Love, deception, ambition, and desire collide in Twelfth Night, Shakespeare’s great romantic comedy. A delightful blend of mistaken identity, disguises, and love triangles, Twelfth Night features some of Shakespeare’s most famed passages, with its effervescent comic energy carried swiftly by deeper currents of grief, forgiveness, and transformation. Fast, energetic, and above all gloriously entertaining, Twelfth Night is one of the great playwright’s most popular and enduring stories. Actors From The London Stage, the renowned five-actor touring group, brings Twelfth Night back to the touring circuit in fall 2024. With each actor portraying multiple roles, this dynamic, self-directed ensemble brings a fresh and vivacious energy to each new performance. Shipwrecked on the isle of Illyria, Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, with whom she falls in love. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Will Viola ultimately be able to be with the one she loves? CAST: Shona Babayemi: Olivia/Maria/OfficersSarah Finigan: Toby Belch/Antonio/CurioSam Jenkins-Shaw: Orsino/Feste/FabianThuliswa Magwaza: Viola/SebastianHayden Wood: Malvolio/Sir Andrew/ValentineTOUR SCHEDULEWeek 1 - 9/23/-9/29: Wellesley College, Wellesley, MA Week 2 - 9/30-10/6: TBD Week 3 - 10/7-10/13: University of Texas - San Antonio, San Antonio, TX Week 4 - 10/14-10/20: University of Florida - Gainesville, Gainsville, FL Week 5 - 10/21-10/27: University of Tennessee - Chattanooga, Chattanooga, TN Week 6 - 10/28-11/3: University of Notre Dame, Notre Dame, IN Week 7 - 11/4-11/10: University of North Alabama, Florence, AL Week 8 - 11/11-11/17: DePauw University, Greencastle, IN Week 9 - 11/18-11/24: TBD Originally published at shakespeare.nd.edu.

Notre Dame’s flagship vocal ensemble presents a typically wide mix of choral masterpieces from the Renaissance to the 20th century. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

The Fischoff Competition Grand Prize and Senior String Division Gold winner, Trio Azura, was founded in 2022 at the Colburn Conservatory of Music in Los Angeles. "Azura" comes from azure blue, representing their school color and musical sensitivity. As a rapidly emerging chamber ensemble, Trio Azura has built incredible chemistry and developed a comprehensive repertoire despite only recently being formed. Welcome the ensemble for a triumphant return to the center, this time performing in their Presenting Series debut! GET TICKETS  

Register here  The Center for Social Concerns hopes you will join it each month for the Virtues & Vocations lunchtime webinar series, Conversations on Character & the Common Good. There is always time for audience questions. Sneha Mantri, MD, MS, is a physician and director of Medical Humanities at Duke University School of Medicine. Abraham Nussbaum, MD, is a physician, chief education officer at Denver Health, and an author of several books, including the recently released Progress Notes. Mantri and Nussbaum wrote essays on generosity for the fall issue of the Virtues & Vocations magazine. We will discuss their essays and others from the issue, American healthcare, and medical education. Virtues & Vocations is a national forum for scholars and practitioners across disciplines to consider how best to cultivate character in pre-professional and professional education. Virtues & Vocations hosts faculty workshops, an annual conference, and monthly webinars, and engages issues of character, professional identity, and moral purpose through our publications.

In this event, professor in the School of Sociology, Politics and International Studies, and director of the Global Insecurities Centre, at the University of Bristol, Roddy Brett will present his monograph, Victim-Centred Peacemaking: Colombia’s Santos-FARC-EP Peace Process (Bristol University Press, 2024), which he wrote during his time as Kroc Institute visiting fellow (2022–23). The book addresses the fundamental question of how, in the face of unrelenting barbary and adversity, survivors of political violence and atrocity have sought to assert agency and contest power as they painstakingly forge a path through which to bring an end to political violence, craft the effective means through which to reckon with the past, and reconstitute their political and moral communities. The book is, in part, about how war is fought, what its impact is, particularly on civilians, and the means that armed groups employ in order to achieve their ends. It is also about how those who survive atrocious violence narrate and make sense of war and attempt to construct peace, and, in so doing, transform political subjectivity, shape formal peacemaking processes and accountability mechanisms, and reconfigure relations of power. Based on unique empirical research into Colombia’s Santos-FARC-EP peace process (2012-2016), this book interrogates, specifically, how, if at all, survivors and victims may assert agency and contribute to formal peacemaking and transitional justice initiatives. The research argues that victim inclusion — through the so-called victims’ delegations — meaningfully transformed victim-perpetrator relations and dynamics in Havana, while partially shaping the content of both the Victims’ Agreement and Final Agreement. As such, the delegations created paths for empowerment at the individual and, in part, collective levels. However, victim inclusion also precipitated experiences of victim depoliticization, revictimization, retraumatization and instrumentalization. Drawing on insights from across academic disciplines, the book proposes an instrumentalization/empowerment spectrum to analyze the complex impact of victim-centered approaches to peacemaking/transitional justice, and is valuable for both researchers and practitioners. Brett will be joined by Kroc Institute PhD student, Patrick McQuestion (peace studies and political science) and visiting scholar, Alison Ribeiro de Menezes as respondents. Josefina Echavarría Alvarez, professor of the practice and director of the Peace Accords Matrix (PAM) will provide opening remarks. This event is cosponsored by the Keough-Naughton Institute for Irish Studies. Originally published at kroc.nd.edu.

The Kroc Institute for International Peace Studies and the Liu Institute for Asia and Asian Studies, in partnership with its Southwest Asia and North Africa (SWANA) Working Group, as part of the Keough School of Global Affairs, proudly offer a four-part lecture series over the 2024–25 academic year. The series focuses on U.S. imperialism and U.S. military and humanitarian involvement in the Middle East, and in particular Palestine, Iraq and Afghanistan. Graduate students serve as discussants after each lecture, prior to Q&A with the audience. The series conducts a critical evaluation of U.S. policy in the Middle East and calls for a reassessment of the nature and function of a U.S. presence, and the implications posed for peacebuilding practitioners and contemporary global affairs scholarship. The United States used "burn pits" to dispose of military waste on its bases in Iraq and Afghanistan. These massive incineration fields caused respiratory illness, cancer, and death for thousands of soldiers. Iraqi and Afghan communities continue to endure the consequences of exposure to burn pits as just one form of harm to their health and livelihoods. Recently returned from fieldwork in Fallujah, Iraq, cultural anthropologist and assistant professor of anthropology at Purdue University Kali Rubaii reports back on the condition of Iraq's environment, 20 years since the 2003 U.S. invasion. Her talk poses the question: What are the routes to justice and accountability for the most privatized war in human history? Originally published at kroc.nd.edu.