19th-Century Women’s Culture Through the Life and Work of Esmeralda Cervantes Discussion and Panel Join Rare Books & Special Collections from 3:30 to 4:30 p.m. for a panel and discussion on the fascinating life of Catalan harpist Esmeralda Cervantes (born Clotilde Cerdá, 1861–1926), moderated by Latin American and Iberian Studies Librarian and Curator Payton Phillips Quintanilla. A child prodigy who toured the Americas in the 1870s, Cervantes meticulously documented her vast network of friends and acquaintances across Europe and the Americas in two personal friendship albums: scrapbooks filled with photographs, autographs, drawings, letters, poetry, and other keepsakes. One album resides at the Biblioteca de Catalunya, and the other is held by the University of Notre Dame. Our guest speakers, Lorena Fuster, University of Barcelona, Philosophy; Merli Marlowe, Barcelona-based film director; Vanesa Miseres, University of Notre Dame, Romance Languages & Literatures; and Erika Hosselkus, University of Notre Dame, Hesburgh Libraries, will use Cervantes’ unique case to explore broader themes of library archives, 19th-century women's sociability, the public and private conversations shaping women's lives, and the nascent stages of transnational feminisms. The panelists will also share how these remarkable albums brought them together for their ongoing academic and creative projects centered on Cervantes. Hands-On Workshop and Reception After the panel, attendees are invited to attend a reception from 4:30 to 5:30 p.m. in the Hesburgh Library Scholars Lounge to continue the conversation over light refreshments and engage in a hands-on activity to create their own album pages. Presenters:Lorena Fuster, University of Barcelona, Philosophy — Lorena Fuster is a professor of Philosophy and Feminist Theory at the University of Barcelona. Her research and publications focus on topics that link contemporary philosophy with cultural history. She currently directs the project "The Forgotten Legacy of Clotilde Cerdà/Esmeralda Cervantes: An International Avant-Garde Presence."Merli Marlowe, film director, Barcelona — Merli Marlowe is a singer and filmmaker, and has also written and directed television series and podcasts. She is currently working on a documentary about the harpist Esmeralda Cervantes in collaboration with Lorena Fuster. As a musician, she is the lead singer of the band Les Rencards, with whom she recently released the album Angles morts.Vanesa Miseres, University of Notre Dame, Romance Languages & Literatures — Vanesa Miseres specializes in the cultural and literary landscapes of 19th- and early 20th-century Latin America, with her research and teaching exploring diverse topics such as travel writing, war literature, women writers, and gender, cultural, and food studies. She is the author of Mujeres en tránsito: viaje, identidad y escritura en Sudamérica (1830–1910) (2017) and Gender Battles. Latin American Women, War, and Feminism (2025). She is also the co-editor of Food Studies in Latin American Literature. Perspectives on the Gastronarrative (2021).Erika Hosselkus, University of Notre Dame, Hesburgh Libraries — Erika Hosselkus is Associate University Librarian for the Distinctive and Academic Collections at Hesburgh Libraries. Her portfolio includes research collections, special collections and archives, metadata, and preservation. Prior to this appointment, Hosselkus served as the curator in Rare Books & Special Collections for Latin American and Iberian Studies, and developed a significant collection for this fast-growing area of study.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.  Sponsored byHesburgh LibrariesFranco Family Institute for Liberal Arts and the Public GoodKellogg Institute for International StudiesOffice of Undergraduate Studies (Teaching Beyond the Classroom Grant)

The Center for Italian Studies is pleased to host a two day symposium in celebration of 30 years of the Devers Program in Dante Studies and the Devers Series in Dante and Medieval Italian Literature at Notre Dame:Global Dante: Translation and ReceptionA Dante Symposium Celebrating 30 Years of the Devers Program in Dante Studies and the Devers Series in Dante and Medieval Italian LiteratureDepartment of Special Collections, Hesburgh Library, University of Notre DameFeaturing the exhibition of worldwide translations of Dante's Commedia: “‘What through the universe in leaves is scattered’ (Par. 33.87): Mapping Global Dante in Translation” Selections from the John A. Zahm, C.S.C., Dante CollectionThe symposium explores the global translation and reception of Dante’s works, highlighting cross-cultural interpretations, regional adaptations, and evolving scholarly approaches. Through lectures and panels spanning Africa, East Asia, the Americas, and Europe, it examines how Dante’s Divine Comedy continues to inspire diverse literary, academic, and artistic traditions worldwide. Particpants: Marco Sonzogni (Victoria University of Wellington); Ted Cachey (UND); Clíona Ní Ríordáin (UND); Kathleen Boyle (UND), Dennis Looney (University of Pittsburgh, Modern Language Association [retired]); Joseph Rosenberg (UND); Henry Weinfield (UND, emeritus); Kristina Olson (George Mason University); Elizabeth Coggeshall (Florida State University); Jacob Blakesley (University of Rome, Sapienza); Vittorio Montemaggi (UND, London / Von Hügel Institute, Cambridge); Rebecca Bowen (UND), Valentina Mele (Marie Curie Fellow, UND/ University of Pavia); Aistė Kiltinavičiūtė (University of Manchester); Jonathan Noble (Liu Institute for Asia and Asian Studies, UND); Silvano Mo Cheng (Peking University); Michel Hockx (UND); Chiara Sbordoni (UND Rome); Jieon Kim (UND), Inha Park (UND); Salvatore Riolo (UND); Daragh O’Connell (University College Cork). Download the program schedule here.Symposium Program Thursday, September 25 9:00–9:30 AM — Welcome 9:30–11:00 AM — Lecture“Whose Dante? Time and Place for Timelessness and Placelessness: A Transoceanic Testimony”Marco Sonzogni (Victoria University of Wellington) Chair: Theodore J. Cachey Jr. (Director, Devers Program in Dante Studies, University of Notre Dame)Respondent: Clíona Ní Ríordáin (Chair, Irish Studies, University of Notre Dame) 11:00PM Coffee Break — Scholars Lounge, 106 Hesburgh Library 11:30 AM–1:00 PM — Roundtable Discussion ofAmerican Dantes. Traditions, Translations, Transformations (Eds. Z. G. Barański & T. J. Cachey, University of Notre Dame Press, 2025) Panel:Kathleen Boyle (University of Notre Dame) Dennis Looney (University of Pittsburgh, emeritus) Joseph Rosenberg (University of Notre Dame) Henry Weinfield (University of Notre Dame, emeritus) Kristina Olson (George Mason University)Chair: Elizabeth Coggeshall (Florida State University) 1:00–2:20 PM — Lunch (B02 McKenna Hall) 2:30–4:00 PM — Lecture“Dante in Africa”Jacob Blakesley (University of Rome, Sapienza) Chair: Dennis Looney (University of Pittsburgh, MLA, retired)Respondent: Kristina Olson (George Mason University) 4:00PM Coffee Break — Scholars Lounge, 106 Hesburgh Library 4:30–6:00 PM — "New Directions” Panel IRebecca Bowen (University of Notre Dame)“Dantean Other Worlds: Crafting the Commedia for a Renaissance Readership”Valentina Mele (Marie Curie Fellow, University of Notre Dame / University of Pavia)“‘No, Kid, Don’t Enter Here’: The Berkeley Renaissance’s Californian Dante”Aistė Kiltinavičiūtė (University of Manchester)“Dante’s Translations and Reception in 20th- and 21st-Century Lithuania”Chair: Vittorio Montemaggi (University of Notre Dame, London / Von Hügel Institute, Cambridge) 6:30 PM — Reception and Celebration Dinner (Mahaffey Family Presidential Suite, 14th Floor, Hesburgh Library)Friday, September 26 9:30–11:00 AM — Lecture(Co-sponsored by the Dante in East Asia Working Group) “Becoming Dante: More on Dante Translation and Reception in China” Silvano Mo Cheng (Peking University) Chair: Jonathan Noble (Liu Institute for Asia and Asian Studies, University of Notre Dame) Respondent: Michel Hockx (Director of the Liu Institute for Asia and Asian Studies, University of Notre Dame) 11:00PM Coffee Break — Scholars Lounge, 106 Hesburgh Library 11:30 AM–1:00 PM — Session on Dante in East Asia (Presentation and discussion of forthcoming volume, Dante in East Asia, eds. J. Blakesley, A. Brezzi, R. Pepin, C. Sbordoni)Jieon Kim (University of Notre Dame)“‘La 'Lingua Mentale Comune' a Dante e al Coreano: 단테의 시적 표현과 우리말의 관용적 표현”Inha Park (University of Notre Dame)“Teaching Dante in Korea: Translation, Reception, and Localization of Dante in Post-Korean War South Korea”Salvatore Riolo (University of Notre Dame)“‘Trasumanar Significar per Verba’: The Global Translations of The Divine Comedy in the Zahm Dante Collection”Chair: Chiara Sbordoni (University of Notre Dame Rome) 1:00–2:20 PM — Lunch (B02 McKenna Hall) 2:30–4:00 PM — “New Directions” Panel IIDaragh O’Connell (University College Cork)“‘Duppy Conqueror’: Lorna Goodison’s Jamaican Dante’s Inferno”Elizabeth Coggeshall (Florida State University)“The Commedia as Transmedia Franchise? Dante in Convergence Culture”Chair: Theodore J. Cachey Jr. (Director, Devers Program in Dante Studies, University of Notre Dame) 4:00 PM — Exhibition Tour with Curators “‘What through the universe in leaves is scattered’ (Par. 33, 87): Mapping Global Dante in Translation” 7:00PM — Reception & Dinner at Rohr’s Bistro, Morris InnSaturday, September 27 9:00AM - 5:00PM — Dante Society of America Graduate Student Conference (136 De Bartolo Hall)Conference Organizer: Beatrice Rosso, Graduate Student Coordinator, University of Notre Dame Originally published at italianstudies.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Soon-rye YimWith Kim Tae-ri, Jin Ki-joo, Ryu Jun-yeol Rated PG-13, 103 minutesIn Korean with English subtitles Director Soon-rye Yim scheduled to appear live! From work to relationships to school, nothing is going smoothly in young Hye-won's life in the big city. Putting unresolved matters behind her, she dips and impulsively returns to her hometown. There, she reunites with her childhood friends Jae-ha and Eun-sook, who go about rural living in their own unusual ways. Finding herself at a crossroads, Hye-won looks to reconnect with her past simple life while forging meaningful connections to the geographies and people around her. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

The Center for Italian Studies is pleased to host a two day symposium in celebration of 30 years of the Devers Program in Dante Studies and the Devers Series in Dante and Medieval Italian Literature at Notre Dame:Global Dante: Translation and ReceptionA Dante Symposium Celebrating 30 Years of the Devers Program in Dante Studies and the Devers Series in Dante and Medieval Italian LiteratureDepartment of Special Collections, Hesburgh Library, University of Notre DameFeaturing the exhibition of worldwide translations of Dante's Commedia: “‘What through the universe in leaves is scattered’ (Par. 33.87): Mapping Global Dante in Translation” Selections from the John A. Zahm, C.S.C., Dante CollectionThe symposium explores the global translation and reception of Dante’s works, highlighting cross-cultural interpretations, regional adaptations, and evolving scholarly approaches. Through lectures and panels spanning Africa, East Asia, the Americas, and Europe, it examines how Dante’s Divine Comedy continues to inspire diverse literary, academic, and artistic traditions worldwide. Particpants: Marco Sonzogni (Victoria University of Wellington); Ted Cachey (UND); Clíona Ní Ríordáin (UND); Kathleen Boyle (UND), Dennis Looney (University of Pittsburgh, Modern Language Association [retired]); Joseph Rosenberg (UND); Henry Weinfield (UND, emeritus); Kristina Olson (George Mason University); Elizabeth Coggeshall (Florida State University); Jacob Blakesley (University of Rome, Sapienza); Vittorio Montemaggi (UND, London / Von Hügel Institute, Cambridge); Rebecca Bowen (UND), Valentina Mele (Marie Curie Fellow, UND/ University of Pavia); Aistė Kiltinavičiūtė (University of Manchester); Jonathan Noble (Liu Institute for Asia and Asian Studies, UND); Silvano Mo Cheng (Peking University); Michel Hockx (UND); Chiara Sbordoni (UND Rome); Jieon Kim (UND), Inha Park (UND); Salvatore Riolo (UND); Daragh O’Connell (University College Cork). Download the program schedule here.Symposium Program Thursday, September 25 9:00–9:30 AM — Welcome 9:30–11:00 AM — Lecture“Whose Dante? Time and Place for Timelessness and Placelessness: A Transoceanic Testimony”Marco Sonzogni (Victoria University of Wellington) Chair: Theodore J. Cachey Jr. (Director, Devers Program in Dante Studies, University of Notre Dame)Respondent: Clíona Ní Ríordáin (Chair, Irish Studies, University of Notre Dame) 11:00PM Coffee Break — Scholars Lounge, 106 Hesburgh Library 11:30 AM–1:00 PM — Roundtable Discussion ofAmerican Dantes. Traditions, Translations, Transformations (Eds. Z. G. Barański & T. J. Cachey, University of Notre Dame Press, 2025) Panel:Kathleen Boyle (University of Notre Dame) Dennis Looney (University of Pittsburgh, emeritus) Joseph Rosenberg (University of Notre Dame) Henry Weinfield (University of Notre Dame, emeritus) Kristina Olson (George Mason University)Chair: Elizabeth Coggeshall (Florida State University) 1:00–2:20 PM — Lunch (B02 McKenna Hall) 2:30–4:00 PM — Lecture“Dante in Africa”Jacob Blakesley (University of Rome, Sapienza) Chair: Dennis Looney (University of Pittsburgh, MLA, retired)Respondent: Kristina Olson (George Mason University) 4:00PM Coffee Break — Scholars Lounge, 106 Hesburgh Library 4:30–6:00 PM — "New Directions” Panel IRebecca Bowen (University of Notre Dame)“Dantean Other Worlds: Crafting the Commedia for a Renaissance Readership”Valentina Mele (Marie Curie Fellow, University of Notre Dame / University of Pavia)“‘No, Kid, Don’t Enter Here’: The Berkeley Renaissance’s Californian Dante”Aistė Kiltinavičiūtė (University of Manchester)“Dante’s Translations and Reception in 20th- and 21st-Century Lithuania”Chair: Vittorio Montemaggi (University of Notre Dame, London / Von Hügel Institute, Cambridge) 6:30 PM — Reception and Celebration Dinner (Mahaffey Family Presidential Suite, 14th Floor, Hesburgh Library)Friday, September 26 9:30–11:00 AM — Lecture(Co-sponsored by the Dante in East Asia Working Group) “Becoming Dante: More on Dante Translation and Reception in China” Silvano Mo Cheng (Peking University) Chair: Jonathan Noble (Liu Institute for Asia and Asian Studies, University of Notre Dame) Respondent: Michel Hockx (Director of the Liu Institute for Asia and Asian Studies, University of Notre Dame) 11:00PM Coffee Break — Scholars Lounge, 106 Hesburgh Library 11:30 AM–1:00 PM — Session on Dante in East Asia (Presentation and discussion of forthcoming volume, Dante in East Asia, eds. J. Blakesley, A. Brezzi, R. Pepin, C. Sbordoni)Jieon Kim (University of Notre Dame)“‘La 'Lingua Mentale Comune' a Dante e al Coreano: 단테의 시적 표현과 우리말의 관용적 표현”Inha Park (University of Notre Dame)“Teaching Dante in Korea: Translation, Reception, and Localization of Dante in Post-Korean War South Korea”Salvatore Riolo (University of Notre Dame)“‘Trasumanar Significar per Verba’: The Global Translations of The Divine Comedy in the Zahm Dante Collection”Chair: Chiara Sbordoni (University of Notre Dame Rome) 1:00–2:20 PM — Lunch (B02 McKenna Hall) 2:30–4:00 PM — “New Directions” Panel IIDaragh O’Connell (University College Cork)“‘Duppy Conqueror’: Lorna Goodison’s Jamaican Dante’s Inferno”Elizabeth Coggeshall (Florida State University)“The Commedia as Transmedia Franchise? Dante in Convergence Culture”Chair: Theodore J. Cachey Jr. (Director, Devers Program in Dante Studies, University of Notre Dame) 4:00 PM — Exhibition Tour with Curators “‘What through the universe in leaves is scattered’ (Par. 33, 87): Mapping Global Dante in Translation” 7:00PM — Reception & Dinner at Rohr’s Bistro, Morris InnSaturday, September 27 9:00AM - 5:00PM — Dante Society of America Graduate Student Conference (136 De Bartolo Hall)Conference Organizer: Beatrice Rosso, Graduate Student Coordinator, University of Notre Dame Originally published at italianstudies.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Isao TakahataWith Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara Not Rated, 89 minutesIn Japanese with English subtitles When an American air raid kills their mother in the final days of World War II, 14-year-old Seita and his 4-year-old sister Setsuko are left to fend for themselves in the devastated Japanese countryside. After falling out with their only living relative, Seita does his best to provide for himself and his sister by stealing food and making a home in an abandoned bomb shelter. But with food running short, the siblings can only cling to fleeting moments of happiness in their harsh reality. Based on the personal accounts of survivor Nosaka Akiyuki, Grave of the Fireflies is hailed as one of the most stunning contributions to animation and cinematic history. Deftly depicting the beauty of the human spirit as well as its devastating cruelty, Grave of the Fireflies is a singular work of art from Academy Award-nominated director and Studio Ghibli co-founder Isao Takahata. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Classics in the Browning Directed by Eom Yu-naWith Yoo Hae-jin, Yoon Kye-sang, Jo Hyun-do Not Rated, 135 minutesIn Korean with English subtitles The perfect film to celebrate Hangeul Day. This historical drama with comedic flourishes is set in 1940s Korea during its period of Japanese occupation when the Korean language itself was demoted and outlawed. A chance encounter between the illiterate Pan-soo (Yoo Hae-jin) and a representative of the Korean Language Society (Yoon Kye-sang) brings together an unlikely partnership working to publish a Korean language dictionary in defiance of the law. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Drop in to meet and speak informally with curator Inha Park, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Hirokazu Kore-edaWith Lily Franky, Sakura Ando, Mayu Matsuoka Rated R, 121 minutesIn Japanese with English subtitles Winner of the Palme d'Or at the 2018 Cannes Film Festival and nominated for the Best Foreign Language Oscar, Hirokazu Kore-eda's film full of contemplation and compassion furthers his career's comparisons to Yasujiro Ozu. On the margins of Tokyo, a dysfunctional band of outsiders are united by fierce loyalty, a penchant for petty theft and playful grifting. When the young son is arrested, secrets are exposed that upend their tenuous, below-the-radar existence and test their quietly radical belief that it is love—not blood—that defines a family. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Drop in to meet and speak informally with curator Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Drop in to meet and speak informally with curator Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.