Join in at the St. Joseph County Public Library (Main Street Branch) Story House for a family-friendly Korean bookmark-making activity to celebrate Korea Week 2025. Celebrate Korean Alphabet Day by creating a beautiful bookmark with Korean characters. Ages 5 to 11 are welcome.Join professors from the University of Notre Dame's Liu Institute for Asia and Asian Studies to learn about the unique Korean alphabet, called Hangul, and create a beautiful bookmark with Korean letters. The Korean alphabet was created by King Sejong the Great and his scholars in 1443. King Sejong wanted Hangul to be easily understood in order to increase literacy, and Hangul is considered revolutionary because it is so easy to learn. The development of Hangul was such an important tool for democracy that Hangul Day is celebrated on October 9 each year.About the Series Korea Week 2025 is co-hosted with Liu Institute for Asia and Asian Studies and Korean Cultural Center, Washington, D.C. This week is sponsored by the Department of East Asian Languages and Cultures, the Browning Cinema at the DeBartolo Performing Arts Center, and the St. Joseph County Public Library. Originally published at asia.nd.edu.

Celebrate the beauty of fall at the ND Children's Choir annual first public performance at the South Bend Farmers Market. All of our choirs sing sacred songs of grace, joy and God's love! Bring your own chairs or blankets to sit. (Rain location: Christ the King Lutheran Church, 17195 Cleveland Rd.)Farmers Market concert 2024Originally published at childrenschoir.nd.edu.

As technology continues to grow at a rapid rate, companies need liberal arts majors who understand that, when it comes to AI, the inputs matter, and how you apply the technology has a critical impact on people. Join the Technology & Digital Studies Program and Beyond the Dome as we invite industry experts to discuss how they're leveraging AI in their business and what students need to know to have successful careers in these industries. September 29: Melissa Summers October 15: Kevin O'Brien November 19: Jason Fournier Register Kevin O'Brien's Biography Kevin O'Brien is an investor and board member at Lirio, a behavior change artificial intelligencebusiness focused on driving improved outcomes through AI-driven hyper-personalized wellnessand chronic condition management interventions; EmOpti, a founder-led telehealth businessfocused on workflow improvements in health systems; and Memorial MRI, a Texas-basedfreestanding imaging center and interventional pain business. He is also a board member of theSpecial Operations Fund, a 501(c)(3) dedicated to the families of JSOC’s special mission units,and an advisor to the U.S. Diplomatic Studies Foundation, a 501(c)(3) focused on supportingand enhancing the educational and training needs of U.S. government departments andorganizations through innovative programs.In 2021 he retired from CCMP Capital Advisors, LP, a New York-based private equity firm where,over the previous 21 years, he was a managing director leading the healthcare practice and amember of its Investment Committee. O'Brien was deeply involved in, and served on theboards of CCMP investments including Eating Recovery Centers (behavioral treatment for mood and anxiety, eating and related disorders), CareMore Medical Enterprises (Medicare Advantagehealth plan), LHP Hospital Group (short-term acute care hospital company focused on JVs withlarger health systems), Medpace (contract research organization focused on human drug trialsprimarily for biotech companies), National Surgical Care (ambulatory surgery centers),Infogroup (marketing data services), and La Petite Academy (early childhood education).Prior to joining JP Morgan Partners in 2000, CCMP’s predecessor firm, O'Brien worked ininvestment banking in the high yield capital markets and banking groups at Chase Securities andChemical Securities. Prior to that, he was a commissioned officer in the U.S. Navy where heserved as a surface warfare officer from 1988 to 1992. O'Brien holds a B.A. from the University of Notre Dame and an M.B.A. from the WhartonSchool of the University of Pennsylvania.Originally published at altech.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Hirokazu Kore-edaWith Lily Franky, Sakura Ando, Mayu Matsuoka Rated R, 121 minutesIn Japanese with English subtitles Winner of the Palme d'Or at the 2018 Cannes Film Festival and nominated for the Best Foreign Language Oscar, Hirokazu Kore-eda's film full of contemplation and compassion furthers his career's comparisons to Yasujiro Ozu. On the margins of Tokyo, a dysfunctional band of outsiders are united by fierce loyalty, a penchant for petty theft and playful grifting. When the young son is arrested, secrets are exposed that upend their tenuous, below-the-radar existence and test their quietly radical belief that it is love—not blood—that defines a family. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Drop in to meet and speak informally with curator Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Get a one-hour sampling of the power of a Notre Dame liberal arts education with the College of Arts & Letters' Crash Course series on home football Fridays! Each event features an A&L professor leading a class session pulled directly from some of the most popular and riveting courses on campus."Space Ethics" with David Clairmont (Theology) and Heather Foucault-Camm (McGrath Institute for Church Life)  The human journey into space has captivated the imagination but has also raised significant ethical issues. As the human presence in space for research, recreation, commerce, and possible future habitation draws closer, the urgency of addressing the ethical issues surrounding the human presence in space has also increased. In this session, attendees will get a sense of how this course considers the theological and cultural understandings of the origin and meaning of the cosmos, reviews the various ways that human beings have approached their presence in space, and contemplates the ethical issues associated with space commerce.  Alumni, friends, prospective students and their parents, and anyone else on campus are welcome.   Visit Crash Course for a complete listing of courses this season.Originally published at al.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Hyun kyung Kim Not Rated, 84 minutesIn English and Korean with English subtitles Director Hyun kyung Kim scheduled to appear live! This documentary explores the lasting impact of the Korean War while revealing the weight it still exerts to this day on several generations of the filmmaker's family. South Korean filmmaker Hyun kyung Kim grew up with the inherited burden of the Korean War, a conflict that left an indelible mark on her family and country. Her mother compulsively fills the house with items she finds on the streets of Seoul while her veteran father devours books about the war. The filmmaker's encounter with a North Korean defector mirrors the story of her grandfather, who likely stayed in the North when the country became divided, never to be seen again by his family. Defectors confronts the impact of a brutal war on several generations of the filmmaker's family. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Polish-born organist Ilona Kubiaczyk-Adler brings expressive power and technical brilliance to the Basilica of the Sacred Heart's majestic Murdy Family Organ. Her recital, Music from Eastern Europe and the Americas, presents music spanning the 16th through the 21st centuries. Works from Latvia, Lithuania, Poland, Ukraine, Brazil, Mexico, and the U.S. will stand alongside pieces by J.S. Bach. Through lesser-known yet brilliant compositions, some rarely performed outside their countries of origin, Kubiaczyk-Adler hopes to expand her audiences' stylistic palette and global perspective.Enjoy hearing an international performer celebrated for her musical sensitivity and interpretive depth. At a time of day and place made for contemplation, the resonance of the organ played by a world-class musician in a historic setting makes for an unforgettable musical experience. LEARN MORE *This event is free and not ticketed.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Nagisa OshimaWith Kei Sato, Fumio Watanabe, Toshio Ishido Not Rated, 118 minutesIn Japanese with English subtitles Genius provocateur Nagisa Oshima, an influential figure in the Japanese New Wave of the 1960s, made one of his most startling political statements with the compelling pitch-black satire Death by Hanging. In this macabre farce, a Korean man is sentenced to death in Japan but survives his execution, sending the authorities into a panic about what to do next. At once disturbing and oddly amusing, Oshima's constantly surprising film is a subversive and surreal indictment of both capital punishment and the treatment of Korean immigrants in his country. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Get a one-hour sampling of the power of a Notre Dame liberal arts education with the College of Arts & Letters' Crash Course series on home football Fridays! Each event features an A&L professor leading a class session pulled directly from some of the most popular and riveting courses on campus."Becoming a Force for Social Good: Sociology in Action" with Terence McDonnell and Erin McDonnellSociology  How can we build stronger communities and make a difference in the world around us? This dynamic course equips students with the tools and confidence to turn values into action. Blending cutting-edge social science, Catholic social tradition, and hands-on engagement in immersive methods like interviews and policy design, students explore real solutions to real problems and learn how to cultivate trust, belonging, and care in the service of the good. In this session, attendees will experience how Notre Dame educates students to lead lives of impact and purpose.  Alumni, friends, prospective students and their parents, and anyone else on campus are welcome.   Visit Crash Course for a complete listing of courses this season.Originally published at al.nd.edu.

New at the BrowningDirected by Four/Ten MediaWith Stephen Lancaster, Susan McDaniel, and Kyle MarshallNot Rated, 55 minutes, DCPWorld Premiere! Discussion with filmmakers and artists to follow the screening.Experience humanity's oldest recorded story in a new light. Gilgamesh, a visual song cycle, fuses contemporary English poetry, music, dance, and film to reimagine the ancient Mesopotamian epic. This innovative work, exploring timeless themes of power, friendship, love, grief, and mortality, features music by J. Scott Brubacher and libretto by David James Brock with performances by Stephen Lancaster (baritone), Susan McDaniel (piano), and Kyle Marshall (dance & choreography). The screening will be followed by a "Behind the Scenes" video and a talkback with members from the cast and crew. This is a free but ticketed event.  Call 574-631-2800 or visit performingarts.nd.edu. Co-presented by the Canada Council for the Arts, Franco Family Institute for Liberal Arts and the Public Good, Department of Music, and Graduate Program in Sacred Music. Originally published at music.nd.edu.

Magnificat: Lifting Up the Lowly is a concert program weaving together the sacred and secular in response to human suffering and oppression. Framed by the canticle, the Song of Mary, it speaks of God who has scattered the proud, brought down the powerful, lifted up the lowly, and filled the hungry with good things. The concert features the glorious Magnificat by J.S. Bach, performed by students and faculty from the Program in Sacred Music at Notre Dame.From the secular realm, Dmitri Shostakovich's intensely personal Chamber Symphony (from his Eighth String Quartet) bears witness to 20th-century suffering. Dedicated to victims of war and fascism everywhere, the work is said to be autobiographical even as it references pogroms against Jews and a patriotic song set as a lament.The program also includes Joaquin Rodrigos exquisite Fantasía para un gentilhombre (Fantasia for a Gentleman), performed by the acclaimed Italian guitarist Nicolò Spera. Rodrigo, who was blind, crafted this lovely work on 17th-century Spanish Baroque dances, creating a beautiful musical connection to Bach's era. ArtistsConcordia Vocal EnsembleSoloists to be announcedNicolò Spera, guitaristSouth Bend Symphony OrchestraCynthia Katsarelis, conductor GET TICKETS

This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX.   Find out more here. Originally published at italianstudies.nd.edu.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX.   Find out more here. Originally published at italianstudies.nd.edu.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX.   Find out more here. Originally published at italianstudies.nd.edu.

Drop in to meet and speak informally with curator Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni , friends, and the public.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS