In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

Each year, the University's Byzantine Studies Program offers a workshop with the year's Byzantine Studies Postdoctoral Fellow. This year's workshop is with our 2024–25 fellow, Tyler Wolford, and speakers Darlene Brooks Hedstrom (Brandeis), Marica Cassis (Calgary), and Myrto Veikou (Patras/Uppsala).How to AttendIn person (with lunch provided): please reserve your spot by March 25, 2025.Via Zoom if you cannot attend in person; register for ZoomSchedule 10:00–11:00 AMSpeaker 1: Tyler Wolford, Byzantine Postdoctoral Fellow, Medieval Institute, University of Notre Dame, "Byzantine Landscapes of Power and Resilience"Speaker 2: Marica Cassis, Associate Professor of History and Classics & Religion, University of Calgary, "Using Medieval Anatolian Microhistories to Understand Resilience and Change" About the Talk: As increasing attention is paid to the environmental history of the medieval world, archaeologists must contend with how to understand their sites within new methodologies and theoretical approaches, including resilience theory. In doing, so, we must resist the urge to oversimplify the results to create another overarching narrative, one which would simply replace the older one based on written texts. This is a problem that can result in locations like Anatolia, which has limited excavations for the medieval period. Rather, careful examination of individual sites as microhistories illustrates the diversity of responses to environmental change that characterized the medieval period in Anatolia. By situating individual sites in regional contexts, we open new questions about populations, material culture, and trade which, in turn, provide a much more complex and comprehensive view of the past. About the Speaker: Marica Cassis is an associate professor of history at the University of Calgary. She specializes in the history and archaeology of the Medieval Near East, and directs the medieval excavations at the site of Çadır Höyük in Türkiye.11:00–11:15 AM Coffee11:15 AM–12:15 PMSpeaker 3: Darlene L. Brooks Hedstrom, the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies, Brandeis University, "Aesthetics and Movement in Monastic Landscapes" About the Talk: Oscar Aldred (2021) challenges archaeologists to ask "how" people moved through landscapes by posing new questions to move us beyond the more traditional question of "why" people moved in antiquity. The archaeology of movement shifts us away from a fixation with the archaeology of a place to the archaeology of a space. Philosopher Yuriko Saito, author of Everyday Aesthetics (2007) and Aesthetics of the Familiar (2017) offers language for describing the archaeology of everyday spaces frequently devalued for their ordinariness. In this paper, I draw inspiration from Saito’s everyday aesthetics of defamiliarization and Aldred’s archaeology of movement to examine how archaeologists of monasticism may expand our writing techniques for landscape archaeology. By integrating philosophy and archaeological theory, I demonstrate the importance of studying past movements in landscape and the role of archaeologists in considering past design aesthetics as a departure from more utilitarian and functionalist readings of built environments. About the Speaker: Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Chair in Christian Studies with a joint appointment in the Department of Near Eastern and Judaic Studies and Classical and Early Mediterranean Studies. Brooks Hedstrom is an archaeologist and historian of ancient and early Byzantine Christianity of the eastern Mediterranean world (c. 300- 1000 CE) with a specialization in the archaeology and history of monasticism. She is Senior Archaeological Consultant for the Yale Monastic Archaeology Project-North, in Wadi Natrun, Egypt, and co- director of the Monastic Archaeology Field School in Scotland. Her work combines texts, material culture, and theory to examine the history of monastic makers of late antique objects and spaces.Speaker 4: Myrto Veikou, Assistant Professor of Byzantine Archaeology, University of Patras/Uppsala University, "Mountain People in Byzantium (9th–15th centuries): Spaces, Life-styles, Cultures, and Identities" About the Talk: The paper examines the formation of mountainous life-styles and cultures in Byzantium from the 9th century onwards, drawing from investigations in the Greek mainland. It contextualizes social/spatial/cultural practices and collective identities of the Byzantine montagnards with land-use patterns and spatial formations of the Greek highlands. About the Speaker: Myrto Veikou is Assistant Professor of Byzantine Archaeology in the Department of History and Archaeology, University of Patras. She is also a Researcher for the Department of Linguistics and Philology, Uppsala University, in the research programme "Retracing Connections—Byzantine Storyworlds in Greek, Arabic, Georgian, and Old Slavonic (c.950–c.1100)." Within the Association Internationale des Études Byzantines (AIEB), she is active as Vice-Representative for Sweden, as Vice-Chair of the AIEB Commission for the Historical Topography and Spatial Analysis of Byantium, and as founding member of the Commission for Byzantine Archaeology.12:15–1:00 PM Lunch1:00–2:00 PM Speaker Roundtable and Q&AAbout the Workshop Following substantial investment in the area of Byzantine Studies at the University of Notre Dame, including the acquisition of the Milton V. Anastos Library of Byzantine Civilization and generous support from the Stavros Niarchos Foundation, the Mellon Foundation, and the National Endowment for the Humanities, the Medieval Institute at the University of Notre Dame has established an annual nine-month Postdoctoral Fellowship in Byzantine Studies. This fellowship is designed for junior scholars with a completed doctorate whose research deals with some aspect of the Byzantine world. The intent of this Fellowship is to enable its holder to do innovative research drawing on the rich resources held in the Milton V. Anastos Collection, the Medieval Institute, and the Hesburgh Library more broadly. This may include the completion of book manuscripts and articles, work on text editions, or the development of new trajectories of research in one of the aforementioned fields. Towards the conclusion of the fellowship period the fellow’s work will be at the center of a workshop organized within the framework of the Byzantine Studies Seminar. Senior scholars, chosen in cooperation with the Medieval Institute, will be invited for this event treating the fellow’s subject matter. The senior scholars will discuss draft versions of the fellow’s book manuscript or articles or discuss the further development of ongoing research projects. Originally published at medieval.nd.edu.

The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year's Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital — head nurse Prabha (Kani Kusruti), recent hire Anu (Divya Prabha), plus their coworker, cook Parvaty (Chhaya Kadam) — Kapadia's film alights on moments of connection and heartache, hope and disappointment.Prabha, whose husband from an arranged marriage lives in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness. GET TICKETS

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

New at the BrowningDirected by Guy Maddin, Evan Johnson, Galen JohnsonWith Cate Blanchett, Alicia Vikander, Charles DanceRated R, 104 minutes, DCPIn English and French, Swedish, and German with English subtitlesRicocheting between comedy, apocalyptic horror, and swooning soap opera, Rumours follows the seven leaders of the world's wealthiest democracies at the annual G7 summit, where they attempt to draft a provisional statement regarding a global crisis. With unexpected performances from a brilliant ensemble cast that includes Cate Blanchett, Alicia Vikander, and Charles Dance, these so-called leaders become spectacles of incompetence, contending with increasingly surreal obstacles in the misty woods as night falls and they realize they are suddenly alone. A genre-hopping satire of political ineptitude, the latest film from incomparable directors Guy Maddin, Evan Johnson and Galen Johnson is a journey into the absurd heart of power and institutional failure in a slowly burning world. GET TICKETS