Power, betrayal, and forgiveness: Shakespeare's classic The Tempest touches on timeless themes in one of his last (and most beloved) works. Blending romantic machinations, political scheming, and more than a bit of magic, Shakespeare brings to life vivid characters and powerful imagery in a tale whose themes continue to resonate with audiences everywhere. Prospero, the rightful Duke of Milan, is stranded on an island with his daughter, Miranda.Possessing magic powers, Prospero conjures a storm to expose his brother, Antonio, and King Alonso, who had him deposed. As Miranda falls in love with Alonso's son Ferdinand, Prospero's quest to reestablish his power leads him to a compelling dilemma: whether to destroy or forgive his enemies.Experience a satisfying evening of theater highlighting the text's brilliance while showcasing the actors' chameleon-like skill. Actors From The London Stage's minimalist and imaginative take on The Tempest requires just five actors who rotate roles and build entire worlds with simple props, capturing the humor, magic, and power struggles of one of the Bard's final plays. An AFTLS veteran or seeing your first play? Regardless, this performance promises to be accessible and exhilarating—proof that timeless stories still cast the most potent spells. GET TICKETS

The Center for Italian Studies is proud to announce that the 2nd Annual Dante Society of America Graduate Student Conference will be hosted by the University of Notre Dame. "Dante’s Other Worlds: Art, Language, and Imagination," is the second in a series of conferences organized by graduate students working in the field of Dante Studies in America. This opportunity allows younger dantisti in the Americas to present their work and research among other scholars. The conference will take place on Saturday, September 27, 2025 following a two-day symposium dedicated to the conference "Global Dante Translation and Reception," hosted by the University of Notre Dame. The symposium will be open to speakers and participants of the DSA conference. In those days, participants are encouraged to visit the exhibit “Commedia: Mapping Global Dante in Translation.” The collection includes every major translation from more than 24 languages, including rare ones such as Japanese (the first edition of the first translation), Korean, and Bangla, along with approximately 120 of the 137 existing English translations. Organizers:Beatrice Maria Rosso (University of Notre Dame)Stefano Scandella (New York University)Evan Underbrink (The Graduate Theological Union, Berkeley, CA) The full program schedule is available here. Originally published at italianstudies.nd.edu.

Designed to help children develop their visual and verbal literacy skills, Artful Storytime is a partnership with the St. Joseph County Public Library. Each Artful Storytime includes stories, songs, artwork explorations, art-making, and more! We’ll be celebrating all our furry, feathered, and scaly pets this month. This program is best for families with children ages 4 to 6. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop.   Originally published at raclinmurphymuseum.nd.edu.

One artistic form can inspire another, creating profound connections, often in eye-opening and fortuitous ways. In this writing workshop led by Brenda Cárdenas, Poet Laureate of Wisconsin, you will learn about various approaches poets take to the mode of ekphrasis—poems that converse or correspond with, interpret, or “riff off” of visual art. Then, with the Raclin Murphy Museum of Art’s permanent collection at your disposal and using prompts to guide you, you will write poems in response to works of visual art that inspire, intrigue, puzzle, or move you. We will work toward creating a third space where the poem and art together are something more or different than their parts—something, perhaps, unexpected! This workshop is free and open to writers of all experience levels. Registration is required, and the workshop is limited to 15 participants. Register here. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop. About the instructor:Brenda Cárdenas has published ekphrastic poems in her two books, Trace (Red Hen Press, 2023) and Boomerang (Bilingual Press, 2009), as well as in literary magazines and anthologies, most recently in Latino Poetry: The Library of America Anthology. Cárdenas is also co-editor of two anthologies, including Resist Much/Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil Press, 2017). She co-designed and co-taught the inaugural master workshop for PINTURA: PALABRA, a multi-year Letras Latinas initiative in partnership with the Smithsonian American Art Museum. She is Professor Emerita of English at the University of Wisconsin–Milwaukee, where she taught undergraduate and graduate classes and seminars on poetry and the visual arts. Cárdenas’s campus visit launches “Poets & Art: Ekphrasis at the Raclin Murphy Museum of Art,” a multi-year partnership between the Museum and Letras Latinas, the literary initiative of the University’s Institute for Latino Studies (ILS). This workshop will be preceded by a reading and talk on ekphrastic writing in the Museum on Wednesday, September 24th. Between the reading and workshop, Cárdenas will spend two days at the Museum observing, reflecting, and writing a new ekphrastic poem inspired by an artwork on display.   Originally published at raclinmurphymuseum.nd.edu.

Classics in the Browning Directed by Akira KurosawaWith Toshiro Mifune, Tatsuya Nakadai, Kyoko Kagawa Not Rated, 143 minutesIn Japanese with English subtitles Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low, the highly influential domestic drama and police procedural from director Akira Kurosawa recently revamped by Spike Lee in Highest 2 Lowest. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society. GET TICKETS *Co-presented by the Meg and John P. Brogan Endowment for Classic Cinema.

New at the Browning Directed by Spike LeeWith Denzel Washington, Jeffrey Wright, A$AP Rocky Rated R, 133 minutes When a titan music mogul (Denzel Washington), widely known as having the best ears in the business is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma. Frequent collaborators Denzel Washington and Spike Lee reunite for the fifth in their long working relationship for a reinterpretation of the great filmmaker Akira Kurosawa's crime thriller High and Low, now played out on the mean streets of modern day New York City. GET TICKETS

Professor Pfinklepfunder's $1 Sunday FilmsDirected by Dean Fleischer CampWith Jenny Slate, Isabella Rossellini, Rosa SalazarRated PG, 90 minutes, Blu-rayMarcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. But when a documentary filmmaker discovers them amongst the clutter of his Airbnb, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family. A beloved character gets his big-screen debut in this hilarious and heartwarming story about finding connection in the smallest corners. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Organist Jonathan Moyer, last on the 2016 Presenting Series, returns for an awe-inspiring performance that blends virtuosity with profound musical insight. His program, The Life and Works of Jan Pieterszoon Sweelinck (1562–1621), is composed entirely of compositions by the great Dutch master. The program will offer Sweelinck's vast and diverse keyboard compositions as a biographical window into the fascinating world of sixteenth-century Amsterdam.Moyer's recital is a sonic experience that fills the hall with everything from fanfare to full swell, all the Fritts Organ's voices sounding with grandeur and emotion. Our longtime organ enthusiasts demand these recitals, and growing numbers want to explore one of music's most commanding forms. This hour-long concert in the DeBartolo Performing Arts Center provides respite and inspiration in an afternoon interlude. GET TICKETS

Disappearance Studies Conference The Journal of Disappearance Studies, in collaboration with the Keough-Naughton Institute for Irish Studies and the Kroc Institute for International Peace Studies, invites you to attend its inaugural conference, scheduled to take place from September 29–30, 2025, at the University of Notre Dame. This landmark event marks the official launch of the Journal of Disappearance Studies, edited by scholars affiliated with the University of Bristol, Durham University, and the University of Tampere, which offers an interdisciplinary platform to examine the phenomenon of disappearance worldwide. The conference will convene scholars, practitioners, policymakers, artists, families of the disappeared, and advocacy organizations to explore the socio-political, cultural, and economic dimensions of disappearance. Conference Schedule MONDAY, SEPTEMBER 299:45 AM – 10:15 AM: Opening remarks – Room 1050, Jenkins Nanovic Halls10:30 AM – 12:00 PM: Panel 1, Memory, Art, and Embodied Testimony – Room 1050, Jenkins Nanovic HallsAlison Ribeiro de Menezes – From Disappearance to Disappearability: Natalia Beristáin’s Ruido (Noise, 2023)Cheryl Lawther – The Political Lives of Ireland’s Missing: Ownership, Agency and the Demands of the DeadTeri Murphy – From Indignity to Dignity: Search as HealingPortia Chigbu – For Those Washed Away: State Obligations in Addressing Involuntary Disappearances During Natural Disasters 12:00 PM – 1:15 PM: Break1:30 PM – 3:00 PM: Panel 2, Power, Politics, and Mobilization – Room 1050, Jenkins Nanovic HallsBahar Baser, Shivan Fazil and Élise Féron – Missing in the Shadows: Forced Disappearances of Yezidis and the Search for TruthCarlos Martin Beristain – Criterion of psychosocial work in the investigation of forced disappearances in Guatemala, Mexico, and ColombiaCarmen Hassoun Abou Jaoude – The National Commission for the Missing and Forcibly Disappeared in Lebanon: challenges and opportunitiesGerasimos Tsourapas – Colonial Legacies and Authoritarian Circulations in Libya’s Disappearance Regime 3:00 PM – 3:30 PM: Break3:30 PM – 4:30 PM: Evening Keynote, Luz Janet Forero Martinez, Director General of the Search Unit for Missing Persons in Colombia  – Hesburgh Center Auditorium 4:30 PM – 6:00 PM: Reception – Jenkins Nanovic Halls ForumTUESDAY, SEPTEMBER 30 9:00 AM – 10:30 AM: Panel 3, Legal and Forensic Responses to Disappearance – Room 1030, Jenkins Nanovic HallsLauren Dempster – Forensic Scientists in Transitional Justice: Challenges and Possibilities in the Search for the DisappearedGunes Dasli & Nisan Alici – Understanding Political Responses to Enforced Disappearances in Divided SocietiesMónica E. Nuño Nuño – Jalisco and enforced disappearances: a forensic crisis and mass graves 10:30 AM – 11:00 AM: Break 11:00 AM – 12:30 PM: Panel 4, Irish Perspectives on Disappearance – Room 1030, Jenkins Nanovic HallsSandra Peake – Orchestrated loss and the Disappeared of Northern Ireland’s ConflictDympna Kerr – My brother ColumbaOrla Lynch – Victims of political violence – a very public traumaPhil Scraton – Disappearance, Loss and Searching: the Cruel Legacy of Mother and Baby InstitutionsJennifer O Mahoney – Disappearing girls and women: Gendered state violence and the ethics of institutional memory in postcolonial Ireland 12:30 PM – 1:30 PM: Book Launch, The Disappeared: The Hidden Victims of Northern Ireland's Conflict by Sandra Peake and Orla Lynch - Room 1030, Jenkins Nanovic Halls 1:30 PM – 3:00 PM: Panel 5, Feminist & Gendered Approaches to Disappearance – Room 1050, Jenkins Nanovic HallsÉlise Féron – Feminist Approaches to Disappearances - Epistemologies of Activism and ResistanceAnush Petrosyan – War that Lingers: The Embodied Legacies of the Armenian - Azerbaijani ConflictTinotenda Chisambiro – The Stories of the Forgotten: Gendered Narratives of Disappearances in the Second ChimurengaSalina Kafle – Gendered Dimensions of Enforced Disappearances in Nepal: Addressing the Challenges of Women Survivors in Transitional Justice 3:00 PM – 3:30 PM: Break3:30 PM – 5:00 PM: Panel 6, Unresolved Absence and the Search for Meaning – Room 1050, Jenkins Nanovic HallsCath Collins – TBD, e.g., "Seeking 'Destino Final': The Limits of Resolution in Enforced Disappearances across Latin America"Julie Bernath – Syrian women’s everyday practices of ‘accounting for’ the disappearedRahaf Aldoughli – Loss, Loyalty, and the Emotional Aftermath of Disappearance: Syrian Fighters and the Mobilizing Power of AbsenceVilho Shigwedha – Missing people, amnesty, and reconciliation politics: The case of disappearance and unmarked war graves in northern Namibia5:30 PM – 6:30 PM: Evening Keynote, Simon Robins – Hesburgh Center Auditorium  Registration for the conference is free but required. Please contact Elizabet Campos Duarte at eduarted@nd.edu to register.   Originally published at irishstudies.nd.edu.

Disappearance Studies Conference The Journal of Disappearance Studies, in collaboration with the Keough-Naughton Institute for Irish Studies and the Kroc Institute for International Peace Studies, invites you to attend its inaugural conference, scheduled to take place from September 29–30, 2025, at the University of Notre Dame. This landmark event marks the official launch of the Journal of Disappearance Studies, edited by scholars affiliated with the University of Bristol, Durham University, and the University of Tampere, which offers an interdisciplinary platform to examine the phenomenon of disappearance worldwide. The conference will convene scholars, practitioners, policymakers, artists, families of the disappeared, and advocacy organizations to explore the socio-political, cultural, and economic dimensions of disappearance. Conference Schedule MONDAY, SEPTEMBER 299:45 AM – 10:15 AM: Opening remarks – Room 1050, Jenkins Nanovic Halls10:30 AM – 12:00 PM: Panel 1, Memory, Art, and Embodied Testimony – Room 1050, Jenkins Nanovic HallsAlison Ribeiro de Menezes – From Disappearance to Disappearability: Natalia Beristáin’s Ruido (Noise, 2023)Cheryl Lawther – The Political Lives of Ireland’s Missing: Ownership, Agency and the Demands of the DeadTeri Murphy – From Indignity to Dignity: Search as HealingPortia Chigbu – For Those Washed Away: State Obligations in Addressing Involuntary Disappearances During Natural Disasters 12:00 PM – 1:15 PM: Break1:30 PM – 3:00 PM: Panel 2, Power, Politics, and Mobilization – Room 1050, Jenkins Nanovic HallsBahar Baser, Shivan Fazil and Élise Féron – Missing in the Shadows: Forced Disappearances of Yezidis and the Search for TruthCarlos Martin Beristain – Criterion of psychosocial work in the investigation of forced disappearances in Guatemala, Mexico, and ColombiaCarmen Hassoun Abou Jaoude – The National Commission for the Missing and Forcibly Disappeared in Lebanon: challenges and opportunitiesGerasimos Tsourapas – Colonial Legacies and Authoritarian Circulations in Libya’s Disappearance Regime 3:00 PM – 3:30 PM: Break3:30 PM – 4:30 PM: Evening Keynote, Luz Janet Forero Martinez, Director General of the Search Unit for Missing Persons in Colombia  – Hesburgh Center Auditorium 4:30 PM – 6:00 PM: Reception – Jenkins Nanovic Halls ForumTUESDAY, SEPTEMBER 30 9:00 AM – 10:30 AM: Panel 3, Legal and Forensic Responses to Disappearance – Room 1030, Jenkins Nanovic HallsLauren Dempster – Forensic Scientists in Transitional Justice: Challenges and Possibilities in the Search for the DisappearedGunes Dasli & Nisan Alici – Understanding Political Responses to Enforced Disappearances in Divided SocietiesMónica E. Nuño Nuño – Jalisco and enforced disappearances: a forensic crisis and mass graves 10:30 AM – 11:00 AM: Break 11:00 AM – 12:30 PM: Panel 4, Irish Perspectives on Disappearance – Room 1030, Jenkins Nanovic HallsSandra Peake – Orchestrated loss and the Disappeared of Northern Ireland’s ConflictDympna Kerr – My brother ColumbaOrla Lynch – Victims of political violence – a very public traumaPhil Scraton – Disappearance, Loss and Searching: the Cruel Legacy of Mother and Baby InstitutionsJennifer O Mahoney – Disappearing girls and women: Gendered state violence and the ethics of institutional memory in postcolonial Ireland 12:30 PM – 1:30 PM: Book Launch, The Disappeared: The Hidden Victims of Northern Ireland's Conflict by Sandra Peake and Orla Lynch - Room 1030, Jenkins Nanovic Halls 1:30 PM – 3:00 PM: Panel 5, Feminist & Gendered Approaches to Disappearance – Room 1050, Jenkins Nanovic HallsÉlise Féron – Feminist Approaches to Disappearances - Epistemologies of Activism and ResistanceAnush Petrosyan – War that Lingers: The Embodied Legacies of the Armenian - Azerbaijani ConflictTinotenda Chisambiro – The Stories of the Forgotten: Gendered Narratives of Disappearances in the Second ChimurengaSalina Kafle – Gendered Dimensions of Enforced Disappearances in Nepal: Addressing the Challenges of Women Survivors in Transitional Justice 3:00 PM – 3:30 PM: Break3:30 PM – 5:00 PM: Panel 6, Unresolved Absence and the Search for Meaning – Room 1050, Jenkins Nanovic HallsCath Collins – TBD, e.g., "Seeking 'Destino Final': The Limits of Resolution in Enforced Disappearances across Latin America"Julie Bernath – Syrian women’s everyday practices of ‘accounting for’ the disappearedRahaf Aldoughli – Loss, Loyalty, and the Emotional Aftermath of Disappearance: Syrian Fighters and the Mobilizing Power of AbsenceVilho Shigwedha – Missing people, amnesty, and reconciliation politics: The case of disappearance and unmarked war graves in northern Namibia5:30 PM – 6:30 PM: Evening Keynote, Simon Robins – Hesburgh Center Auditorium  Registration for the conference is free but required. Please contact Elizabet Campos Duarte at eduarted@nd.edu to register.   Originally published at irishstudies.nd.edu.

Join the Raclin Murphy Museum of Art for thematic tours inspired by its temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work.Walter Frederick Osborne (Irish, 1859–1903), Mary Guinness and Her Daughter Margaret, 1898, Oil on canvas, 54 × 60 inches (137.2 × 152.4 cm) unframed,Heritage Gift, 2023, National Gallery of Ireland Collection, NGI.2023.16. Photo, National Gallery of IrelandOriginally published at raclinmurphymuseum.nd.edu.

Engage with the museum as a space for well-being and inspiration. Join yoga instructor Steve Krojniewski in the galleries to relax and recharge while surrounded by works from the collection. Mats are provided or you can bring your own. 
 Artful Yoga is free and open to all but is limited to 30 participants. Originally published at raclinmurphymuseum.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Isao TakahataWith Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara Not Rated, 89 minutesIn Japanese with English subtitles When an American air raid kills their mother in the final days of World War II, 14-year-old Seita and his 4-year-old sister Setsuko are left to fend for themselves in the devastated Japanese countryside. After falling out with their only living relative, Seita does his best to provide for himself and his sister by stealing food and making a home in an abandoned bomb shelter. But with food running short, the siblings can only cling to fleeting moments of happiness in their harsh reality. Based on the personal accounts of survivor Nosaka Akiyuki, Grave of the Fireflies is hailed as one of the most stunning contributions to animation and cinematic history. Deftly depicting the beauty of the human spirit as well as its devastating cruelty, Grave of the Fireflies is a singular work of art from Academy Award-nominated director and Studio Ghibli co-founder Isao Takahata. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

An immersive poetic and musical passage, Sonorous Present extends sonic meditations on loss, migration, and memory across America's borderlands, as physical place and liminal space.What began as an experimental and improvised performance in 2019—inspired by the music and poetics of Alex E. Chávez's award-winning book Sounds of Crossing—was subsequently reimagined as a studio album in collaboration with Grammy Award-winning producer Quetzal Flores, and featuring luminaries from the worlds of traditional Mexican son and jazz—including, Aloe Blacc (2015 Grammy Award nominee), Martha Gonzalez (2022 MacArthur Fellow), Ramón Gutiérrez (of Son de Madera), Roger Reeves (Guggenheim Fellow, National Book Award finalist, and Kingsley Tufts Poetry Award and Griffin Poetry Prize recipient), and Lucía Gutiérrez Rebolloso (winner of the 2022 Sarah Vaughn International Jazz Vocal Competition).This performance of the studio album integrates an epic spectrum of Regional Mexican and Latin American folk elements with jazz, poetry, dance, field recordings, and ethnographic songwriting that crosses the sunburst surreal of America's musical and cultural borderlands.Musicians/PerformersAlex E. Chávez: vocals, poetry, classical guitar, roland junoQuetzal Flores (musical director): electric guitar, requinto jarocho, jarana jarochaLaura Cambrón: vocals, jarana jarochaMartha Gonzalez: vocals, cajón, zapateado, chekereSandino Gonzalez Flores: vocals, piano, keyboardsAlberto Lopez: congas, cajón, bataRocío Marron: violin, violaJuan Pérez: upright bass, electric bassMartín Perna: baritone saxophone, tenor saxophone, flute, alto flute, chekereCarlos García: visuals GET TICKETS

MFA Students Pick Some Films for Us to WatchDirected by David CronenbergWith Jeremy Irons, John Lone, Barbara SukowaRated R, 100 minutes, Blu-rayWith a scheduled introduction by Rina Shamilov.First, a Tony-winning play of the same name and here adapted by David Cronenberg playing against type, M. Butterfly follows the relationship between René Gallimard (Jeremy Irons) and Song Liling (John Lone), who are a French diplomat and a Peking opera performer, respectively. After an intense courtship and affair, the two maintain a relationship for decades while Liling holds secrets while sharing some of Gallimard's. GET TICKETS

Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

The museum is excited to welcome back Brendan Fernandes for an encore presentation of his site-specific piece, Moving Through. Originally performed this past spring, this commissioned work will be reprised throughout the galleries. Fernandes’s piece dissolves the boundaries among visual art, dancers, and audience members. The performance will take place in the museum atrium and throughout the galleries; visitors can expect to see dancers in the galleries as they respond to a dynamic movement score composed collaboratively by students. Rather than stage a stationary performance, dancers will move through the museum, allowing visitors to watch the fluid performance and come and go as they wish. The work unfolds as a meditative act, inviting an extended, slow process of looking, sensing, and interpreting. Audience members may stumble upon a dancer by chance or follow their movement as they respond to an artwork—transforming observation into an immersive experience. By integrating movement, stillness, and sonic interplay, Fernandes reimagines the museum as a living, breathing space where art and dance converge, challenging how we see, experience, and interpret both art forms. The performance will invite audiences into an active, meditative process of seeing, experiencing, and engaging with art in new and transformative ways. Brendan Fernandes is the 2025 artist-in-residence in the Notre Dame Initiative on Race and Resilience. The site-specific commissioned piece Moving Through is made possible through collaboration among, and support from the Initiative on Race and Resilience, the DeBartolo Performing Arts Center, and the Raclin Murphy Museum of Art. Brendan Fernandes (b. 1979, Nairobi, Kenya) is an internationally recognized Canadian artist working at the intersection of dance and visual arts. Rooted in collaboration and fostering solidarity, Fernandes’s projects take hybrid forms to address issues of race, queer culture, migration, protest, and other forms of collective movement. He is a graduate of the Whitney Independent Study Program (2007) and a recipient of a Robert Rauschenberg Fellowship (2014). In 2010, he was shortlisted for the Sobey Art Award and received a prestigious 2017 Canada Council New Chapters grant. Fernandes is also the recipient of the Platform Award (2024), the Artadia Award (2019), a Smithsonian Artist Research Fellowship (2020), and a Louis Comfort Tiffany Foundation grant (2019). His projects have been shown at the 2019 Whitney Biennial (New York); the Solomon R. Guggenheim Museum (New York); the Museum of Modern Art (New York); the Getty Museum (Los Angeles); the National Gallery of Canada (Ottawa); MAC (Montreal), among a great many others. He is an Associate Professor in the Department of Art Theory and Practice at Northwestern University. Fernandes is represented by Monique Meloche Gallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projects include performances and solo presentations at the Pulitzer Arts Foundation (St. Louis), MCA Denver, The Fabric Workshop (Philadelphia), and Prospect 6 (New Orleans). Originally published at raclinmurphymuseum.nd.edu.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.