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- Sep 273:30 PMLecture — "Making Sense of the Missing: The Family, the Church and 'the Home' in Twentieth-century Irish society"As part of the Keough-Naughton Institute's fall 2024 speaker series, Clair Wills, the King Edward VII Professor of English Literature at the University of Cambridge, will deliver the lecture, "Making Sense of the Missing: The Family, the Church and 'the Home' in Twentieth-century Irish society." Lecture Abstract In this lecture, Clair Wills considers the following questions: How do we approach the aftermath of the scandals of institutional abuse in Ireland? What questions should we be asking about guilt, blame and responsibility? The lecture will trace a history of sexual secrecy in Ireland from the post-famine period to the 1950s and beyond, asking how and why did families consent to the institutional care and control of unmarried mothers and their children. Why did the system make sense to ordinary families, and how can we make sense of it now? Copies of Clair Wills' new book, Missing Persons, Or My Grandmother’s Secrets (FSG, April 2024), will be available for purchase after the lecture. Speaker Biography Clair Wills is regius professor of English Literature at the University of Cambridge, and a critic and cultural historian of Britain and Ireland. She has written prize-winning books on the history of Ireland during the Second World War, on post-war immigrant Britain, and her essays on contemporary fiction, poetry and cultural institutions appear regularly in the New York Review of Books and the London Review of Books. Her most recent book, Missing Persons, Or My Grandmother’s Secrets, published by FSG in April 2024, is a study of four generations of unmarried mothers in her own family, set in the context of the intertwined histories of Britain and Ireland from the 1890s to the 1980s. Originally published at irishstudies.nd.edu.
- Sep 274:00 PMMVP Fridays(Lecture and Book Signing) — Ilyon Woo: “How can history help us pursue justice?”Ilyon Woo is the New York Times best-selling author of Master Slave Husband Wife: An Epic Journey from Slavery to Freedom, which won the 2024 Pulitzer Prize in Biography. She has received support for her research from the National Endowment for the Humanities and the American Antiquarian Society, among other institutions. Ilyon is also the author of The Great Divorce: A Nineteenth-Century Mother’s Extraordinary Fight Against Her Husband, the Shakers, and Her Times, her writing has appeared in The Boston Globe, The Wall Street Journal, Time Magazine, and The New York Times. Ilyon has traveled the country to speak at bookstores, museums, schools, and book festivals, and she has been featured on such programs as NPR’s Morning Edition, All Things Considered, and CBS Sunday Morning. She holds a BA in the Humanities from Yale College and a Ph.D. in English from Columbia University. Co-sponsors: Creative Writing Program, Department of American Studies, Department of History, Program of Liberal Studies — Join the Center for Social Concerns on Friday afternoons of home football weekends for MVP Fridays: lectures by national leaders, journalists, and writers on questions of meaning, values, and purpose. Reception and book signing to follow.Learn more
- Sep 2812:30 PMGame Day Festivities: Medieval Combat featuring Theatrica GladiatoriaJoin the Medieval Institute for a thrilling tailgate filled with fencing, excitement, and camaraderie! This gameday, the Medieval Institute is very excited to welcome perennial favorites Theatrica Gladiatoria back to campus. Theatrica Gladiatoria’s professional performers and educators will offer dazzling swordplay alongside fascinating information about martial arts from the European Middle Ages both as historical practice and as living tradition! This is a hands-on event featuring basic instruction in medieval fencing for those who are interested. Complimentary food and drink will be provided. This event is free and open to the public—all people and all ages are welcome! Originally published at medieval.nd.edu.
- Sep 294:00 PMConcert: Lotus QuartetLotus Quartet is the 2024 Fischoff Competition Senior Wind Division Gold Medal winner. Formed in 2022 at Arizona State University, Giancarlo Lay, soprano saxophone; Johnathan Lee, alto saxophone; Keegan Ewan, tenor saxophone; and Jerick Meagher, baritone saxophone, perform various styles, including classical, jazz, and pop. "We want to show our versatility as musicians and what a saxophone quartet is capable of in areas that are not classical music," Meagher has said. Lotus makes its Presenting Series debut as part of Fischoff's Double Gold Tour. GET TICKETS
- Sep 303:30 PMLecture: "Is this translation?: ‘Lightenings viii’ (‘The annals say…’) and The Translations of Seamus Heaney"© Robert Cross, 2024As part of the Keough-Naughton Institute's fall 2024 speaker series and in celebration of International Translation Day, Professor Marco Sonzogni will deliver a lecture titled, "Is this translation?: ‘Lightenings viii’ (‘The annals say…’) and The Translations of Seamus Heaney." Lecture Abstract As a poet and translator, Seamus Heaney (1939–2013) embraced the ‘liberating idea’ that ‘an original work exists not in order to be perfect but in order to engender itself repeatedly in new translations’ (Translations of Poetry and Poetic Prose: Proceedings of Nobel Symposium 110, 1999: 331). Heaney’s poem ‘1 Lightenings viii’ (Seeing Things, 1991: 62) exemplifies this idea. In this poem — known also as ‘The annals say…’ — Heaney relays to readers an extraordinary event recorded in Irish annals: the sighting of crewed ships in the sky. Reported, among other sources, in Lebor Laignech (‘Book of Leinster’), in Lebor Bretnach (Irish Nennius) and also in Konungs skuggsjá (‘The King’s Mirror’), the sighting reaches Heaney’s imagination through K.H. Jackson’s English translation, ‘The Air Ship’ (Celtic Miscellany. Translations from the Celtic Literatures, 1971: 165). In this lecture, Professor Marco Sonzogni reviews his conclusion that ‘Lightenings viii’ was an original poem and why, consequently, he did not include it in the edited collection, The Translations of Seamus Heaney (2022). Rather, Sonzogni singled the poem out in his ‘Introduction’ as an example of the evolutionary impact of translation as practiced by Heaney. While Sonzogni is now uncertain that he made the right decision, he remains convinced that this text too — like all the texts collected in The Translations — bears witness to Heaney’s ‘credo’ in ‘discovering what survives translation true’ (‘Remembered Columns,’ The Spirit Level, 1996: 45). Speaker Biography Marco Sonzogni (OMRI, Officer) is an award-winning scholar, literary translator, poet, editor, and cultural activist. He is a Professor of Translation Studies in the School of Languages and Cultures at Victoria University of Wellington, New Zealand, where he teaches evolutionary translation and intercultural communication at undergraduate and postgraduate level and directs the New Zealand Centre for Literary Translation. He is the editor of the critically acclaimed The Translations of Seamus Heaney (Faber 2022 and FSG 2023). He is also the editor of the definitive edition of Seamus Heaney’s poetry in Italian translation, Poesie (Mondadori 2016). This event is co-sponsored by the Creative Writing Program and the Center for Italian Studies. Originally published at irishstudies.nd.edu.
- Oct 112:30 PMTalk — "Conservative Brazil: Socioeconomic and Political Forces That Are Reshaping Brazil as We Knew It (or Thought We Knew It)"Sergio FaustoExecutive Director, Fernando Henrique Cardoso (FHC) FoundationCo-Director, "Plataforma Democrática" ProjectCo-Director, "The State of Democracy in America" Collection In his talk, Fausto will discuss a set of data shedding light on structural changes that are making the so-called Bible, Beef and Bullets coalition a key factor in Brazilian politics and delve into the characteristics of each of the three main actors of this coalition. He analyzes the mutually reinforcing conservative-progressive polarization in Brazil, to what extent has it crystallized, and how it affects the Brazilian political system. His talk also will explore similarities and differences between socio and political polarization in the US and Brazil, then conclude with comments on the challenges to democracy in both countries, having the global context in the backdrop. For more information, click here. Sponsored by the Kellogg Institute for International Studies.
- Oct 14:00 PMDiscussion and Autobiographical Play: "Pieces of Me," with Bo Petersen"Pieces of Me" is an autobiographical play that exposes the devastating emotional cost of living secretly as a mixed-race family under the vicious racist apartheid regime and the legacy it bore. Bo Petersen's father, Benjamin “Benny” Johannes Petersen, made a fateful decision in 1944 that would change his life forever. After meeting and falling in love with Bo's mother, who was white, he decided to pass as white. Until then, he had been classified by the South African Government as "Colored." A Colored person was a person of mixed European ("white") and African ("black") or Asian ancestry, as officially defined by the South African government from 1950 to 1991. Petersen’s parents had five children and were happily married for 62 years. They lived as a white family. Benny never told his wife or any of his children about his true identity. It was a secret that, if uncovered, would have had dire consequences for all of them. Benny could have faced 10 years' imprisonment, his marriage would have been annulled and his children taken away, reclassified and made wards of the State. "Pieces of Me" explores how Bo's father's torturous decision to pass as white has shaped her life. The play captures universal themes of exclusion, threat, and silences experienced by marginalized people throughout the world. "Pieces of Me" is Bo's renegotiation. Speakers:Welcome: Josefina Echavarría Alvarez, Professor of the Practice, Director of the Peace Accords Matrix (PAM)Actor: Bo Petersen, South African actor, writer, directorQ&A: moderated by Laurie Nathan, Professor of the Practice of Mediation, Mediation Program DirectorOriginally published at kroc.nd.edu.
- Oct 27:30 PMTheater: "The Wolves" by Sarah DeLappeThe Wolves drops you outdoors into the midst of a suburban high school girls' soccer team daily practice for six games. Amid warmup and training suffused by the raw energy accompanying youth on the brink of adulthood, the undefeated Wolves psych each other up or out, tackling whatever sport and life throw their way through rapid-fire, unfiltered conversations about the world and who they are within it. Then, what happens when you discover life is not a drill? GET TICKETS Performance Schedule October 2–6, 2024Wednesday–Friday at 7:30 PMSaturday at 2:30 PM and 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for The Wolves are now on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.Sarah DeLappe's Pulitzer Prize-nominated play, produced in collaboration with the DeBartolo Performing Art Center's Presenting Series.The Wolves is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.concordtheatricals.com
- Oct 312:30 PMAn invitation to engage: "Exploring Environmental Violence: Perspectives, Experience, Expression, and Engagement"Exploring Environmental Violence: Perspectives, Experience, Expression, and Engagement invites communities to explore violence on the environment as both a concept and phenomena. The contributors to this book represent a wide breadth of scholarly approaches, including law, social and environmental science, engineering, as well as from the arts and humanities. The chapters explore what environmental violence is and does, and the variety of ways in which it affects different communities. The authors draw on empirical data from around the globe, including Ukraine, French Polynesia, Latin America, and the Arctic. Varying responses to environmental violence by different communities, whether through active resistance or the creative arts, are also discussed, providing the foundation on which to build alternatives to the potentially damaging trajectory on which humans currently find themselves. Speakers:Drew Marcantonio, assistant professor of environment, peace, and global affairs, Kroc Institute for International Peace StudiesJohn Paul Lederach, Senior Fellow, Humanity United, and Professor Emeritus, Kroc Institute for International Peace StudiesAgustín Fuentes, professor of anthropology, Princeton University (joining virtually)Maiah Jaskoski, professor of politics and international affairs, Northern Arizona UniversityJohn Mulrow, adjunct assistant professor of environmental and ecological engineering, Purdue University Originally published at kroc.nd.edu.
- Oct 35:00 PMLecture: "Dante’s Chorographies. From the territory to the 'Comedy'"Venice, BNM, Lat. Z 399, c. 98v. Courtesy of the Biblioteca Nazionale Marciana in Venice.The Center for Italian Studies is pleased to host a lecture by Dr. Giovanna Corazza (Cà Foscari) titled:Dante’s Chorographies. From the territory to the Comedy Between the 13th and 14th centuries, medieval Italian culture witnessed the emergence of regional and local territorial representations more prominently than in the rest of Europe. This detailed chorography, which developed both in the visual language of cartography and the verbal language of writing, evidently corresponds to the new practices of urban society, playing a central role in the conquest of rural areas and the increase in mobility, thereby engaging in a process of conceptual appropriation of space. Despite the diversity of expressive tools, the graphic and verbal chorography of the early 14th century reflect similar forms of territorial knowledge, based on an odological perspective and the need to reproduce the actual spatial and proportional relationships between the geographical objects represented. Moreover, Dante’s Comedy contains important chorography, composed in the formalized language of poetry. The analysis of these passages reveals construction methods perfectly integrated into the knowledge practices and the culture of territorial representation characteristic of his time. Giovanna Corazza è Marie Skłodowska-Curie Postdoctoral Fellow presso il Dipartimento di Studi Umanistici dell’Università Ca’ Foscari Venezia con il progetto GEODETIC – Geography and Cartography in Dante’s Comedy (GA 101110048), che coinvolge il Dipartimento di Scienze Storiche, Geografiche e dell’Antichità dell’Università di Padova e il Center for Italian Studies della University of Notre Dame. Si interessa principalmente del rapporto tra geografia e letteratura nell’opera di Dante e nella produzione letteraria del XIV secolo, di cultura topografica e cartografica medievale, di interpretazione e ricezione dantesca. HORIZON EUROPE Funded by the European Union. Views and opinions expressed are however those of the author only and do not necessarily reflect those of the European Union or European Research Executive Agency. Neither the European Union nor the granting authority can be held responsible for them. This event is part of the MSCA Project GEODETIC – 101110048 by Giovanna CorazzaThe Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.
- Oct 35:30 PM"We Need to Talk about Crimea": 2024 Laura Shannon Prize Lecture with Rory FinninThe Nanovic Institute welcomes Rory Finnin, author of Blood of Others: Stalin's Crimean Atrocity and the Poetics of Solidarity (University of Toronto Press, 2022), the recipient of the 2024 Laura Shannon Prize in Contemporary European Studies. Finnin will join the Nanovic Institute to receive the prize and deliver a public lecture to faculty, students, staff, and the general public on October 3, 2024. In the words of Ukrainian President Volodymyr Zelensky, “this Russian war against Ukraine and against all of free Europe began with Crimea. And it will end with Crimea — with its liberation.” Zelensky’s bold prediction is an urgent reminder. Crimea is the ground zero of Russia’s war of aggression against Ukraine, the largest and most dangerous armed conflict in Europe since the Second World War. In February 2014, Russia’s war began with the military seizure of Crimea; in February 2022 it escalated with a full-scale invasion launched in part from Crimea. In the 2024 Laura Shannon Prize Lecture, Professor Rory Finnin (University of Cambridge) explains the profound significance of Crimea and shares untold stories of local resistance to Russian colonialism, past and present. Through literary and archival sources, he sheds light on the remarkable history and culture of Crimea’s indigenous Sunni Muslim people, the Crimean Tatars. His lecture argues that Ukrainian-Crimean Tatar relations are a key to understanding contemporary Ukraine and its vibrant civic national identity, which may be the most powerful force defending liberal democracy today. About the speaker Rory Finnin is professor of Ukrainian studies at the University of Cambridge. He launched the Cambridge Ukrainian Studies program in 2008. Finnin’s primary research interest is the interplay of culture and identity in Ukraine. His broader research interests include nationalism studies, solidarity studies, and cultural memory in the region of the Black Sea. Finnin is a graduate of St Ignatius High School (Cleveland), Georgetown University (B.A.), and Columbia University (Ph.D.). In 1995-97 he served as a U.S. Peace Corps volunteer in Ukraine. Originally published at nanovic.nd.edu.
- Oct 37:30 PMTheater: "The Wolves" by Sarah DeLappeThe Wolves drops you outdoors into the midst of a suburban high school girls' soccer team daily practice for six games. Amid warmup and training suffused by the raw energy accompanying youth on the brink of adulthood, the undefeated Wolves psych each other up or out, tackling whatever sport and life throw their way through rapid-fire, unfiltered conversations about the world and who they are within it. Then, what happens when you discover life is not a drill? GET TICKETS Performance Schedule October 2–6, 2024Wednesday–Friday at 7:30 PMSaturday at 2:30 PM and 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for The Wolves are now on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.Sarah DeLappe's Pulitzer Prize-nominated play, produced in collaboration with the DeBartolo Performing Art Center's Presenting Series.The Wolves is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.concordtheatricals.com
- Oct 412:00 PMFridays at Noon ConcertJoin the Department of Music for the first Fall Fridays at Noon concert, which features short performances by talented Department of Music students. Originally published at music.nd.edu.
- Oct 43:30 PMLecture: "A Career Doomed to Failure? Sir Thomas Cusack (1505–71) and the Tudor Conquest of Ireland"As part of the Keough-Naughton Institute's fall 2024 speaker series, Ciaran Brady, emeritus professor of early modern history and historiography at Trinity College Dublin, will deliver a lecture based on his forthcoming book about Sir Thomas Cusack. Lecture Abstract Thomas Cusack was at the forefront of Irish politics from the 1530s to the early 1570s. Closely associated with every initiative of Tudor policy in Ireland from the Reformation, the conciliatory policy of surrender, and regrant to the introduction of provincial presidencies, he was the only Irish-born official in the years after 1534 to hold the office of chief governor. Yet he remains one of those elusive figures who appear, positively but fleetingly, in historical studies of sixteenth century Ireland. No monograph devoted to Cusack has ever been attempted, and he has not even been the recipient of a single scholarly article. In this lecture, Ciaran Brady seeks to redress this neglect, but more importantly to question the underlying interpretative assumptions from which it arose. Speaker Biography Ciaran Brady, MRIA, is emeritus professor of early modern history and historiography, and Fellow Emeritus, at Trinity College Dublin. The author of several books, including The chief governors: the rise and fall of reform government in Tudor Ireland (Cambridge, 1994) and James Anthony Froude : an intellectual biography of a Victorian prophet (Oxford, 2013), his latest book, Sir Thomas Cusack: a Tudor career in sixteenth century Ireland, is currently being prepared for publication. Originally published at irishstudies.nd.edu.
- Oct 44:30 PM2024–25 Cushwa Center Lecture: “Francis S. MacNutt and the Globalization of Charismatic Christianity”Candy Gunther Brown (Indiana University, Bloomington) will deliver the 2024–25 Cushwa Center Lecture. Brown received a Research Travel Grant from the Cushwa Center in 2023 for a biography of Francis MacNutt, to be published in the Eerdmans Library of Religious Biography series. More recently, she secured a Louisville Institute Sabbatical Grant for Researchers in support of the book. The Cushwa Center recently interviewed Brown about her research on MacNutt and the dramatic growth of charismatic Christianity over the past half century. This event is free and open to all. About the speaker Candy Gunther Brown is professor of religious studies at Indiana University Bloomington. A historian and ethnographer of religion and culture, her research and writing have dealt with evangelical print culture and U.S. evangelicalism; global Pentecostal and Charismatic Christianity, science, medicine, and religion; and religious practices related to alternative healing, including yoga and mindfulness. Past projects have received support from, among other sources, the John Templeton Foundation and the Mellon Foundation.Image: Candy Gunther Brown, left; Francis MacNutt, right, at Notre Dame Stadium on June 14, 1974 (courtesy of Notre Dame Archives). Originally published at cushwa.nd.edu.
- Oct 47:30 PMTheater: "The Wolves" by Sarah DeLappeThe Wolves drops you outdoors into the midst of a suburban high school girls' soccer team daily practice for six games. Amid warmup and training suffused by the raw energy accompanying youth on the brink of adulthood, the undefeated Wolves psych each other up or out, tackling whatever sport and life throw their way through rapid-fire, unfiltered conversations about the world and who they are within it. Then, what happens when you discover life is not a drill? GET TICKETS Performance Schedule October 2–6, 2024Wednesday–Friday at 7:30 PMSaturday at 2:30 PM and 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for The Wolves are now on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.Sarah DeLappe's Pulitzer Prize-nominated play, produced in collaboration with the DeBartolo Performing Art Center's Presenting Series.The Wolves is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.concordtheatricals.com
- Oct 48:00 PMNotre Dame Glee Club: 109th Alumni Reunion ConcertThe current Glee Club comes together with alumni from the 1950s to the 2020s for a program of classical and popular selections, along with Glee Club favorites. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Oct 59:00 AMDolan Seminar/Book Talk: Emily Conroy-Krutz’s "Missionary Diplomacy"Emily Conroy-Krutz (Michigan State University) will discuss her book Missionary Diplomacy: Religion and Nineteenth-Century American Foreign Relations (Cornell, 2024) at the Cushwa Center's fall 2024 Jay P. Dolan Seminar in American Religion. Commentators for this seminar are Heather Curtis (Tufts University) and Amy S. Greenberg (Penn State). From the publisher Missionary Diplomacy illuminates the crucial place of religion in 19th-century American diplomacy. From the 1810s through the 1920s, Protestant missionaries positioned themselves as key experts in the development of American relations in Asia, Africa, the Pacific, and the Middle East. Missionaries served as consuls, translators, and occasional trouble-makers who forced the State Department to take actions it otherwise would have avoided. Yet as decades passed, more Americans began to question the propriety of missionaries' power. Were missionaries serving the interests of American diplomacy? Or were they creating unnecessary problems? As Emily Conroy-Krutz demonstrates, they were doing both. Across the century, missionaries forced the government to articulate new conceptions of the rights of U.S. citizens abroad and of the role of the United States as an engine of humanitarianism and religious freedom. By the time the United States entered the First World War, missionary diplomacy had for nearly a century created the conditions for some Americans to embrace a vision of their country as an internationally engaged world power. Missionary Diplomacy exposes the longstanding influence of evangelical missions on the shape of American foreign relations.Inaugurated in 1980 and named in 2023 to honor the Cushwa Center’s founding director, the Jay P. Dolan Seminar in American Religion convenes each semester at the University of Notre Dame to discuss a notable book recently published in the field. Along with faculty and graduate students from Notre Dame, scholars from throughout the Midwest travel to campus to attend as invited guests of the Cushwa Center. The featured author engages with two invited commentators as well as the larger group. The Saturday morning seminar is free and open to all. Originally published at cushwa.nd.edu.
- Oct 51:00 PMThe Metropolitan Opera/ Live in HD: "Les Contes d’Hoffman" (Offenbach)An ensemble of leading lights takes the stage for Offenbach's fantastical final work, headlined by tenor Benjamin Bernheim in the title role of the tormented poet. Hoffmann's trio of lovers are sung by soprano Erin Morley as the mechanical doll Olympia, soprano Pretty Yende as the plagued diva Antonia, and mezzo-soprano Clémentine Margaine as the Venetian seductress Giulietta. Marco Armiliato conducts Bartlett Sher's evocative production, which also features bass-baritone Christian Van Horn as the Four Villains and mezzo-soprano Vasilisa Berzhanskaya in an important company debut as Hoffmann's friend Nicklausse. GET TICKETS
- Oct 52:30 PMTheater: "The Wolves" by Sarah DeLappeThe Wolves drops you outdoors into the midst of a suburban high school girls' soccer team daily practice for six games. Amid warmup and training suffused by the raw energy accompanying youth on the brink of adulthood, the undefeated Wolves psych each other up or out, tackling whatever sport and life throw their way through rapid-fire, unfiltered conversations about the world and who they are within it. Then, what happens when you discover life is not a drill? GET TICKETS Performance Schedule October 2–6, 2024Wednesday–Friday at 7:30 PMSaturday at 2:30 PM and 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for The Wolves are now on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.Sarah DeLappe's Pulitzer Prize-nominated play, produced in collaboration with the DeBartolo Performing Art Center's Presenting Series.The Wolves is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.concordtheatricals.com
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