Suzanne Bona, flute, Josh Aerie, cello, and Greg Kostraba, piano, are known for their advocacy of new music and works by underrepresented composers, as well as illuminating performances of pieces from the standard repertoir. Adventurous and creative, the Sylvans revitalize works from Purcell to Piazzolla. This event is free and not ticketed. Originally published at music.nd.edu.

Death by Numbers — Directed by Kim A. Snyder and Janique L. RobillardI Am Ready, Warden — Directed by Smriti Mundhra and Maya GnypIncident — Directed by Bill Morrison and Jamie KalvenInstruments of a Beating Heart — Directed by Ema Ryan Yamazaki and Eric NyariThe Only Girl in the Orchestra — Directed by Molly O'Brien and Lisa Remington GET TICKETS  

The early vocal music vocal ensemble will present Gregorian chant from medieval manuscripts, early polyphony, and organ works. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Embark on a journey of passion and betrayal with Giacomo Puccini's timeless masterpiece, Tosca. Join us as the Symphony and South Bend Lyric Opera reunite for two unforgettable performances. GET TICKETSPart of the symphony's June H. Edwards Mosaic Series.  

Embark on a journey of passion and betrayal with Giacomo Puccini's timeless masterpiece, Tosca. Join us as the Symphony and South Bend Lyric Opera reunite for two unforgettable performances. GET TICKETSPart of the symphony's June H. Edwards Mosaic Series.  

Following a string of awe-inspiring Met performances, soprano Lise Davidsen stars as Leonore, who risks everything to save her husband from the clutches of tyranny. Tenor David Butt Philip is the political prisoner Florestan, sharing the stage with bass-baritone Tomasz Konieczny as the villainous Don Pizarro, veteran bass René Pape as the jailer Rocco, and soprano Ying Fang and tenor Magnus Dietrich, in his company debut, as the young Marzelline and Jaquino. Bass Stephen Milling sings the principled Don Fernando, and Susanna Mälkki conducts the Met's striking production, which finds modern-day parallels in Beethoven's stirring paean to freedom. GET TICKETS  

Baritone Ryan de Ryke, a frequent Notre Dame guest, returns with works by Mozart and Brahms and a set of brooding and defiant songs by Hanns Eisler and Jacques Brel. This recital is free and open to the public. Originally published at music.nd.edu.

The Notre Dame Glee Club is a 75-voice, all-male choral ensemble at the University of Notre Dame. The performance includes Spanish, Latin American, and North American folk and popular music; German Romantic part songs; and the choral suite Rainbow Round My Shoulder, based on the Alvin Ailey Dance Company ballet. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

The greatest actor in the world is interrupted when a delivery person arrives with a mysterious package—but the show must go on, and the wolf's gotta eat. Two actors take on all the roles in this furiously fast, funny, and surprising adaptation that asks what it means to bravely write your own story. Like an unexpected package, when you open up a fairytale, you never know what you're going to find! GET TICKETS  

The greatest actor in the world is interrupted when a delivery person arrives with a mysterious package—but the show must go on, and the wolf's gotta eat. Two actors take on all the roles in this furiously fast, funny, and surprising adaptation that asks what it means to bravely write your own story. Like an unexpected package, when you open up a fairytale, you never know what you're going to find! GET TICKETS  

Nathalie Joachim's Ki Moun ou Ye is a hypnotic, sonic journey into self-discovery. Joachim, born in Brooklyn to Haitian parents, seamlessly intertwines her familial musical heritage with contemporary and experimental sounds. She uses her potent voice and lyrics, intricate electronically sampled textures, beats, laughter, soothing melodies of an acoustic instrumental ensemble, and even her grandmother's voice. GET TICKETS  

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation  at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan, in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of Music.This concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters.

A professor of music theory at Florida State University and recent past president of the Society for Music Theory, Michael Buchler will discuss the 1959 musical Gypsy (Styne and Sondheim) though an examination of Momma Rose’s music and how it reflects her increasing obsessiveness and decreasing relationship with reality. Originally published at music.nd.edu.

Notre Dame’s flagship vocal ensemble presents a wide mix of choral masterpieces from the Renaissance to the 20th century.This concert will celebrate the 50th anniversary of the Chorale and the 32 years Alexander Blachly, who is retiring in June, has been the Chorale's director. The program will feature great works by Handel, Bach, Schubert, Schumann, Debussy, and Stravinsky. The first half of the program will feature Paivi Ekroth as piano accompanist. The second half will feature the Festival Baroque Orchestra in choral masterpieces by Handel and Bach. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.