The Kroc Institute proudly hosts a new series focused on intersectionality and justice as a beneficial framework and methodology paired with peace studies. Led by Ashley Bohrer, assistant professor of gender and peace studies, and featuring a variety of guest presenters, the series will address the potential of intersectional analysis for peace studies scholars, with an ability to transform timely global conversations and issues. The series will also illustrate how peacebuilding in its many forms contributes to the strength and value of intersectionality and justice as an analytical tool and concept. Marsha Henry, the Secretary Hillary Rodham Clinton Chair in Women, Peace, Security and Justice at Queen’s University, Belfast, will discuss her new book, The End of Peacekeeping: Gender, Race, and the Martial Politics of Intervention. Drawing on critical concepts from Black feminist thought and postcolonial and critical race theories, Henry provides an intersectional analysis of peacekeeping from more than 15 years of ethnographic fieldwork around the world—including interviews with UN peacekeepers, humanitarian aid personnel, and local populations. Revealing that peacekeeping is not the benign, apolitical project it is often purported to be, Henry’s book encourages readers to imagine and enact alternative futures to peacekeeping. Originally published at kroc.nd.edu.

The Center for Italian Studies is pleased to host a lecture by Professor Eva Del Soldato (University of Pennsylvania) titled: A Reckless and Scandalous Doctrine: Matthias Ferchius, a Franciscan in the Index  This paper delves into the intriguing journey of a forgotten booklet by the Franciscan Matthias Ferchius (1583-1669), drawing from recently unearthed material. It uncovers a fascinating blend of Biblical exegesis, poison expertise, medical reasoning, and rhetorical balancing acts, all in an audacious attempt by Ferchius to present no less than a revisionist account of the death of Jesus Christ. The paper will engage in the dialectic between Ferchius and the Holy Office censors, shedding light on the aspects of Ferchius’s text that raised particular concerns. It will also demonstrate how the pursuit of “new” outlooks in philosophy and theology always necessitated a firm reliance on tradition, a fact exemplified by other episodes of Ferchius’ intellectual career. Lastly, it will bring to the fore the paradoxical outcomes of this form of “conspiracy” philology.  Eva Del Soldato is associate professor of Italian Studies at the University of Pennsylvania, where she directs the FIGS Graduate Program and serves as interim director of the Center for Italian Studies. She was trained in philosophy and intellectual history at the Scuola Normale Superiore di Pisa. Her research is primarily devoted to Renaissance thought and culture, particularly the Aristotelian and Platonic traditions. Her current project is focused on lovesickness treatises in the Counterreformation period. She is the author of the monographs Simone Porzio (2010) and Early Modern Aristotle. On the Making and Unmaking of Authority (2020). She has also published several articles and editions, including the Italian translation of Bessarion's In calumniatorem Platonis. She has co-edited several volumes (the most recent is Plato in the Italian Universities, 2024). She received— among others — fellowships from the Scuola Normale Superiore, Villa I Tatti, the Herzog August Bibliothek in Wolfenbuettel, the Huntington Library in Pasadena, and she has been a Marie Curie Fellow at the University of Warwick, UK. She has been a visiting professor at the University of Milan, the University of Bergamo, and the 2022/2023 Charles Speroni Chair at UCLA. She has been the interim director (2019/2020) of the Global Medieval Studies Program at Penn, and she is currently the executive secretary of the American Association for Italian Studies (AAIS).   The lecture is co-sponsored by the Medieval Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.

Inspired by the films of Ingmar Bergman and the Mary Kay Letourneau scandal, May December has at its core the details of the teacher-student relationship with a dollop of Natalie Portman bringing Persona into the mix. The film follows Elizabeth (Portman), an actress performing background research for a film about Gracie (Julianne Moore) and Joe (Charles Melton), who are now married after their relationship began when she was 36 and he was 13. As Elizabeth probes the marriage for inspiration for her film, she begins to realize what rests under the surface for both Gracie and Joe is far more complicated than she expected. GET TICKETS  

Join us in the O'Neill Hall of Music for this Fall Fridays at Noon concert, which features short performances by talented Department of Music students.  Originally published at music.nd.edu.

In this second teaching conference of the Organs and Origins series co-sponsored by the College of Science and the McGrath Institute for Church Life, scientists, philosophers and theologians will come together to consider initial causes in an interdisciplinary approach to “life, the universe and everything.” For more information, click here. Originally published at mcgrath.nd.edu.

A tradition the world over, including at Notre Dame, Alexander Blachly leads the Notre Dame Chorale, Festival Baroque Orchestra, and student soloists in Handel’s beloved masterpiece. Friday, December 6, and Saturday, December 7. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.