Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Sacred Music Notre Dame, the Singing Irish of Sacred Music at Notre Dame, members from the Notre Dame Children's Liturgical Choir, and the Sacred Music Festival Orchestra perform Haydn's The Creation (1798). Drawing from the books of Genesis, Psalms, and John Milton's epic Paradise Lost to represent the six days of creation, Haydn was inspired to compose his first oratorio, now an iconic Western masterwork, after a Handel festival including Messiah. His colorful, imaginative, and tremendously satisfying choruses are favorites among choral singers and music lovers. GET TICKETS  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.

The Center for Italian Studies is pleased to host a lecture by Professor Eva Del Soldato (University of Pennsylvania) titled: A Reckless and Scandalous Doctrine: Matthias Ferchius, a Franciscan in the Index  This paper delves into the intriguing journey of a forgotten booklet by the Franciscan Matthias Ferchius (1583-1669), drawing from recently unearthed material. It uncovers a fascinating blend of Biblical exegesis, poison expertise, medical reasoning, and rhetorical balancing acts, all in an audacious attempt by Ferchius to present no less than a revisionist account of the death of Jesus Christ. The paper will engage in the dialectic between Ferchius and the Holy Office censors, shedding light on the aspects of Ferchius’s text that raised particular concerns. It will also demonstrate how the pursuit of “new” outlooks in philosophy and theology always necessitated a firm reliance on tradition, a fact exemplified by other episodes of Ferchius’ intellectual career. Lastly, it will bring to the fore the paradoxical outcomes of this form of “conspiracy” philology.  Eva Del Soldato is associate professor of Italian Studies at the University of Pennsylvania, where she directs the FIGS Graduate Program and serves as interim director of the Center for Italian Studies. She was trained in philosophy and intellectual history at the Scuola Normale Superiore di Pisa. Her research is primarily devoted to Renaissance thought and culture, particularly the Aristotelian and Platonic traditions. Her current project is focused on lovesickness treatises in the Counterreformation period. She is the author of the monographs Simone Porzio (2010) and Early Modern Aristotle. On the Making and Unmaking of Authority (2020). She has also published several articles and editions, including the Italian translation of Bessarion's In calumniatorem Platonis. She has co-edited several volumes (the most recent is Plato in the Italian Universities, 2024). She received— among others — fellowships from the Scuola Normale Superiore, Villa I Tatti, the Herzog August Bibliothek in Wolfenbuettel, the Huntington Library in Pasadena, and she has been a Marie Curie Fellow at the University of Warwick, UK. She has been a visiting professor at the University of Milan, the University of Bergamo, and the 2022/2023 Charles Speroni Chair at UCLA. She has been the interim director (2019/2020) of the Global Medieval Studies Program at Penn, and she is currently the executive secretary of the American Association for Italian Studies (AAIS).   The lecture is co-sponsored by the Medieval Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

A tradition the world over, including at Notre Dame, Alexander Blachly leads the Notre Dame Chorale, Festival Baroque Orchestra, and student soloists in Handel’s beloved masterpiece. Friday, December 6, and Saturday, December 7. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

A tradition the world over, including at Notre Dame, Alexander Blachly leads the Notre Dame Chorale, Festival Baroque Orchestra, and student soloists in Handel’s beloved masterpiece. Friday, December 6, and Saturday, December 7. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

The University Band presents a concert with marches, contemporary concert band pieces, holiday music, and traditional Notre Dame favorites. The University Band is a concert band for current students and staff, faculty, and alumni of Notre Dame, Saint Mary’s, and Holy Cross. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

The Notre Dame Jazz Band program features two "traditional" jazz ensembles and a New Orleans Brass Band. The bands perform a wide variety of music, ranging from jazz classics and vocal selections, to new works and transcriptions. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Anne M. Hyland is senior lecturer in music analysis at the University of Manchester. She earned her Ph.D. from the University of Cambridge, focusing on the function of repetition in Schubert’s chamber music. Her 2023 book, Schubert’s String Quartets: The Teleology of Lyric Form (CUP), explores innovative ways that Schubert’s music integrates lyricism with sonata form. Her research also engages the music of Hummel, Onslow, and Chopin as part of a British Academy/Leverhulme-supported project and a Collaborative Strategic Partnership with the University of Toronto. Prof. Hyland was awarded the Anthony Pople Mid-Career Research Award of the Society for Music Analysis in September 2024 and a Teaching Excellence Award at the University of Manchester (2024) for her efforts to make music analysis more accessible to a diverse student body. For the complete abstract, download Hyland abstract [PDF, 90k]. This lecture is free and open to the public. Originally published at music.nd.edu.

The Notre Dame Collegium Musicum presents the second of three concerts featuring the complete motets of J.S. Bach. The program will include the motets Der Geist hilft unsere Schwachheit auf, BWV 226 and Fürchte dich nicht, BWV 228, along Motets by Lassus and Gabrieli from the church service repertory of Bach's time in Leipzig. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Notre Dame Children's Choir perform songs of the season in its annual Lessons and Carols, featuring the younger ensembles: Cherub, Cantabile and Descant Choirs.  Originally published at sma.nd.edu.

The Notre Dame Glee Club and Symphony Orchestra present a festive array of classical and popular music for the season. Concerts on Saturday, December 14, 8:30 PM and Sunday, December 15, 2:30 PM. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Faculty violinist Patrick Yim and guests perform recently discovered string quintets by French composer George Onslow. Publisher Ignace Pleyel called Onslow "our French Beethoven." Patrick Yim, violin Natalie Lin Douglas, violin Eric Wong, viola Jamie Clark, cello Matthew Baker, bass    Generous support for this event is provided by the Department of Music, the Institute for Scholarship in the Liberal Arts (College of Arts and Letters), and the Nanovic Institute for European Studies.   This event is free and not ticketed.  Originally published at music.nd.edu.

Each year, one selected artist for the DeBartolo Center's organ recital series is a Program in Sacred Music alumnus or alumna. This season, we welcome Emma Whitten. She is an accomplished organist specializing in early Baroque and contemporary repertoire. An alumna of the University's Program in Sacred Music, she performs the program, A Spotless Rose: Marian Works for Organ, music celebrating the Blessed Virgin Mary from the early Baroque to the present. Highlights include Dietrich Buxtehude's Magnificat for organ and a stunning fantasia on the Salve Regina by Dutch composer Margaretha Christina de Jong. GET TICKETS