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October 2023
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Thursday, September 14, 2023
- 12:00 AM23h 59mND Energy WeekND Energy is pleased to announce its 17th annual Notre Dame Energy Week Plus from Monday, September 11, to Friday, September 22, 2023, offering a broad range of events focused on important topics and current issues surrounding sustainable energy. For questions, please contact Anne Berges Pillai at apillai@nd.edu. For a complete schedule of events and details, please visit the link below. See the complete schedule at a glance here.
- 12:00 AM23h 59mSustainability Cup: ND Energy WeekEarn points for your dorm toward the Sustainability Cup (sponsored by Student Government)! Every event you participate in will earn points. The dorm with the most points wins! SpeakersSept 11, 4-5 p.m., Carey Auditorium, Hesburgh Library, "The Challenges of Moon Colonization" Sept 13, 7-8 p.m., Eck Visitors Center Auditorium, "Confronting the Climate Crisis Across the Disciplines" Sept 20, 7-8 p.m., 140 DeBartolo Hall, "Adding Solar to the Mix: Notre Dame's Energy Landscape" Sept 21, 7-8 p.m., Carey Auditorium, Hesburgh Library, "ND Energy Bouts: Round 3" ToursSept 12, 4-5:00 p.m., South Bend, Pure Green Farms Tour (RSVP required)Sept 14, 4-5 p.m., Ignition Park, Notre Dame Turbomachinery Laboratory Tour (RSVP required)Sept 20 and 21, 12:30-1:30 p.m., on campus, Notre Dame Power Plant Tour (RSVP required)Career DevelopmentSept 18, 11:30-12:30 p.m., What's It Really Like?: Working for Duke Energy Sustainable Solutions (RSVP required)Sept 18, 12:30-1:30 p.m., What's It Really Like?: Working in Nuclear at Kinectrics (RSVP required)Sept 18, 5:30-7:30 p.m., 8th Floor, Duncan Student Center, Notre Dame Sustainability Expo Sept 20, 9-10:30 a.m., 512 Duncan Student Center, Energy Summit Panel DiscussionSept 22, 2-4 p.m., Golden Gateway Reception (RSVP required)Special EventSept 15, 1-2:30 p.m., Room 1, N135 Duncan Student Center, SustainaStyle: Unthreading Fast Fashion
- 8:00 AM9hAAHD Gallery Exhibition: "The Sound of Found Objects" by Neill PrewittWe are thrilled to announce the upcoming exhibition, The Sound of Found Objects by the talented Neill Prewitt, at A|AH|D Gallery (room 214) in Riley Hall. You're invited to join us at the opening reception from 5 to 7 p.m. Thursday, Aug. 31, where you'll have the chance to experience a captivating performance at 5:30 p.m. Get ready to be inspired and moved by Prewitt's remarkable work, on display from August 31 until September 28, 2023. --- Artist Statement In The Sound of Found Objects, an installation by Neill Prewitt, a group of everyday objects come alive, moving and singing in video projections synchronized across the four walls of the gallery. Rhythm, both visual and musical, animates what were once an unremarkable lot of found objects, and frees them from the semantic dead-end of their ordinary use. Both immersive and non-narrative, the installation encourages playfulness to reanimate our relationship to ordinary things. During his visit to campus Prewitt will also lead the participatory performance Found Object Choir, in which he facilitates the audience improvising movement and sound with found objects. Biography Neill Prewitt works in video, sound, performance, and installation. Neill has produced videos and installations that have been shown nationally at 621 Gallery in Tallahassee, FL; Lump in Raleigh, NC; and Freedman Gallery at Albright College in Reading, PA. He has performed and produced participatory art at numerous sites nationally including Satellite Art Show Miami; Amos Eno Gallery in Brooklyn, NY; OBX Art Truck in Elizabeth City, NC; and Silent Barn in Brooklyn. With the collective Yuxtapongo, Neill has produced art for public spaces including public access TV, as well as installations that have been shown at the Nasher Museum of Art at Duke University in Durham, NC. Neill is currently senior lecturer and foundations coordinator at Georgia State University in Atlanta, GA. neillprewitt.comOriginally published at artdept.nd.edu.
- 8:00 AM9hAAHD Gallery Exhibition: "The Sound of Found Objects" by Neill PrewittWe are thrilled to announce the upcoming exhibition, The Sound of Found Objects by the talented Neill Prewitt, at A|AH|D Gallery (room 214) in Riley Hall. You're invited to join us at the opening reception from 5 to 7 p.m. Thursday, Aug. 31, where you'll have the chance to experience a captivating performance at 5:30 p.m. Get ready to be inspired and moved by Prewitt's remarkable work, on display from August 31 until September 28, 2023. --- Artist Statement In The Sound of Found Objects, an installation by Neill Prewitt, a group of everyday objects come alive, moving and singing in video projections synchronized across the four walls of the gallery. Rhythm, both visual and musical, animates what were once an unremarkable lot of found objects, and frees them from the semantic dead-end of their ordinary use. Both immersive and non-narrative, the installation encourages playfulness to reanimate our relationship to ordinary things. During his visit to campus Prewitt will also lead the participatory performance Found Object Choir, in which he facilitates the audience improvising movement and sound with found objects. Biography Neill Prewitt works in video, sound, performance, and installation. Neill has produced videos and installations that have been shown nationally at 621 Gallery in Tallahassee, FL; Lump in Raleigh, NC; and Freedman Gallery at Albright College in Reading, PA. He has performed and produced participatory art at numerous sites nationally including Satellite Art Show Miami; Amos Eno Gallery in Brooklyn, NY; OBX Art Truck in Elizabeth City, NC; and Silent Barn in Brooklyn. With the collective Yuxtapongo, Neill has produced art for public spaces including public access TV, as well as installations that have been shown at the Nasher Museum of Art at Duke University in Durham, NC. Neill is currently senior lecturer and foundations coordinator at Georgia State University in Atlanta, GA. neillprewitt.comOriginally published at artdept.nd.edu.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hFall Exhibit — "Making and Unmaking Emancipation in Cuba and the United States"This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Bohlmann.2@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:Sept. 1 Sept. 15 Sept. 22 Oct. 13 Oct. 27 Nov. 17This exhibit is curated by Rachel Bohlmann, American History Librarian and Curator, and Erika Hosselkus, Latin American Studies Curator and Associate University Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Centering African American Writing in American Literature"Decades before Alex Haley’s Roots swept to No. 1 on the New York Times Best Seller List in 1976, writing and editing produced by African Americans was central to twentieth-century American publishing. Literary production was interracial. View examples of mid-century books by African Americans whose designs — from dust jackets to illustrations to bindings and paper quality — conveyed their centrality in publishing and American literature. This exhibit is curated by Korey Garibaldi, asociate professor of American Studies, and Rachel Bohlmann, curator of North Americana at Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Centering African American Writing in American Literature"Decades before Alex Haley’s Roots swept to No. 1 on the New York Times Best Seller List in 1976, writing and editing produced by African Americans was central to twentieth-century American publishing. Literary production was interracial. View examples of mid-century books by African Americans whose designs — from dust jackets to illustrations to bindings and paper quality — conveyed their centrality in publishing and American literature. This exhibit is curated by Korey Garibaldi, asociate professor of American Studies, and Rachel Bohlmann, curator of North Americana at Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Centering African American Writing in American Literature"Decades before Alex Haley’s Roots swept to No. 1 on the New York Times Best Seller List in 1976, writing and editing produced by African Americans was central to twentieth-century American publishing. Literary production was interracial. View examples of mid-century books by African Americans whose designs — from dust jackets to illustrations to bindings and paper quality — conveyed their centrality in publishing and American literature. This exhibit is curated by Korey Garibaldi, asociate professor of American Studies, and Rachel Bohlmann, curator of North Americana at Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Centering African American Writing in American Literature"Decades before Alex Haley’s Roots swept to No. 1 on the New York Times Best Seller List in 1976, writing and editing produced by African Americans was central to twentieth-century American publishing. Literary production was interracial. View examples of mid-century books by African Americans whose designs — from dust jackets to illustrations to bindings and paper quality — conveyed their centrality in publishing and American literature. This exhibit is curated by Korey Garibaldi, asociate professor of American Studies, and Rachel Bohlmann, curator of North Americana at Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 9:30 AM7hSpotlight Exhibit — "Football and Community at Historically Black Colleges and Universities"From its origins on campus in the late nineteenth century, football at Historically Black Colleges and Universities has held a central place in the African American sporting experience, in the landscape of Black higher education, and in the broader African American community. During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs. Over the first half of the twentieth century, many of the yearly gridiron contests between rival HBCUs developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The yearly games brought together members of the African American community and came to include a wide range of associated events including dances, parades, musical shows, fundraising drives, and other festivities. We are pleased to exhibit a selection of sources from the Joyce Sports Research Collection that preserve the history of HBCU football. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities. This exhibit is curated by Greg Bond, curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Open to undergraduates, graduate students, postdocs, faculty, staff, the public, alumni and friends.
- 5:15 PM1h2023 Fall Lecture Series: "Directions for the Rebuilding of Ukraine"Today, Ukraine is facing the most significant war in Europe since the Second World War. As of December 2022, the total damage to Ukrainian infrastructure amounted to $137.8 billion USD and over 8 million people have been displaced from their homes. Join Professor Kryvoruchko, as he shares his insights into accommodating 8 million displaced people and the most important directions and actions for rebuilding Ukraine. Register Here Originally published at architecture.nd.edu.
- 5:15 PM1h2023 Fall Lecture Series: "Directions for the Rebuilding of Ukraine"Today, Ukraine is facing the most significant war in Europe since the Second World War. As of December 2022, the total damage to Ukrainian infrastructure amounted to $137.8 billion USD and over 8 million people have been displaced from their homes. Join Professor Kryvoruchko, as he shares his insights into accommodating 8 million displaced people and the most important directions and actions for rebuilding Ukraine. Register Here Originally published at architecture.nd.edu.
- 5:15 PM1h2023 Fall Lecture Series: "Directions for the Rebuilding of Ukraine"Today, Ukraine is facing the most significant war in Europe since the Second World War. As of December 2022, the total damage to Ukrainian infrastructure amounted to $137.8 billion USD and over 8 million people have been displaced from their homes. Join Professor Kryvoruchko, as he shares his insights into accommodating 8 million displaced people and the most important directions and actions for rebuilding Ukraine. Register Here Originally published at architecture.nd.edu.
- 5:15 PM1h2023 Fall Lecture Series: "Directions for the Rebuilding of Ukraine"Today, Ukraine is facing the most significant war in Europe since the Second World War. As of December 2022, the total damage to Ukrainian infrastructure amounted to $137.8 billion USD and over 8 million people have been displaced from their homes. Join Professor Kryvoruchko, as he shares his insights into accommodating 8 million displaced people and the most important directions and actions for rebuilding Ukraine. Register Here Originally published at architecture.nd.edu.
- 6:00 PM1hBehind the Scenes Basilica TourJoin the Church Properties Initiative for a behind the scenes tour of the iconic Basilica of the Sacred Heart by Rev. Brian Ching, C.S.C. Father Brian will share the historical, architectural, and theological siginificance of the basilica as we climb the choir loft and descend into the crypt and more! The event is open to all students (grad and undergrad) and is put on by the Church Property Fellows. Space is limited, so please sign up here. We will meet at the back of the Basilica at the baptismal font following 5:15 p.m. daily Mass. For questions or more information, contact David at dmurph10@nd.edu. Originally published at realestate.nd.edu.
- 6:00 PM1hBehind the Scenes Basilica TourJoin the Church Properties Initiative for a behind the scenes tour of the iconic Basilica of the Sacred Heart by Rev. Brian Ching, C.S.C. Father Brian will share the historical, architectural, and theological siginificance of the basilica as we climb the choir loft and descend into the crypt and more! The event is open to all students (grad and undergrad) and is put on by the Church Property Fellows. Space is limited, so please sign up here. We will meet at the back of the Basilica at the baptismal font following 5:15 p.m. daily Mass. For questions or more information, contact David at dmurph10@nd.edu. Originally published at realestate.nd.edu.
- 6:00 PM1hBehind the Scenes Basilica TourJoin the Church Properties Initiative for a behind the scenes tour of the iconic Basilica of the Sacred Heart by Rev. Brian Ching, C.S.C. Father Brian will share the historical, architectural, and theological siginificance of the basilica as we climb the choir loft and descend into the crypt and more! The event is open to all students (grad and undergrad) and is put on by the Church Property Fellows. Space is limited, so please sign up here. We will meet at the back of the Basilica at the baptismal font following 5:15 p.m. daily Mass. For questions or more information, contact David at dmurph10@nd.edu. Originally published at realestate.nd.edu.
- 6:30 PM3hFilm: "The Conformist" (1970)In Mussolini's Italy, repressed Marcello (Jean-Louis Trintignant) joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium; and wife Giulia (Stefania Sandrelli) and lover Anna (Dominique Sanda) dancing the tango in a working class hall. But those are only a few of this political thriller's anthology pieces. Part of the series Learning Beyond the Classics: Early 70s Italian Cinema.Free for ND, SMC, HC, and IUSB students.Purchase tickets online or at the DeBartolo Performing Arts Center box office window.
- 9:30 PM1h 30mFilm: "Talk to Me" (2023)A coming-of-age tale wrapped inside a cautionary tale of communicating with the dead is a fun subgenre (see, e.g., 1986's Witchboard, which is currently being rebooted). In Talk to Me, both the coming-of-age vibes and the scares are given a deeper resonance than its peers thanks to the slick direction, breezy comedic moments, and actors willing to ground potential stock characters in actual pathos. The result shapes the stretched limits of Ozploitation films into an instant horror film classic that speaks to both modern-day youth performance on social media and family hangups from time immemorial. All this comes from when a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes something meant to stay on the other side. GET TICKETS