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- Oct 307:30 PMTheater: "Twelfth Night" (Actors From The London Stage Fall 2024)Love, deception, ambition, and desire collide in Twelfth Night, Shakespeare’s great romantic comedy. A delightful blend of mistaken identity, disguises, and love triangles, Twelfth Night features some of Shakespeare’s most famed passages, with its effervescent comic energy carried swiftly by deeper currents of grief, forgiveness, and transformation. Fast, energetic, and above all gloriously entertaining, Twelfth Night is one of the great playwright’s most popular and enduring stories. Actors From The London Stage, the renowned five-actor touring group, brings Twelfth Night back to the touring circuit in fall 2024. With each actor portraying multiple roles, this dynamic, self-directed ensemble brings a fresh and vivacious energy to each new performance. Shipwrecked on the isle of Illyria, Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, with whom she falls in love. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Will Viola ultimately be able to be with the one she loves? CAST: Shona Babayemi: Olivia/Maria/OfficersSarah Finigan: Toby Belch/Antonio/CurioSam Jenkins-Shaw: Orsino/Feste/FabianThuliswa Magwaza: Viola/SebastianHayden Wood: Malvolio/Sir Andrew/ValentineTOUR SCHEDULEWeek 1 - 9/23/-9/29: Wellesley College, Wellesley, MA Week 2 - 9/30-10/6: TBD Week 3 - 10/7-10/13: University of Texas - San Antonio, San Antonio, TX Week 4 - 10/14-10/20: University of Florida - Gainesville, Gainsville, FL Week 5 - 10/21-10/27: University of Tennessee - Chattanooga, Chattanooga, TN Week 6 - 10/28-11/3: University of Notre Dame, Notre Dame, IN Week 7 - 11/4-11/10: University of North Alabama, Florence, AL Week 8 - 11/11-11/17: DePauw University, Greencastle, IN Week 9 - 11/18-11/24: TBD Originally published at shakespeare.nd.edu.
- Oct 317:30 PMTheater: "Twelfth Night" (Actors From The London Stage Fall 2024)Love, deception, ambition, and desire collide in Twelfth Night, Shakespeare’s great romantic comedy. A delightful blend of mistaken identity, disguises, and love triangles, Twelfth Night features some of Shakespeare’s most famed passages, with its effervescent comic energy carried swiftly by deeper currents of grief, forgiveness, and transformation. Fast, energetic, and above all gloriously entertaining, Twelfth Night is one of the great playwright’s most popular and enduring stories. Actors From The London Stage, the renowned five-actor touring group, brings Twelfth Night back to the touring circuit in fall 2024. With each actor portraying multiple roles, this dynamic, self-directed ensemble brings a fresh and vivacious energy to each new performance. Shipwrecked on the isle of Illyria, Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, with whom she falls in love. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Will Viola ultimately be able to be with the one she loves? CAST: Shona Babayemi: Olivia/Maria/OfficersSarah Finigan: Toby Belch/Antonio/CurioSam Jenkins-Shaw: Orsino/Feste/FabianThuliswa Magwaza: Viola/SebastianHayden Wood: Malvolio/Sir Andrew/ValentineTOUR SCHEDULEWeek 1 - 9/23/-9/29: Wellesley College, Wellesley, MA Week 2 - 9/30-10/6: TBD Week 3 - 10/7-10/13: University of Texas - San Antonio, San Antonio, TX Week 4 - 10/14-10/20: University of Florida - Gainesville, Gainsville, FL Week 5 - 10/21-10/27: University of Tennessee - Chattanooga, Chattanooga, TN Week 6 - 10/28-11/3: University of Notre Dame, Notre Dame, IN Week 7 - 11/4-11/10: University of North Alabama, Florence, AL Week 8 - 11/11-11/17: DePauw University, Greencastle, IN Week 9 - 11/18-11/24: TBD Originally published at shakespeare.nd.edu.
- Nov 112:00 PMConcert: Fridays at NoonJoin us in O'Neill Hall of Music for the first Fall Fridays at Noon concert, which features short performances by talented Department of Music students. Originally published at music.nd.edu.
- Nov 17:30 PMTheater: "Twelfth Night" (Actors From The London Stage Fall 2024)Love, deception, ambition, and desire collide in Twelfth Night, Shakespeare’s great romantic comedy. A delightful blend of mistaken identity, disguises, and love triangles, Twelfth Night features some of Shakespeare’s most famed passages, with its effervescent comic energy carried swiftly by deeper currents of grief, forgiveness, and transformation. Fast, energetic, and above all gloriously entertaining, Twelfth Night is one of the great playwright’s most popular and enduring stories. Actors From The London Stage, the renowned five-actor touring group, brings Twelfth Night back to the touring circuit in fall 2024. With each actor portraying multiple roles, this dynamic, self-directed ensemble brings a fresh and vivacious energy to each new performance. Shipwrecked on the isle of Illyria, Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, with whom she falls in love. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Will Viola ultimately be able to be with the one she loves? CAST: Shona Babayemi: Olivia/Maria/OfficersSarah Finigan: Toby Belch/Antonio/CurioSam Jenkins-Shaw: Orsino/Feste/FabianThuliswa Magwaza: Viola/SebastianHayden Wood: Malvolio/Sir Andrew/ValentineTOUR SCHEDULEWeek 1 - 9/23/-9/29: Wellesley College, Wellesley, MA Week 2 - 9/30-10/6: TBD Week 3 - 10/7-10/13: University of Texas - San Antonio, San Antonio, TX Week 4 - 10/14-10/20: University of Florida - Gainesville, Gainsville, FL Week 5 - 10/21-10/27: University of Tennessee - Chattanooga, Chattanooga, TN Week 6 - 10/28-11/3: University of Notre Dame, Notre Dame, IN Week 7 - 11/4-11/10: University of North Alabama, Florence, AL Week 8 - 11/11-11/17: DePauw University, Greencastle, IN Week 9 - 11/18-11/24: TBD Originally published at shakespeare.nd.edu.
- Nov 18:00 PMConcert: Notre Dame ChoraleNotre Dame’s flagship vocal ensemble presents a typically wide mix of choral masterpieces from the Renaissance to the 20th century. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 75:00 PMLecture — "Literary Celebs: Amalia Guglielminetti, Guido Gozzano and the Price of Fame"The Center for Italian Studies is pleased to host a lecture by Professor John Welle (Notre Dame). “L’unica poetessa che abbia oggi l’Italia,” Gabriele D’Annunzio declared of Amalia Guglielminetti, who began her literary career at the age of eighteen in 1901 with the ode “Al giglio sabuado” celebrating the birth of Princess Jolanda of Savoy. In the following decade, emerging onto the rich cultural scene of her native Turin, the Italian center of both the worker’s movement and the drive for female emancipation, she would bring forth three of the most important books of poetry of the new century: Le vergini folli (1907), Le seduzioni (1909), and L’insonne (1913). Adopting classical forms such as the songbook, the sonnet, and the tercet, her modernizing self-fashioning showcases various masks of the modern “donna nuova,” from the femme fatale to the emancipated woman. While linked to such traditional figures as Gaspara Stampa and other female poets of the Renaissance, she was also praised for her “stupefacente originalità.” Moreover, her early career, in its rapid rise to literary success, parallels that of her intimate friend, confidant and fellow Turin poet, Guido Gozzano. Their epistolary exchanges, numbering some 126 letters, dated between 1906 and 1912, shed light on their mutual admiration, tense romantic engagement — more literary than amorous — and common “will to fame.” Within the context of women writers of the early 20th century, as well as within that of the modern Italian poetic canon, this research seminar proposes revisiting Amalia Guglielminetti’s literary accomplishments for serious critical reconsideration. While focusing on the dialogue in letters and in verse between these two poets from Turin during the high point of their literary celebrity, I will also trace the factors that have marginalized the female writer in relation to her male counterpart(s), denying her the fame that she so richly deserves. John P. Welle is professor of Italian and concurrent professor of film, television and theatre, emeritus at the University of Notre Dame.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.
- Nov 76:00 PMMusic Program by Renana Gutman, pianistAcclaimed pianist Renana Gutman presents a program of Jewish composers who perished during the Holocaust, alongside works by their contemporaries — Berg, Ravel, and Debussy. This is event is free and not ticketed. Originally published at music.nd.edu.
- Nov 88:00 PMFall Concert: Notre Dame Glee ClubThe Glee Club’s annual fall concert features classical and popular music for men’s choirs, ranging from motets of Victoria and songs of Schubert and Mendelssohn to arrangements of hits by The Beach Boys and The Beatles. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 158:00 PMConcert: Notre Dame Symphony OrchestraFor its November concert, the NDSO presents great orchestral variations by Beethoven (the Finale of the “Eroica” Symphony), Brahms (“Haydn” Variations), and Elgar (“Enigma” Variations). For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 173:00 PMFall Concert: Symphonic Winds & BandThe Symphonic Winds and Symphonic Band present their fall concert, featuring overtures, marches, and traditional concert band works. The grand finale features nearly 150 band musicians performing traditional Notre Dame school songs, including the famed “Notre Dame Victory March.” For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 215:00 PMLecture: "The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment"Soares, António, Artist. Humorous Map of Europe. Lisboa, Portugal: A Editora, 1914. Map. https://www.loc.gov/item/2021668737/.The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is Inaugural Director of the Georgetown Humanities Initiative and Professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.
- Nov 232:30 PMConcert: Haydn’s "The Creation"Sacred Music Notre Dame, the Singing Irish of Sacred Music at Notre Dame, members from the Notre Dame Children's Liturgical Choir, and the Sacred Music Festival Orchestra perform Haydn's The Creation (1798). Drawing from the books of Genesis, Psalms, and John Milton's epic Paradise Lost to represent the six days of creation, Haydn was inspired to compose his first oratorio, now an iconic Western masterwork, after a Handel festival including Messiah. His colorful, imaginative, and tremendously satisfying choruses are favorites among choral singers and music lovers. GET TICKETS
- Dec 55:00 PMLecture: "A Reckless and Scandalous Doctrine: Matthias Ferchius, a Franciscan in the Index"The Center for Italian Studies is pleased to host a lecture by Professor Eva Del Soldato (University of Pennsylvania) titled: A Reckless and Scandalous Doctrine: Matthias Ferchius, a Franciscan in the Index This paper delves into the intriguing journey of a forgotten booklet by the Franciscan Matthias Ferchius (1583-1669), drawing from recently unearthed material. It uncovers a fascinating blend of Biblical exegesis, poison expertise, medical reasoning, and rhetorical balancing acts, all in an audacious attempt by Ferchius to present no less than a revisionist account of the death of Jesus Christ. The paper will engage in the dialectic between Ferchius and the Holy Office censors, shedding light on the aspects of Ferchius’s text that raised particular concerns. It will also demonstrate how the pursuit of “new” outlooks in philosophy and theology always necessitated a firm reliance on tradition, a fact exemplified by other episodes of Ferchius’ intellectual career. Lastly, it will bring to the fore the paradoxical outcomes of this form of “conspiracy” philology. Eva Del Soldato is associate professor of Italian Studies at the University of Pennsylvania, where she directs the FIGS Graduate Program and serves as interim director of the Center for Italian Studies. She was trained in philosophy and intellectual history at the Scuola Normale Superiore di Pisa. Her research is primarily devoted to Renaissance thought and culture, particularly the Aristotelian and Platonic traditions. Her current project is focused on lovesickness treatises in the Counterreformation period. She is the author of the monographs Simone Porzio (2010) and Early Modern Aristotle. On the Making and Unmaking of Authority (2020). She has also published several articles and editions, including the Italian translation of Bessarion's In calumniatorem Platonis. She has co-edited several volumes (the most recent is Plato in the Italian Universities, 2024). She received— among others — fellowships from the Scuola Normale Superiore, Villa I Tatti, the Herzog August Bibliothek in Wolfenbuettel, the Huntington Library in Pasadena, and she has been a Marie Curie Fellow at the University of Warwick, UK. She has been a visiting professor at the University of Milan, the University of Bergamo, and the 2022/2023 Charles Speroni Chair at UCLA. She has been the interim director (2019/2020) of the Global Medieval Studies Program at Penn, and she is currently the executive secretary of the American Association for Italian Studies (AAIS). The lecture is co-sponsored by the Medieval Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.
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