In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by Prof. Theodore Cachey from the University of Notre Dame: Automappature dantesche: da ‘Voi che ‘ntendendo’ a Paradiso 8” (Dantean Mappings: From ‘Voi che ‘ntendendo’ to Paradiso 8)   Unico tra i poeti del suo tempo, Dante sviluppò la sua identità poetica all'interno di una cornice cosmica. C'è una profonda analogia e corrispondenza tra l'esperienza bio-spaziale della sua vita e il cosmo che il poeta costruisce nella sua letteratura sia in termini celesti che terrestri. Detto in termini più semplici, dovrebbe essere possibile seguire l’emergere e lo sviluppo del tema cosmologico, del cosmo di Dante, lungo l’intero percorso della sua vita e delle sue opere, come una sorta di barometro del continuo bisogno di Dante di stabilire e mantenere il suo “luogo” nel mondo. Questo è ciò che si intende per “auto-mappatura” nel titolo. Theodore J. Cachey Jr. è professore ordinario di letteratura italiana all’università di Notre Dame e direttore del Centro di Italian Studies e del William and Katherine Devers Program in Dante Studies a Notre Dame. La sua ricerca verte su Dante, Petrarca, Boccaccio, la storia della lingua italiana, la letteratura di viaggio e i rapporti tra cartografia e letteratura. Ha pubblicato e curato numerosi libri, tra cui Le isole fortunate (1995), Petrarch’s Guide to the Holy Land (2002), Petrarch and Dante (2009) e Dante’s Other Works (2022). I suoi saggi sono apparsi in riviste come Italianistica, Critica del Testo, e Annali d’italianistica. Please register here Originally published at italianstudies.nd.edu.

Earn a free T-shirt and tie-dye it after testing your knowledge about the effects of marijuana. *Limited to 150 shirts (Originally scheduled for Wednesday, April 2.) Originally published at mcwell.nd.edu.

The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at diversity.nd.edu.

A hardworking Maltese fisherman, Jesmark is faced with an agonizing choice. He can repair his leaky luzzu — a traditional, multicolored wooden fishing boat — in the hopes of eking out a meager living at sea for his wife and newborn son, just as his father and grandfather did before him. Or he can decommission it in exchange for an EU payout and cast his lot with a sinister black-market operation that is decimating the Mediterranean fish population and the livelihoods of the local families who depend on it. Luzzu won a Sundance Jury Prize for its nonprofessional lead actor Jesmark Scicluna, a real-life Maltese fisherman, and heralds the arrival of writer-director-editor Alex Camilleri. His gripping film operates in the neorealist tradition of Luchino Visconti, Roberto Rosselini, and the Dardenne brothers and calls to mind the socially engaged cinema of Ken Loach and the film’s producer Ramin Bahrani (Man Push Cart).   Get TicketsThis is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

Eurydice  Presented by Notre Dame Film, Television, and Theatre by Sarah RuhlDirected by Sarah Gitenstein In a humorous and poetic reimagining of the classic myth, Eurydice must travel to the Underworld after dying on her wedding day. Once there, she must choose between returning to Earth with her love, Orpheus, or staying in the Underworld with her father. Performance Schedule  April 9-13, 2025Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Eurydice are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Eurydice” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com EURYDICE was originally produced by Madison Repertory Theatre, Madison, Wisconsin, August 29, 2003. Richard Corley, Artistic Director, Tony Forman, Managing Director. And subsequently produced by Berkeley Repertory Theatre in 2004. Tony Taccone, Artistic Director, Susan Medak, Managing Director. And Yale Repertory Theatre, James Bundy, Artistic Director, Victoria Nolan, Managing Director. Produced by Second Stage Theatre, New York, 2007 Carole Rothman: Artistic Director. EURYDICE is produced by special arrangement with Bruce Ostler, BRET ADAMS, LTD., 448 West 44th Street, NY 10036.   Originally published at ftt.nd.edu.