Join an extraordinary opportunity to learn firsthand about ancient Chinese ceramics through the world-famous Imperial Kiln Museum in Jingdezhen, China. This two-part experience will allow participants to hear from the museum’s renowned curator and then restore a replica of one of its most significant pieces. The event is free and open to the public, but registration is required. Register by September 25, 2025 LECTURE & LUNCH: 11:45 a.m.—12:45 p.m. Sunday, September 281030 Jenkins Nanovic Halls Curator Yanjun Weng, the director of the Imperial Kiln Museum, will discuss Chinese ceramics culture—their meaning in history, archaeology, and human life—for this virtual lecture. Weng will draw upon the history of Jingdezhen, known as China’s “Porcelain Capital,” which has been regarded for its porcelain production for 1,700 years. Registration is required. Lunch will be available with registration. CERAMICS REASSEMBLY WORKSHOP 1:00—3:00 p.m. Sunday, September 28, Art StudiosNew location: 1050 Jenkins Nanovic Halls In this workshop, participants will use ancient techniques to reassemble a replica of an artifact from the Imperial Kiln Museum. The “DucKtor Sui” (岁岁鸭) is a royal incense burner with rich historical significance. Participants will experience the excitement of an archaeological dig by unearthing ceramic fragments and then piecing them back together in a restoration process. At the end, participants will take home their restored “DucKtor Sui.” The workshop will be guided by Coleton Lunt, a professor of ceramics and 3D design at the University of Texas Rio Grande Valley. Participation is limited to 45 people, and registration is required. You must attend the lecture to participate in the workshop.  The lecture and workshop are sponsored by the Imperial Kiln Museum, Liu Institute for Asia and Asian Studies, Department of East Asian Languages and Cultures,  and Notre Dame Beijing. It is organized by Notre Dame students Nikki Shao ’26 and Yingxin Cindy Liu ’26.   Originally published at asia.nd.edu.

Professor Pfinklepfunder's $1 Sunday FilmsDirected by Dean Fleischer CampWith Jenny Slate, Isabella Rossellini, Rosa SalazarRated PG, 90 minutes, Blu-rayMarcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. But when a documentary filmmaker discovers them amongst the clutter of his Airbnb, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family. A beloved character gets his big-screen debut in this hilarious and heartwarming story about finding connection in the smallest corners. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Organist Jonathan Moyer, last on the 2016 Presenting Series, returns for an awe-inspiring performance that blends virtuosity with profound musical insight. His program, The Life and Works of Jan Pieterszoon Sweelinck (1562–1621), is composed entirely of compositions by the great Dutch master. The program will offer Sweelinck's vast and diverse keyboard compositions as a biographical window into the fascinating world of sixteenth-century Amsterdam.Moyer's recital is a sonic experience that fills the hall with everything from fanfare to full swell, all the Fritts Organ's voices sounding with grandeur and emotion. Our longtime organ enthusiasts demand these recitals, and growing numbers want to explore one of music's most commanding forms. This hour-long concert in the DeBartolo Performing Arts Center provides respite and inspiration in an afternoon interlude. GET TICKETS

Academic Committee: Roddy Brett, Josefina Echavarría Álvarez, Élise Féron, Bahar Baser, Liridona Veliu AshikuThe Journal of Disappearance Studies, in collaboration with the Keough-Naughton Institute for Irish Studies and the Kroc Institute for International Peace Studies, invites you to attend its inaugural conference, on September 29-30, 2025, at the University of Notre Dame. This landmark event marks the official launch of the Journal of Disappearance Studies, edited by scholars affiliated with the University of Bristol, Durham University, and the University of Tampere, which offers an interdisciplinary platform to examine the phenomenon of disappearance worldwide. The conference will convene scholars, practitioners, policymakers, families of the disappeared, and advocacy organizations to explore the socio-political, cultural, and economic dimensions of disappearance. Quick links:Schedule for Monday, September 29 Schedule for Tuesday, September 30 Participant Bios and AbstractsRegistration for the conference is free but required. Please contact Elizabet Campos Duarte at eduarted@nd.edu to register.   Originally published at irishstudies.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

As technology continues to grow at a rapid rate, companies need liberal arts majors who understand that, when it comes to AI, the inputs matter, and how you apply the technology has a critical impact on people.  Join the Technology & Digital Studies Program and Beyond the Dome as we invite industry experts to discuss how they're leveraging AI in their business and what students need to know to have successful careers in these industries. September 29: Melissa Summers October 15: Kevin O'Brien November 19: Jason Fournier Register Melissa Summers' Biography Melissa Summers is responsible for running the business of internal IT at Accenture. She manages the financial, people, and work management of the Global IT organization. Summers recently took on additional responsibility to industrialize how to share Accenture's best credential stories with client teams. She has three decades of transformational IT experience across numerous industries. Summers is also a passionate Inclusion & Diversity advocate and sits on the National Board of ic Stars.Originally published at altech.nd.edu.

Academic Committee: Roddy Brett, Josefina Echavarría Álvarez, Élise Féron, Bahar Baser, Liridona Veliu AshikuThe Journal of Disappearance Studies, in collaboration with the Keough-Naughton Institute for Irish Studies and the Kroc Institute for International Peace Studies, invites you to attend its inaugural conference, on September 29-30, 2025, at the University of Notre Dame. This landmark event marks the official launch of the Journal of Disappearance Studies, edited by scholars affiliated with the University of Bristol, Durham University, and the University of Tampere, which offers an interdisciplinary platform to examine the phenomenon of disappearance worldwide. The conference will convene scholars, practitioners, policymakers, families of the disappeared, and advocacy organizations to explore the socio-political, cultural, and economic dimensions of disappearance. Quick links:Schedule for Monday, September 29 Schedule for Tuesday, September 30 Participant Bios and AbstractsRegistration for the conference is free but required. Please contact Elizabet Campos Duarte at eduarted@nd.edu to register.   Originally published at irishstudies.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

Fern Wickson, professor of ocean leadership at UiT the Arctic University of Norway, will join the Notre Dame community for the first in a series titled Notre Dame Seminars on Sustainability. Professor Wickson will share key findings from the Transformative Change Assessment (IPBES), including what transformative change means and requires, what challenges and barriers currently block it, and the strategies and actions necessary to achieve it. She will invite attendees to explore how inner personal transformation connects to global transformation and the fundamental systems-wide changes necessary to achieve social justice and sustainability. Notre Dame Seminars on Sustainability Series is a signature lecture series organized by the Just Transformations to Sustainability Initiative that brings global sustainability leaders and world-class scholars to campus for knowledge sharing and engagement with the Notre Dame community. About Just Transformations to Sustainability As sustainability challenges intensify, their cascading effects on food, energy, water, and infrastructure increasingly threaten the well-being and dignity of people worldwide. Notre Dame’s Just Transformations to Sustainability Initiative is the University’s far-reaching response to these urgent threats. Inspired by Pope Francis’s landmark encyclical Laudato si’ (On Care for Our Common Home), the Initiative brings together interdisciplinary scholars, dedicated students, and action partners from around the world to advance transformative solutions for a more just and sustainable future.Originally published at strategicframework.nd.edu.

The newest solar energy investment for the University has been installed near WNDU Studios, and is capable of avoiding nearly 700 tons of carbon annually. Take a stroll with a representative from Crossroads Solar, our panel supplier, and a Utilities & Maintenance staff member from campus. During the tour, you'll learn about how Crossroads is cultivating hope and creating a more just society by employing returned citizens, and how solar energy is supporting the energy needs for our campus.  Registration is required. This event is open to the public. Register today Originally published at green.nd.edu.

New at the BrowningDirected by Alan GilsenanNot Rated, 75 minutes, DCPAndrew Fitzsimons scheduled to appear live!The Journey of Weather-Exposed Bones is a non-narrative, experimental film-poem inspired by a new and complete translation of Basho, the seminal Japanese poet and father of the Haiku. The film is a collaboration between acclaimed film-artist Alan Gilsenan and Irish poet, translator and Japanese scholar Professor Andrew Fitzsimons of Tokyo's Gakushuin University. It is—in equal parts—a cinematic act of psycho-geography, a meditation on the devastating impact of climate change and a quasi "road-movie" through contemporary Japan following the remarkable journeys of Basho in the decade leading up to his death in 1694. GET TICKETS *This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby.

Philbin & Phriendz  Presented by Notre Dame Film, Television, and Theatre Produced by Matt Hawkins For one night o…wait…uh huh…oh right yeah *ahem* for THREE nights only, experience the PHENOMENON, the SENSATION, the SPECTACLE that is the first ever Philbin & Phriendz variety/talent/showcase/EXTRAVAGANZA! Come see your friends, fellow FTT students, and fellow ND students share original songs, documentaries, performances, and SO MUCH MORE! Performance Schedule October 1-3, 2025Wednesday through Friday at 7:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Philbin & Phriendz are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a 10-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.

About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

The Democracy in Dialogue Series enables Notre Dame students to engage with expert guest speakers on key issues facing global democracy. These monthly discussions aim to help students develop as global citizens and comparative scholars, explore threats to democracy, learn from international examples, consider actions to defend democracy, examine Catholic perspectives, and discuss overcoming polarization. The series also helps students build professional networks in international politics.Peter CummingsResearch Affiliate, University of Notre DameFormer Research & Evaluation Officer, Eurasia FoundationAlumnus, Kellogg International Scholars Program Broad, diverse coalitions have proven vital in advancing democracy, resisting authoritarianism, and protecting rights worldwide. Drawing on scholarly research and case studies from regions including Latin America and the Middle East, this discussion highlights both the successes and challenges of coalition formation. The conversation will draw out lessons for the United States today, pointing to concrete strategies for strengthening democratic resilience. Peter Cummings is a political scientist with an undergraduate degree from the University of Notre Dame, a Ph.D. from MIT, and more than a decade of experience related to democracy, international development, and social movements. In the academic space, he has conducted original field research in Chile and Brazil and published research on political protests, democracy, and education policy. In the practitioner space, he has applied his research skills to consulting at Tironi in Chile and to domestic and international development at FHI 360 and Eurasia Foundation. For more information, visit the event page. Sponsored by the Kellogg Institute at the Keough School of Global Affairs.

Join the Raclin Murphy Museum of Art for thematic tours inspired by its temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. These focused experiences in the galleries seek to help us more deeply consider works of art in light of the central theme, “Painting Generations,” woven through the exhibition. During the tour, participants will engage with works from the exhibition as well as a selected piece from the museum’s permanent collection. Our goal is to foster a broader conversation about the connections between art, culture, and the world around us while inviting a nuanced understanding of the themes that shape Osborne’s work.Walter Frederick Osborne (Irish, 1859–1903), Mary Guinness and Her Daughter Margaret, 1898, Oil on canvas, 54 × 60 inches (137.2 × 152.4 cm) unframed,Heritage Gift, 2023, National Gallery of Ireland Collection, NGI.2023.16. Photo, National Gallery of IrelandOriginally published at raclinmurphymuseum.nd.edu.

Engage with the museum as a space for well-being and inspiration. Join yoga instructor Steve Krojniewski in the galleries to relax and recharge while surrounded by works from the collection. Mats are provided or you can bring your own. 
 Artful Yoga is free and open to all but is limited to 30 participants. Originally published at raclinmurphymuseum.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Isao TakahataWith Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara Not Rated, 89 minutesIn Japanese with English subtitles When an American air raid kills their mother in the final days of World War II, 14-year-old Seita and his 4-year-old sister Setsuko are left to fend for themselves in the devastated Japanese countryside. After falling out with their only living relative, Seita does his best to provide for himself and his sister by stealing food and making a home in an abandoned bomb shelter. But with food running short, the siblings can only cling to fleeting moments of happiness in their harsh reality. Based on the personal accounts of survivor Nosaka Akiyuki, Grave of the Fireflies is hailed as one of the most stunning contributions to animation and cinematic history. Deftly depicting the beauty of the human spirit as well as its devastating cruelty, Grave of the Fireflies is a singular work of art from Academy Award-nominated director and Studio Ghibli co-founder Isao Takahata. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

An immersive poetic and musical passage, Sonorous Present extends sonic meditations on loss, migration, and memory across America's borderlands, as physical place and liminal space.What began as an experimental and improvised performance in 2019—inspired by the music and poetics of Alex E. Chávez's award-winning book Sounds of Crossing—was subsequently reimagined as a studio album in collaboration with Grammy Award-winning producer Quetzal Flores, and featuring luminaries from the worlds of traditional Mexican son and jazz—including, Aloe Blacc (2015 Grammy Award nominee), Martha Gonzalez (2022 MacArthur Fellow), Ramón Gutiérrez (of Son de Madera), Roger Reeves (Guggenheim Fellow, National Book Award finalist, and Kingsley Tufts Poetry Award and Griffin Poetry Prize recipient), and Lucía Gutiérrez Rebolloso (winner of the 2022 Sarah Vaughn International Jazz Vocal Competition).This performance of the studio album integrates an epic spectrum of Regional Mexican and Latin American folk elements with jazz, poetry, dance, field recordings, and ethnographic songwriting that crosses the sunburst surreal of America's musical and cultural borderlands.Musicians/PerformersAlex E. Chávez: vocals, poetry, classical guitar, roland junoQuetzal Flores (musical director): electric guitar, requinto jarocho, jarana jarochaLaura Cambrón: vocals, jarana jarochaMartha Gonzalez: vocals, cajón, zapateado, chekereSandino Gonzalez Flores: vocals, piano, keyboardsAlberto Lopez: congas, cajón, bataRocío Marron: violin, violaJuan Pérez: upright bass, electric bassMartín Perna: baritone saxophone, tenor saxophone, flute, alto flute, chekereCarlos García: visuals GET TICKETS