About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

The museum is excited to welcome back Brendan Fernandes for an encore presentation of his site-specific piece, Moving Through. Originally performed this past spring, this commissioned work will be reprised throughout the galleries. Fernandes’s piece dissolves the boundaries among visual art, dancers, and audience members. The performance will take place in the museum atrium and throughout the galleries; visitors can expect to see dancers in the galleries as they respond to a dynamic movement score composed collaboratively by students. Rather than stage a stationary performance, dancers will move through the museum, allowing visitors to watch the fluid performance and come and go as they wish. The work unfolds as a meditative act, inviting an extended, slow process of looking, sensing, and interpreting. Audience members may stumble upon a dancer by chance or follow their movement as they respond to an artwork—transforming observation into an immersive experience. By integrating movement, stillness, and sonic interplay, Fernandes reimagines the museum as a living, breathing space where art and dance converge, challenging how we see, experience, and interpret both art forms. The performance will invite audiences into an active, meditative process of seeing, experiencing, and engaging with art in new and transformative ways. Brendan Fernandes is the 2025 artist-in-residence in the Notre Dame Initiative on Race and Resilience. The site-specific commissioned piece Moving Through is made possible through collaboration among, and support from the Initiative on Race and Resilience, the DeBartolo Performing Arts Center, and the Raclin Murphy Museum of Art. Brendan Fernandes (b. 1979, Nairobi, Kenya) is an internationally recognized Canadian artist working at the intersection of dance and visual arts. Rooted in collaboration and fostering solidarity, Fernandes’s projects take hybrid forms to address issues of race, queer culture, migration, protest, and other forms of collective movement. He is a graduate of the Whitney Independent Study Program (2007) and a recipient of a Robert Rauschenberg Fellowship (2014). In 2010, he was shortlisted for the Sobey Art Award and received a prestigious 2017 Canada Council New Chapters grant. Fernandes is also the recipient of the Platform Award (2024), the Artadia Award (2019), a Smithsonian Artist Research Fellowship (2020), and a Louis Comfort Tiffany Foundation grant (2019). His projects have been shown at the 2019 Whitney Biennial (New York); the Solomon R. Guggenheim Museum (New York); the Museum of Modern Art (New York); the Getty Museum (Los Angeles); the National Gallery of Canada (Ottawa); MAC (Montreal), among a great many others. He is an Associate Professor in the Department of Art Theory and Practice at Northwestern University. Fernandes is represented by Monique Meloche Gallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projects include performances and solo presentations at the Pulitzer Arts Foundation (St. Louis), MCA Denver, The Fabric Workshop (Philadelphia), and Prospect 6 (New Orleans). Originally published at raclinmurphymuseum.nd.edu.

Please join the Center for Italian Studies and the Devers Program in Dante Studies for its annual "Dante Now!" event, dedicated to a community recitation of Dante's Divine Comedy. Click here for more information on the event's history. Dante Now! Community Recitation • 2:00–2:30pm – Throughout the Notre Dame Campus: Selections from Dante’s Divine Comedy • 2:30pm – Grotto of Our Lady of Lourdes: Dante’s Prayer to the Virgin (Paradiso 33. 1-21) Lecture 3:00–4:15pm: 104 Bond HallTheodore J. Cachey Jr., Pizzo Family Chair in Dante StudiesOriginally published at italianstudies.nd.edu.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.