Love, deception, ambition, and desire collide in Twelfth Night, Shakespeare’s great romantic comedy. A delightful blend of mistaken identity, disguises, and love triangles, Twelfth Night features some of Shakespeare’s most famed passages, with its effervescent comic energy carried swiftly by deeper currents of grief, forgiveness, and transformation. Fast, energetic, and above all gloriously entertaining, Twelfth Night is one of the great playwright’s most popular and enduring stories. Actors From The London Stage, the renowned five-actor touring group, brings Twelfth Night back to the touring circuit in fall 2024. With each actor portraying multiple roles, this dynamic, self-directed ensemble brings a fresh and vivacious energy to each new performance. Shipwrecked on the isle of Illyria, Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, with whom she falls in love. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Will Viola ultimately be able to be with the one she loves? CAST: Shona Babayemi: Olivia/Maria/OfficersSarah Finigan: Toby Belch/Antonio/CurioSam Jenkins-Shaw: Orsino/Feste/FabianThuliswa Magwaza: Viola/SebastianHayden Wood: Malvolio/Sir Andrew/ValentineTOUR SCHEDULEWeek 1 - 9/23/-9/29: Wellesley College, Wellesley, MA Week 2 - 9/30-10/6: TBD Week 3 - 10/7-10/13: University of Texas - San Antonio, San Antonio, TX Week 4 - 10/14-10/20: University of Florida - Gainesville, Gainsville, FL Week 5 - 10/21-10/27: University of Tennessee - Chattanooga, Chattanooga, TN Week 6 - 10/28-11/3: University of Notre Dame, Notre Dame, IN Week 7 - 11/4-11/10: University of North Alabama, Florence, AL Week 8 - 11/11-11/17: DePauw University, Greencastle, IN Week 9 - 11/18-11/24: TBD Originally published at shakespeare.nd.edu.

Join us for the Fridays at  Noon concert, which features short performances by  Department of Music students: Andrew Mangini  ’26, viola Brigid O’Driscoll ’26, soprano Kate Turner ’25, soprano Rachael Vu ’28, piano Watch a livestream of this recital. Originally published at music.nd.edu.

Panelists Jeffery Angles, Brooke McCorkle, Jessica McManus Warnell, and Yuki Miyamoto will discuss environmental messages in the Godzilla films and books. Professor Amanda Kennell will moderate.Godzilla is a perfect metaphor for what is happening now in the Anthropocene: humankind has wounded nature so seriously that nature has no choice but to fight back. Jeffrey Angles, Interview with Toho KingdomYuki Miyamoto, Professor of Religious Studies and Global Asian Studies, DePaul University Jeffrey Angles, Professor of Japanese, Western Michigan University Brooke McCorkle Okazaki, Assistant Professor of Music, Carleton College Jessica McManus Warnell, the Rex and Alice A. Martin Faculty Director of the Notre Dame Deloitte Center for Ethical Leadership, University of Notre Dame Moderated by Amanda Kennell, Assistant Professor of Japanese, East Asian Languages and Cultures, University of Notre Dame Godzilla Fest is a celebration of the 70th anniversary of the 1954 release of the film "Godzilla" by Toho Studios in Tokyo. The giant monster, who attacked Japan after being awakened by hydrogen bomb testing, went on to become a global icon. Godzilla has starred in 38 films and has appeared in comic books, games, novelizations, advertisements, toys, and more. The king of the monsters has also been interpreted widely as a symbol for the destructive nature of humankind—from nuclear war to climate change. Godzilla Fest is organized by the Liu Institute for Asia and Asian Studies at the University of Notre Dame, the St. Joseph County Public Library, and the Browning Cinema at Notre Dame's DeBartolo Performing Arts Center. More information is available at asia.nd.edu/godzilla. In support of the Liu Institute’s growing commitment to sustainability, we will no longer be offering drinks at our public lectures and panels. We encourage audience members to bring their own water bottles or to drink from nearby water fountains. Thank you for your understanding. Originally published at asia.nd.edu.

The Nanovic Institute is thrilled to join Actors From The London Stage, the DeBartolo Performing Arts Center, and Shakespeare at Notre Dame in hosting this special presentation in The Art and Scholarship of Academic Storytelling series. Before the performance of Twelfth Night on November 1,  Jenny Thorup Birkett, postdoctoral research associate in the Department of English, will lead a pre-show discussion with Scott Jackson, the Mary Irene Ryan Family Executive Artistic Director of Shakespeare at Notre Dame. All are welcome to join this vibrant discussion to "set the stage" for an amazing performance by Actors From The London Stage, but please ensure you have purchased your tickets. Buy Tickets Now Light refreshments will be offered in the lobby between the conclusion of the lecture and the start of the performance to allow conversations to continue. Then, after the curtain falls, the institute will host a special post-show Q&A with both the actors and the executive director. About the SeriesThe Art and Scholarship of Academic Storytelling series explores the connections between “The Arts” (music, theater, dance, poetry/creative writing, filmmaking, drawing, painting, photography, and sculpting) and “Scholarship” on the topic of storytelling. Story and narrative are critical in the transmission of human ideas and culture. Thus, the institute and its partners across campus seek to understand how these methods of transmitting ideas may be practiced within an academic context. To do so, it seeks out the expertise of practitioners of the arts who do this type of storytelling in their work. Students, faculty, staff, and the general public are all invited to join these events, which are sometimes scheduled in tandem with performances on campus or in the local community, to consider this fascinating topic that cuts across disciplinary lines and appeals to academic and general audiences alike. Originally published at nanovic.nd.edu.

Love, deception, ambition, and desire collide in Twelfth Night, Shakespeare’s great romantic comedy. A delightful blend of mistaken identity, disguises, and love triangles, Twelfth Night features some of Shakespeare’s most famed passages, with its effervescent comic energy carried swiftly by deeper currents of grief, forgiveness, and transformation. Fast, energetic, and above all gloriously entertaining, Twelfth Night is one of the great playwright’s most popular and enduring stories. Actors From The London Stage, the renowned five-actor touring group, brings Twelfth Night back to the touring circuit in fall 2024. With each actor portraying multiple roles, this dynamic, self-directed ensemble brings a fresh and vivacious energy to each new performance. Shipwrecked on the isle of Illyria, Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, with whom she falls in love. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Will Viola ultimately be able to be with the one she loves? CAST: Shona Babayemi: Olivia/Maria/OfficersSarah Finigan: Toby Belch/Antonio/CurioSam Jenkins-Shaw: Orsino/Feste/FabianThuliswa Magwaza: Viola/SebastianHayden Wood: Malvolio/Sir Andrew/ValentineTOUR SCHEDULEWeek 1 - 9/23/-9/29: Wellesley College, Wellesley, MA Week 2 - 9/30-10/6: TBD Week 3 - 10/7-10/13: University of Texas - San Antonio, San Antonio, TX Week 4 - 10/14-10/20: University of Florida - Gainesville, Gainsville, FL Week 5 - 10/21-10/27: University of Tennessee - Chattanooga, Chattanooga, TN Week 6 - 10/28-11/3: University of Notre Dame, Notre Dame, IN Week 7 - 11/4-11/10: University of North Alabama, Florence, AL Week 8 - 11/11-11/17: DePauw University, Greencastle, IN Week 9 - 11/18-11/24: TBD Originally published at shakespeare.nd.edu.

Notre Dame’s flagship vocal ensemble presents a typically wide mix of choral masterpieces from the Renaissance to the 20th century. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

The Center for Italian Studies is pleased to host a lecture by Professor John Welle (Notre Dame). “L’unica poetessa che abbia oggi l’Italia,” Gabriele D’Annunzio declared of Amalia Guglielminetti, who began her literary career at the age of eighteen in 1901 with the ode “Al giglio sabuado” celebrating the birth of Princess Jolanda of Savoy. In the following decade, emerging onto the rich cultural scene of her native Turin, the Italian center of both the worker’s movement and the drive for female emancipation, she would bring forth three of the most important books of poetry of the new century: Le vergini folli (1907), Le seduzioni (1909), and L’insonne (1913). Adopting classical forms such as the songbook, the sonnet, and the tercet, her modernizing self-fashioning showcases various masks of the modern “donna nuova,” from the femme fatale to the emancipated woman. While linked to such traditional figures as Gaspara Stampa and other female poets of the Renaissance, she was also praised for her “stupefacente originalità.” Moreover, her early career, in its rapid rise to literary success, parallels that of her intimate friend, confidant and fellow Turin poet, Guido Gozzano. Their epistolary exchanges, numbering some 126 letters, dated between 1906 and 1912, shed light on their mutual admiration, tense romantic engagement — more literary than amorous — and common “will to fame.” Within the context of women writers of the early 20th century, as well as within that of the modern Italian poetic canon, this research seminar proposes revisiting Amalia Guglielminetti’s literary accomplishments for serious critical reconsideration. While focusing on the dialogue in letters and in verse between these two poets from Turin during the high point of their literary celebrity, I will also trace the factors that have marginalized the female writer in relation to her male counterpart(s), denying her the fame that she so richly deserves. John P. Welle is professor of Italian and concurrent professor of film, television and theatre, emeritus at the University of Notre Dame.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

Acclaimed pianist Renana Gutman presents a program of Jewish composers who perished during the Holocaust, alongside works by their contemporaries — Berg, Ravel, and Debussy. This is event is free and not ticketed.  Originally published at music.nd.edu.

The Glee Club’s annual fall concert features classical and popular music for men’s choirs, ranging from motets of Victoria and songs of Schubert and Mendelssohn to arrangements of hits by The Beach Boys and The Beatles. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

As a part of the ongoing series on how art and scholarship combine in academic storytelling, the Nanovic Institute is pleased to host a lunch presentation with Sarah Edmands Martin, assistant professor of design and a Nanovic Institute faculty fellow. Martin produced recently released A Fable of Tomorrows (2024), an artwork consisting of video projection, interactive sculpture, and video game design at the center of which is a fable from the future. It is experienced through multiple media forms. Created while on a 2024 research Fulbright in Norway, the work materializes how human memory, digital computation, and temporality are revealed through fables, riddles, and archives. As a phantasmagoric video panorama immerses viewers in visions of different temporalities (from deep time to a lifetime), a mysterious artifact poses Old English-inspired riddles, which take more than one human generation to solve. Curated into a solo exhibition in Manchester’s MediaCity which reached over 30,000 people on opening weekend, the work travels to South Korea in 2025 for a solo exhibition at the Czong Institute for Contemporary Art. This work was supported by the U.S. Department of State, Notre Dame's Department of Art, Art History & Design, Nanovic Institute for European Studies, and the Institute for Scholarship in the Liberal Arts. Join the Nanovic Institute as well as Notre Dame students, faculty, staff, and the general public to learn more about this work, experience the interactive elements of this art, ask questions, and enjoy experiencing an innovative example of the art of academic storytelling. Lunch for participants will be provided beginning at 12:00 p.m., while supplies last. About the SeriesThe Art and Scholarship of Academic Storytelling series explores the connections between “The Arts” (music, theater, dance, poetry/creative writing, filmmaking, drawing, painting, photography, and sculpting) and “Scholarship” on the topic of storytelling. Story and narrative are critical in the transmission of human ideas and culture. Thus, the institute and its partners across campus seek to understand how these methods of transmitting ideas may be practiced within an academic context. To do so, it seeks out the expertise of practitioners of the arts who do this type of storytelling in their work. Students, faculty, staff, and the general public are all invited to join these events, which are sometimes scheduled in tandem with performances on campus or in the local community, to consider this fascinating topic that cuts across disciplinary lines and appeals to academic and general audiences alike. Originally published at nanovic.nd.edu.

For its November concert, the NDSO presents great orchestral variations by Beethoven (the Finale of the “Eroica” Symphony), Brahms (“Haydn” Variations), and Elgar (“Enigma” Variations). For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

The Symphonic Winds and Symphonic Band present their fall concert, featuring overtures, marches, and traditional concert band works. The grand finale features nearly 150 band musicians performing traditional Notre Dame school songs, including the famed “Notre Dame Victory March.” For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Join the Liturgical Choir of the Notre Dame Children's Choir the second and third Mondays of the month in-person or online for a prayerful Vespers service.  https://youtube.com/live/AL5eIKYB9lI?feature=shareNotre Dame Children's Liturgical ChoirOriginally published at sma.nd.edu.

After a botched money delivery, Lola has 20 minutes to come up with 100,000 Deutschmarks. Get Tickets This screening is co-hosted with Tobias Boes, chair of the Department of German and Russian Languages and Literatures and a Nanovic Institute faculty fellow.This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Soares, António, Artist. Humorous Map of Europe. Lisboa, Portugal: A Editora, 1914. Map. https://www.loc.gov/item/2021668737/.The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is Inaugural Director of the Georgetown Humanities Initiative and Professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Sacred Music Notre Dame, the Singing Irish of Sacred Music at Notre Dame, members from the Notre Dame Children's Liturgical Choir, and the Sacred Music Festival Orchestra perform Haydn's The Creation (1798). Drawing from the books of Genesis, Psalms, and John Milton's epic Paradise Lost to represent the six days of creation, Haydn was inspired to compose his first oratorio, now an iconic Western masterwork, after a Handel festival including Messiah. His colorful, imaginative, and tremendously satisfying choruses are favorites among choral singers and music lovers. GET TICKETS  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.