He has performed and produced participatory art at numerous sites nationally including Satellite Art Show Miami; Amos Eno Gallery in Brooklyn, NY; OBX Art Truck in Elizabeth City, NC; and Silent Barn in Brooklyn. With the collective Yuxtapongo, Neill has produced art for public spaces including public access TV, as well as installations that have been shown at the Nasher Museum of Art at Duke University in Durham, NC. Neill is currently senior lecturer and foundations coordinator at Georgia State University in Atlanta, GA. neillprewitt.comOriginally published at artdept.nd.edu.

This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the  public, alumni and friends.

Decades before Alex Haley’s Roots swept to No. 1 on the New York Times Best Seller List in 1976, writing and editing produced by African Americans was central to twentieth-century American publishing. Literary production was interracial. View examples of mid-century books by African Americans whose designs — from dust jackets to illustrations to bindings and paper quality — conveyed their centrality in publishing and American literature. This exhibit is curated by Korey Garibaldi, asociate professor of American Studies, and Rachel Bohlmann, curator of North Americana at Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.

From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.

Learn how to prepare for emergencies and disasters during National Emergency Preparedness Month. Because if you are prepared for ZOMBIES, you are prepared for any emergency. FOOD, GIVEAWAYS & PRIZES. Open to students, faculty and staff.  Review the flyer for details.

Obie Anthony III was 19 years old when he was convicted of murder and attempted robbery in 1995. There was no physical evidence connecting Anthony to the murder. Instead, prosecutors relied on the testimony of a convicted killer who ran a house of prostitution near the scene of the crime, and who claimed to have seen the shooter. In 2008,the Northern California Innocence Project took on Anthony’s case. Three years later the court vacated Anthony’s conviction. After 17 years in prison, Anthony was released and filed a federal civil rights lawsuit against the City of Los Angeles, which agreed to settle the claim for $8.3 million. Join us to hear from Mr. Anthony and David McLane, one of the attorneys who represented him in his civil rights lawsuit. Lunch will be served. Undergraduates welcome and encouraged to attend.Presented by the Notre Dame Exoneration Project. Co-sponsored by the Klau Institute for Civil and Human Rights, the Notre Dame Exoneration Law Clinic, The Public Interest Law Forum, The Notre Dame ACLU, the National Lawyers Guild, and the American Constitution Society. Originally published at klau.nd.edu.

Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15 when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice — a role which led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.” This is the story of a boy who was thrust into international stardom for his iconic looks and lived a life of glamour. Fifty years later, Björn looks back. Get tickets.

Rana Awdish, MD, is a pulmonary and critical care physician serving as the director of the Pulmonary Hypertension Program at Henry Ford Hospital. She also serves as the medical director of care experience for Henry Ford’s Health System, where she has integrated compassionate communication strategies and narrative medicine practice into the curriculum. She is the author of In Shock, a critically acclaimed, bestselling memoir based on her own critical illness. Her talk will include time for audience questions, and there will be a reception immediately following. Reception to follow. This talk is co-sponsored by the Hillebrand Center for Compassionate Care in Medicine at Notre Dame and Trent Center for Bioethics, Humanities and History of Medicine at the Duke University School of Medicine. Virtues & Vocations is a national forum housed at the Center for Social Concerns at Notre Dame for scholars and practitioners across disciplines to consider how best to cultivate character in pre-professional and professional education.

Originally published at irishlanguage.nd.edu.