The second Nanovic Institute Undergraduate Research Conference in European Studies is an opportunity for students to present their research to their peers, faculty, and other members of the community. It is an excellent chance to hone presentation skills for future academic and career pursuits. We will also be hearing presentations from two sustainability-focused Nanovic Institute student research projects, "Lessons Learned from Agrivoltaics Implementation in Europe" and "Presenting the Climate Apocalypse." All are invited to support these incredible students and learn from their scholarship together. Schedule 9:00 a.m.: WelcomeClemens Sedmak, director of the Nanovic Institute for European Studies and professor of social ethics   9:05 - 10:15 a.m.: Panel 1:“Lessons Learned from Agrivoltaics Implementation in Europe”Chair: Sr. Damien Marie, Visiting Scholar with the Kellogg Institute for International StudiesGermany: Natalie Morris & Alfonso Alcarez MorenoItaly: Hannah Dahl & Katherine DavilaNetherlands: Bennett Schmitt & Madison ClancyFrance: Cate PorterPolicy Recommendations: Bennett Schmitt  10:15 - 10:45 a.m.: Break   10:45 a.m. - 12:00 p.m.: Panel 2“Conflict, Peace, and Reconciliation in Europe”Chair: Harrison Greenleaf, Ph.D. Candidate in Political ScienceJun Wei Lee: “Making Sense of Liberal Intolerance? A Historical Approach to John Locke’s Letter on Toleration”Bryan Fok: “Love or Desperation? Italian Women and Black Soldiers in Postwar Italy”Raleigh Kuipers: “Feminist Foreign Policies’ Level of Engagement with Peace and Security: A Scale and Typology”Clodagh McEvoy-Johnston: “Simple Terms: Understanding Disparate Narratives Surrounding Amnesty in Post-Conflict Northern Ireland”  12:00 - 1:00 p.m.: Lunch // EURO Fellows Presentation Lunch will be served for conference presenters and chairs ONLY starting at 11:45 am in JNH 1050. Morgan Munsen will present on the EURO Fellows Program from 12:00 - 12:15 p.m.   1:00 - 2:30 pm..: Panel 3“The Pursuit of Justice at the Peripheries of Europe”Chair: Ryan Juskus, Assistant Professor of the Practice at the Institute for Social ConcernsLeticia Cardoso Queiroz: “The Labor Market Paradox: Why Portugal’s Progressive Policies Fail Migrants in Practice”Demetrios Fotoupolos: “Assisting Refugee and Asylum-Seeking Individuals in Athens”Jane Palmer: “Canvas of Concern: Confronting Ireland's Housing Crisis”Alaina Reed: “The Laboring Woman: An Analysis of the NHS and Midwifery Practice in England”Katherine Conway: “The Lights Will Stay On: An Analysis of Coal Phase-Out in the United Kingdom, 1984 - 2024”  2:30 - 3:00 p.m.: Break   3:00-4:15 p.m.: Panel 4:“Presenting the Climate Apocalypse”Chair: Justin Barfield, Associate Professor of the Practice, Studio ArtDani Fielding: “‘Ice’: A Staged Failure of Integration, and “Weird” Representations of the Apocalypse”Anna Massman: “Submerged Realities: Concreting the Threats of the Climate Apocalypse”Monay Licata: “From Awareness to Action: The Role of Interactive Exhibits in Climate Responsibility”Catherine Paris: “Van Gogh-ing, Going, Gone: Crude Oils – A Vandalist’s Portrait of Environmental Collapse”Jane Palmer: “Eco-paralysis to Agency: Rewriting the Climate Apocalypse”  4:15 - 4:30 p.m.: Closing RemarksRoy Kimmey, Program Manager of Student Research and Academic Affairs   Originally published at nanovic.nd.edu.

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

Each year, the University's Byzantine Studies Program offers a workshop with the year's Byzantine Studies Postdoctoral Fellow. This year's workshop is with our 2024–25 fellow, Tyler Wolford, and speakers Darlene Brooks Hedstrom (Brandeis), Marica Cassis (Calgary), and Myrto Veikou (Patras/Uppsala).How to AttendIn person (with lunch provided): please reserve your spot by March 25, 2025.Via Zoom if you cannot attend in person; register for ZoomSchedule 10:00–11:00 AMSpeaker 1: Tyler Wolford, Byzantine Postdoctoral Fellow, Medieval Institute, University of Notre Dame, "Byzantine Landscapes of Power and Resilience"Speaker 2: Marica Cassis, Associate Professor of History and Classics & Religion, University of Calgary, "Using Medieval Anatolian Microhistories to Understand Resilience and Change" About the Talk: As increasing attention is paid to the environmental history of the medieval world, archaeologists must contend with how to understand their sites within new methodologies and theoretical approaches, including resilience theory. In doing, so, we must resist the urge to oversimplify the results to create another overarching narrative, one which would simply replace the older one based on written texts. This is a problem that can result in locations like Anatolia, which has limited excavations for the medieval period. Rather, careful examination of individual sites as microhistories illustrates the diversity of responses to environmental change that characterized the medieval period in Anatolia. By situating individual sites in regional contexts, we open new questions about populations, material culture, and trade which, in turn, provide a much more complex and comprehensive view of the past. About the Speaker: Marica Cassis is an associate professor of history at the University of Calgary. She specializes in the history and archaeology of the Medieval Near East, and directs the medieval excavations at the site of Çadır Höyük in Türkiye.11:00–11:15 AM Coffee11:15 AM–12:15 PMSpeaker 3: Darlene L. Brooks Hedstrom, the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies, Brandeis University, "Aesthetics and Movement in Monastic Landscapes" About the Talk: Oscar Aldred (2021) challenges archaeologists to ask "how" people moved through landscapes by posing new questions to move us beyond the more traditional question of "why" people moved in antiquity. The archaeology of movement shifts us away from a fixation with the archaeology of a place to the archaeology of a space. Philosopher Yuriko Saito, author of Everyday Aesthetics (2007) and Aesthetics of the Familiar (2017) offers language for describing the archaeology of everyday spaces frequently devalued for their ordinariness. In this paper, I draw inspiration from Saito’s everyday aesthetics of defamiliarization and Aldred’s archaeology of movement to examine how archaeologists of monasticism may expand our writing techniques for landscape archaeology. By integrating philosophy and archaeological theory, I demonstrate the importance of studying past movements in landscape and the role of archaeologists in considering past design aesthetics as a departure from more utilitarian and functionalist readings of built environments. About the Speaker: Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Chair in Christian Studies with a joint appointment in the Department of Near Eastern and Judaic Studies and Classical and Early Mediterranean Studies. Brooks Hedstrom is an archaeologist and historian of ancient and early Byzantine Christianity of the eastern Mediterranean world (c. 300- 1000 CE) with a specialization in the archaeology and history of monasticism. She is Senior Archaeological Consultant for the Yale Monastic Archaeology Project-North, in Wadi Natrun, Egypt, and co- director of the Monastic Archaeology Field School in Scotland. Her work combines texts, material culture, and theory to examine the history of monastic makers of late antique objects and spaces.Speaker 4: Myrto Veikou, Assistant Professor of Byzantine Archaeology, University of Patras/Uppsala University, "Mountain People in Byzantium (9th–15th centuries): Spaces, Life-styles, Cultures, and Identities" About the Talk: The paper examines the formation of mountainous life-styles and cultures in Byzantium from the 9th century onwards, drawing from investigations in the Greek mainland. It contextualizes social/spatial/cultural practices and collective identities of the Byzantine montagnards with land-use patterns and spatial formations of the Greek highlands. About the Speaker: Myrto Veikou is Assistant Professor of Byzantine Archaeology in the Department of History and Archaeology, University of Patras. She is also a Researcher for the Department of Linguistics and Philology, Uppsala University, in the research programme "Retracing Connections—Byzantine Storyworlds in Greek, Arabic, Georgian, and Old Slavonic (c.950–c.1100)." Within the Association Internationale des Études Byzantines (AIEB), she is active as Vice-Representative for Sweden, as Vice-Chair of the AIEB Commission for the Historical Topography and Spatial Analysis of Byantium, and as founding member of the Commission for Byzantine Archaeology.12:15–1:00 PM Lunch1:00–2:00 PM Speaker Roundtable and Q&AAbout the Workshop Following substantial investment in the area of Byzantine Studies at the University of Notre Dame, including the acquisition of the Milton V. Anastos Library of Byzantine Civilization and generous support from the Stavros Niarchos Foundation, the Mellon Foundation, and the National Endowment for the Humanities, the Medieval Institute at the University of Notre Dame has established an annual nine-month Postdoctoral Fellowship in Byzantine Studies. This fellowship is designed for junior scholars with a completed doctorate whose research deals with some aspect of the Byzantine world. The intent of this Fellowship is to enable its holder to do innovative research drawing on the rich resources held in the Milton V. Anastos Collection, the Medieval Institute, and the Hesburgh Library more broadly. This may include the completion of book manuscripts and articles, work on text editions, or the development of new trajectories of research in one of the aforementioned fields. Towards the conclusion of the fellowship period the fellow’s work will be at the center of a workshop organized within the framework of the Byzantine Studies Seminar. Senior scholars, chosen in cooperation with the Medieval Institute, will be invited for this event treating the fellow’s subject matter. The senior scholars will discuss draft versions of the fellow’s book manuscript or articles or discuss the further development of ongoing research projects. Originally published at medieval.nd.edu.

The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year's Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital — head nurse Prabha (Kani Kusruti), recent hire Anu (Divya Prabha), plus their coworker, cook Parvaty (Chhaya Kadam) — Kapadia's film alights on moments of connection and heartache, hope and disappointment.Prabha, whose husband from an arranged marriage lives in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness. GET TICKETS

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS