Join the Notre Dame Children's Choirs as we observe this Lenten season in eight liturgies over 25 hours, beginning and ending with Vespers at 6 p.m. with liturgies every three hours (except 6 a.m.). The Liturgy of the Hours, also known as the Divine Office or the Work of God, is the daily prayer of the Church, marking the hours of the day and sanctifying the day with prayer (United States Conference of Catholic Bishops). The Divine Office is also considered the public service of praise and worship consisting of Psalms, prayers, hymns and readings.St. Joseph Chapel at Holy Cross CollegeOriginally published at sma.nd.edu.

Romero Days 2025: The Future of Romero Studies We stand at an exciting time in the study and reception of the witness of Óscar Romero. In the 1980s, 1990s, and the first decade of the 2000s, biographies, personal reflections, theological essays, devotionals, and collections of primary texts made Romero’s witness more accessible around the world. In the 2010s, we saw in increasing number of books that take Romero ever-more seriously as both bishop and a deep theological thinker: as someone, who in both life and word, offered a corpus worthy of critical engagement and creative reception, as someone who continues—if we would listen—to speak into the challenges we face today. All of this has set a foundation for the generative and open-ended time in which we find ourselves. Romero Days 2025 will gather leading scholars from around the world to discuss the most urgent needs and the field of Romero Studies going forward. What parts of his legacy remained underexplored by scholars? How can his vision of peace, justice, and Christian life speak into the problems we face today? What does it look like to move forward as a genuine community of scholars and practitioners? Presented by the Kellogg Institute with cosponsorship by the Cushwa Center and Department of Theology.   More information here

Romero Days 2025: The Future of Romero Studies We stand at an exciting time in the study and reception of the witness of Óscar Romero. In the 1980s, 1990s, and the first decade of the 2000s, biographies, personal reflections, theological essays, devotionals, and collections of primary texts made Romero’s witness more accessible around the world. In the 2010s, we saw in increasing number of books that take Romero ever-more seriously as both bishop and a deep theological thinker: as someone, who in both life and word, offered a corpus worthy of critical engagement and creative reception, as someone who continues—if we would listen—to speak into the challenges we face today. All of this has set a foundation for the generative and open-ended time in which we find ourselves. Romero Days 2025 will gather leading scholars from around the world to discuss the most urgent needs and the field of Romero Studies going forward. What parts of his legacy remained underexplored by scholars? How can his vision of peace, justice, and Christian life speak into the problems we face today? What does it look like to move forward as a genuine community of scholars and practitioners? Presented by the Kellogg Institute with cosponsorship by the Cushwa Center and Department of Theology.   More information here

Join in for an artist talk with acclaimed Chicago-based photographer Diana Solís. Since the 1970s, Solis has been documenting Mexican American families in Pilsen, as well as queer kinship and the fight for LGBTQ rights in Chicago.Reception to follow. A selection of Diana Solís's photographs will be on display.Sponsored by the Institute for Latino Studies, Department of American Studies, Department of Anthropology, and the Department of Art, Art History, and Design. Originally published at artdept.nd.edu.

In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by Prof. Zygmunt Barański from the University of Notre Dame and Cambridge: ‘La Forma universal di questo nodo’ (Par. 33, 91): Le strutture dell’oltremondo dantesco (‘The universal form of this knot’ (Par. 33, 91): The Structures of Dante's Afterlife)   Gli studi danteschi da tempo sostengono che le strutture sia della Commedia che della sua rappresentazione dell'oltretomba cristiano siano caratterizzate dall'armonia e dall'ordine della loro organizzazione: un poema suddiviso in tre cantiche e cento canti, con ogni cantica dedicata a una parte dell'aldilà. Poema e oltretomba sono quindi modellati sulla creazione di Dio, sul "volume […] per l'universo" (Par. 33, 86–87). Tuttavia, negli ultimi anni, sono emersi dubbi su (i) quanto sia veramente corretto considerare la Commedia e il suo trattamento dell'oltreomba come equilibrati e armoniosi, e (ii) quali possano essere le implicazioni per la nostra comprensione del poema se, come anch'io credo, esso sia segnato da tensioni e presenti un oltretomba in cui i conflitti non sono affatto risolti. Zygmunt G. Barański è professore emerito di Italiano all’università di Cambridge e di Notre Dame. Ha pubblicato ampiamente su Dante, sulla letteratura italiana medievale, sulla ricezione di Dante nei secoli XIV e XX, e sulla letteratura, il cinema e la cultura italiana del XX secolo. Please register here Originally published at italianstudies.nd.edu.

The Department of Art, Art History, and Design invites you to the upcoming Max and Emma Lecture Series, featuring Jeffrey F. Hamburger, professor of art history at Harvard University.  Despite the vast body of scholarship devoted to the mysterious sixth-century theologian Pseudo-Dionysius, the diagrams that accompany his work remain largely overlooked. Rooted in the Greek philosophical tradition of diairesis (division), these diagrams supply a cornerstone of the diagrammatic tradition in the Western Middle Ages and a new way of thinking about the visualization of thought itself. This event is free and open to the public. We look forward to seeing you there! Sponsored by the Department of Art, Art History, and Design, and the Medieval Institute. Originally published at artdept.nd.edu.