The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year's Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital — head nurse Prabha (Kani Kusruti), recent hire Anu (Divya Prabha), plus their coworker, cook Parvaty (Chhaya Kadam) — Kapadia's film alights on moments of connection and heartache, hope and disappointment.Prabha, whose husband from an arranged marriage lives in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness. GET TICKETS

The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year's Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital — head nurse Prabha (Kani Kusruti), recent hire Anu (Divya Prabha), plus their coworker, cook Parvaty (Chhaya Kadam) — Kapadia's film alights on moments of connection and heartache, hope and disappointment.Prabha, whose husband from an arranged marriage lives in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness. GET TICKETS

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation  at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan, in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of Music.This concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters.

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of MusicThis concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame.

Professor Pfinklepfunder's $1 Sunday Family FilmsDirected by Stephanie JohnesWith Maya Gabeira, Pedro Scooby, Carlos BurleNot Rated, 95 minutes, DCPIn English and Portuguese with English subtitlesNazaré in Portugal was some of the most towering waves in the world, but it isn't the only challenge facing world champion Brazilian surfer Maya Gabeira. After a near-fatal encounter while surfing, Maya faces not only the challenge of overcoming monster surf but also the pervasive chauvinism in the competitive surfing world. This documentary follows Gabeira who after a near-drowning and three surgeries in five years still is mocked by her male counterparts. Still, she gets back on her board and conquers the waves in Nazaré. When she doesn't receive recognition for her efforts, people lobby Guinness World Records to give her her due. A new addition to the growing world of extreme sport documentaries (e.g., Free Solo), Maya and the Wave combines the thrill and beauty of big-wave surfing with the hard work that comes with tackling both a literally backbreaking sport and structural misogyny. GET TICKETS

New at the BrowningDirected by Jack C. NewellWith Jim Cavnar, Madame Claude, Adam DavidsonNot Rated, 90 minutes, DCPDirector Jack C. Newell scheduled to appear via Zoom!After hearing an NPR podcast in the wake of the 2010 Haiti earthquake, semi-retired construction worker Tim Myers is so moved he decides to build a school in the rural Haitian community of Villard. He meets his counterpart Anselm Saimplice, who readily accepts Tim's vision for a new school. Very quickly, things spiral out of control. Trying to teach Haitian laborers new skills, Tim imposes his style of construction and values. And as filmmakers and aid workers spend more time in Villard, Saimplice reveals himself to be quite different from the vibrant, selfless community leader the radio story represented. Subverting the typical NGO film, filmmakers follow through on unexpected plot twists, weaving them together with expert interviews clarifying the larger historical and social context of the school project. Ultimately the filmmakers have to question their own complicity in the byzantine network of international aid, NGOs, and documentary storytelling itself. GET TICKETS