About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

CANCELED. About the Speaker Randall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With more than 20 international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at the Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the DocumentaryIn 1935, Yonezo Okita left his home in Hiroshima, Japan, and began a new life in Canada. Then war and state-sanctioned racism changed everything—he became the enemy. Three generations later, his grandson, artist Randall Okita, leads us on an interactive virtual pilgrimage through an emotional geography of immigration and family to recover what was lost. Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters, University of Notre Dame. Originally published at asia.nd.edu.

MFA Students Pick Some Films for Us to WatchDirected by Macoto TezukaWith Shingo Kubota, Kan Takagi, Kiyohiko OzakiNot Rated, 100 minutesIn Japanese with English subtitlesWith a scheduled introduction by Kiprop Kimutai.Taking inspiration from Phantom of the Paradise and The Rocky Horror Picture Show, Macoto Tezuka (son of manga legend Osamu Tezuka) and friends transformed the soundtrack to a movie that didn't exist into a real-life motion picture—and hence The Legend of the Stardust Brothers was born! The story follows a shady music mogul who brings together a punk and a new-waver to form the Stardust Brothers, who become a silver-jumpsuited, synth-pop sensation. A wild cult hit in Japan, this newly-restored, unsung gem has a chance to hit the big screen for the first time in decades. GET TICKETS

Visio Divina, or “sacred seeing,” is an ancient form of Christian prayer in which we allow our hearts and imaginations to prayerfully and meditatively enter into an image. Join the Raclin Murphy Museum of Art for guided sessions of visio divina with sacred art in the Mary, Queen of Families Chapel. This opportunity is a wonderful way to spiritually engage with this unique, art-filled space. Whether you are new to the practice of visio divina or a long-time devotee, all are welcome for a moment of peace, prayer, and meditation. Meet at the Welcome Desk on Level 1. Always free and open to all. Originally published at raclinmurphymuseum.nd.edu.

Renowned Korean knot artist Karen Ahn will lead a workshop on making traditional Korean knots (maedeup) to celebrate Korea Week 2025. Members of The Point at Notre Dame, the knitting and crocheting club, will serve as workshop assistants. Participants must register in advance. Limited to 40 participants. Registration is now CLOSED. Thank you for your support. About the Artist Born in Seoul, Karen Ahn works primarily in maedeup, a traditional Korean knotting art. Ahn began studying maedeup as a hobby in college and has continued refining her craft over several decades, leading workshops at the Korean Cultural Center New York, the Korea Society, Wave Hill, Stonybrook University, Flushing Town Hall (Queens, New York), and the Philadelphia Museum of Art. Ahn studied design at Sungkyunkwan University for her bachelor’s degree before graduating with an MFA in package design from Pratt Institute. About the Series Korea Week 2025 is co-hosted with Liu Institute for Asia and Asian Studies and Korean Cultural Center, Washington, D.C. This week is sponsored by the Department of East Asian Languages and Cultures, the Browning Cinema at the DeBartolo Performing Arts Center, and the St. Joseph County Public Library. Originally published at asia.nd.edu.

New at the BrowningDirected by David NovackProduced by Janice Englehart ('86)Not Rated, 103 minutes, DCPIn English and Chinese, Uyghur, and Kazakh with English subtitlesJewher Ilham scheduled to appear live!Jewher Ilham, a Uyghur teen from China with no English, lands in the United States after she is violently separated from her father at the Beijing airport as he is detained. Abduweli, a linguist and poet imprisoned and tortured for teaching Uyghur language to 6-year-olds, makes his way to Istanbul upon his release. Testimony and action from survivors of China's network of "re-education camps" and their families, in Turkey, Kazakhstan, Europe and the United States, infuse All Static & Noise with an urgency that exposes the mass brutality of state-sponsored oppression in Western China. Together these voices highlight the moral dilemma between risking the safety of families back home by speaking out and the necessity of exposing atrocities in the hope that global awareness will bring change. GET TICKETS This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby.