Professor Pfinklepfunder's $1 Sunday FilmsDirected by Kelly Asbury, Lorna CookWith Matt Damon, James Cromwell, Daniel StudiRated G, 83 minutes, Blu-rayIn the late 19th century, a feisty stallion named Spirit is held captive by a cruel colonel. But Spirit manages to escape, and he befriends a child and a mare named Rain, and they set out to return to their rightful places in the West. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Classics in the BrowningDirected by Lucrecia MartelWith Daniel Giménez Cacho, Lola Dueñas, Matheus NachtergaeleNot Rated, 115 minutes, DCPIn Spanish with English subtitlesArgentine writer Antonio di Benedetto wrote the novel Zama in 1956, and nearly sixty years later director Lucrecia Martel pumps the story set in the 1790s full of gasoline and hands us the matches. Zama (Daniel Giménez Cacho) is colonial middle management, working for the Spanish Crown in South America. He waits and plots and then waits and plots more for a letter from the king that will grant him a transfer from his remote town, in which he is stagnating, to a better place. He is forced to submissively accept every task entrusted to him by successive governors, who come and go as he stays behind, and unsurprisingly displaces that frustration on indigenous people. GET TICKETS *Free for ND, SMC, HC, and IUSB students.

The Katarina String Quartet has quickly emerged as one of North America's leading young string quartets. Currently serving as the Graduate Resident String Quartet at The Juilliard School, the tightly knit and community-focused ensemble explores all chamber music, from canonized works to contemporary pieces and arrangements of folk tunes.Whether interpreting Beethoven or a modern composer, the 2025 Fischoff Competition Grand Prize Winner creates an intimate, compelling listening experience. Come to start the week with an afternoon interlude of artistry, where tradition meets innovation to tell stories in new and genuine ways.In the O'Neill Hall of Music GET TICKETS

So much art, so little time! Join in for this 15-minute lunchtime program, where a member of the museum's education staff will lead a brief, interactive exploration of a single work of art in the permanent collection. Not all works on view take center stage, so join us for this opportunity to take a deep dive into a piece that you might not have noticed on a previous stroll through the galleries. Gain new perspectives on an old favorite, or engage with something completely new! After our time in the galleries, participants can explore other works in the Museum or enjoy a 10 percent discount at Ivan’s Cafe. Originally published at raclinmurphymuseum.nd.edu.

Please join the Keough-Naughton Institute for Irish Studies and the Raclin Murphy Museum of Art for a public conversation with Caroline Campbell, director of the National Gallery of Ireland. Campbell will be joined in conversation by Judith Stapleton, postdoctoral research associate at the Keough-Naughton Institute.  Copies of Caroline Campbell's Power of Art (Pegasus Books, 2024) will be available for purchase after the event. About Caroline Campbell Born and educated in Belfast, Caroline Campbell became director of the National Gallery of Ireland in November 2022. Caroline studied modern history at University College Oxford, and has an M.A. and Ph.D. from the Courtauld Institute of Art, University of London. She is a former Fellow of the Center for Curatorial Leadership, New York. Before joining the National Gallery of Ireland, Caroline was Director of Collections and Research at the National Gallery, London. Earlier in her career she held curatorial positions at the Ashmolean Museum, Oxford, the Courtauld Gallery, London, and the National Gallery. Caroline has published widely on European art from the Middle Ages to the twentieth century, particularly on the Italian Renaissance. She has curated and co-curated many exhibitions, including Bellini and the East (2005-06), Love and Marriage in Renaissance Florence (2009); Building the Picture: Architecture in Italian Renaissance Painting (2014), Duccio/Caro: In Dialogue (2015) and Mantegna and Bellini (2018-19). Caroline is a strong advocate of widening participation and digital engagement in museums. Her interest in art history developed after a visit to the National Gallery of Ireland as a teenager, and she wants all young people to be able to see and enjoy great art.   Originally published at irishstudies.nd.edu.