The Medieval Institute is pleased to present the eighteenth lecture in the Graduate Student Invitation Series with Hanna Gentili (University of Hamburg, Institut für Jüdische Philosophie und Religion), who will be speaking on "Natural Philosophy in the Arabic-Hebrew-Latin Landscape: Deconstructing and Reconstructing the Corpus." About the Talk Averroes’ works received their authoritative form in Latin in the Renaissance printed projects, culminating in the mid-sixteenth century Giunta editions. From this moment, up to modern editions, Averroes’ text remained “frozen in place.” But in reality, it was never like that. Dynamic and fluid, Averroes’ works were constantly evolving, circulating in various forms already in the Arabic world. This complication escalated as they reached the Latin world, often via the mediation of Hebrew, as further hands became involved. Finally, there was the hidden space that occupied the transitions from manuscript to print. Through a series of examples on the macro and micro levels, my talk will breathe life into this process, with focus on Averroes’ natural philosophy. I will argue that examining the texts across languages and media has philosophical and historiographical implications, and that we should adopt new methods to better understand philosophy and its study in premodern circles.  About the Speaker Hanna Gentili (Ph.D, Warburg Institute) is a historian of Medieval and Renaissance Philosophy. Her research focuses on the consolidation and circulation of the Hebrew philosophical corpus in manuscript and early print. She is currently a Research Associate at the University of Hamburg where she is working on Averroes’ natural philosophy in Hebrew and Latin within the ERC Project HEPMASITE (Hebrew Philosophical Manuscripts as Sites of Engagement). Before joining the University of Hamburg, she worked at the crossroads of philosophy and kabbalah in the Digital Humanities project Ilanot and in 2023 she was the curator of the Hebrew collections at the British Library. Her first monograph—about the philosophical notebook of the fifteenth-century Jewish intellectual Yoḥanan Alemanno in the context of the Italian Renaissance and Jewish philosophical training—is currently in preparation. Originally published at medieval.nd.edu.

Soares, António, Artist. Humorous Map of Europe. Lisboa, Portugal: A Editora, 1914. Map. https://www.loc.gov/item/2021668737/.The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is Inaugural Director of the Georgetown Humanities Initiative and Professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

True crime and the TV movie were familiar companions, and the rise of sensationalized trials (and access to their footage) made for a string of ripped-from-the-headlines adaptations during the early 1990s. While attending Saint Mary's in the mid-1960s, Betty Bisceglia (Meredith Baxter) met her future husband, Dan Broderick (Stephen Collins), who was studying to become a medical doctor at Notre Dame. Eventually the two married and relocated to San Diego, where Dan became a high-profile attorney. As their marriage deteriorated, a bitter divorce and escalating threats of violence led to a murder that fascinated the nation. GET TICKETS!  

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.

Join the McGrath Institute for Church Life for a special book launch and lecture on "The Concept of Woman: A Synthesis in One Volume" by Sr. Prudence Allen, RSM. Topics of discussion will include the development of a philosophically coherent concept of woman from the pre-Socratics to the 20th-century personalists. Brief presentations will be led by Sr. Ann Astell, Ph.D., John Cavadini, Ph.D., and Abigail Favale, Ph.D., with a response by the author, Sr. Prudence Allen, RSM. Originally published at mcgrath.nd.edu.

Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director.   Originally published at ftt.nd.edu.