Reading days will take place Thursday through Sunday, May 4-7, (when no examinations are permitted). Final exams will be Monday through Friday, May 8-12. View the academic calendar. Law students should refer to the Law School Registrar’s academic calendar for alternative information regarding their class schedule.

The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

POSTPONED. Saïd Khatibi is a novelist, travel writer, translator, and cultural journalist, born in 1984 in Bou Saâda, Algeria. He writes in Arabic and French and translates between both. He has a BA in French Literature from the University of Algiers and an MA in Cultural Studies from the Sorbonne. Sarajevo Firewood is his third novel in Arabic (and first in English translation), and was shortlisted for the 2020 International Prize for Arabic Fiction. His other novels are Kitab al-Khataya (Book of Errors), Editions ANEP, 2013, and Forty Years Waiting for Isabelle, 2016, about the real-life Swiss traveler Isabelle Eberhardt (1877-1904), for which he won the 2017 Katara Award for the Novel. He has a travel book about the Balkans, The Inflamed Gardens of the East, 2015, and has written extensively on raï music, including a book (Wedding Fire, 2010) that tells its story. He lives in Slovenia. Amara Lakhous was born in Algeria in 1970. He moved to Italy in 1995. He has a degree in philosophy from the University of Algiers and another in Humanities from the University of Rome, La Sapienza where he completed a Ph.D. dissertation entitled “Living Islam as a Minority.” He is the author of five novels, three of which were written in both Arabic and Italian. His best known works are the much acclaimed Clash of Civilizations Over an Elevator in Piazza Vittorio (2008), Divorce Islamic Style (2012), A Dispute Over a Very Italian Piglet (2014), and The Prank of the Good Little Virgin in Via Ormea (2016). His latest novel in Arabic, Tir al-lil (The Night Bird), was longlisted for the International Prize for Arabic Fiction, 2021. His novels have been translated from Italian into many languages: English, German, French, Spanish, Dutch, Japanese, Danish and Persian. Lakhous has been awarded, among others, the Flaiano Prize in Italy in 2006 and the Algerians Booksellers Prize in 2008. Clash of Civilizations Over an Elevator in Piazza Vittorio has been adapted into a movie by the Italian director Isotta Toso in 2010 and many theater productions. It was chosen for the 2014 New Student Reading Project at Cornell University. Lakhous moved to New York City in August of 2014 and is currently teaching in the Italian Department of New York University. Alexander Elinson is associate professor of Arabic and head of the Arabic Program Hunter College of the City University of New York. He received his M.A. from the University of Washington in Seattle (1998) and his Ph.D. from Columbia University (2004). In addition to his book Looking back at al-Andalus: the poetics of loss and nostalgia in medieval Arabic and Hebrew Literature, he has written extensively on classical Arabic and Hebrew poetry and prose, as well as on contemporary language politics and ideology, prison narratives, and oral and written culture in Morocco. He has translated two novels by Youssef Fadel: A Beautiful White Cat Walks with Me and A Shimmering Red Fish Swims with Me, the latter of which was shortlisted for the 2020 Saif Ghobash Banipal Prize for Arabic Literary Translation. He has also translated Hot Maroc by Yassin Adnan. His translation of Khadija Marouazi`s prison novel History of Ash will be published in 2023. He is currently translating Amara Lakhous`s latest novel, The Night Bird.Literatures of Annihilation, Exile, and Resistance, launched by Azareen Van der Vliet Oloomi, is a research collective and lecture series co-sponsored by the College of Arts and Letters and the Kroc Institute for International Peace Studies at the University of Notre Dame, and housed at the newly launched Initiative on Race and Resilience, directed by Mark Sanders, Professor of English and Africana Studies. The series focuses on contemporary literature, film, and visual art that has been shaped by revolutionary and resistance movements, decolonization, migration, class and economic warfare, communal and state-sanctioned violence, and human rights violations. We aim to theorize new modes of contemporary literary and artistic resistance across national borders and to amplify the voices of scholars, artists, and writers of color whose lived experience is instrumental in forging new alliances across formal, linguistic and national boundaries.    Originally published at litofexile.nd.edu.