All events
All events
Upcoming Events (Next 7 Days)
Official Academic Calendar
Arts and Entertainment
Student Life
Sustainability
Faculty and Staff
Health and Recreation
Lectures and Conferences
Open to the Public
Religious and Spiritual
School of Architecture
College of Arts and Letters
Mendoza College of Business
College of Engineering
Graduate School
Hesburgh Libraries
Law School
College of Science
Keough School of Global Affairs
Centers and Institutes
Wednesday, May 7, 2025
- 12:00 AM23h 59mFinal Examinations (no review sessions permitted)Review the 2024-25 academic calendar.
- 12:00 AM23h 59mFinal Examinations (no review sessions permitted)Official Academic Calendar | campuswide
Review the 2024-25 academic calendar. - 8:00 AM9hBFA/BA Honors Thesis ExhibitionView the annual exhibition of the culminating thesis projects created by the students graduating with a BFA or BA Honors degree from the University of Notre Dame, Department of Art, Art History & Design. An opening reception will occur from 5 to 7 p.m. Wednesday, April 30. The show will run from April 30 through May 18, 2025. BFA CandidatesVictoria GillespieRosario MurilloSophia OchoaSamantha ScheidermanMarin Mowat BA Honors CandidatesPaulina RosilesTaylor Dellelce Originally published at artdept.nd.edu.
- 8:00 AM9hBFA/BA Honors Thesis ExhibitionView the annual exhibition of the culminating thesis projects created by the students graduating with a BFA or BA Honors degree from the University of Notre Dame, Department of Art, Art History & Design. An opening reception will occur from 5 to 7 p.m. Wednesday, April 30. The show will run from April 30 through May 18, 2025. BFA CandidatesVictoria GillespieRosario MurilloSophia OchoaSamantha ScheidermanMarin Mowat BA Honors CandidatesPaulina RosilesTaylor Dellelce Originally published at artdept.nd.edu.
- 8:00 AM9hBFA/BA Honors Thesis ExhibitionView the annual exhibition of the culminating thesis projects created by the students graduating with a BFA or BA Honors degree from the University of Notre Dame, Department of Art, Art History & Design. An opening reception will occur from 5 to 7 p.m. Wednesday, April 30. The show will run from April 30 through May 18, 2025. BFA CandidatesVictoria GillespieRosario MurilloSophia OchoaSamantha ScheidermanMarin Mowat BA Honors CandidatesPaulina RosilesTaylor Dellelce Originally published at artdept.nd.edu.
- 8:00 AM9hBFA/BA Honors Thesis ExhibitionView the annual exhibition of the culminating thesis projects created by the students graduating with a BFA or BA Honors degree from the University of Notre Dame, Department of Art, Art History & Design. An opening reception will occur from 5 to 7 p.m. Wednesday, April 30. The show will run from April 30 through May 18, 2025. BFA CandidatesVictoria GillespieRosario MurilloSophia OchoaSamantha ScheidermanMarin Mowat BA Honors CandidatesPaulina RosilesTaylor Dellelce Originally published at artdept.nd.edu.
- 8:00 AM9hBFA/BA Honors Thesis ExhibitionView the annual exhibition of the culminating thesis projects created by the students graduating with a BFA or BA Honors degree from the University of Notre Dame, Department of Art, Art History & Design. An opening reception will occur from 5 to 7 p.m. Wednesday, April 30. The show will run from April 30 through May 18, 2025. BFA CandidatesVictoria GillespieRosario MurilloSophia OchoaSamantha ScheidermanMarin Mowat BA Honors CandidatesPaulina RosilesTaylor Dellelce Originally published at artdept.nd.edu.
- 9:00 AM2hOVI Seminar Series 2025, II: "‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife"In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by Prof. Zygmunt Barański from the University of Notre Dame and Cambridge: ‘La Forma universal di questo nodo’ (Par. 33, 91): Le strutture dell’oltremondo dantesco (‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife) Gli studi danteschi da tempo sostengono che le strutture sia della Commedia che della sua rappresentazione dell'oltretomba cristiano siano caratterizzate dall'armonia e dall'ordine della loro organizzazione: un poema suddiviso in tre cantiche e cento canti, con ogni cantica dedicata a una parte dell'aldilà. Poema e oltretomba sono quindi modellati sulla creazione di Dio, sul "volume […] per l'universo" (Par. 33, 86–87). Tuttavia, negli ultimi anni, sono emersi dubbi su (i) quanto sia veramente corretto considerare la Commedia e il suo trattamento dell'oltreomba come equilibrati e armoniosi, e (ii) quali possano essere le implicazioni per la nostra comprensione del poema se, come anch'io credo, esso sia segnato da tensioni e presenti un oltretomba in cui i conflitti non sono affatto risolti. Zygmunt G. Barański è professore emerito di Italiano all’università di Cambridge e di Notre Dame. Ha pubblicato ampiamente su Dante, sulla letteratura italiana medievale, sulla ricezione di Dante nei secoli XIV e XX, e sulla letteratura, il cinema e la cultura italiana del XX secolo. Please register here Originally published at italianstudies.nd.edu.
- 9:00 AM2hOVI Seminar Series 2025, II: "‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife"In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by Prof. Zygmunt Barański from the University of Notre Dame and Cambridge: ‘La Forma universal di questo nodo’ (Par. 33, 91): Le strutture dell’oltremondo dantesco (‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife) Gli studi danteschi da tempo sostengono che le strutture sia della Commedia che della sua rappresentazione dell'oltretomba cristiano siano caratterizzate dall'armonia e dall'ordine della loro organizzazione: un poema suddiviso in tre cantiche e cento canti, con ogni cantica dedicata a una parte dell'aldilà. Poema e oltretomba sono quindi modellati sulla creazione di Dio, sul "volume […] per l'universo" (Par. 33, 86–87). Tuttavia, negli ultimi anni, sono emersi dubbi su (i) quanto sia veramente corretto considerare la Commedia e il suo trattamento dell'oltreomba come equilibrati e armoniosi, e (ii) quali possano essere le implicazioni per la nostra comprensione del poema se, come anch'io credo, esso sia segnato da tensioni e presenti un oltretomba in cui i conflitti non sono affatto risolti. Zygmunt G. Barański è professore emerito di Italiano all’università di Cambridge e di Notre Dame. Ha pubblicato ampiamente su Dante, sulla letteratura italiana medievale, sulla ricezione di Dante nei secoli XIV e XX, e sulla letteratura, il cinema e la cultura italiana del XX secolo. Please register here Originally published at italianstudies.nd.edu.
- 9:00 AM2hOVI Seminar Series 2025, II: "‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife"In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by Prof. Zygmunt Barański from the University of Notre Dame and Cambridge: ‘La Forma universal di questo nodo’ (Par. 33, 91): Le strutture dell’oltremondo dantesco (‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife) Gli studi danteschi da tempo sostengono che le strutture sia della Commedia che della sua rappresentazione dell'oltretomba cristiano siano caratterizzate dall'armonia e dall'ordine della loro organizzazione: un poema suddiviso in tre cantiche e cento canti, con ogni cantica dedicata a una parte dell'aldilà. Poema e oltretomba sono quindi modellati sulla creazione di Dio, sul "volume […] per l'universo" (Par. 33, 86–87). Tuttavia, negli ultimi anni, sono emersi dubbi su (i) quanto sia veramente corretto considerare la Commedia e il suo trattamento dell'oltreomba come equilibrati e armoniosi, e (ii) quali possano essere le implicazioni per la nostra comprensione del poema se, come anch'io credo, esso sia segnato da tensioni e presenti un oltretomba in cui i conflitti non sono affatto risolti. Zygmunt G. Barański è professore emerito di Italiano all’università di Cambridge e di Notre Dame. Ha pubblicato ampiamente su Dante, sulla letteratura italiana medievale, sulla ricezione di Dante nei secoli XIV e XX, e sulla letteratura, il cinema e la cultura italiana del XX secolo. Please register here Originally published at italianstudies.nd.edu.
- 9:00 AM2hOVI Seminar Series 2025, II: "‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife"In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by Prof. Zygmunt Barański from the University of Notre Dame and Cambridge: ‘La Forma universal di questo nodo’ (Par. 33, 91): Le strutture dell’oltremondo dantesco (‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife) Gli studi danteschi da tempo sostengono che le strutture sia della Commedia che della sua rappresentazione dell'oltretomba cristiano siano caratterizzate dall'armonia e dall'ordine della loro organizzazione: un poema suddiviso in tre cantiche e cento canti, con ogni cantica dedicata a una parte dell'aldilà. Poema e oltretomba sono quindi modellati sulla creazione di Dio, sul "volume […] per l'universo" (Par. 33, 86–87). Tuttavia, negli ultimi anni, sono emersi dubbi su (i) quanto sia veramente corretto considerare la Commedia e il suo trattamento dell'oltreomba come equilibrati e armoniosi, e (ii) quali possano essere le implicazioni per la nostra comprensione del poema se, come anch'io credo, esso sia segnato da tensioni e presenti un oltretomba in cui i conflitti non sono affatto risolti. Zygmunt G. Barański è professore emerito di Italiano all’università di Cambridge e di Notre Dame. Ha pubblicato ampiamente su Dante, sulla letteratura italiana medievale, sulla ricezione di Dante nei secoli XIV e XX, e sulla letteratura, il cinema e la cultura italiana del XX secolo. Please register here Originally published at italianstudies.nd.edu.
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 9:30 AM7h 30mExhibit—"Tragedies of War: Images of WWII in Print Visual Culture"This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm
- 3:30 PM1h 30mCampus Discussion — "Wellsprings: A Time for Connection and Care"The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at weareall.nd.edu/.
- 3:30 PM1h 30mCampus Discussion — "Wellsprings: A Time for Connection and Care"The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at weareall.nd.edu/.
- 3:30 PM1h 30mCampus Discussion — "Wellsprings: A Time for Connection and Care"The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at weareall.nd.edu/.
- 3:30 PM1h 30mCampus Discussion — "Wellsprings: A Time for Connection and Care"The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at weareall.nd.edu/.