Hackathon Overview The Hesburgh Libraries Hackathon challenges teams of 2-4 Notre Dame undergraduate students to design, create, and present a solution to everyday problems. The 2025 theme is "We Rise Together: Coding for a Better Collective Future." Teams will develop solutions that leverage technology to discover, visualize, or create connections among people, ideas, data, and more. When & Where April 4 – 6Hesburgh Library April 4, 6pm – 7pmOrientation and PizzaCompetition Begins April 5, noon – 6pmTeam Roster and Project Description Form DueSupper Available April 6, noon – 3pmLunchLightning Talks, Judging, Raffles, Awards See the full schedule. Prizes Teams showcase their projects in lightning talks, with the top entries garnering awards. 1st Place – $3,0002nd Place – $2,0003rd Place – $1,000Honorable Mention(s) – $500 See previous Hackathons. Click here to download the event poster.

Students, explore campus and build connection with another student during a shared walk! Each week you may sign up to join a shared walk by 9:00 p.m. Wednesday. The next day, Thursday, you will receive an email pairing you with your walking partner. You with both decide on a location and time to meet up on Friday. Discussion guides are provided. Sign up at bit.ly/nd-sharedwalk. Originally published at mcwell.nd.edu.

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

As part of the Keough-Naughton Institute's spring 2025 speaker series, Professor John Morrison will deliver a lecture titled "Presbyterian Martyr John Brown of Priesthill and the Disruption." Lecture Abstract  In 1843 the presbyterian Church of Scotland split along ideological lines. The dispute centered on the question of 'patronage,' or who had the power to appoint any given individual minister: the congregation of the church he was being appointed to, or the principal local landowner. Around forty percent of all incumbent ministers walked out of the Church of Scotland over the issue and established the Free Church. This arcane piece of exclusively Scottish history was a major event in Scotland but not hugely significant (or, apparently, terribly interesting) However, it is more thought provoking than it initially appears. At the time, the 'Disruption' of the Kirk occasioned much literature and painting on and around the event, and the 1844 painting in the Raclin Murphy collection, Thomas Duncan’s sketch for The Death of John Brown of Priesthill relates directly, if metaphorically. Duncan’s subject is historical: depicting an event in the late 17th century, it is about sometimes extremist presbyterian belief, political power and revolution. In this lecture, Professor John Morrison will consider the painting, its 17th century subject, its relevance to its 19th century context, and its relationship to Ireland, Scotland and Notre Dame. Speaker Biography John Morrison took a Ph.D. in Art History at the University of St Andrews in Scotland. Following a period at the Yale Center for British Art in Connecticut working on the success of the ‘Glasgow Boys’ in the USA in the late nineteenth century, Professor Morrison joined the Art History Department at the University of Aberdeen in 1992. He went on to be Head of the School of Divinity, History and Philosophy and Director of teaching and learning for Arts and Social Sciences. From July 2019 he became Head of the School of History and Heritage at the University of Lincoln. He has appeared regularly on radio and television and published several monographs on Scottish art and cultural history, including Painting the Nation (EUP), Painting Labour in Scotland and Europe 1850-1900 (Ashgate) and Land and Landscape (Sansom). He is currently working on a volume of historical sources for nineteenth-century Scottish painting for Routledge. This event is co-sponsored by the Raclin Murphy Museum of Art. Originally published at irishstudies.nd.edu.

Notre Dame’s flagship vocal ensemble presents a wide mix of choral masterpieces from the Renaissance to the 20th century.This concert will celebrate the 50th anniversary of the Chorale and the 32 years Alexander Blachly, who is retiring in June, has been the Chorale's director. The program will feature great works by Handel, Bach, Schubert, Schumann, Debussy, and Stravinsky. The first half of the program will feature Paivi Ekroth as piano accompanist. The second half will feature the Festival Baroque Orchestra in choral masterpieces by Handel and Bach. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Notre Dame’s flagship vocal ensemble presents a wide mix of choral masterpieces from the Renaissance to the 20th century.This concert will celebrate the 50th anniversary of the Chorale and the 32 years Alexander Blachly, who is retiring in June, has been the Chorale's director. The program will feature great works by Handel, Bach, Schubert, Schumann, Debussy, and Stravinsky. The first half of the program will feature Paivi Ekroth as piano accompanist. The second half will feature the Festival Baroque Orchestra in choral masterpieces by Handel and Bach. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.