The Notre Dame Latin American and Latino Young Scholars Conference, set for Thursday and Friday, Oct. 9-10, aims to create community among interdisciplinary Notre Dame scholars, both those who identify as Latin American and/or Latino, together with those whose research focuses on Latin America and Latino Studies. Hosted by the Latin American Students Unidos (LASU), the event is open to all graduate students and postdocs. Come and listen to peers present their research to a dynamic and interdisciplinary community, and connect with scholars who share similar interests. For more information, contact: LATGRAD@ND.EDU. To register, visit: https://forms.gle/iacTTtfaqhnKdYMs9 Review the conference agenda.Thursday, October 9Alumni Panel & Reception4:00 pm Hesburgh Center for International StudiesRuth Solatre-Hensgen (PhD, Spanish, 2022), Assistant Professor of Modern Languages and Cultures, St. Mary's College, Notre Dame Noe Pliego Campos(PhD, History 2023), Byron K. Trippet Assistant Professor of History, Wabash College Karla Adriana González Serrano (PhD, Electrical Engineering, 2022), Postdoctoral Researcher in Biomedical & Electrical Engineering, University of Notre Dame Xóchitl Bada (PhD, Sociology, 2008), Professor of Sociology, University of Illinois, Chicago Pablo Forni (PhD, Sociology, 2000), Director of the Institute for Social Science Research; Professor of Sociology, Universidad del Salvador (USAL)The conference is hosted by the LASU) in collaboration with various campus partners like the Kroc Institute for International Peace Studies. Originally published at kroc.nd.edu.

History shows that social movements are able to shape policy if they employ wise strategies, attract mass support, build broadly-based coalitions, articulate compelling narratives, and are persistent in applying pressure for change. Using the Vietnam peace movement, Nuclear Weapons Freeze Campaign, and Iraq antiwar movement as examples, David Cortright, Keough School of Global Affairs professor emeritus of the practice, will identify lessons for contemporary campaigns to prevent a new arms race and protest movements to oppose authoritarianism and social injustice, including the historic Hands Off, No Kings and Good Trouble mobilizations of recent months. David Griffith, assistant advising professor with the College of Arts and Letters and a concurrent teaching professor with the Reilly Center for Science, Technology, and Values, will serve as the respondent, with Lisa Schirch, Richard G. Starmann, Sr. professor of the practice of peace studies, moderating the discussion. The session will be held in person in Jenkins Nanovic Halls, Rm. 1050, as well as being held live on Zoom. To attend virtually, register here. Photo courtesy of: StephenLukeEdD/Flickr Register here Originally published at kroc.nd.edu.

Get involved in the South Bend community! All students, faculty, and staff are welcome at the 2025 Community Engagement Fair. Meet with more than 30 local organizations that focus on a range of issues, including early childhood education, youth development, housing and homelessness, reentry support, dementia care, food justice, domestic violence, immigrant services, and community outreach. Free food! Sponsored by the Institute for Social Concerns and Student Government.

"Alba: Beyond Borders" — Album release event   Join us for a special evening celebrating the release of Alba: Beyond Borders, a deeply personal and groundbreaking album by acclaimed Venezuelan-American soprano María Brea and Israeli-American pianist Dror Baitel. This event will feature an intimate recital of works from the album, offering a unique opportunity to experience their cross-cultural musical journey live. Following the performance, you are invited to a special reception to celebrate the album's release. Don't miss this opportunity to mingle with María Brea and Dror Baitel, purchase your copy of Alba: Beyond Borders, and have it personally signed.Alba: Beyond Borders is more than just an album; it's a testament to the power of music to unite diverse cultures and histories. The title itself is a play on words: "Alba" means "dawn" in Spanish, symbolizing renewal and new beginnings, while the phrase "Beyond Borders" speaks to the project's core mission. The album traverses cultural, geographic, and emotional frontiers by bringing together the rich musical traditions of Latin America and the Jewish diaspora. It is a tribute to the historical connection between these two vibrant cultures, a relationship that dates back over 500 years.   Free and open to the public. Originally published at music.nd.edu.

Classics in the Browning Directed by Eom Yu-naWith Yoo Hae-jin, Yoon Kye-sang, Jo Hyun-do Not Rated, 135 minutesIn Korean with English subtitles The perfect film to celebrate Hangeul Day. This historical drama with comedic flourishes is set in 1940s Korea during its period of Japanese occupation when the Korean language itself was demoted and outlawed. A chance encounter between the illiterate Pan-soo (Yoo Hae-jin) and a representative of the Korean Language Society (Yoon Kye-sang) brings together an unlikely partnership working to publish a Korean language dictionary in defiance of the law. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

The Liu Institute for Asia and Asian Studies presents the 2019 Korean film Mal-Mo-E (The Secret Mission), celebrating the 579th Hangul Day (Korean Alphabet Day), as part of Korea Week and the film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema. Hayun Cho, assistant professor of East Asian Languages and Cultures, will moderate the Q&A session after the film. About the Film Imprisoned several times during the 1940s, when Korea was under Japanese occupation, Kim Pan-Soo does not know how to read or write Korean Hangul or any other language. The Imperial Japanese government bans the teaching of Korean in the schools. He meets a representative of the Korean Language Society and joins forces to publish a dictionary of the Korean language. The story is a fictional treatment of both the work of the Korean Language Society and the 1942 Korean Language Society Incident, when Japanese authorities arrested members for allegedly supporting the independence movement. 135 minutes | PG-13 RatingDirected by Yuna EomKorean and Japanese with English subtitles Hayun Cho, assistant professor of East Asian Languages and Cultures, will lead the discussion and Q&A after Mal Mo E. Tickets Tickets are $4-7 for the general public and are free for ND, SMC, HC, and IUSB students. Contact the box office at 574-631-2800 or visit performingarts.nd.edu. Sponsors Korea Week, sponsored by the Liu Institute for Asia and Asian Studies and the Department of East Asian Languages and Cultures, and part of the film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema. Sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Franco Family Institute for Liberal Arts and the Public Good. Originally published at asia.nd.edu.

RED CUP.  Presented by Notre Dame Film, Television, and Theatre Directed by by Matt Hakwins Returning to the stage for a second year, "RED CUP" is an one-act documentary theatre performance inspired by written essays from Notre Dame students on the drinking culture in college, a culture often associated with "rest" or "leisure."The play is inspired by the final papers written for the course "Drunk on Film: The Psychology of Storytelling with Alcohol and Its Effects on Alcohol Consumption at Notre Dame." With a visual motif of the ubiquitous red Solo party cup, and accompanied by a host of media references from films, ads, and social media posts, "RED CUP" tells the intimate stories of a small group of Notre Dame students, and the profound effect alcohol has had in their lives, from childhood through their senior year in college. Performance Schedule October 8-9Wednesday & Thursday at 6:30 PM & 8:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for RED CUP. are FREE for everyone. Tickets may be reserved in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. RESERVE TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.

In collaboration with the University Counseling Center (UCC) and the McDonald Center for Student Well-being (MDC), this support forum offers an open space for students experiencing concerns related to substance use and recovery, offering a practical, skills-based approach to maintenance and well-being. We will cover topics such as finding and maintaining your motivation ("why"), navigating urges and cravings, cultivating self-awareness, and integrating holistic well-being. Originally published at mcwell.nd.edu.

Prepare for another sold-out performance by the outstanding vocal ensemble Chanticleer. Their mastery of a cappella classical music brought down the house in 2011. More popular than ever, expect its trademark blend of impeccable technique, innovative arrangements, and lush harmony to grab those in even the farthest seat from the stage. Known as "an orchestra of voices," this Grammy-winning group effortlessly navigates a repertoire that spans centuries and styles from Renaissance motets to jazz standards and new commissions.Chanticleer has set the standard for choral singing at its highest level, performed with warmth, precision, and breathtaking beauty. A Chanticleer concert leaves audiences uplifted and inspired. You will want to hear one of the world's premier vocal ensembles live! GET TICKETS

The Notre Dame Latin American and Latino Young Scholars Conference, set for Thursday and Friday, Oct. 9-10, aims to create community among interdisciplinary Notre Dame scholars, both those who identify as Latin American and/or Latino, together with those whose research focuses on Latin America and Latino Studies. Hosted by the Latin American Students Unidos (LASU), the event is open to all graduate students and postdocs. Come and listen to peers present their research to a dynamic and interdisciplinary community, and connect with scholars who share similar interests. For more information, contact: LATGRAD@ND.EDU. To register, visit: https://forms.gle/iacTTtfaqhnKdYMs9 Review the conference agenda.Thursday, October 9Alumni Panel & Reception4:00 pm Hesburgh Center for International StudiesRuth Solatre-Hensgen (PhD, Spanish, 2022), Assistant Professor of Modern Languages and Cultures, St. Mary's College, Notre Dame Noe Pliego Campos(PhD, History 2023), Byron K. Trippet Assistant Professor of History, Wabash College Karla Adriana González Serrano (PhD, Electrical Engineering, 2022), Postdoctoral Researcher in Biomedical & Electrical Engineering, University of Notre Dame Xóchitl Bada (PhD, Sociology, 2008), Professor of Sociology, University of Illinois, Chicago Pablo Forni (PhD, Sociology, 2000), Director of the Institute for Social Science Research; Professor of Sociology, Universidad del Salvador (USAL)The conference is hosted by the LASU) in collaboration with various campus partners like the Kroc Institute for International Peace Studies. Originally published at kroc.nd.edu.

Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.

The Center for Italian Studies is pleased to inaugurate the sixth edition of the series Tre Corone: testi e contesti dell'Italia medievale (2025–2026) with an event dedicated to the recently published volume Voci sul Purgatorio di Dante. Una nuova lettura della seconda cantica (Carocci, 2024), edited by Zygmunt G. Barański and Maria Antonietta Terzoli. The book brings together canto-by-canto readings of Dante’s Purgatorio, developed through a series of five seminars held between September 2022 and September 2023, co-sponsored by the University of Basel’s Institute of Italian Studies and the William & Katherine Devers Program in Dante Studies at the University of Notre Dame. International in scope, Voci sul Purgatorio features contributions from scholars across diverse backgrounds and traditions who, building on the momentum of the Dante centenary, offer a fresh critical reassessment of the Purgatorio and its central themes. In addition to the canto readings, the volume includes essays on the structure and models of the Purgatorio ; its language and style between memory and modernity; the theme of love; the pastoral tradition; and issues of biography and textual transmission. On this occasion, the editors will be joined in conversation by Alberto Casadei (University of Pisa) and Mira Veronica Mocan (University of Roma Tre). Register hereZygmunt G. Barański is the Emeritus R. L. Canala Professor of Romance Languages and Literatures at the University of Notre Dame and the Serena Professor of Italian Emeritus at the University of Cambridge. He is the author of numerous studies on Dante’s works and their reception, on medieval Italian literary tradition with particular focus on authors such as Cavalcanti, Petrarch, and Boccaccio, as well as on modern Italian literature, culture, and cinema, with many essays devoted to Pasolini. His books include: The New Italian Novel (with Lino Pertile, 1993); “Libri poetarum in quattuor species dividuntur”: Essays on Dante and ‘Genre’ (1995); “Luce nuova, sole nuovo”: Saggi sul rinnovamento culturale in Dante (1996); The “Fiore” in Context: Dante, France, Tuscany (with Patrick Boyde, 1997); Pasolini Old and New: Surveys and Studies (1999); Dante e i segni: Saggi per una storia intellettuale di Dante (2000); “Chiosar con altro testo”: Leggere Dante nel Trecento (2001; winner of the Valle dei Trulli Prize for Literary Criticism); The Cambridge Companion to Modern Italian Culture (with Rebecca West, 2001); Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition (with Theodore J. Cachey Jr., 2009); Dante in Context (with Lino Pertile, 2015); The Cambridge Companion to Dante’s “Commedia” (with Simon Gilson, 2019); Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality (2020); and Voci sull’Inferno di Dante (with M. A. Terzoli, Rome, 2021). Maria Antonietta Terzoli is professor emerita at the University of Basel and the author of numerous studies on Italian literature from the fourteenth to the twentieth century. Her publications include: Il libro di Jacopo (1988); La casa della “Cognizione” (1993 and 2005); Foscolo (2000, 2008, 2010, and 2016); Le lingue di Gadda (1995); I margini del libro (2004); Le prime lettere di Jacopo Ortis (2004); Piccolomini und Basel (2005); Piccolomini: uomo di lettere (2006); Un archivio italiano (2006, with G. Giovannetti); Con l’incantesimo della parola (2007); Alle sponde del tempo consunto (2009); Letteratura e filologia fra Svizzera e Italia (2010, with A. Asor Rosa and G. Inglese); Nell’atelier dello scrittore (2010); Un meraviglioso ordegno (2013, with C. Veronese and V. Vitale); L’italiano in Svizzera (2014, with C. A. Di Bisceglia); William Blake. I disegni per la “Divina Commedia” (2014, with S. Schütze); L’italiano sulla frontiera (2015, with R. Ratti); Commento a “Quer Pasticciaccio brutto de via Merulana” di C. E. Gadda (2015 and 2016, with the collaboration of V. Vitale); Gadda: guida al “Pasticciaccio” (2016, 2017, and 2018); Dante und die bildenden Künste (2016, with S. Schütze); Invenzione del moderno (2017); William Blake. La “Divina Commedia” di Dante (2017, with S. Schütze); Inchiesta sul testo (2018); Tasso und die bildenden Künste (2018, with S. Schütze); I “Trionfi” di Petrarca (2020, with M. M. S. Barbero); Saba, Ungaretti e altro Novecento (2021); Petrarca und die bildenden Künste (2021, with S. Schütze); and Voci sull’Inferno di Dante (Rome, 2021, with Z. G. Barański). Originally published at italianstudies.nd.edu.

Amit Prasad is an associate professor in the School of History & Sociology at Georgia Institute of Technology. He specializes in global, transnational, and postcolonial sociology and history of science, technology, and medicine. His research focuses on the history of the present — in particular, how history of colonialism continues to impact present day norms, values, and practices. His goal has been to excavate the complex and often contradictory entanglements of colonial tropes, ideologies, etc. with emergent knowledges and practices of science, technology, and medicine. Prasad also explores the visual culture of medicine, in particular its shift with the emergence of technologies such as MRI, issues of priority and invention, and scientific misinformation . He has also published on biopolitics of overseas drug trials and medical transcription and engaged with the role of history of science in films. His research has been funded by the National Science Foundation, National Institutes of Health, American Institute of Indian Studies, among others and he has published in a number of journals, including Social Studies of Science, Science, Technology & Human Values, Theory, Culture, and Society, Cultural Geographies, Technology & Culture. His first book, Imperial Technoscience: Entangled Histories of MRI in the United States, Britain, and India (MIT Press, 2014), through a study of connected histories of MRI in the US, the UK, and India, investigated how the invention, industrial production, as well as cultures of MRI were entangled within colonial, West-centric, and Orientalist discourses. His second book, Science Studies Meets Colonialism (Polity, 2022), investigates how colonial tropes, norms, ideologies, etc. continue to animate the present, including in the fields of history of science and science and technology studies (STS). Drawing on an ethnographic study of a stem cell clinic, he is writing his third book that is tentatively titled Miracle or Science: Scientific Uncertainty, Contested Ethics, and Global Melange in a Stem Cell Laboratory. He is an editor of the journal Science, Technology and Society (Sage). He is also an avid collector of Indian art - medieval miniatures and modern and contemporary paintings and etchings. He is particularly interested in postcolonial cosmopolitanism of Indian art/artists. Prasad's lecture is sponsored by the Liu Institute's South Asia Group and Health, Humanities and Society, Reilly Center for Science Technology and Values.Lunch Provided — Please Bring Beverages In support of the Liu Institute’s growing commitment to sustainability, we will no longer be offering drinks at our public lectures and panels. We encourage audience members to bring their water bottles or to drink from nearby water fountains.   Originally published at asia.nd.edu.

Join in to learn about volunteer opportunities to teach a series of introductory Python workshops for South Bend–Mishawaka high school students. No prior Python experience is required. We welcome all graduate students to take advantage of this opportunity! The perk? Enjoy free pizza during the session! RSVP here!

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Drop in to meet and speak informally with curator Inha Park, a Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni, friends, and the public.

Get a one-hour sampling of the power of a Notre Dame liberal arts education with the College of Arts & Letters' Crash Course series on home football Fridays! Each event features an A&L professor leading a class session pulled directly from some of the most popular and riveting courses on campus."A History of Art in 25 Objects" with Rachel Patt, assistant professor of art historyArt History  "A History of Art in 25 Objects" takes a radically different approach to introducing art history, as survey courses typically move methodically from cave paintings to cathedrals, then from Renaissance frescoes to contemporary phenomena. Instead, this class probes from Day One the questions of “What is a work of art? And how can we use art to illuminate themes vital to the complex, messy, and profoundly joyful experience of being human?” In this session attendees will see how the class examines 25 key artworks spanning the breadth of the globe’s cultures as prisms to explore the fullness of the human experience in worlds past and present. Students learn to apply art in exploring themes like power and social justice, cross-cultural encounters and exchanges, and the nature of identity.  Alumni, friends, prospective students and their parents, and anyone else on campus are welcome.   Visit Crash Course for a complete listing of courses this season.Originally published at al.nd.edu.

Please join the Keough-Naughton Institute for a poetry reading by Luke Morgan, recipient of the 2025 Lawrence O'Shaughnessy Award for Poetry. Luke Morgan will be reading from his new collection Blood Atlas (Arlen House, 2025). Copies of his books will be available for sale after the reading. About Blood Atlas Familial connection is at the heart of Luke Morgan’s eagerly-awaited third collection, Blood Atlas. More structured than his previous works, he navigates his lineage in the form of the villanelle, sonnet, ghazal and pantoum, seeking to make sense of his personal history. These stories are mapped with a cartographer’s eye, finding connections with ancestors such as Field Marshal Montgomery and the English physicist, James Prescott Joule. Full of striking images and timeless truths, each finely-wrought poem is ‘... an open wound’. The collection culminates in a sequence of ten sonnets which explore the lesser-known senses, whether detecting the passing of time in ‘Chronoception’ or the awareness of the body in space in ‘Proprioception’. Blood Atlas demonstrates the mature reach of a poet whose skill and memory work synergistically, creating a body of work that, like his family legacy, will endure. About Luke Morgan Luke Morgan is the recipient of the O'Shaughnessy Award 2025. Blood Atlas, his eagerly awaited third collection, from Arlen House, was completed with the assistance of a bursary from The Arts Council | An Chomhairle Ealaíon. Morgan is also the author of the poetry collections Beast (Arlen House, 2022) and Honest Walls (Arlen House, 2016). In addition to his work as a poet, Luke is also part of an award-winning filmmaker duo Morgan Brothers with the composer Jake Morgan. He lives and works in Galway, Ireland.  Originally published at irishstudies.nd.edu.

Featuring: General Martin Dempsey, Retired, 18th chairman of the Joint Chiefs of Staff In conversation with: Rev. Robert A. Dowd, C.S.C., University President The United States and the global community face a myriad of complex foreign policy, economic, and security challenges. In the face of these challenges, what opportunities exist to create a more just and peaceful world?Join us for a conversation with General (Ret.) Martin Dempsey who will draw on his experiences as the senior leader of the United States Military from 2011–15 to offer insights about the importance of creating a culture of hope and building relationships based on trust while navigating even the most daunting challenges. The livestream feed will be posted to this page prior to the event. About General Martin Dempsey, Retired General Martin E. Dempsey was the 37th Chief of Staff of the Army and the 18th Chairman of the Joint Chiefs of Staff. Following 41 years of military service, he now teaches leadership at Duke University’s Fuqua School of Business and consults for the National Basketball Association on leader development and social responsibility. Since 2016, General Dempsey has also served as the Chairman of the Board of Directors of USA Basketball, the national governing body for all of our country’s international basketball competitions, men's and women's, 5x5 and 3x3, from ages 16 through the Olympics. He is a best-selling author, a decorated soldier, and among other foreign awards, a Knight of the British Empire. He is the grandson of four Irish immigrants, a member of the Irish-American Hall of Fame, and an honorary member of the Notre Dame Class of 2016. Go Irish! He and his high school sweetheart, Deanie, have been married for 49 years and live in Wake Forest, North Carolina. They have three children—each of whom served in the Army—and nine grandchildren.   Originally published at forum2025.nd.edu.

Join the Institute for Social Concerns on Friday afternoons on select home football weekends for MVP Fridays: lectures by national leaders, journalists, and writers on questions of meaning, values, and purpose. Reception and book signing to follow! For the weekend of the NC State game, we welcome Elizabeth Oldfield, author of Fully Alive. Introduction by Paul Blaschko, director, Sheedy Family Program in Economy, Enterprise, and Society; assistant teaching professor of philosophy. Co-sponsored by the Department of Theology and the Nanovic Institute for European Studies.Elizabeth Oldfield is the author of Fully Alive: Tending to the Soul in Turbulent Times, exploring how we can build spiritual core strength for an unstable age. She is also the host of The Sacred podcast, interviewing those who shape our common life about their deepest values. She is an experienced broadcaster, writer and lecturer on themes related to public ethics, spirituality, wisdom and our common life, including on the BBC and in The Times, FT, The Economist, Prospect, and UnHerd, among others. For ten years she was director of Theos, the UK’s leading religion and society think tank, building a healthy and human team culture alongside a commitment to excellence. She is the chair of the board of directors of Larger Us, an organization working to help change-makers bridge divides rather than deepening them.